301
Angelo Rossini
(Roma, 1871 - 1939)
The Cypress Pond of Villa Falconieri in Frascati
1910
Three-color etching, 100 x 115 mm (plate), 225 x 318 mm (sheet). Signed in pencil lower right. Very nice impression [..]
301
Angelo Rossini
(Roma, 1871 - 1939)
The Cypress Pond of Villa Falconieri in Frascati
1910
Three-color etching, 100 x 115 mm (plate), 225 x 318 mm (sheet). Signed in pencil lower right. Very nice impression [..]
302
LINO SELVATICO
(Padova , 1872 - Treviso, 1924)
Woman with hat
Drypoint and etching, 488 x 340 mm (sheet). A superb, rich proof on thick wove paper. Some foxing and browning [..]
302
LINO SELVATICO
(Padova , 1872 - Treviso, 1924)
Woman with hat
Drypoint and etching, 488 x 340 mm (sheet). A superb, rich proof on thick wove paper. Some foxing and browning [..]
303
Heinrich Vogeler
(1872 - 1942)
Frog King
1896
Etching, 220 x 295 mm (plate), 360 x 445 mm. Superb impression on wove paper. In excellent condition, except [..]
303
Heinrich Vogeler
(1872 - 1942)
Frog King
1896
Etching, 220 x 295 mm (plate), 360 x 445 mm. Superb impression on wove paper. In excellent condition, except [..]
304
Edgar Chahine
(1874 - 1947)
Portrait of Alfred Stevens
1900
Drypoint, 147 x 220 mm (plate), 183 x 272 mm (sheet). Very nice and fresh impression on laid paper. Gazette [..]
304
Edgar Chahine
(1874 - 1947)
Portrait of Alfred Stevens
1900
Drypoint, 147 x 220 mm (plate), 183 x 272 mm (sheet). Very nice and fresh impression on laid paper. Gazette [..]
305
Adolfo De Carolis (1874 - 1928)
The work
1923
Two-woodcut, 255 x 327 mm. Edition 125/154 lower left and signed in pencil lower right. Beautiful impression [..]
305
Adolfo De Carolis (1874 - 1928)
The work
1923
Two-woodcut, 255 x 327 mm. Edition 125/154 lower left and signed in pencil lower right. Beautiful impression [..]
306
Adolfo De Carolis (1874 - 1928)
Self portrait
Three-color woodcut printed on glossy paper, 370 x 295 mm. Very nice impression, in very good condition, except [..]
306
Adolfo De Carolis (1874 - 1928)
Self portrait
Three-color woodcut printed on glossy paper, 370 x 295 mm. Very nice impression, in very good condition, except [..]
307
Jacques Villon
(1875 - 1963)
Ed. Sagot Paris
Aquatint, 240 x 182 mm (plate), 290 x 212 mm (sheet). Very nice impression on wove paper. In very good condit [..]
307
Jacques Villon
(1875 - 1963)
Ed. Sagot Paris
Aquatint, 240 x 182 mm (plate), 290 x 212 mm (sheet). Very nice impression on wove paper. In very good condit [..]
308
Trade Card Ed. Sagot Paris
Two-color etching, 97 x 127 mm (plate), 200 x 260 mm (sheet). Very nice impression printed on thick wove paper. [..]
308
Trade Card Ed. Sagot Paris
Two-color etching, 97 x 127 mm (plate), 200 x 260 mm (sheet). Very nice impression printed on thick wove paper. [..]
310
TavIk Frantisek Simon
(Zeleznice, 1877 - Praga, 1942)
Riva Schiavoni, Venice
1910
Etching and aquatint, 312 x 354 mm. Signed in pencil lower right, artist's stamp in red lower left (Lugt 10 [..]
310
TavIk Frantisek Simon
(Zeleznice, 1877 - Praga, 1942)
Riva Schiavoni, Venice
1910
Etching and aquatint, 312 x 354 mm. Signed in pencil lower right, artist's stamp in red lower left (Lugt 10 [..]
311
Luigi Bonazza
(1877 - 1965)
Cesare Battisti
Etching and aquatint, 276 x 240 mm. Splendid impression in blue ink. Sheet in very good condition, except for [..]
311
Luigi Bonazza
(1877 - 1965)
Cesare Battisti
Etching and aquatint, 276 x 240 mm. Splendid impression in blue ink. Sheet in very good condition, except for [..]
312
RAOUL DUFY
(Le Havre, 1877 - Forcalquier, 1953)
Les Baigneuses
c.1920
Lithograph, 330 x 500 mm. Signed in pencil lower right. Printed on Japanese paper with blind stamp of the Galerie [..]
312
RAOUL DUFY
(Le Havre, 1877 - Forcalquier, 1953)
Les Baigneuses
c.1920
Lithograph, 330 x 500 mm. Signed in pencil lower right. Printed on Japanese paper with blind stamp of the Galerie [..]
313
Giovanni Costetti
(1878 - 1949)
Vecchia
Etching, 440 x 295 mm. Titled and signed in pencil. Very fine impression in brown ink, printed on wove paper. [..]
313
Giovanni Costetti
(1878 - 1949)
Vecchia
Etching, 440 x 295 mm. Titled and signed in pencil. Very fine impression in brown ink, printed on wove paper. [..]
314
Vittorio Grassi
(1878 - 1958)
Roman countryside
Aquatint and etching, 400 x 335 mm (sheet). Signed lower right in pencil. Very fine impression.
314
Vittorio Grassi
(1878 - 1958)
Roman countryside
Aquatint and etching, 400 x 335 mm (sheet). Signed lower right in pencil. Very fine impression.
315
Lucien Henri Grandgérard
(1880 - 1970)
Madam Estival | Mon modèle
Lot of two prints: Madam Summer Drypoint, 380 x 307 mm (sheet). III state, edition 1/1. Signed lower right [..]
315
Lucien Henri Grandgérard
(1880 - 1970)
Madam Estival | Mon modèle
Lot of two prints: Madam Summer Drypoint, 380 x 307 mm (sheet). III state, edition 1/1. Signed lower right [..]
316
André Dunoyer de Segonzac
(1884 - 1974)
100-meter dash
Drypoint, 235 x 315 mm. Edition 34/50, signed in pencil lower right.
316
André Dunoyer de Segonzac
(1884 - 1974)
100-meter dash
Drypoint, 235 x 315 mm. Edition 34/50, signed in pencil lower right.
317
FRANCESCO NONNI
(Faenza, 1885 - 1976)
Et nos cedamos amori
Woodcut, 240 x 305 mm. Titled and signed in pencil. Fine impression on laid paper. Uniformly browned sheet.
317
FRANCESCO NONNI
(Faenza, 1885 - 1976)
Et nos cedamos amori
Woodcut, 240 x 305 mm. Titled and signed in pencil. Fine impression on laid paper. Uniformly browned sheet.
318
Robert Bonfils
(1886 - 1972)
Venetian Gondolas
1922
Three-color woodcut, 325 x 255 mm (sheet). IFF 39. Edition 25/154, signed in pencil lower right.
318
Robert Bonfils
(1886 - 1972)
Venetian Gondolas
1922
Three-color woodcut, 325 x 255 mm (sheet). IFF 39. Edition 25/154, signed in pencil lower right.
319
Louis Icart
(1888 - 1950)
Girl with a Miniature Schnauzer | Girl with a Schitzu
Aquatint and drypoint, 200 x 247 mm (plate). Signed in pencil lower right. Very nice color impressions, printed [..]
319
Louis Icart
(1888 - 1950)
Girl with a Miniature Schnauzer | Girl with a Schitzu
Aquatint and drypoint, 200 x 247 mm (plate). Signed in pencil lower right. Very nice color impressions, printed [..]
320
Felice Vellan
(1889 - 1976)
Gypsies
1953
Monotype, approx. 370 x 470 mm. Titled, dated and signed in pencil at the bottom. Sheet with signs of foxing. [..]
320
Felice Vellan
(1889 - 1976)
Gypsies
1953
Monotype, approx. 370 x 470 mm. Titled, dated and signed in pencil at the bottom. Sheet with signs of foxing. [..]
321
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
La passeggiata
1962
Etching, 100 x 86 mm (plate); 295 x 205 mm (sheet). Signed, titled and dated in pencil. Very nice impression [..]
321
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
La passeggiata
1962
Etching, 100 x 86 mm (plate); 295 x 205 mm (sheet). Signed, titled and dated in pencil. Very nice impression [..]
322
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Finestra del solitario
1924
Etching, 200 x 165 mm (plate); 295 x 245 mm (sheet). 2nd state of 3. Titled and signed in pencil at the bottom. [..]
322
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Finestra del solitario
1924
Etching, 200 x 165 mm (plate); 295 x 245 mm (sheet). 2nd state of 3. Titled and signed in pencil at the bottom. [..]
323
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Lavandaie
Etching, 80 x 107 mm (plate), 124 x 148 mm (sheet). Very nice impression with plate-tone on wove paper.
323
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Lavandaie
Etching, 80 x 107 mm (plate), 124 x 148 mm (sheet). Very nice impression with plate-tone on wove paper.
324
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
The dog Liebe
1940
Etching, 140 x 140 mm (plate), 387 x 292 mm (sheet). Titled "Il cane" and signed in pencil at the bottom. Very [..]
324
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
The dog Liebe
1940
Etching, 140 x 140 mm (plate), 387 x 292 mm (sheet). Titled "Il cane" and signed in pencil at the bottom. Very [..]
325
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
La panchina
1945
Etching, 250 x 330 mm (plate), 280 x 365 mm (sheet). Impressed on wove paper. Sheet in excellent condition.
325
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
La panchina
1945
Etching, 250 x 330 mm (plate), 280 x 365 mm (sheet). Impressed on wove paper. Sheet in excellent condition.
326
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Mie ninfe
1932
Etching, 178 x 63 mm (plate), 225 x 165 mm (sheet). Fine impression with surface tone on watermarked paper [..]
326
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Mie ninfe
1932
Etching, 178 x 63 mm (plate), 225 x 165 mm (sheet). Fine impression with surface tone on watermarked paper [..]
327
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Ex libris with split walnut
Etching on chine-collé, 75 x 75 mm (plate), 208 x 170 mm (sheet). Fine impression with surface tone. Blind stamp [..]
327
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Ex libris with split walnut
Etching on chine-collé, 75 x 75 mm (plate), 208 x 170 mm (sheet). Fine impression with surface tone. Blind stamp [..]
328
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Lavandaia
1933
Etching, 112 x 146 mm (plate), 186 x 268 mm (sheet). Signed in pencil lower right Fine, rich impression on wove [..]
328
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
Lavandaia
1933
Etching, 112 x 146 mm (plate), 186 x 268 mm (sheet). Signed in pencil lower right Fine, rich impression on wove [..]
329
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
The hyacinths
1938
Etching, 220 x 150 mm (plate), 320 x 212 mm (sheet). Signed and dated on the plate. Titled, signed and inscribed [..]
329
LUIGI BARTOLINI©
(Cupramontana, 1892 - Roma, 1963)
The hyacinths
1938
Etching, 220 x 150 mm (plate), 320 x 212 mm (sheet). Signed and dated on the plate. Titled, signed and inscribed [..]
330
DIEGO PETTINELLI©
(Roma, 1897 - 1989)
Vittoriale degli Italiani. Costruzione del teatro.
1937
Woodcut, 340 x 490 mm (sheet). Edition XIV/XX, signed in pencil lower right. Fine impression with chiaroscuro [..]
330
DIEGO PETTINELLI©
(Roma, 1897 - 1989)
Vittoriale degli Italiani. Costruzione del teatro.
1937
Woodcut, 340 x 490 mm (sheet). Edition XIV/XX, signed in pencil lower right. Fine impression with chiaroscuro [..]