41
Study for a male head
18th-century Central Italian artist
Red chalk, black pencil and white heightening on blue paper, in a contemporary mount, 300 × 257 mm (sheet), 368 [..]
41
Study for a male head
18th-century Central Italian artist
Red chalk, black pencil and white heightening on blue paper, in a contemporary mount, 300 × 257 mm (sheet), 368 [..]
42
Life of Saint Francis
18th-century Central Italian artist
Lot of four drawings. Pen, brown ink, wash, and traces of pencil on laid paper, approx. 430 x 285 mm each. Each [..]
42
Life of Saint Francis
18th-century Central Italian artist
Lot of four drawings. Pen, brown ink, wash, and traces of pencil on laid paper, approx. 430 x 285 mm each. Each [..]
43
Nicola Antonio Monti
(Ascoli Piceno, 1736 - 1795)
Study with a group of figures
Pencil on unlaid paper, 236 x 221 mm. Inscribed lower right in brown ink: Nicola Monti dise. An unidentified collector's [..]
43
Nicola Antonio Monti
(Ascoli Piceno, 1736 - 1795)
Study with a group of figures
Pencil on unlaid paper, 236 x 221 mm. Inscribed lower right in brown ink: Nicola Monti dise. An unidentified collector's [..]
44
Pietro Antonio De Pietri
(Novara, 1669 - Roma, 1716)
Attributed to
Study of Figures for a Pendentive
Pen, brown ink and black wash on laid paper with a fragment of watermark, 210 x 145 mm
44
Pietro Antonio De Pietri
(Novara, 1669 - Roma, 1716)
Attributed to
Study of Figures for a Pendentive
Pen, brown ink and black wash on laid paper with a fragment of watermark, 210 x 145 mm
45
Agony in the Garden
18th century Roman school
Pen, brown ink and black wash on laid paper backed with a receipt sheet, mounted on a modern passe-partout, 276 [..]
45
Agony in the Garden
18th century Roman school
Pen, brown ink and black wash on laid paper backed with a receipt sheet, mounted on a modern passe-partout, 276 [..]
46
Antonio Cavallucci
(Sermoneta, 1752 - Roma, 1795)
Attribuito a
Saint Justus | Saint Olympias the Widow
Lot of two drawings of saints, from the sculptures on the colonnade of St. Peter's in the Vatican Pencil [..]
46
Antonio Cavallucci
(Sermoneta, 1752 - Roma, 1795)
Attribuito a
Saint Justus | Saint Olympias the Widow
Lot of two drawings of saints, from the sculptures on the colonnade of St. Peter's in the Vatican Pencil [..]
47
Francesco Trevisani
(Capodistria, 1656 - Roma, 1746)
Sphere of
Study for a bust of cardinal
Pencil, black ink, wash, and traces of white lead on brown laid paper, 244 x 168 mm. On the verso, a study for [..]
47
Francesco Trevisani
(Capodistria, 1656 - Roma, 1746)
Sphere of
Study for a bust of cardinal
Pencil, black ink, wash, and traces of white lead on brown laid paper, 244 x 168 mm. On the verso, a study for [..]
48
Pier Leone Ghezzi
(Roma, 1674 - 1755)
Vacher
Pen and brown ink on laid paper, formerly backed, 290 x 192 mm. With frame, glass, and passe-partout (54 x 39 [..]
48
Pier Leone Ghezzi
(Roma, 1674 - 1755)
Vacher
Pen and brown ink on laid paper, formerly backed, 290 x 192 mm. With frame, glass, and passe-partout (54 x 39 [..]
49
Pier Leone Ghezzi
(Roma, 1674 - 1755)
M.le Ch. de Castellane
Pen and brown ink on laid paper, formerly backed, 274 x 175 mm. With frame, glass, and passe-partout (54 x 39 [..]
49
Pier Leone Ghezzi
(Roma, 1674 - 1755)
M.le Ch. de Castellane
Pen and brown ink on laid paper, formerly backed, 274 x 175 mm. With frame, glass, and passe-partout (54 x 39 [..]
50
Pier Leone Ghezzi
(Roma, 1674 - 1755)
Circle of
Caricature of a woman with a child
Pen and brown ink on laid paper, mounted on a modern passe-partout, 220 x 170 mm
50
Pier Leone Ghezzi
(Roma, 1674 - 1755)
Circle of
Caricature of a woman with a child
Pen and brown ink on laid paper, mounted on a modern passe-partout, 220 x 170 mm
51
Pier Leone Ghezzi
(Roma, 1674 - 1755)
Circle of
Caricature of a woman reading
Pen and brown ink on laid paper, mounted on a modern passe-partout, 220 x 172 mm
51
Pier Leone Ghezzi
(Roma, 1674 - 1755)
Circle of
Caricature of a woman reading
Pen and brown ink on laid paper, mounted on a modern passe-partout, 220 x 172 mm
52
Fedele Fischetti
(Napoli, 1732 - 1792)
Attribuito a
Bacchus
Pen and brown ink, black wash and traces of pencil on watermarked laid paper, with pouncing holes, mounted on [..]
52
Fedele Fischetti
(Napoli, 1732 - 1792)
Attribuito a
Bacchus
Pen and brown ink, black wash and traces of pencil on watermarked laid paper, with pouncing holes, mounted on [..]
53
Study of a female face
18th-century Italian artist
Charcoal and white lead on blue paper with watermark (letters G and V in a circle surrounded by a floral frame), [..]
53
Study of a female face
18th-century Italian artist
Charcoal and white lead on blue paper with watermark (letters G and V in a circle surrounded by a floral frame), [..]
54
Madonna and Child with St. John the Baptist
18th-century French school
Red chalk on laid paper with a fragment of a watermark (large coat of arms), 250 × 202 mm. In a modern mount
54
Madonna and Child with St. John the Baptist
18th-century French school
Red chalk on laid paper with a fragment of a watermark (large coat of arms), 250 × 202 mm. In a modern mount
55
Study for the Archangel Gabriel with a Sleeping Soldier
18th-century French school
Pencil on laid paper with a fragment of watermark (fleur-de-lis in a double circle), 397 x 195 mm. On the reverse: [..]
55
Study for the Archangel Gabriel with a Sleeping Soldier
18th-century French school
Pencil on laid paper with a fragment of watermark (fleur-de-lis in a double circle), 397 x 195 mm. On the reverse: [..]
56
François Boitard
(Toulouse, 1670 - Amsterdam, 1715)
Saint Lucy
Pen, brown ink, and black wash on laid paper, 270 x 200 mm. Signed in ink lower right: François Boitard inueni. [..]
56
François Boitard
(Toulouse, 1670 - Amsterdam, 1715)
Saint Lucy
Pen, brown ink, and black wash on laid paper, 270 x 200 mm. Signed in ink lower right: François Boitard inueni. [..]
57
Johann Heinrich Wilhelm Tischbein
(1751 - 1829)
Male head, after Raphael
Watercolor and traces of pencil on paper, with original mounting, 525 x 405 mm. On the reverse is a stamp from [..]
57
Johann Heinrich Wilhelm Tischbein
(1751 - 1829)
Male head, after Raphael
Watercolor and traces of pencil on paper, with original mounting, 525 x 405 mm. On the reverse is a stamp from [..]
58
Johann Heinrich Wilhelm Tischbein
(1751 - 1829)
Female head, after Raphael
Watercolor and traces of pencil on paper, with original mounting, 527 x 405 mm. On the reverse is a stamp from [..]
58
Johann Heinrich Wilhelm Tischbein
(1751 - 1829)
Female head, after Raphael
Watercolor and traces of pencil on paper, with original mounting, 527 x 405 mm. On the reverse is a stamp from [..]
59
Johann Heinrich Wilhelm Tischbein
(1751 - 1829)
Cerchia di
Cavalier Brancaccio
Pencil on laid paper with a fragment of literary watermark, inscription in brown ink lower right, 230 x 187 mm
59
Johann Heinrich Wilhelm Tischbein
(1751 - 1829)
Cerchia di
Cavalier Brancaccio
Pencil on laid paper with a fragment of literary watermark, inscription in brown ink lower right, 230 x 187 mm
60
Supper at Emmaus
18th-century Spanish school
Red chalk, black wash, black ink and pen, with traces of pencil, on thick laid paper, mounted on a modern mount, [..]
60
Supper at Emmaus
18th-century Spanish school
Red chalk, black wash, black ink and pen, with traces of pencil, on thick laid paper, mounted on a modern mount, [..]
61
Giuseppe Bossi
(Busto Arsizio, 1777 - Milano, 1815)
Attributed to
Study for a scene with Roman soldiers
Pen, brown ink and pencil on laid paper with a fragment of watermark, 270 x 365 mm
61
Giuseppe Bossi
(Busto Arsizio, 1777 - Milano, 1815)
Attributed to
Study for a scene with Roman soldiers
Pen, brown ink and pencil on laid paper with a fragment of watermark, 270 x 365 mm
62
Giuseppe Haimann
(Milano, 1828 - Alessandria, 1883)
Mountainous landscape with tree
Watercolor on paper, approx. 110 x 225 mm. With frame, passe-partout, and glass (30 x 39 x 1 cm)
62
Giuseppe Haimann
(Milano, 1828 - Alessandria, 1883)
Mountainous landscape with tree
Watercolor on paper, approx. 110 x 225 mm. With frame, passe-partout, and glass (30 x 39 x 1 cm)
63
Giuseppe Bernardino Bison
(Palmanova, 1762 - Milano, 1844)
Attributed to
Study for the interior of a church
Pen, black ink and wash on unlaid paper, 223 x 293 mm
63
Giuseppe Bernardino Bison
(Palmanova, 1762 - Milano, 1844)
Attributed to
Study for the interior of a church
Pen, black ink and wash on unlaid paper, 223 x 293 mm
64
Angelo Michele Boucheron
(1859)
Academic nude study
Pencil on unlaid paper, mounted on a modern passe-partout, 278 x 385 mm
64
Angelo Michele Boucheron
(1859)
Academic nude study
Pencil on unlaid paper, mounted on a modern passe-partout, 278 x 385 mm
65
Vitale Sala
(Cernusco Lombardone, 1803 - Milano, 1835)
Paolo and Francesca
Charcoal and white lead on brown prepared laid paper, signed Vitale Sala, mounted on a modern passe-partout, 264 [..]
65
Vitale Sala
(Cernusco Lombardone, 1803 - Milano, 1835)
Paolo and Francesca
Charcoal and white lead on brown prepared laid paper, signed Vitale Sala, mounted on a modern passe-partout, 264 [..]
66
Angelo Uggeri
(Gera, 1754 - Roma, 1837)
Glimpses of Rome
Lot of six drawings. Pen, black ink, and brown wash on laid paper, 230 x 310 mm each
66
Angelo Uggeri
(Gera, 1754 - Roma, 1837)
Glimpses of Rome
Lot of six drawings. Pen, black ink, and brown wash on laid paper, 230 x 310 mm each
67
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Attributed to
Study for a Biblical Scene
Pen and black ink, wash and white lead on unlaid paper, 163 x 158 mm
67
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Attributed to
Study for a Biblical Scene
Pen and black ink, wash and white lead on unlaid paper, 163 x 158 mm
68
Francesco Coghetti
(Bergamo, 1802 - Roma, 1875)
Study for Madonna and Child with Figures of Putti
Pen and brown ink, 150 x 207 mm. On the verso, a study of a figure, pencil and brown ink with wash.
68
Francesco Coghetti
(Bergamo, 1802 - Roma, 1875)
Study for Madonna and Child with Figures of Putti
Pen and brown ink, 150 x 207 mm. On the verso, a study of a figure, pencil and brown ink with wash.
69
Pietro Camuccini
(Roma, 1761 - 1833)
St. Charles Borromeo in prayer, after Andrea Commodi
Pencil on laid paper with watermark, backed, 305 x 210 mm. Inscribed in black ink at the bottom: Andrea Comodo [..]
69
Pietro Camuccini
(Roma, 1761 - 1833)
St. Charles Borromeo in prayer, after Andrea Commodi
Pencil on laid paper with watermark, backed, 305 x 210 mm. Inscribed in black ink at the bottom: Andrea Comodo [..]
70
Pietro Gagliard
(Roma, 1809 - Frascati, 1890)
Study for a figure of a bishop
Pencil on unlaid paper, 435 x 282 mm
70
Pietro Gagliard
(Roma, 1809 - Frascati, 1890)
Study for a figure of a bishop
Pencil on unlaid paper, 435 x 282 mm
71
Vincenzo Chialli
(Città di Castello, 1787 - Ortona, 1840)
Scene with a subject from Roman history
Pen and brown ink, pencil squared, on laid paper, mounted on a modern passe-partout, 238 x 304 mm
71
Vincenzo Chialli
(Città di Castello, 1787 - Ortona, 1840)
Scene with a subject from Roman history
Pen and brown ink, pencil squared, on laid paper, mounted on a modern passe-partout, 238 x 304 mm
72
Fortunato Duranti
(Montefortino, 1787 - 1863)
Swan with putti
Pen, brown ink and wash on unlaid paper, mounted on a modern passe-partout, 190 x 196 mm
72
Fortunato Duranti
(Montefortino, 1787 - 1863)
Swan with putti
Pen, brown ink and wash on unlaid paper, mounted on a modern passe-partout, 190 x 196 mm
73
Vincenzo Camuccini
(Roma, 1771 - 1844)
Head of a boy
Pencil on unlined paper mounted on a backing sheet, 250 x 190 mm
73
Vincenzo Camuccini
(Roma, 1771 - 1844)
Head of a boy
Pencil on unlined paper mounted on a backing sheet, 250 x 190 mm
74
Tommaso Minardi
(Faenza, 1787 - Roma, 1871)
Landscape with classical ruins
Pen and brown ink on laid paper with watermark (fleur-de-lis with the letters SSI), mounted on a modern passe-partout, [..]
74
Tommaso Minardi
(Faenza, 1787 - Roma, 1871)
Landscape with classical ruins
Pen and brown ink on laid paper with watermark (fleur-de-lis with the letters SSI), mounted on a modern passe-partout, [..]
75
Antonio Acquaroni
(Civitavecchia, 1796 - Roma, 1874)
Port of Ripetta | Spanish Steps | Porta Angelica
Suite of three Roman views. Pen, black ink, and brown wash on handmade unlaid paper, 144 x 182 mm, 144 x 180 mm, [..]
75
Antonio Acquaroni
(Civitavecchia, 1796 - Roma, 1874)
Port of Ripetta | Spanish Steps | Porta Angelica
Suite of three Roman views. Pen, black ink, and brown wash on handmade unlaid paper, 144 x 182 mm, 144 x 180 mm, [..]
76
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Attributed to
Rape of Europa
Pen, black and brown ink, wash and traces of pencil on very heavy laid paper, mounted on a modern passe-partout, [..]
76
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Attributed to
Rape of Europa
Pen, black and brown ink, wash and traces of pencil on very heavy laid paper, mounted on a modern passe-partout, [..]
77
Achille Pinelli
(Roma, 1809 - Napoli, 1841)
A family from Ciociaria crossing a lake to return to their hometown.
1834
Watercolor, 234 x 320 mm (drawing). Mounted on a contemporary passe-partout (302 x 395 mm) bearing an inscription [..]
77
Achille Pinelli
(Roma, 1809 - Napoli, 1841)
A family from Ciociaria crossing a lake to return to their hometown.
1834
Watercolor, 234 x 320 mm (drawing). Mounted on a contemporary passe-partout (302 x 395 mm) bearing an inscription [..]
78
Achille Vianelli
(Porto Maurizio, 1803 - Benevento, 1894)
Glimpse of Naples
Pen, brown ink, and black wash on paper, signed lower left, 255 x 180 mm. Framed, with glass and passe-partout [..]
78
Achille Vianelli
(Porto Maurizio, 1803 - Benevento, 1894)
Glimpse of Naples
Pen, brown ink, and black wash on paper, signed lower left, 255 x 180 mm. Framed, with glass and passe-partout [..]
79
Antonio Senape
(Roma, 1788 - Napoli, 1842)
Tempio di Segesta
Penna, inchiostro bruno e inchiostro nero su carta non vergata, 295 x 405 mm. Con passe-partout moderno.
79
Antonio Senape
(Roma, 1788 - Napoli, 1842)
Tempio di Segesta
Penna, inchiostro bruno e inchiostro nero su carta non vergata, 295 x 405 mm. Con passe-partout moderno.
80
Antonio Senape
(Roma, 1788 - Napoli, 1842)
Attributed to
Trapani taken from the sea
Pen, brown ink, and black ink on unlaid paper, 250 x 345 mm. With a modern mount.
80
Antonio Senape
(Roma, 1788 - Napoli, 1842)
Attributed to
Trapani taken from the sea
Pen, brown ink, and black ink on unlaid paper, 250 x 345 mm. With a modern mount.