1
Classical scene of sacrifice with royal procession
17th century Roman school
Ink and traces of pencil on laid paper with watermark, 146 x 279 mm.
1
Classical scene of sacrifice with royal procession
17th century Roman school
Ink and traces of pencil on laid paper with watermark, 146 x 279 mm.
2
Study of the Battle of Lepanto from the fresco at Palazzo Colonna
Roman artist late 17th century
Brown and black ink on laid paper with watermark (three moons), 288 x 488 mm
2
Study of the Battle of Lepanto from the fresco at Palazzo Colonna
Roman artist late 17th century
Brown and black ink on laid paper with watermark (three moons), 288 x 488 mm
3
Sketch of a sailing ship with detail of the figurehead
18th century Central Italian artist
Brown ink and pen on laid paper, 200 x 245 mm (sheet), 285 x 420 mm (with passe-partout). On the verso a handwritten [..]
3
Sketch of a sailing ship with detail of the figurehead
18th century Central Italian artist
Brown ink and pen on laid paper, 200 x 245 mm (sheet), 285 x 420 mm (with passe-partout). On the verso a handwritten [..]
4
Sketches for personal mottos
anonymous 17th century artist
Ink on laid paper with watermark, 136 x 183 mm. From the academic tradition of the "pale della Crusca" [..]
4
Sketches for personal mottos
anonymous 17th century artist
Ink on laid paper with watermark, 136 x 183 mm. From the academic tradition of the "pale della Crusca" [..]
5
Study of multiple figures in conversation
Italian artist late 17th century
Brown ink and watercolour on laid paper, 96 x 178 mm
5
Study of multiple figures in conversation
Italian artist late 17th century
Brown ink and watercolour on laid paper, 96 x 178 mm
6
Front: Study for the Baptism of Christ and Various Figures | Back: Various Anatomical Studies
Anonymous Italian artist of the 17th century
Ink on laid paper with watermark, approx. 200 x 272 mm.
6
Front: Study for the Baptism of Christ and Various Figures | Back: Various Anatomical Studies
Anonymous Italian artist of the 17th century
Ink on laid paper with watermark, approx. 200 x 272 mm.
7
Giandomenico Tiepolo
(1727 - 1804)
Sphere of
Two horses fallen in battle
Brown ink and watercolour on laid paper, 185 x 295 mm
7
Giandomenico Tiepolo
(1727 - 1804)
Sphere of
Two horses fallen in battle
Brown ink and watercolour on laid paper, 185 x 295 mm
8
Deposition
Venetian school of the 18th century
Charcoal, pencil and white lead on brown laid paper, 215 x 265 mm. Collector's mark lower right (Lugt 3446) [..]
8
Deposition
Venetian school of the 18th century
Charcoal, pencil and white lead on brown laid paper, 215 x 265 mm. Collector's mark lower right (Lugt 3446) [..]
9
Outdoor banquet scene
Venetian school of the 18th century
Ink, watercolour and traces of pencil on laid paper, 217 x 175 mm.
9
Outdoor banquet scene
Venetian school of the 18th century
Ink, watercolour and traces of pencil on laid paper, 217 x 175 mm.
10
Study for the decoration of a ceiling with angels and God the Father
Genoese school of the 18th century
Ink, watercolour and traces of black and red pencil on laid paper with watermark (letters BM), 320 x 225 mm. On [..]
10
Study for the decoration of a ceiling with angels and God the Father
Genoese school of the 18th century
Ink, watercolour and traces of black and red pencil on laid paper with watermark (letters BM), 320 x 225 mm. On [..]
11
Apollo with the Muses
18th century Italian artist
Ink, watercolour, white lead and traces of pencil on light blue backed paper, 125 x 220 mm.
11
Apollo with the Muses
18th century Italian artist
Ink, watercolour, white lead and traces of pencil on light blue backed paper, 125 x 220 mm.
12
Two figures in conversation in an interior
Anonymous 18th century artist
Brown ink, watercolour and traces of pencil on laid paper, 240 x 161 mm.
12
Two figures in conversation in an interior
Anonymous 18th century artist
Brown ink, watercolour and traces of pencil on laid paper, 240 x 161 mm.
13
Vito d'Anna
(Palermo, 1718 - 1769)
Attributed to
Decoration for a ceiling with a theory of angels and God the Father
Brown ink, watercolour and traces of pencil on laid paper with watermark, 195 x 264 mm
13
Vito d'Anna
(Palermo, 1718 - 1769)
Attributed to
Decoration for a ceiling with a theory of angels and God the Father
Brown ink, watercolour and traces of pencil on laid paper with watermark, 195 x 264 mm
14
Six sheets with studies of various birds
Anonymous artist late 18th century
Watercolor on thin laid paper, maximum size 175 x 240 mm.
14
Six sheets with studies of various birds
Anonymous artist late 18th century
Watercolor on thin laid paper, maximum size 175 x 240 mm.
15
Study from an ancient frieze (?)
19th century Italian artist
Ink, pen and watercolour on backed laid paper, 180 x 302 mm. Monogram AMZ lower left.
15
Study from an ancient frieze (?)
19th century Italian artist
Ink, pen and watercolour on backed laid paper, 180 x 302 mm. Monogram AMZ lower left.
16
Hector Giacomelli
(1822 - 1904)
Drawing for an illustration of Guliver
18th century artist
Ink on unlaid paper, 200 x 175 mm (sheet); 268 x 200 mm (support). Signed with monogram HC
16
Hector Giacomelli
(1822 - 1904)
Drawing for an illustration of Guliver
18th century artist
Ink on unlaid paper, 200 x 175 mm (sheet); 268 x 200 mm (support). Signed with monogram HC
17
Ceslaus of Krakow
Anonymous Italian artist of the 18th century
Brown ink on laid paper, 206 x 145 mm. In the background, the scene recalls the legend of the defense of Wroclaw [..]
17
Ceslaus of Krakow
Anonymous Italian artist of the 18th century
Brown ink on laid paper, 206 x 145 mm. In the background, the scene recalls the legend of the defense of Wroclaw [..]
18
Allegory of Justice
Neapolitan artist of the 18th century
Ink, watercolour and traces of pencil on thin laid paper with watermark, 198 x 292 mm
18
Allegory of Justice
Neapolitan artist of the 18th century
Ink, watercolour and traces of pencil on thin laid paper with watermark, 198 x 292 mm
19
Study for a satyr
Emilian artist of the 18th century
Sanguine on laid paper, with ancient backing, 327 x 237 mm.
19
Study for a satyr
Emilian artist of the 18th century
Sanguine on laid paper, with ancient backing, 327 x 237 mm.
Paper
20
View with arches and figures
18th century Venetian artist
Brown wash with traces of pencil on thick laid paper, 135 x 180 mm.
20
View with arches and figures
18th century Venetian artist
Brown wash with traces of pencil on thick laid paper, 135 x 180 mm.
21
The grape harvest
18th century French artist
Pen and black ink on laid paper, backed, 243 x 375 mm.
21
The grape harvest
18th century French artist
Pen and black ink on laid paper, backed, 243 x 375 mm.
22
Paolo Anesi
(1697 - 1773)
Attributed to
Landscape with river
Pencil, ink and wash on laid paper, 147 x 240 mm. Framed (34 x 43 x 2 cm).
22
Paolo Anesi
(1697 - 1773)
Attributed to
Landscape with river
Pencil, ink and wash on laid paper, 147 x 240 mm. Framed (34 x 43 x 2 cm).
23
Country landscape with boats
Dutch artist of the 18th-19th century
Ink on wove paper, 107 x 163 mm. Undecipherable signature lower right.
23
Country landscape with boats
Dutch artist of the 18th-19th century
Ink on wove paper, 107 x 163 mm. Undecipherable signature lower right.
25
Landscape with temple and obelisk in the background
Neoclassical artist
Ink and watercolor on laid paper, 148 x 208 mm
25
Landscape with temple and obelisk in the background
Neoclassical artist
Ink and watercolor on laid paper, 148 x 208 mm
26
Recto: Color study for a landing | Verso: Ink sketch for a landing
Neoclassical artist
Front: brown ink and watercolour on paper, back: brown ink and traces of pencil, 132 x 220 mm.
26
Recto: Color study for a landing | Verso: Ink sketch for a landing
Neoclassical artist
Front: brown ink and watercolour on paper, back: brown ink and traces of pencil, 132 x 220 mm.
27
Escape of a tubercle bacillus from the Berin University
19th century Italian artist
Pen, ink and traces of pencil on wove paper, 220 x 320 mm. On the back an inscription attributing the drawing [..]
27
Escape of a tubercle bacillus from the Berin University
19th century Italian artist
Pen, ink and traces of pencil on wove paper, 220 x 320 mm. On the back an inscription attributing the drawing [..]
28
Architectural view with figures
19th century Emilian artist
Pencil on vellum mounted on heavier paper, 335 x 340 mm.
28
Architectural view with figures
19th century Emilian artist
Pencil on vellum mounted on heavier paper, 335 x 340 mm.
29
Drawing album: Rome and surroundings
Grand Tour artist
Brown ink, pen, watercolor and pencil on thirty one sheets of wove paper, 125 x 90 mm. Leather binding.
29
Drawing album: Rome and surroundings
Grand Tour artist
Brown ink, pen, watercolor and pencil on thirty one sheets of wove paper, 125 x 90 mm. Leather binding.
30
Sketchbook: Military Portraits
Artist of the early 19th century
Pencil on blue laid paper, 195 x 145 mm. Leather binding. The album contains twenty one drawings.
30
Sketchbook: Military Portraits
Artist of the early 19th century
Pencil on blue laid paper, 195 x 145 mm. Leather binding. The album contains twenty one drawings.
31
Statue of Eros in front of the Temple of Diana at Villa Albani, Rome
1826, anonymous Grand Tour artist
Pencil on vellum paper, mounted on wove paper, 250 x 195 mm.
31
Statue of Eros in front of the Temple of Diana at Villa Albani, Rome
1826, anonymous Grand Tour artist
Pencil on vellum paper, mounted on wove paper, 250 x 195 mm.
32
Preparatory study for capture scene
19th century Italian artist
Pencil and watercolor on wove paper, 138 x 222 mm
32
Preparatory study for capture scene
19th century Italian artist
Pencil and watercolor on wove paper, 138 x 222 mm
34
Group of five loose sheets with a mythological theme
Pencil on laid paper, a) cm. 11x16.5; b) cm. 14x19; c) cm. 13.5x18; d) cm. 21x28; e) cm. 20.5x28.5.
34
Group of five loose sheets with a mythological theme
Pencil on laid paper, a) cm. 11x16.5; b) cm. 14x19; c) cm. 13.5x18; d) cm. 21x28; e) cm. 20.5x28.5.
35
Series of eight sketches with various subjects
Late 19th century artist
Pencil and ink on different papers, maximum size 270 x 245 mm.
35
Series of eight sketches with various subjects
Late 19th century artist
Pencil and ink on different papers, maximum size 270 x 245 mm.
36
Group of five drawings of different subjects
Lot of five drawings: Study for two figures , brown ink and pencil traces on laid paper, 155 x 210 mm Massacre [..]
36
Group of five drawings of different subjects
Lot of five drawings: Study for two figures , brown ink and pencil traces on laid paper, 155 x 210 mm Massacre [..]
37
Hans Burgkmair il Vecchio
(1473 - 1531)
Five Bear Hunters, from "Triumphs of Maximilian"
Woodcut, 390 x 345 mm. Plate no. 14 of a set of 139 known plates that make up a monumental frieze depicting an [..]
37
Hans Burgkmair il Vecchio
(1473 - 1531)
Five Bear Hunters, from "Triumphs of Maximilian"
Woodcut, 390 x 345 mm. Plate no. 14 of a set of 139 known plates that make up a monumental frieze depicting an [..]
38
Hans Burgkmair il Vecchio
(1473 - 1531)
Wolfgang von Polheim, duelling master, from from "Triumphs of Maximilian"
Woodcut, 390 x 365 mm. Plate no. 44 of a set of 139 plates that make up a monumental frieze, depicting an allegorical [..]
38
Hans Burgkmair il Vecchio
(1473 - 1531)
Wolfgang von Polheim, duelling master, from from "Triumphs of Maximilian"
Woodcut, 390 x 365 mm. Plate no. 44 of a set of 139 plates that make up a monumental frieze, depicting an allegorical [..]
39
Hans Burgkmair il Vecchio
(1473 - 1531)
Lute and Viola Music, from "Triumphs of Maximilian"
Woodcut, approx. 390 x 345 mm (each sheet). Plates no. 17 and 18 of a set of 139 plates that make up a monumental [..]
39
Hans Burgkmair il Vecchio
(1473 - 1531)
Lute and Viola Music, from "Triumphs of Maximilian"
Woodcut, approx. 390 x 345 mm (each sheet). Plates no. 17 and 18 of a set of 139 plates that make up a monumental [..]
40
Hans Burgkmair il Vecchio
(1473 - 1531)
Landsknechts, from "Triumphs of Maximilian"
Woodcut, approx. 390 x 345 mm (each sheet). Plates no. 91-93 of a set of 139 plates that make up a monumental [..]
40
Hans Burgkmair il Vecchio
(1473 - 1531)
Landsknechts, from "Triumphs of Maximilian"
Woodcut, approx. 390 x 345 mm (each sheet). Plates no. 91-93 of a set of 139 plates that make up a monumental [..]