201
Luigi Olivetti
(1856 - 1941)
Farmer with fruit basket
Rome 1913
etching and aquatint in sepia ink, 135 x 62 mm (plate), 350 x 280 mm (sheet). Fine, fresh and clear impression, [..]
201
Luigi Olivetti
(1856 - 1941)
Farmer with fruit basket
Rome 1913
etching and aquatint in sepia ink, 135 x 62 mm (plate), 350 x 280 mm (sheet). Fine, fresh and clear impression, [..]
202
Umberto Prencipe
(1879 - 1962)
The bastion (Castel Sat'Angelo in Rome)
1910
etching and aquatint, 35 x 50 cm (sheet), 21 x 27 cm (plate). Signed in pencil on the bottom right: U. [..]
202
Umberto Prencipe
(1879 - 1962)
The bastion (Castel Sat'Angelo in Rome)
1910
etching and aquatint, 35 x 50 cm (sheet), 21 x 27 cm (plate). Signed in pencil on the bottom right: U. [..]
203
Umberto Prencipe
(1879 - 1962)
Roman morning
1914
etching and aquatint, cm 61 x 44.5 (sheet), 19.8 x 20.3 cm (plate). Ante litteram proof, rare. Signed on [..]
203
Umberto Prencipe
(1879 - 1962)
Roman morning
1914
etching and aquatint, cm 61 x 44.5 (sheet), 19.8 x 20.3 cm (plate). Ante litteram proof, rare. Signed on [..]
204
Gustave Doré
(1832 - 1883)
The Neophytes
Imp Liebman Rome 1876
etching, en chine-collé, 74.4x65.4 cm. Intense, very fine proof printed in seppia colour ink. Intact sheet with [..]
204
Gustave Doré
(1832 - 1883)
The Neophytes
Imp Liebman Rome 1876
etching, en chine-collé, 74.4x65.4 cm. Intense, very fine proof printed in seppia colour ink. Intact sheet with [..]
205
Laurenzio Laurenzi
(1878 - 1946)
Avanzi del tempio di Venere genitrice
1912?
etching, 49 x 39.3 cm (plate); 65 x 51.5 cm (sheet). Signed in pencil lower left. Fine, crisp, well-inked impression [..]
205
Laurenzio Laurenzi
(1878 - 1946)
Avanzi del tempio di Venere genitrice
1912?
etching, 49 x 39.3 cm (plate); 65 x 51.5 cm (sheet). Signed in pencil lower left. Fine, crisp, well-inked impression [..]
206
Johann Friedrich Emanuel von Schennis
(1852 - 1918)
Leda with the swan
1894
etching and aquatint, 445 x 315 (plate); 580 x 480 mm (sheet). Fine, fresh impression. Light uniform browning [..]
206
Johann Friedrich Emanuel von Schennis
(1852 - 1918)
Leda with the swan
1894
etching and aquatint, 445 x 315 (plate); 580 x 480 mm (sheet). Fine, fresh impression. Light uniform browning [..]
207
Jean Julien Lemordant
(1882, 1968)
Maisons en construction
etching, 18 x 27.5 cm, fine impression on wove paper, with passe-partout
207
Jean Julien Lemordant
(1882, 1968)
Maisons en construction
etching, 18 x 27.5 cm, fine impression on wove paper, with passe-partout
208
Edmond Kayser
(1882 - 1965)
Landscape with a river
etching 19.2 x 27.5 cm, beautiful impression on laid paper with small fragment of watermark, sheet in excellent [..]
208
Edmond Kayser
(1882 - 1965)
Landscape with a river
etching 19.2 x 27.5 cm, beautiful impression on laid paper with small fragment of watermark, sheet in excellent [..]
209
Max Pollak
(1886 - 1970)
Small road and snow-covered farmhouse
1930 ca.
Etching, acquaint and drypoint, printed with black and light green ink. H andwritten signature in pencil lower [..]
209
Max Pollak
(1886 - 1970)
Small road and snow-covered farmhouse
1930 ca.
Etching, acquaint and drypoint, printed with black and light green ink. H andwritten signature in pencil lower [..]
210
Max Pollak
(1886 - 1970)
Farmhouses under the snow
1910-1915 ca.
Etching and drypoint, printed in black and brown ink. H andwritten signature in pencil at the bottom right, outside [..]
210
Max Pollak
(1886 - 1970)
Farmhouses under the snow
1910-1915 ca.
Etching and drypoint, printed in black and brown ink. H andwritten signature in pencil at the bottom right, outside [..]
212
Ebba Holm
(1889 - 1967)
Danish women
woodcut, 23.5x30.5 cm. In perfect condition, with EH monogram on the plate at the bottom right.
212
Ebba Holm
(1889 - 1967)
Danish women
woodcut, 23.5x30.5 cm. In perfect condition, with EH monogram on the plate at the bottom right.
213
MINO MACCARI©
(Siena, 1898 - Roma, 1989)
Town in Tuscany
woodcut, 24x31 cm. In perfect condition, with monogram on the plate, bottom right.
213
MINO MACCARI©
(Siena, 1898 - Roma, 1989)
Town in Tuscany
woodcut, 24x31 cm. In perfect condition, with monogram on the plate, bottom right.
214
Giuseppe Haas Triverio
(1899 - 1963)
Castello Piemontese (di Gaglianico)
xilografia, cm 23,5x30,5. Esemplare in perfetto stato di conservazione, con monogramma in lastra, in basso a de [..]
214
Giuseppe Haas Triverio
(1899 - 1963)
Castello Piemontese (di Gaglianico)
xilografia, cm 23,5x30,5. Esemplare in perfetto stato di conservazione, con monogramma in lastra, in basso a de [..]
217
Chrstian Forssell
(1777 - 1852)
Fahlu Grufva – The Falun quarry (Sweden)
lithograph, 20.5x26.3 cm. Detail view of the Falun Quarry, in central Sweden, taken from the work of Christian [..]
217
Chrstian Forssell
(1777 - 1852)
Fahlu Grufva – The Falun quarry (Sweden)
lithograph, 20.5x26.3 cm. Detail view of the Falun Quarry, in central Sweden, taken from the work of Christian [..]
218
REMO BRANCA
(Sassari, 1897 - Roma, 1988)
Sardinian costume
woodcut in dark green ink; 27.3x30.3 cm. Exemplary in perfect condition.
218
REMO BRANCA
(Sassari, 1897 - Roma, 1988)
Sardinian costume
woodcut in dark green ink; 27.3x30.3 cm. Exemplary in perfect condition.
219
Pietro Florit
Snowfall in S. Giusto (Trieste)
two-color woodcut; cm. 23.7x30.3. Glimpse of the town of S. Giusto, with the bell tower of the Cathedral under [..]
219
Pietro Florit
Snowfall in S. Giusto (Trieste)
two-color woodcut; cm. 23.7x30.3. Glimpse of the town of S. Giusto, with the bell tower of the Cathedral under [..]
220
Donella De Carolis
The bell tower of S. Lucia - Grottammare
three-color woodcut; 23.7 x 30.3 cm. Exemplary in very good condition.
220
Donella De Carolis
The bell tower of S. Lucia - Grottammare
three-color woodcut; 23.7 x 30.3 cm. Exemplary in very good condition.
221
Giannetto Malmerendi
(1893 - 1968)
The festival
woodcut, 23.5x30 cm. Exemplary in perfect condition.
221
Giannetto Malmerendi
(1893 - 1968)
The festival
woodcut, 23.5x30 cm. Exemplary in perfect condition.
222
Giuseppe Ugoni
(1881 - 1944)
The Fortress (of Brisighella)
1923
woodcut, 23.5 x 30.5 cm. In perfect condition, date 1923 on the plate at the bottom right in Roman numerals, and [..]
222
Giuseppe Ugoni
(1881 - 1944)
The Fortress (of Brisighella)
1923
woodcut, 23.5 x 30.5 cm. In perfect condition, date 1923 on the plate at the bottom right in Roman numerals, and [..]
226
MARIO VELLANI MARCHI
(Modena, 1895 - Milano, 1979)
Abruzzo | Sosta di pellegrini | Costume di Pettorano
lot of 3 woodcuts, 23.5 x 30.5 cm and 25 x 32 cm. In very good condition, except for some tears on the edges [..]
226
MARIO VELLANI MARCHI
(Modena, 1895 - Milano, 1979)
Abruzzo | Sosta di pellegrini | Costume di Pettorano
lot of 3 woodcuts, 23.5 x 30.5 cm and 25 x 32 cm. In very good condition, except for some tears on the edges [..]
227
Giuseppe Viviani
(1898 - 1965)
The man with the dog
1961
color lithograph, 207 x 154 mm (sheet), signed and dated in pencil lower right, edition 45/150. Fine impression [..]
227
Giuseppe Viviani
(1898 - 1965)
The man with the dog
1961
color lithograph, 207 x 154 mm (sheet), signed and dated in pencil lower right, edition 45/150. Fine impression [..]
228
MARC CHAGALL
(Lëzna, 1887 - San Paolo di Venza, 1985)
Without title
etching and aquatint, 294 x 240 mm (plate), 412 x 330 mm (sheet). Signed on the plate lower right, signature and [..]
228
MARC CHAGALL
(Lëzna, 1887 - San Paolo di Venza, 1985)
Without title
etching and aquatint, 294 x 240 mm (plate), 412 x 330 mm (sheet). Signed on the plate lower right, signature and [..]
229
Georg Schrimpf
(München, 1889 - Berlin, 1938)
Vier Pferde (Four Horses)
1916/1917
woodcut on paper, 21 x 15.5cm (plate). Signed in pencil lower right. Very good condition. With passepartout, frame [..]
229
Georg Schrimpf
(München, 1889 - Berlin, 1938)
Vier Pferde (Four Horses)
1916/1917
woodcut on paper, 21 x 15.5cm (plate). Signed in pencil lower right. Very good condition. With passepartout, frame [..]
230
Walter Gramatté
(Berlin, 1897 - Hamburg, 1927)
Novemberporträt (Self-Portrait)
1918
drypoint on paper, 21 x 14.5cm Titled, dated and signed in pencil. Dated 11/17/1918 in plate. Very fine, sharp [..]
230
Walter Gramatté
(Berlin, 1897 - Hamburg, 1927)
Novemberporträt (Self-Portrait)
1918
drypoint on paper, 21 x 14.5cm Titled, dated and signed in pencil. Dated 11/17/1918 in plate. Very fine, sharp [..]
231
Walter Gramatté
(Berlin, 1897 - Hamburg, 1927)
Der Traum von den Fischen (The Dream of the Fish)
1918
drypoint on paper, 16.6 x 15.7 cm (plate); 34.5 x 25cm (sheet) Signed in pencil, dated on the plate. Fine, sharp [..]
231
Walter Gramatté
(Berlin, 1897 - Hamburg, 1927)
Der Traum von den Fischen (The Dream of the Fish)
1918
drypoint on paper, 16.6 x 15.7 cm (plate); 34.5 x 25cm (sheet) Signed in pencil, dated on the plate. Fine, sharp [..]
232
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Stürzender Steinbock (Falling Capricorn)
1922
color linocut on paper, 19.8 x 25cm (plate) signed in pencil, "handdruck" - printed by the artist. Very fine [..]
232
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Stürzender Steinbock (Falling Capricorn)
1922
color linocut on paper, 19.8 x 25cm (plate) signed in pencil, "handdruck" - printed by the artist. Very fine [..]
233
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Roseneule (Owl)
1932
color linocut on paper, 22 x 13.5cm (platemark) signed in pencil lower right, "handdruck" (printed by the artist). [..]
233
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Roseneule (Owl)
1932
color linocut on paper, 22 x 13.5cm (platemark) signed in pencil lower right, "handdruck" (printed by the artist). [..]
234
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Kampf (The Battle)
1923
color linocut on paper, 21.8 x 22cm (platemark) signed in pencil lower right. Very fine impression with fresh [..]
234
Norbertine Bresslern-Roth
(Graz, 1891 - Graz, 1978)
Kampf (The Battle)
1923
color linocut on paper, 21.8 x 22cm (platemark) signed in pencil lower right. Very fine impression with fresh [..]
235
Gustavo Rodella
(1891 - 1937)
S•GIOVANNI•LATERANO
etching and aquatint, 123 x 160 mm (plate), 297 x 233 mm (sheet). Signed in pencil lower right, edition 16/50 [..]
235
Gustavo Rodella
(1891 - 1937)
S•GIOVANNI•LATERANO
etching and aquatint, 123 x 160 mm (plate), 297 x 233 mm (sheet). Signed in pencil lower right, edition 16/50 [..]
236
Giovanni Barbisan
(1914 - 1988)
Artist's studio
etching and drypoint, 225 x 170 mm (platemark), 37 x 215 mm (sheet), signed Giovanni Barbisan on the plate, dated [..]
236
Giovanni Barbisan
(1914 - 1988)
Artist's studio
etching and drypoint, 225 x 170 mm (platemark), 37 x 215 mm (sheet), signed Giovanni Barbisan on the plate, dated [..]
237
Giovanni Barbisan
(1914 - 1988)
Glimpse with houses
etching, 252 x 226 mm (platemark), 452 x 337 mm (sheet), signed on the plate: Barbisan Giovanni, dated: Treviso [..]
237
Giovanni Barbisan
(1914 - 1988)
Glimpse with houses
etching, 252 x 226 mm (platemark), 452 x 337 mm (sheet), signed on the plate: Barbisan Giovanni, dated: Treviso [..]
238
Giovanni Barbisan
(1914 - 1988)
4 etchings
a. Vase with three flowers, etching, 137 x 92 mm (platemark), fine, fresh and well-inked impression with rich [..]
238
Giovanni Barbisan
(1914 - 1988)
4 etchings
a. Vase with three flowers, etching, 137 x 92 mm (platemark), fine, fresh and well-inked impression with rich [..]
239
Giovanni Barbisan
(1914 - 1988)
4 etchings
a. Chestnut, etching in blue ink, 100 x 92 mm (platemark), fine and fresh impression on thick paper (bifolio), [..]
239
Giovanni Barbisan
(1914 - 1988)
4 etchings
a. Chestnut, etching in blue ink, 100 x 92 mm (platemark), fine and fresh impression on thick paper (bifolio), [..]
240
Enrico Ricci©
(1925)
Illustration | Illustrations
Two drypoint engravings, 115 x 115 mm and 118 x 114 mm (plate), 155 x 132 mm and 142 x 140 mm (sheet). Very [..]
240
Enrico Ricci©
(1925)
Illustration | Illustrations
Two drypoint engravings, 115 x 115 mm and 118 x 114 mm (plate), 155 x 132 mm and 142 x 140 mm (sheet). Very [..]