91
Crispijn de Passe I
(1637)
Five senses
Complete series of five prints. Etching and engraving, 185 x 226, 183 x 235, 182 x 231, 185 x 227, 181 x 236 mm [..]
91
Crispijn de Passe I
(1637)
Five senses
Complete series of five prints. Etching and engraving, 185 x 226, 183 x 235, 182 x 231, 185 x 227, 181 x 236 mm [..]
92
Philippe Thomassin
(1562 - 1622)
Vita et miracula S. Catharinae Senen triplici idiomate Latino, Italo ac Hyspano descripta humani generis redemptoridicata
1608
Complete series of thirty-four plates. Engraving and etching, approx. 268 x 200 mm (each sheet). Bruwaert 284. [..]
92
Philippe Thomassin
(1562 - 1622)
Vita et miracula S. Catharinae Senen triplici idiomate Latino, Italo ac Hyspano descripta humani generis [..]
1608
Complete series of thirty-four plates. Engraving and etching, approx. 268 x 200 mm (each sheet). Bruwaert 284. [..]
93
Matthias Greuter
(1638)
Diana and Callisto, after Titian
Engraving, 468 x 370 mm (plate), 537 x 390 mm (sheet). Nagler (Monogrammist MGF) IV.1855. Fine impression with [..]
93
Matthias Greuter
(1638)
Diana and Callisto, after Titian
Engraving, 468 x 370 mm (plate), 537 x 390 mm (sheet). Nagler (Monogrammist MGF) IV.1855. Fine impression with [..]
94
Agostino Carracci
(1557 - 1602)
The Madonna of Saint Jerome, after Correggio
Burin, 462 x 330 mm. IV of 4 states, with the address of Doma and Valegio. Bartsch XVIII.87.95; DeGrazia 142. [..]
94
Agostino Carracci
(1557 - 1602)
The Madonna of Saint Jerome, after Correggio
Burin, 462 x 330 mm. IV of 4 states, with the address of Doma and Valegio. Bartsch XVIII.87.95; DeGrazia 142. [..]
95
Agostino Carracci
(1557 - 1602)
Orpheus and Eurydice, from "Lascivie"
Engraving, 149 x 103 mm (sheet). 2nd state of 2, with the address of Donato Rasciotti. Bartsch XVIII.107.123, [..]
95
Agostino Carracci
(1557 - 1602)
Orpheus and Eurydice, from "Lascivie"
Engraving, 149 x 103 mm (sheet). 2nd state of 2, with the address of Donato Rasciotti. Bartsch XVIII.107.123, [..]
96
Agostino Carracci
(1557 - 1602)
Sapientia Martem depellante Pax et Abundantia cogaudent, by Tintoretto
Engraving, 245 x 322 mm. III state out of 4. Bohlin 148; Bartsch XVIII.105.118. Impression printed on laid paper, [..]
96
Agostino Carracci
(1557 - 1602)
Sapientia Martem depellante Pax et Abundantia cogaudent, by Tintoretto
Engraving, 245 x 322 mm. III state out of 4. Bohlin 148; Bartsch XVIII.105.118. Impression printed on laid paper, [..]
97
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
After
Saint Roch Giving Alms
Anonymous Italian engraver of the 17th century
Etching, 286 x 447 mm. Borea, Annibale Carracci and his engravers, 4. Rare. Fine impression on laid paper. Trimmed, [..]
97
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
After
Saint Roch Giving Alms
Anonymous Italian engraver of the 17th century
Etching, 286 x 447 mm. Borea, Annibale Carracci and his engravers, 4. Rare. Fine impression on laid paper. Trimmed, [..]
98
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Chamaenerion
Engraving and etching, 520 x 405 mm (sheet). Find, hand-colored impression, with very light plate-tone. From [..]
98
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Chamaenerion
Engraving and etching, 520 x 405 mm (sheet). Find, hand-colored impression, with very light plate-tone. From [..]
99
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Amerius pleno rubro flore
Engraving and etching, 520 x 405 mm (sheet). A fine hand-coloured impression from the first edition of 1613, [..]
99
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Amerius pleno rubro flore
Engraving and etching, 520 x 405 mm (sheet). A fine hand-coloured impression from the first edition of 1613, [..]
100
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Caryophyllus sylvestris flore laciniato carneo
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
100
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Caryophyllus sylvestris flore laciniato carneo
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
101
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Cataputia vulgaris
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
101
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Cataputia vulgaris
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
102
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Linaria aurea
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
102
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Linaria aurea
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression, with very [..]
103
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Ageratum
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression. Printed on [..]
103
Basilius Besler
(Norimberga, 1561 - Norimberga, 1629)
Ageratum
Engraving and etching, 475 x 385 mm (plate), 560 x 442 mm (sheet). Fine hand-colored impression. Printed on [..]
104
Michelangelo Buonarroti
(Caprese, 1475 - Roma, 1564)
After
Nicolas Beatrizet
(1573)
Based on
The Fall of Phaeton
17th century copy of the famous print by Nicolas Beatrizet (1515 - 1566 ca.) after Michelangelo, published by [..]
104
Michelangelo Buonarroti
(Caprese, 1475 - Roma, 1564)
After
Nicolas Beatrizet
(1573)
Based on
The Fall of Phaeton
17th century copy of the famous print by Nicolas Beatrizet (1515 - 1566 ca.) after Michelangelo, published by [..]
105
Cherubino Alberti
(1553 - 1615)
Nuda Veritas
Etching, 650 x 470 mm (sheet). Bartsch XVII.74.67. Fine impression printed on a large portion of 17th century [..]
105
Cherubino Alberti
(1553 - 1615)
Nuda Veritas
Etching, 650 x 470 mm (sheet). Bartsch XVII.74.67. Fine impression printed on a large portion of 17th century [..]
106
Giacomo Lauro
(1560 - 1645)
Deposition, after Federico Barocci
1598
Etching, 212 x 147 mm (plate), 274 x 208 mm (sheet). Very fine impression on laid paper with watermark. Large [..]
106
Giacomo Lauro
(1560 - 1645)
Deposition, after Federico Barocci
1598
Etching, 212 x 147 mm (plate), 274 x 208 mm (sheet). Very fine impression on laid paper with watermark. Large [..]
107
Giacomo Lauro
(1560 - 1645)
Palazzi diversi nel'alma cità di Roma et altre
1655
Lot of five engravings from the work "Palazzi diversi nel'alma cità di Roma et altre. Ad instanza di Giambattista [..]
107
Giacomo Lauro
(1560 - 1645)
Palazzi diversi nel'alma cità di Roma et altre
1655
Lot of five engravings from the work "Palazzi diversi nel'alma cità di Roma et altre. Ad instanza di Giambattista [..]
108
Francesco Villamena
(1566 - 1626)
Moses and the Bronze Serpent, after Ferrau Fenzoni
Engraving, 495 x 380 mm. Kühn-Hattenhauer, p. 194. Very fine impression on laid paper with watermark. Trimmed, [..]
108
Francesco Villamena
(1566 - 1626)
Moses and the Bronze Serpent, after Ferrau Fenzoni
Engraving, 495 x 380 mm. Kühn-Hattenhauer, p. 194. Very fine impression on laid paper with watermark. Trimmed, [..]
109
Francesco Villamena
(1566 - 1626)
Battle of Las Navas de Tolosa, after Antonio Tempesta
Etching, 380 x 505 mm. Leuschner, Eckhard, and Philippe Rouillard. “Metamorphoses of a Plate: 'The Battle of Las [..]
109
Francesco Villamena
(1566 - 1626)
Battle of Las Navas de Tolosa, after Antonio Tempesta
Etching, 380 x 505 mm. Leuschner, Eckhard, and Philippe Rouillard. “Metamorphoses of a Plate: 'The Battle of Las [..]
110
Francesco Villamena
(1566 - 1626)
Caesar Baronius
Etching, 342 x 210 mm (plate), 410 x 270 mm (sheet). Very nice impression on laid paper with watermark. Sheet [..]
110
Francesco Villamena
(1566 - 1626)
Caesar Baronius
Etching, 342 x 210 mm (plate), 410 x 270 mm (sheet). Very nice impression on laid paper with watermark. Sheet [..]
111
Ventura Salimbeni
(Siena, 1568 - 1613)
The Marriage of the Virgin
Etching, 210 x 146 mm. State not described, with part of the address "St. Fo. Ro." erased and the addition of [..]
111
Ventura Salimbeni
(Siena, 1568 - 1613)
The Marriage of the Virgin
Etching, 210 x 146 mm. State not described, with part of the address "St. Fo. Ro." erased and the addition of [..]
112
Raffaele Schiaminossi
(1572 - 1622)
Ratio | Letitia
Lot of two prints. Etching, approx. 150 x 105 mm (each sheet). Fine impressions on laid paper. Trimmed and ba [..]
112
Raffaele Schiaminossi
(1572 - 1622)
Ratio | Letitia
Lot of two prints. Etching, approx. 150 x 105 mm (each sheet). Fine impressions on laid paper. Trimmed and ba [..]
113
Odoardo Fialetti
(1573 - 1638)
Bear hunting
Etching, 150 x 237 mm (plate), 238 x 331 mm (sheet). Bartsch XVII.276.36 Very nice impression on laid paper. [..]
113
Odoardo Fialetti
(1573 - 1638)
Bear hunting
Etching, 150 x 237 mm (plate), 238 x 331 mm (sheet). Bartsch XVII.276.36 Very nice impression on laid paper. [..]
114
Jan van Londerseel
(1578)
Landscape with Christ in the Wheat Fields, after David Vinckboons
Etching, 350 x 480 mm (plate), 444 x 567 mm (sheet). Fine impression on laid paper with watermark (Arms of Strasbourg, [..]
114
Jan van Londerseel
(1578)
Landscape with Christ in the Wheat Fields, after David Vinckboons
Etching, 350 x 480 mm (plate), 444 x 567 mm (sheet). Fine impression on laid paper with watermark (Arms of Strasbourg, [..]
115
Lucas Kilian
(Augsburg, 1579 - 1637)
The Entombment , after Tintoretto
Engraving, 345 x 200 mm. LeBlanc 17. Fine, fresh impression on laid paper with fragment of watermark. Trimmed [..]
115
Lucas Kilian
(Augsburg, 1579 - 1637)
The Entombment , after Tintoretto
Engraving, 345 x 200 mm. LeBlanc 17. Fine, fresh impression on laid paper with fragment of watermark. Trimmed [..]
116
Lucas Kilian
(Augsburg, 1579 - 1637)
St Mathew
After Matthaus Gundelach. Engraving, 278 x 198 mm. LeBlanc 22. Fine impression, but with some ink loss on the [..]
116
Lucas Kilian
(Augsburg, 1579 - 1637)
St Mathew
After Matthaus Gundelach. Engraving, 278 x 198 mm. LeBlanc 22. Fine impression, but with some ink loss on the [..]
117
Boëtius Adamsz. Bolswert
(1580 - 1633)
Lazare, veni foras, after Peter Paul Rubens
Engraving, 655 x 505 mm (plate), approx. 690 x 525 mm (sheet). Hollstein 6. Very fine, rich impression with [..]
117
Boëtius Adamsz. Bolswert
(1580 - 1633)
Lazare, veni foras, after Peter Paul Rubens
Engraving, 655 x 505 mm (plate), approx. 690 x 525 mm (sheet). Hollstein 6. Very fine, rich impression with [..]
118
Boëtius Adamsz. Bolswert
(1580 - 1633)
Pan playing the flute, after Jacob Jordaens
Engraving, 343 x 432 mm (plate); 360 x 452 mm (sheet). Hollstein 285. A fine example from an 18th-century edition [..]
118
Boëtius Adamsz. Bolswert
(1580 - 1633)
Pan playing the flute, after Jacob Jordaens
Engraving, 343 x 432 mm (plate); 360 x 452 mm (sheet). Hollstein 285. A fine example from an 18th-century edition [..]
119
Boëtius Adamsz. Bolswert
(1580 - 1633)
The Rainbow Landscape, after Rubens
Engraving, 339 x 450 mm. IV state of 5, with the excudit of the publisher Gillis Hendricx. Hollstein 314. Printed [..]
119
Boëtius Adamsz. Bolswert
(1580 - 1633)
The Rainbow Landscape, after Rubens
Engraving, 339 x 450 mm. IV state of 5, with the excudit of the publisher Gillis Hendricx. Hollstein 314. Printed [..]
120
Schelte Adamsz. Bolswert
(1659)
The Goat Amalthea with the Infant Jupiter, after Jacob Jordaens
Engraving, 360 x 469 mm (plate); 505 x 610 mm (sheet). II state of 3, with Blooteling's address and before the [..]
120
Schelte Adamsz. Bolswert
(1659)
The Goat Amalthea with the Infant Jupiter, after Jacob Jordaens
Engraving, 360 x 469 mm (plate); 505 x 610 mm (sheet). II state of 3, with Blooteling's address and before the [..]