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A circular fan painted in color and ink on silk with a classic Shanshui mountain landscape within a frame. China, late Qing Dynasty; 20th century.

Height 40 cm; width 65 cm
The painting is shaped like a circular fan (团扇, tuanshan) enclosing a complete scene. The surface is silk, which gives the painting a particular luminosity and delicacy. The theme is a classic Shanshui mountain landscape, with imposing mountains, pine trees, and a small building (probably a pavilion or hermitage) nestled in the landscape. The composition follows the rules of traditional Chinese painting, with a balance between "emptiness" (the sky and clouds) and "fullness" (the mountains and trees).
The artist uses a muted palette of greens, ochres, and black ink. The mountains are rendered with soft brushstrokes and shading (cunfa 皴法) that suggest the texture of rock, while the pine trees are painted with bolder, darker strokes. The style is reminiscent of the Orthodox School (the "Four Wangs" 四王) of the early Qing period, which placed great emphasis on the study and imitation of ancient masters.
At the top right, the calligraphic inscription and red seals. The calligraphy, in cursive or semi-cursive style, indicates that the painting was created the day before the annual Dragon Boat Festival "甲午," by an artist active in the Songjiang region, who signed himself "仲山氏" and declared himself to have "imitated the ancients."

PROVENANCE
Graziella Simbolotti Countess de Maillard Collection

LOT AVAILABLE FOR VIEWING BY APPOINTMENT ONLY
This lot may be viewed at the owner's premises by appointment.
For information and appointments:
a.narguet@bertolamifineart.com
g.graziosi@bertolamifineart.com


25/09/2026 01:24:10
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Live auction 400

ORIENTAL ART FROM ARISTOCRATIC MANSIONS. SPECIAL FOCUS ON THE DE CAMONDO AND THE SIMBOLOTTI DE MAILLARD COLLECTIONS

Palazzo Caetani Lovatelli, thu 22 October 2026
SINGLE SESSION 22/10/2026 Hours 12:00
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