161
Francesco Bartolozzi
(1728 - 1815)
Apotheosis (of Louis XVI)
1799
aquatint à la manner noir, 59.2x83.3 cm. Exemplary in fair condition, printed on the typical heavy paper of the [..]
161
Francesco Bartolozzi
(1728 - 1815)
Apotheosis (of Louis XVI)
1799
aquatint à la manner noir, 59.2x83.3 cm. Exemplary in fair condition, printed on the typical heavy paper of the [..]
162
Francesco Bartolozzi
(1728 - 1815)
Cupid making his bow | Four putti after Guercino
Lot of two etchings: A. Cupid making his bow, after Parmigianino's painting after Correggio . Etching [..]
162
Francesco Bartolozzi
(1728 - 1815)
Cupid making his bow | Four putti after Guercino
Lot of two etchings: A. Cupid making his bow, after Parmigianino's painting after Correggio . Etching [..]
163
Benoît Audran
(1661 - 1721)
L'Accouchement de la Reine
1710
after Jean-Baptiste Nattier after the painting by Paul Rubens. Engraving and etching, 617 x 456 mm. Table [..]
163
Benoît Audran
(1661 - 1721)
L'Accouchement de la Reine
1710
after Jean-Baptiste Nattier after the painting by Paul Rubens. Engraving and etching, 617 x 456 mm. Table [..]
164
Benoît Audran
(1661 - 1721)
Henri IV deliberates on his future marriage
1710
after Jean-Baptiste Nattier after R ubens' painting. Engraving and etching, 617 x 456 mm. Table taken from " [..]
164
Benoît Audran
(1661 - 1721)
Henri IV deliberates on his future marriage
1710
after Jean-Baptiste Nattier after R ubens' painting. Engraving and etching, 617 x 456 mm. Table taken from " [..]
165
Trunk bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition, except for a tear on [..]
165
Trunk bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition, except for a tear on [..]
166
The arm bone and forearm bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm. Printed on laid paper. Sheet in very good condition except for some light stains, binding [..]
166
The arm bone and forearm bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm. Printed on laid paper. Sheet in very good condition except for some light stains, binding [..]
167
Two life-size skulls from ""Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition, small binding holes on the right margin. [..]
167
Two life-size skulls from ""Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759.
etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition, small binding holes on the right margin. [..]
168
Foot bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition except for some light [..]
168
Foot bones from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
etching, 58 x 40 cm, printed on laid paper with watermark. Sheet in very good condition except for some light [..]
169
Female skeleton from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
Etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition. Included two sheets with the legend: [..]
169
Female skeleton from "Traité d'ostéologie... Par M. Sue"
In Paris: Chez Guillaume Cavelier ... 1759
Etching, 58 x 40 cm, printed on laid paper. Sheet in very good condition. Included two sheets with the legend: [..]
170
Marie Jules César Savigny
(1777 - 1851)
Homards | Crabes
engraving, 71 x 54 cm (sheet). Two plates taken from "Zoologie Crustacés" by Jules-César Savigny. Fineimpressions [..]
170
Marie Jules César Savigny
(1777 - 1851)
Homards | Crabes
engraving, 71 x 54 cm (sheet). Two plates taken from "Zoologie Crustacés" by Jules-César Savigny. Fineimpressions [..]
171
Description of Egypt
1809-1829
lot of 6 large plates taken from the work "Description de l'Égypte", depicting Denderah (Tenetyris) – 3 plates, [..]
171
Description of Egypt
1809-1829
lot of 6 large plates taken from the work "Description de l'Égypte", depicting Denderah (Tenetyris) – 3 plates, [..]
172
Luigi Rossini
(1790 - 1857)
Il Monte Gianicolo (Roma)
1828
etching, 58 x 83.5 cm. Splendid impression. In very good condition except for some paper residue on the reverse [..]
172
Luigi Rossini
(1790 - 1857)
Il Monte Gianicolo (Roma)
1828
etching, 58 x 83.5 cm. Splendid impression. In very good condition except for some paper residue on the reverse [..]
173
Luigi Rossini
(1790 - 1857)
Veduta del Ponte Nomentanto sulla Via Nomentana
etching, 48.5 x 63 cm (sheet); fine, well-inked impression with deep black tones, on unlaid paper. Sheet in very [..]
173
Luigi Rossini
(1790 - 1857)
Veduta del Ponte Nomentanto sulla Via Nomentana
etching, 48.5 x 63 cm (sheet); fine, well-inked impression with deep black tones, on unlaid paper. Sheet in very [..]
174
Luigi Rossini
(1790 - 1857)
Veduta dell'Interno del Pronao dei Portici d'Ottavia oggi S.Angelo in Pescaria
Roma 1822
acquaforte, 520 x 750 mm ca. Bella, nitida, fresca impressione su carta non vergata. Foglio in ottimo stato salvo [..]
174
Luigi Rossini
(1790 - 1857)
Veduta dell'Interno del Pronao dei Portici d'Ottavia oggi S.Angelo in Pescaria
Roma 1822
acquaforte, 520 x 750 mm ca. Bella, nitida, fresca impressione su carta non vergata. Foglio in ottimo stato salvo [..]
175
Luigi Rossini
(1790 - 1857)
Veduta del secondo ordine dei Bagni di Paolo Emilio...
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very condition except for [..]
175
Luigi Rossini
(1790 - 1857)
Veduta del secondo ordine dei Bagni di Paolo Emilio...
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very condition except for [..]
176
Luigi Rossini
(1790 - 1857)
Arco di Druso
Rome 1819
etching, approx. 750 x 520 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
176
Luigi Rossini
(1790 - 1857)
Arco di Druso
Rome 1819
etching, approx. 750 x 520 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
177
Luigi Rossini
(1790 - 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
177
Luigi Rossini
(1790 - 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in very good condition except [..]
178
Luigi Rossini
(1790 - 1857)
Veduta del Tempio della Fortuna Virile
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in excellent condition except [..]
178
Luigi Rossini
(1790 - 1857)
Veduta del Tempio della Fortuna Virile
Rome 1822
etching, approx. 520 x 750 mm. Fine, clear, fresh impression on wove paper. Sheet in excellent condition except [..]
179
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
The Charlatan, in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
179
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
The Charlatan, in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
180
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Interior of a tavern in Rome, ai Monti
1820
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
180
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Interior of a tavern in Rome, ai Monti
1820
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
181
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Cattle led to be slaughtered in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
181
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Cattle led to be slaughtered in Rome
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
182
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Wine carter and his family – Roman costumes
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
182
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Wine carter and his family – Roman costumes
1821
etching, 320 x 410 mm (plate), 460 x 625 mm (sheet). Plate taken from "Costumi diversi inventati ed incisi da [..]
183
Giuseppe Zauli
(1763 - 1822)
Madonna and Child enthroned with Caterina Sforza and Girolamo Riario with their children
after an altarpiece by Marco Palmezzano (Forlì, 1459-1539). Mezzotint, etching and woodcut, printed à la [..]
183
Giuseppe Zauli
(1763 - 1822)
Madonna and Child enthroned with Caterina Sforza and Girolamo Riario with their children
after an altarpiece by Marco Palmezzano (Forlì, 1459-1539). Mezzotint, etching and woodcut, printed à la [..]
184
Virgilio Dante Faini
(1872 - 1973)
Roman countryside
Etching, 195 x 139 mm (platemark); 250 x 205 mm (sheet). Signed and titled in pencil. Fine impression [..]
184
Virgilio Dante Faini
(1872 - 1973)
Roman countryside
Etching, 195 x 139 mm (platemark); 250 x 205 mm (sheet). Signed and titled in pencil. Fine impression [..]
185
Jules Bastien-Lepage
(1848 - 1884)
Retour des Champs
1878
etching and drypoint, 275 x 195 mm (plate), 287 x 202 mm (sheet). Beautiful, fresh impression on laid paper with [..]
185
Jules Bastien-Lepage
(1848 - 1884)
Retour des Champs
1878
etching and drypoint, 275 x 195 mm (plate), 287 x 202 mm (sheet). Beautiful, fresh impression on laid paper with [..]
186
Antonio Piccinni
(1846 - 1920)
Young girl
etching, aquatint and drypoint, 221 x 150 (plate), 270 x 340 mm (sheet). Fine, clear and fresh impression, in [..]
186
Antonio Piccinni
(1846 - 1920)
Young girl
etching, aquatint and drypoint, 221 x 150 (plate), 270 x 340 mm (sheet). Fine, clear and fresh impression, in [..]
187
William Scott
(1848 - 1918)
Portico of Octavia - Rome
1880 ca.
32.8 x 42.8 cm. Etching and drypoint, printed in black with signature and title in pencil lower left.
187
William Scott
(1848 - 1918)
Portico of Octavia - Rome
1880 ca.
32.8 x 42.8 cm. Etching and drypoint, printed in black with signature and title in pencil lower left.
188
Charles Waltner
(1846 - 1925)
Valet de torero
after Henri Regnault (1843-1871), etching, 430 x 293 mm, L'Art edition, fine impression, sheet in good conditio [..]
188
Charles Waltner
(1846 - 1925)
Valet de torero
after Henri Regnault (1843-1871), etching, 430 x 293 mm, L'Art edition, fine impression, sheet in good conditio [..]
189
John Wright
(1857 - 1933)
Piazza San Marco in Venice
Etching, aquatint and drypoint, 175 x 202 mm (plate), 217 x 275 mm (sheet). Signed in plate and in pencil lower [..]
189
John Wright
(1857 - 1933)
Piazza San Marco in Venice
Etching, aquatint and drypoint, 175 x 202 mm (plate), 217 x 275 mm (sheet). Signed in plate and in pencil lower [..]
190
John Wright
(1857 - 1933)
Landscape with river
Etching and drypoint, 187 x 212 mm (plate), 205 x 225 mm (sheet). Signed in plate and in pencil lower right). [..]
190
John Wright
(1857 - 1933)
Landscape with river
Etching and drypoint, 187 x 212 mm (plate), 205 x 225 mm (sheet). Signed in plate and in pencil lower right). [..]
191
Jacques Villon
(1875 - 1963)
Les Cent Bibliophiles
1910
drypoint, 240 x 178 mm (platemark); 264 x 200 mm (sheet). Very fine, well inked and fresh impression on thin laid [..]
191
Jacques Villon
(1875 - 1963)
Les Cent Bibliophiles
1910
drypoint, 240 x 178 mm (platemark); 264 x 200 mm (sheet). Very fine, well inked and fresh impression on thin laid [..]
192
Anders Zorn
(1860 - 1920)
Anna, girl from Mora (Portrait of Anna Kråkbergs)
etching and aquatint, 158 x 118 mm (plate), 229 x 180 mm (sheet). Delteil IV.170. Very fine, well inked, clear [..]
192
Anders Zorn
(1860 - 1920)
Anna, girl from Mora (Portrait of Anna Kråkbergs)
etching and aquatint, 158 x 118 mm (plate), 229 x 180 mm (sheet). Delteil IV.170. Very fine, well inked, clear [..]
193
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Dalla Torre delle Milizie
1903
etching and aquatint in blue ink, 123 x 350 mm (plate); 332 x500 mm (sheet). Dry-stamped: "DALLA TORRE DELLE [..]
193
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Dalla Torre delle Milizie
1903
etching and aquatint in blue ink, 123 x 350 mm (plate); 332 x500 mm (sheet). Dry-stamped: "DALLA TORRE DELLE [..]
194
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Castelfusano
etching, 152 x 237 mm (platemark); 302 x 425 mm (sheet); sharp and well inked impression, sheet in good condition [..]
194
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Castelfusano
etching, 152 x 237 mm (platemark); 302 x 425 mm (sheet); sharp and well inked impression, sheet in good condition [..]
195
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Villa Colonna
1902
etching, 177 x 253 mm (platemark); 223 x306 mm (sheet); I state?, sharp impression on wove paper, sheet in good [..]
195
FRANCESCO VITALINI
(Fiordimonte, 1865 - Dolomiti, 1905)
Villa Colonna
1902
etching, 177 x 253 mm (platemark); 223 x306 mm (sheet); I state?, sharp impression on wove paper, sheet in good [..]
196
ADOLFO WILDT
(Milano, 1868 - 1931)
Mimi Perelli Paradisi and Federico Mimi Perelli Paradisi e Federico Balestra hanno ricambiato in Fiume italiana l’anello nuziale, XXVIII agosto MCMXX returned the wedding ring in Fiume, Italy, XXVIII August MCMXX
1920
the wedding invitation of Mimi Perelli Paradisi and Federico Balestra. Etching on parchment, with gilt details, [..]
196
ADOLFO WILDT
(Milano, 1868 - 1931)
Mimi Perelli Paradisi and Federico Mimi Perelli Paradisi e Federico Balestra hanno ricambiato in Fiume [..]
1920
the wedding invitation of Mimi Perelli Paradisi and Federico Balestra. Etching on parchment, with gilt details, [..]
197
Angelo Rossini
(Roma, 1871 - 1939)
The Colleoni Monument - Venice
1910
82.5x65 cm (sheet), 65x43 cm (plate). Three-color etching, large size, printed on heavy ivory paper, signed in [..]
197
Angelo Rossini
(Roma, 1871 - 1939)
The Colleoni Monument - Venice
1910
82.5x65 cm (sheet), 65x43 cm (plate). Three-color etching, large size, printed on heavy ivory paper, signed in [..]
198
Angelo Rossini
(Roma, 1871 - 1939)
Night at Villa Falconieri - Frascati
1910
etching and aquatint; 50x70 cm (sheet). Printed on beige paper, signed in pencil lower right at the bottom of [..]
198
Angelo Rossini
(Roma, 1871 - 1939)
Night at Villa Falconieri - Frascati
1910
etching and aquatint; 50x70 cm (sheet). Printed on beige paper, signed in pencil lower right at the bottom of [..]
199
Pierre Eugène Vibert
(1875 - 1937)
Les faméliques
multi-color woodcut, 42.5x35.5 cm. Printed on hazelnut-coloured paper, with white details that enhance the beauty [..]
199
Pierre Eugène Vibert
(1875 - 1937)
Les faméliques
multi-color woodcut, 42.5x35.5 cm. Printed on hazelnut-coloured paper, with white details that enhance the beauty [..]
200
Pierre Eugène Vibert
(1875 - 1937)
Les Errants
woodcut, 32.5x41.3 cm. Signed in pencil outside the plate lower right, numbered 74/75 lower left. Sheet in perfect [..]
200
Pierre Eugène Vibert
(1875 - 1937)
Les Errants
woodcut, 32.5x41.3 cm. Signed in pencil outside the plate lower right, numbered 74/75 lower left. Sheet in perfect [..]