211
John Murphy
Titian's son and nurse
Mezzotint, 520 x 370 mm (sheet). 3rd state of 4, with the entire letter portion. C. Smith, British Mezzotinto [..]
211
John Murphy
Titian's son and nurse
Mezzotint, 520 x 370 mm (sheet). 3rd state of 4, with the entire letter portion. C. Smith, British Mezzotinto [..]
212
Michelangelo Buonarrotti in his studio
Lithograph, 555 x 708 mm (sheet). Published by Schneider in Berlin for Otto Humburg & Co. Fine impression [..]
212
Michelangelo Buonarrotti in his studio
Lithograph, 555 x 708 mm (sheet). Published by Schneider in Berlin for Otto Humburg & Co. Fine impression [..]
213
Nicolas Colibert
(1750 - 1806)
Le culte des Nègres, after Pierre Thomas Victor Fréret
Etching, engraving, and stippling, 435 x 505 mm (sheet). Published by Depeuille in Paris in 1795 to commemorate [..]
213
Nicolas Colibert
(1750 - 1806)
Le culte des Nègres, after Pierre Thomas Victor Fréret
Etching, engraving, and stippling, 435 x 505 mm (sheet). Published by Depeuille in Paris in 1795 to commemorate [..]
214
Giovanni Della Longa
(1888)
Temple of the Twenty-Six Martyrs of Japan | The Round Temple of St. Peter in Montorio | Monument to Peace | The Round Temple of St. Peter in Montorio (in sepia
Lot of four engravings: Temple to the Twenty-six Martyrs of Japan Etching, 490 x 650 mm (sheet) Monument to [..]
214
Giovanni Della Longa
(1888)
Temple of the Twenty-Six Martyrs of Japan | The Round Temple of St. Peter in Montorio | Monument to [..]
Lot of four engravings: Temple to the Twenty-six Martyrs of Japan Etching, 490 x 650 mm (sheet) Monument to [..]
216
Girolamo Scotto
(1878)
David with the head of Goliath
1817
After a painting erroneously attributed to Caravaggio in the caption. Engraving, 610 x 497 mm (sheet). Fine impression [..]
216
Girolamo Scotto
(1878)
David with the head of Goliath
1817
After a painting erroneously attributed to Caravaggio in the caption. Engraving, 610 x 497 mm (sheet). Fine impression [..]
217
Jean Baptiste Simonet
(1742)
Henry IV at the Miller’s House, after Jean-Michel Moreau le Jeune
Engraving and etching, 438 x 330 mm. 3rd state, avant la lettre, but with the decorative border. LeBlanc III.522.3 [..]
217
Jean Baptiste Simonet
(1742)
Henry IV at the Miller’s House, after Jean-Michel Moreau le Jeune
Engraving and etching, 438 x 330 mm. 3rd state, avant la lettre, but with the decorative border. LeBlanc III.522.3 [..]
218
Richard Earlom
(London, 1743 - 1822)
Still Life with a Bouquet of Flowers, after Jan van Huysum
1778
Mezzotint, 560 x 425 mm (sheet). Superb impression with deep velvety tones, printed on laid paper. Sheet with [..]
218
Richard Earlom
(London, 1743 - 1822)
Still Life with a Bouquet of Flowers, after Jan van Huysum
1778
Mezzotint, 560 x 425 mm (sheet). Superb impression with deep velvety tones, printed on laid paper. Sheet with [..]
219
Sylvester Harding
(Newcastle, 1745 - London, 1809)
Cardinal Wolsey
Stipple, 185 x 135 mm (each sheet). Lot of two states: first state, avant la lettre, with unfinished dotting, [..]
219
Sylvester Harding
(Newcastle, 1745 - London, 1809)
Cardinal Wolsey
Stipple, 185 x 135 mm (each sheet). Lot of two states: first state, avant la lettre, with unfinished dotting, [..]
220
Francisco Goya
(1746 - 1828)
Los Desastres de la Guerra. Coleccion de ochenta láminas inventadas y grabadas al agua fuerte
Madrid: Royal Academy, 1863
First edition, one of 500 copies. Oblong in-folio (235 × 325 mm). Complete copy, with 80 etchings, aquatints, [..]
220
Francisco Goya
(1746 - 1828)
Los Desastres de la Guerra. Coleccion de ochenta láminas inventadas y grabadas al agua fuerte
Madrid: Royal Academy, 1863
First edition, one of 500 copies. Oblong in-folio (235 × 325 mm). Complete copy, with 80 etchings, aquatints, [..]
221
Francisco Goya
(1746 - 1828)
Las exhortaciones
Plate no. 16 from Los Proverbios series. Etching and aquatint, 327 x 468 mm (sheet). From the first edition [..]
221
Francisco Goya
(1746 - 1828)
Las exhortaciones
Plate no. 16 from Los Proverbios series. Etching and aquatint, 327 x 468 mm (sheet). From the first edition [..]
222
Francisco Goya
(1746 - 1828)
Disparate ridiculo
Plate no. 3 from Los Proverbios series. Etching and aquatint, 327 x 468 mm (sheet). From the 1st edition of 1864. [..]
222
Francisco Goya
(1746 - 1828)
Disparate ridiculo
Plate no. 3 from Los Proverbios series. Etching and aquatint, 327 x 468 mm (sheet). From the 1st edition of 1864. [..]
223
Francisco Goya
(1746 - 1828)
Otras leyes por el pueblo | Lluvia de toros | ¡Qué guerrero! | Una reina del circo
Lot of 4 additional plates from the Los Proverbios series. Etching and aquatint, approx. 300 x 432 mm (each sheet), [..]
223
Francisco Goya
(1746 - 1828)
Otras leyes por el pueblo | Lluvia de toros | ¡Qué guerrero! | Una reina del circo
Lot of 4 additional plates from the Los Proverbios series. Etching and aquatint, approx. 300 x 432 mm (each sheet), [..]
224
Francisco Goya
(1746 - 1828)
Si quebró el cántaro
Plate no. 25 from the series Los Caprichos. Etching and aquatint, 290 x 190 mm (sheet). 1st edition of the 12th [..]
224
Francisco Goya
(1746 - 1828)
Si quebró el cántaro
Plate no. 25 from the series Los Caprichos. Etching and aquatint, 290 x 190 mm (sheet). 1st edition of the 12th [..]
225
Francisco Goya
(1746 - 1828)
Hasta su abuelo
Plate no. 39 from the series Los Caprichos. Etching and aquatint, 290 x 190 mm (sheet). 1st edition of the 12 [..]
225
Francisco Goya
(1746 - 1828)
Hasta su abuelo
Plate no. 39 from the series Los Caprichos. Etching and aquatint, 290 x 190 mm (sheet). 1st edition of the 12 [..]
226
Francisco Goya
(1746 - 1828)
No hubo remedio
Plate no. 31 from the series Los Caprichos. Etching and aquatint, 290 x 190 mm (sheet). 1st edition of the 12 [..]
226
Francisco Goya
(1746 - 1828)
No hubo remedio
Plate no. 31 from the series Los Caprichos. Etching and aquatint, 290 x 190 mm (sheet). 1st edition of the 12 [..]
227
Francisco Goya
(1746 - 1828)
¡Miren que graves!
Plate no. 63 from the series Los Caprichos. Etching and aquatint, 312 x 214 mm (sheet). 2nd edition of the 12 [..]
227
Francisco Goya
(1746 - 1828)
¡Miren que graves!
Plate no. 63 from the series Los Caprichos. Etching and aquatint, 312 x 214 mm (sheet). 2nd edition of the 12 [..]
228
Francisco Goya
(1746 - 1828)
Well done!
Plate no. 38 from the series Los Caprichos. Etching and aquatint, 312 x 214 mm (sheet). 2nd edition of the 12 [..]
228
Francisco Goya
(1746 - 1828)
Well done!
Plate no. 38 from the series Los Caprichos. Etching and aquatint, 312 x 214 mm (sheet). 2nd edition of the 12 [..]
229
Dominique Vivant Denon
(1747 - 1825)
Essai au crayon à la plume et à l’estompe
1809
Lithograph, 211 x 171 mm. Inscribed: "fait: a la lithographie de Munich le 15 9bre 1809 Denon". Chu 459. Fine [..]
229
Dominique Vivant Denon
(1747 - 1825)
Essai au crayon à la plume et à l’estompe
1809
Lithograph, 211 x 171 mm. Inscribed: "fait: a la lithographie de Munich le 15 9bre 1809 Denon". Chu 459. Fine [..]
230
Giovanni David
(Cabella Ligure, 1749 - Genova, 1790)
Curious Psyche
Etching and aquatint, 251 x 178 mm. Schleier and Grasso 149. Very fine impression, trimmed and missing the lower [..]
230
Giovanni David
(Cabella Ligure, 1749 - Genova, 1790)
Curious Psyche
Etching and aquatint, 251 x 178 mm. Schleier and Grasso 149. Very fine impression, trimmed and missing the lower [..]
231
Robert Blyth
(1784)
An Aga of the Janizaries, after John Hamilton Mortimer
1779
Etching, 382 x 310 mm (plate), 500 x 405 mm (sheet). Very fine example on laid paper with lettered watermark. [..]
231
Robert Blyth
(1784)
An Aga of the Janizaries, after John Hamilton Mortimer
1779
Etching, 382 x 310 mm (plate), 500 x 405 mm (sheet). Very fine example on laid paper with lettered watermark. [..]
232
Henry Mackworth
(1753)
Judith with the Head of Holofernes, after Giovanni Andrea Sirani
Etching, 300 x 208 mm. Counterproof of the plate by Sirani (Bertella, Incisori Bolognesi ed Emiliani…, no. 929) [..]
232
Henry Mackworth
(1753)
Judith with the Head of Holofernes, after Giovanni Andrea Sirani
Etching, 300 x 208 mm. Counterproof of the plate by Sirani (Bertella, Incisori Bolognesi ed Emiliani…, no. 929) [..]
233
Charles Clément Bervic
(1756 - 1822)
L'Enlèvement de Déjanire, after Guido Reni | The Education of Achilles, after Jean Baptiste Regnault
1802
Engraving, 575 x 418 mm each. Very fine impressions on heavy laid paper. L’Enlèvement de Déjanire in excellent [..]
233
Charles Clément Bervic
(1756 - 1822)
L'Enlèvement de Déjanire, after Guido Reni | The Education of Achilles, after Jean Baptiste Regna [..]
1802
Engraving, 575 x 418 mm each. Very fine impressions on heavy laid paper. L’Enlèvement de Déjanire in excellent [..]
234
Carlo Lasinio
(1759 - 1855)
View of all types of warships and merchant ships sailing in the Mediterranean...
1790
Etching and engraving, 600 x 770 mm.
234
Carlo Lasinio
(1759 - 1855)
View of all types of warships and merchant ships sailing in the Mediterranean...
1790
Etching and engraving, 600 x 770 mm.
235
Johann Christian Reinhart
(1761 - 1847)
Aricia | Near Subiaco
Etching, approx. 345 x 440 mm (each sheet). Fine impressions on laid paper. Margins preserved. Sheets browned, [..]
235
Johann Christian Reinhart
(1761 - 1847)
Aricia | Near Subiaco
Etching, approx. 345 x 440 mm (each sheet). Fine impressions on laid paper. Margins preserved. Sheets browned, [..]
236
Francesco Rosaspina
(1762 - 1841)
I'm crying peace, peace, peace, from Guercino
Soft-ground etching, 508 x 370 mm (sheet). Allegory of Peace burning the instruments of war with a verse from [..]
236
Francesco Rosaspina
(1762 - 1841)
I'm crying peace, peace, peace, from Guercino
Soft-ground etching, 508 x 370 mm (sheet). Allegory of Peace burning the instruments of war with a verse from [..]
237
Giovanni Battista Frulli
(1762 - 1837)
Ganymede Serves Nectar to the Gods, after Parmigianino
Etching and color aquatint, 200 x 290 mm (plate), 235 x 352 mm (sheet) Impression with very fine inking, printed [..]
237
Giovanni Battista Frulli
(1762 - 1837)
Ganymede Serves Nectar to the Gods, after Parmigianino
Etching and color aquatint, 200 x 290 mm (plate), 235 x 352 mm (sheet) Impression with very fine inking, printed [..]
238
Giovanni Paolo Saverio Chianale
(Torino)
View of Saorge | View of the Brois Field, after Giuseppe Pietro Bagetti
1793
Etching, approx. 280 x 420 mm (each sheet). Sheet evenly browned. Overall in good condition. With 19th-century [..]
238
Giovanni Paolo Saverio Chianale
(Torino)
View of Saorge | View of the Brois Field, after Giuseppe Pietro Bagetti
1793
Etching, approx. 280 x 420 mm (each sheet). Sheet evenly browned. Overall in good condition. With 19th-century [..]
239
Francesco Inghirami
(1772 - 1846)
Collezione di otto disegni per decorazioni teatrali inventati dal sig. Luigi Tasca
Fiesole 1820
Eight engravings + title page. Brown ink aquatint, approx. 305 x 440 mm (each sheet). Very fine, fresh impressions, [..]
239
Francesco Inghirami
(1772 - 1846)
Collezione di otto disegni per decorazioni teatrali inventati dal sig. Luigi Tasca
Fiesole 1820
Eight engravings + title page. Brown ink aquatint, approx. 305 x 440 mm (each sheet). Very fine, fresh impressions, [..]
240
Pierre Narcisse Guérin
(1774 - 1833)
Qui trop embrasse, mal étreint
1816
Lithograph, 365 x 280 mm (sheet). Rare example of early lithographs, printed on wove paper. Sheet with wide margins, [..]
240
Pierre Narcisse Guérin
(1774 - 1833)
Qui trop embrasse, mal étreint
1816
Lithograph, 365 x 280 mm (sheet). Rare example of early lithographs, printed on wove paper. Sheet with wide margins, [..]