287
Live auction
Old Master and Modern Prints, Matrices, Maps, Photography
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome 00186, tue 20 February 2024
Viewing
Lots visible on request: n.bukowska@bertolamifineart.com
151
Francesco La Marra
(1710 - 1780)
3 etchings after Giovanni Battista Natali
etchings, 310 x 235 mm (platemark); 430 x 295 mm (sheet), 3 plates taken from "Antichità di Pozzuoli. Puteolanae [..]
151
Francesco La Marra
(1710 - 1780)
3 etchings after Giovanni Battista Natali
etchings, 310 x 235 mm (platemark); 430 x 295 mm (sheet), 3 plates taken from "Antichità di Pozzuoli. Puteolanae [..]
152
Joseph Anton Koch
(1768 - 1839)
Castel Madama | Acqua Cetosa
Lot of 2 etchings from the series Die Römischen Ansichten (Views of Rome), 23.5 x 34.5 cm ca. Fine impressions, [..]
152
Joseph Anton Koch
(1768 - 1839)
Castel Madama | Acqua Cetosa
Lot of 2 etchings from the series Die Römischen Ansichten (Views of Rome), 23.5 x 34.5 cm ca. Fine impressions, [..]
153
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Vue Dessinee Dans Les Jardins De Villa Borghese A Rome
1762
after Hubert Robert (1733-1808). Etching, 18.2 x 24 cm (plate); 24.5 x 34 cm (sheet). Printed on laid paper. Sheet [..]
153
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Vue Dessinee Dans Les Jardins De Villa Borghese A Rome
1762
after Hubert Robert (1733-1808). Etching, 18.2 x 24 cm (plate); 24.5 x 34 cm (sheet). Printed on laid paper. Sheet [..]
154
Cristoforo dall'Acqua
(1734 - 1787)
Capriccio with ancient ruins
after Antonio Joli. Engraving and etching, 439 x 562 mm. Printed on laid paper, trace of an almost invisible central [..]
154
Cristoforo dall'Acqua
(1734 - 1787)
Capriccio with ancient ruins
after Antonio Joli. Engraving and etching, 439 x 562 mm. Printed on laid paper, trace of an almost invisible central [..]
155
Carlo Labruzzi
(Roma, 1748 - Perugia, 1817)
A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Etching, approx. 49.5 x 66.5 cm Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by William [..]
155
Carlo Labruzzi
(Roma, 1748 - Perugia, 1817)
A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Etching, approx. 49.5 x 66.5 cm Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by William [..]
156
Louis Marin Bonnet
(1736 - 1793)
Pair of female nudes
afterLouis-Jean-François Lagrenée, manière de crayon, 53.6 x 36 cm each. (plate), fine impressions, in very good [..]
156
Louis Marin Bonnet
(1736 - 1793)
Pair of female nudes
afterLouis-Jean-François Lagrenée, manière de crayon, 53.6 x 36 cm each. (plate), fine impressions, in very good [..]
157
Benigno Bossi
(1727 - 1792)
Human heads
lot of three etchings, approx. 13 x 11 cm each, with frames and passepartout (30 x 25 x 2 cm)
157
Benigno Bossi
(1727 - 1792)
Human heads
lot of three etchings, approx. 13 x 11 cm each, with frames and passepartout (30 x 25 x 2 cm)
158
Ferdinando Gregori
(1743)
The Dance of Apollo with the Muses
1780 ca.
Etching, 42.7x59 cm. One part of a large print composed of two separate sheets, with Apollo and the Muses dancing [..]
158
Ferdinando Gregori
(1743)
The Dance of Apollo with the Muses
1780 ca.
Etching, 42.7x59 cm. One part of a large print composed of two separate sheets, with Apollo and the Muses dancing [..]
159
Ferdinando Gregori
(1743)
The Three Fates
1770
Etching and engraving, 43x57.5 cm. After M ichelangelo, printed in Florence 1770. Printed on laid paper, [..]
159
Ferdinando Gregori
(1743)
The Three Fates
1770
Etching and engraving, 43x57.5 cm. After M ichelangelo, printed in Florence 1770. Printed on laid paper, [..]
160
Raffaello Morghen
(Firenze, 1758 - 1833)
The muse Thalia (Lady Hamilton)
1797
after Angelika Kauffmann's painting. Etching, 39.7x52.8 cm. T he print is actually the portrait of Emma Hartt [..]
160
Raffaello Morghen
(Firenze, 1758 - 1833)
The muse Thalia (Lady Hamilton)
1797
after Angelika Kauffmann's painting. Etching, 39.7x52.8 cm. T he print is actually the portrait of Emma Hartt [..]
161
Francesco Bartolozzi
(1728 - 1815)
Apotheosis (of Louis XVI)
1799
aquatint à la manner noir, 59.2x83.3 cm. Exemplary in fair condition, printed on the typical heavy paper of the [..]
161
Francesco Bartolozzi
(1728 - 1815)
Apotheosis (of Louis XVI)
1799
aquatint à la manner noir, 59.2x83.3 cm. Exemplary in fair condition, printed on the typical heavy paper of the [..]
162
Francesco Bartolozzi
(1728 - 1815)
Cupid making his bow | Four putti after Guercino
Lot of two etchings: A. Cupid making his bow, after Parmigianino's painting after Correggio . Etching [..]
162
Francesco Bartolozzi
(1728 - 1815)
Cupid making his bow | Four putti after Guercino
Lot of two etchings: A. Cupid making his bow, after Parmigianino's painting after Correggio . Etching [..]
163
Benoît Audran
(1661 - 1721)
L'Accouchement de la Reine
1710
after Jean-Baptiste Nattier after the painting by Paul Rubens. Engraving and etching, 617 x 456 mm. Table [..]
163
Benoît Audran
(1661 - 1721)
L'Accouchement de la Reine
1710
after Jean-Baptiste Nattier after the painting by Paul Rubens. Engraving and etching, 617 x 456 mm. Table [..]
164
Benoît Audran
(1661 - 1721)
Henri IV deliberates on his future marriage
1710
after Jean-Baptiste Nattier after R ubens' painting. Engraving and etching, 617 x 456 mm. Table taken from " [..]
164
Benoît Audran
(1661 - 1721)
Henri IV deliberates on his future marriage
1710
after Jean-Baptiste Nattier after R ubens' painting. Engraving and etching, 617 x 456 mm. Table taken from " [..]
165
Trunk bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition, except for a tear on [..]
165
Trunk bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition, except for a tear on [..]
166
The arm bone and forearm bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm. Printed on laid paper. Sheet in very good condition except for some light stains, binding [..]
166
The arm bone and forearm bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm. Printed on laid paper. Sheet in very good condition except for some light stains, binding [..]
167
Two life-size skulls from ""Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition, small binding holes on the right margin. [..]
167
Two life-size skulls from ""Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition, small binding holes on the right margin. [..]
168
Foot bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition except for some light [..]
168
Foot bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition except for some light [..]
169
Female skeleton from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
Etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition. Included two sheets with the legend: [..]
169
Female skeleton from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
Etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition. Included two sheets with the legend: [..]
170
Marie Jules César Savigny
(1777 - 1851)
Homards | Crabes
engraving, 71 x 54 cm (sheet). Two plates taken from "Zoologie Crustacés" by Jules-César Savigny. Fineimpressions [..]
170
Marie Jules César Savigny
(1777 - 1851)
Homards | Crabes
engraving, 71 x 54 cm (sheet). Two plates taken from "Zoologie Crustacés" by Jules-César Savigny. Fineimpressions [..]
171
Description of Egypt
1809-1829
lot of 6 large plates taken from the work "Description de l'Égypte", depicting Denderah (Tenetyris) – 3 plates, [..]
171
Description of Egypt
1809-1829
lot of 6 large plates taken from the work "Description de l'Égypte", depicting Denderah (Tenetyris) – 3 plates, [..]
172
Luigi Rossini
(1790 - 1857)
Il Monte Gianicolo (Roma)
1828
etching, 58 x 83.5 cm. Splendid impression. In very good condition except for some paper residue on the reverse [..]
172
Luigi Rossini
(1790 - 1857)
Il Monte Gianicolo (Roma)
1828
etching, 58 x 83.5 cm. Splendid impression. In very good condition except for some paper residue on the reverse [..]
173
Luigi Rossini
(1790 - 1857)
Veduta del Ponte Nomentanto sulla Via Nomentana
etching, 48.5 x 63 cm (sheet); fine, well-inked impression with deep black tones, on unlaid paper. Sheet in very [..]
173
Luigi Rossini
(1790 - 1857)
Veduta del Ponte Nomentanto sulla Via Nomentana
etching, 48.5 x 63 cm (sheet); fine, well-inked impression with deep black tones, on unlaid paper. Sheet in very [..]
174
Luigi Rossini
(1790 - 1857)
Veduta dell'Interno del Pronao dei Portici d'Ottavia oggi S.Angelo in Pescaria
Roma 1822
acquaforte, 520 x 750 mm ca. Bella, nitida, fresca impressione su carta non vergata. Foglio in ottimo stato salvo [..]
174
Luigi Rossini
(1790 - 1857)
Veduta dell'Interno del Pronao dei Portici d'Ottavia oggi S.Angelo in Pescaria
Roma 1822
acquaforte, 520 x 750 mm ca. Bella, nitida, fresca impressione su carta non vergata. Foglio in ottimo stato salvo [..]
175
Luigi Rossini
(1790 - 1857)
Veduta del secondo ordine dei Bagni di Paolo Emilio...
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very condition except for [..]
175
Luigi Rossini
(1790 - 1857)
Veduta del secondo ordine dei Bagni di Paolo Emilio...
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very condition except for [..]
176
Luigi Rossini
(1790 - 1857)
Arco di Druso
Rome 1819
etching, approx. 750 x 520 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
176
Luigi Rossini
(1790 - 1857)
Arco di Druso
Rome 1819
etching, approx. 750 x 520 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
177
Luigi Rossini
(1790 - 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
177
Luigi Rossini
(1790 - 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
178
Luigi Rossini
(1790 - 1857)
Veduta del Tempio della Fortuna Virile
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in excellent condition except [..]
178
Luigi Rossini
(1790 - 1857)
Veduta del Tempio della Fortuna Virile
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in excellent condition except [..]
179
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
The Charlatan, in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
179
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
The Charlatan, in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
180
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Interior of a tavern in Rome, ai Monti
1820
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
180
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Interior of a tavern in Rome, ai Monti
1820
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]