122
"Yama", King of Hell
China, Qing dynasty (1644-1912), XVIII century
閻羅王, Yánluó Wáng Yen-lo-wang, lit. ‘the Yanluo king’ is a Chinese divinity of Buddhist origin. Its origin is probably [..], 150 x 65 cm
122
"Yama", King of Hell
China, Qing dynasty (1644-1912), XVIII century
閻羅王, Yánluó Wáng Yen-lo-wang, lit. ‘the Yanluo king’ is a Chinese divinity of Buddhist origin. Its origin is probably [..], 150 x 65 cm
123
Family portrait
China, Qing dynasty (1644-1912), late XIX century
Painting representing dignitary with family., 151 x 90 cm
123
Family portrait
China, Qing dynasty (1644-1912), late XIX century
Painting representing dignitary with family., 151 x 90 cm
124
Four tempera paintings on minhwa paper
Korea, Choson period, 19th century
Four tempera paintings on minhwa paper with representations of flowering plants and birds., 43 x 140 cm
124
Four tempera paintings on minhwa paper
Korea, Choson period, 19th century
Four tempera paintings on minhwa paper with representations of flowering plants and birds., 43 x 140 cm
125
Large painting of Chinese ancestors
China, Qing dynasty (1644-1912), 19th century
The painting represents the filial virtue that is so important in the Chinese Confucian pyramid vision. The family's [..], 184 x 170 cm
125
Large painting of Chinese ancestors
China, Qing dynasty (1644-1912), 19th century
The painting represents the filial virtue that is so important in the Chinese Confucian pyramid vision. The family's [..], 184 x 170 cm
126
Thangka
Cina, Tibet, Qing dynasty, 19th century
Thangka mounted in frame and original silk brocade passepartout., 34 x 53 cm
126
Thangka
Cina, Tibet, Qing dynasty, 19th century
Thangka mounted in frame and original silk brocade passepartout., 34 x 53 cm
127
Thangka
Cina, Tibet, Qing dynasty, 19th century
Thangka mounted with frame and original silk brocade passepartout., 32 x 50 cm
127
Thangka
Cina, Tibet, Qing dynasty, 19th century
Thangka mounted with frame and original silk brocade passepartout., 32 x 50 cm
129
Tankha "Drolma Marpo"
India, Ladakh, 1980 ca.
The thangka depicts "Red Tara"; it represents the destruction of illusion., 59,5 x 47 cm
129
Tankha "Drolma Marpo"
India, Ladakh, 1980 ca.
The thangka depicts "Red Tara"; it represents the destruction of illusion., 59,5 x 47 cm
130
Japanese woodblock print by Tsukioka Yoshitoshi
Japan, late Edo period (1866-1867)
Japanese woodblock print by Tsukioka Yoshitoshi depicting Nikki Bennosuke, from the series "Beautiful and Brave [..], 40 x 34 cm
130
Japanese woodblock print by Tsukioka Yoshitoshi
Japan, late Edo period (1866-1867)
Japanese woodblock print by Tsukioka Yoshitoshi depicting Nikki Bennosuke, from the series "Beautiful and Brave [..], 40 x 34 cm
131
An export reverse glass polychrome painting
China, late 19th century
An export reverse glass polychrome painting, decorated with two figures in a natural setting. Original wooden [..], 39 x 24 cm
131
An export reverse glass polychrome painting
China, late 19th century
An export reverse glass polychrome painting, decorated with two figures in a natural setting. Original wooden [..], 39 x 24 cm
132
Eight miniature paintings
India, 19th-20th century
Provenance: Italian private collection., 32 x 23,5 cm (the largest)
132
Eight miniature paintings
India, 19th-20th century
Provenance: Italian private collection., 32 x 23,5 cm (the largest)
133
Tran Van Tho
(1917 - 2004)
Tran Van Tho (1917-2004), ink painting on silk
Vietnam
Ink painting on silk representing two children., 49 x 35 cm
133
Tran Van Tho
(1917 - 2004)
Tran Van Tho (1917-2004), ink painting on silk
Vietnam
Ink painting on silk representing two children., 49 x 35 cm
134
Five polychrome xilographies
Japan, 20th century
Five polychrome xilographies on paper framed with passpartout representing the Ikebana flower arrangement., 14 x 19,5 cm (each)
134
Five polychrome xilographies
Japan, 20th century
Five polychrome xilographies on paper framed with passpartout representing the Ikebana flower arrangement., 14 x 19,5 cm (each)
135
Mori Kansai 森寛斎 (1814-1894); painted fan
Japan, 19th century
Mori Kansai 森寛斎 (1814-1894); painted fan mounted as kakemono, ink and colours on paper., 23 x 52 cm
135
Mori Kansai 森寛斎 (1814-1894); painted fan
Japan, 19th century
Mori Kansai 森寛斎 (1814-1894); painted fan mounted as kakemono, ink and colours on paper., 23 x 52 cm
136
Kikuchi Hōbun (菊池 芳文 1862-1918), painting
Japan, 19th century
Kikuchi Hōbun (菊池 芳文 1862-1918), painting, ink on paper. Kikuchi Hōbun was one of the four leading painters of [..], 18 x 45 cm
136
Kikuchi Hōbun (菊池 芳文 1862-1918), painting
Japan, 19th century
Kikuchi Hōbun (菊池 芳文 1862-1918), painting, ink on paper. Kikuchi Hōbun was one of the four leading painters of [..], 18 x 45 cm
138
Tsukioka Yoshitoshi (月岡 芳年 1839-1892), printed edition.
Japan, Taisho period
Tsukioka Yoshitoshi (月岡 芳年 1839-1892), “32 aspects of Customs and Manners of Women”, printed edition. [The exact [..], 39 x 27 cm
138
Tsukioka Yoshitoshi (月岡 芳年 1839-1892), printed edition.
Japan, Taisho period
Tsukioka Yoshitoshi (月岡 芳年 1839-1892), “32 aspects of Customs and Manners of Women”, printed edition. [The exact [..], 39 x 27 cm
139
Nukina Kaioku (貫名 海屋 1778-1863), “Calligraphy”, ink on paper
Japan, 19th century
Nukina Kaioku (貫名 海屋 1778-1863), “Calligraphy”, ink on paper. He was considered a leader in the field of Japanese [..], 14 x 24 cm
139
Nukina Kaioku (貫名 海屋 1778-1863), “Calligraphy”, ink on paper
Japan, 19th century
Nukina Kaioku (貫名 海屋 1778-1863), “Calligraphy”, ink on paper. He was considered a leader in the field of Japanese [..], 14 x 24 cm
140
Round “Dali” marble dream stone
China, first half of the 20th century
Round “Dali” marble dream stone with painted inscription and red seal, framed. This particular variety of marble [..], Diameter: 24 cm
140
Round “Dali” marble dream stone
China, first half of the 20th century
Round “Dali” marble dream stone with painted inscription and red seal, framed. This particular variety of marble [..], Diameter: 24 cm
141
Pair of polychrome album leaves painted with scenes from the Genji monogatari.
Japan, 20th century
Pair of polychrome paintings on cardboard with scenes inspired by the Genji monogatari., 23 x 16 cm
141
Pair of polychrome album leaves painted with scenes from the Genji monogatari.
Japan, 20th century
Pair of polychrome paintings on cardboard with scenes inspired by the Genji monogatari., 23 x 16 cm
142
Calligraphy in the style of Matsuo Basho (松尾 芭蕉 1644-1694)
Japan, early 20th century
Calligraphy in the style of Matsuo Basho (松尾 芭蕉 1644-1694), ink on paper and wooden scroll box., 136 x 29 cm
142
Calligraphy in the style of Matsuo Basho (松尾 芭蕉 1644-1694)
Japan, early 20th century
Calligraphy in the style of Matsuo Basho (松尾 芭蕉 1644-1694), ink on paper and wooden scroll box., 136 x 29 cm
145
Three paper and bamboo fans
Japan, 20th century
Three paper and bamboo fans decorated with various painted subjects., H.: 42 cm
145
Three paper and bamboo fans
Japan, 20th century
Three paper and bamboo fans decorated with various painted subjects., H.: 42 cm
146
KETUT TAGEN, "Penestanan Klod Ubud Bali"
Large paintings consisting of three panels depicting a Balinese village and rice fields. KETUT [..], 240 x 69 cm
146
KETUT TAGEN, "Penestanan Klod Ubud Bali"
Large paintings consisting of three panels depicting a Balinese village and rice fields. KETUT [..], 240 x 69 cm
147
Ketut Tagen, "Penestanan Klod Ubud Bali"
A pupil of Arie Smit, Ketut Tagen is one of the most popular artists on the scene in Penestanan, Bali. He is adept [..], 240 x 69 cm
147
Ketut Tagen, "Penestanan Klod Ubud Bali"
A pupil of Arie Smit, Ketut Tagen is one of the most popular artists on the scene in Penestanan, Bali. He is adept [..], 240 x 69 cm
148
Zhang Chun He (1958- ) "The Yulong Mountain”
Yulong Mountain is a sacred place for the Naxi people of the Yunnan region in China. The artist is one of the [..], 75 x 75 cm
148
Zhang Chun He (1958- ) "The Yulong Mountain”
Yulong Mountain is a sacred place for the Naxi people of the Yunnan region in China. The artist is one of the [..], 75 x 75 cm
