161
Cornelis Dusart
(1660 - 1704)
Village Festival
1685
Etching, 268 x 247 mm (plate), 286 x 367 mm (sheet). Bartsch V.476.16, Hollstein 16. Printed on laid paper [..]
161
Cornelis Dusart
(1660 - 1704)
Village Festival
1685
Etching, 268 x 247 mm (plate), 286 x 367 mm (sheet). Bartsch V.476.16, Hollstein 16. Printed on laid paper [..]
162
Luca Carlevarijs
(1664 - 1730)
Veduta della Piazza di S.Marco, verso S. Giminiano
From the series "Le fabriche e vedute di Venezia". Etching, 208 x 295 mm (plate), approx. 265 x 340 mm (sheet). [..]
162
Luca Carlevarijs
(1664 - 1730)
Veduta della Piazza di S.Marco, verso S. Giminiano
From the series "Le fabriche e vedute di Venezia". Etching, 208 x 295 mm (plate), approx. 265 x 340 mm (sheet). [..]
163
Luca Carlevarijs
(1664 - 1730)
Veduta della Piazza verso la chiesa di s. Marco
From the series "Le fabriche e vedute di Venezia". Etching, 208 x 295 mm (plate), approx. 265 x 340 mm. Very [..]
163
Luca Carlevarijs
(1664 - 1730)
Veduta della Piazza verso la chiesa di s. Marco
From the series "Le fabriche e vedute di Venezia". Etching, 208 x 295 mm (plate), approx. 265 x 340 mm. Very [..]
164
Luca Carlevarijs
(1664 - 1730)
Veduta delle Prigioni, Architettura Sansuino
From the series "Le fabriche e vedute di Venezia". Etching, 204 x 295 mm (plate), approx. 265 x 340 mm (sheet). [..]
164
Luca Carlevarijs
(1664 - 1730)
Veduta delle Prigioni, Architettura Sansuino
From the series "Le fabriche e vedute di Venezia". Etching, 204 x 295 mm (plate), approx. 265 x 340 mm (sheet). [..]
165
Marco Ricci
(1676 - Venezia, 1729)
Landscape with two figures in a wild
From the series "Aria Marci Ricci pictoris praestantissimi experimenta". Etching, 245 x 352 mm (plate), approx. [..]
165
Marco Ricci
(1676 - Venezia, 1729)
Landscape with two figures in a wild
From the series "Aria Marci Ricci pictoris praestantissimi experimenta". Etching, 245 x 352 mm (plate), approx. [..]
166
Giovanni Antonio Canal Il Canaletto
(Venezia, 1697 - 1768)
View of Dolo on the river bank
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 296 x 426 mm (plate), [..]
166
Giovanni Antonio Canal Il Canaletto
(Venezia, 1697 - 1768)
View of Dolo on the river bank
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 296 x 426 mm (plate), [..]
167
Giovanni Antonio Canal Il Canaletto
(Venezia, 1697 - 1768)
The Terrace
From the series "Views and other places conceived by Antonio Canal". Etching, 143 x 210 mm (plate), 159 x 225 [..]
167
Giovanni Antonio Canal Il Canaletto
(Venezia, 1697 - 1768)
The Terrace
From the series "Views and other places conceived by Antonio Canal". Etching, 143 x 210 mm (plate), 159 x 225 [..]
168
Giovanni Antonio Canal Il Canaletto
(Venezia, 1697 - 1768)
Capriccio with Paduan buildings
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 298 x 428 mm (plate), [..]
168
Giovanni Antonio Canal Il Canaletto
(Venezia, 1697 - 1768)
Capriccio with Paduan buildings
From the series "Vedute altre prese da i luoghi altre ideate da Antonio Canal". Etching, 298 x 428 mm (plate), [..]
169
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, after Antonio Canal
From the series "Urbis Venetiarum Prospectus celebriores". Etching, 425 x 584 mm (plate). Rare. Very fine impression [..]
169
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, after Antonio Canal
From the series "Urbis Venetiarum Prospectus celebriores". Etching, 425 x 584 mm (plate). Rare. Very fine impression [..]
170
Michele Marieschi
(1710 - 1743)
Forum Maius D. Marci aliter prospectum cum eiusdem Basilica in extrema parte...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 300 x 447 mm (plate), [..]
170
Michele Marieschi
(1710 - 1743)
Forum Maius D. Marci aliter prospectum cum eiusdem Basilica in extrema parte...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 300 x 447 mm (plate), [..]
171
Michele Marieschi
(1710 - 1743)
Foscarorum aedes ad levam...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 312 x 465 mm (plate), [..]
171
Michele Marieschi
(1710 - 1743)
Foscarorum aedes ad levam...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 312 x 465 mm (plate), [..]
172
Michele Marieschi
(1710 - 1743)
Forum olitorium and region prospectum, cum proximis publicis Magistatibus, et ponte Rivoalti...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 315 x 465 mm [..]
172
Michele Marieschi
(1710 - 1743)
Forum olitorium and region prospectum, cum proximis publicis Magistatibus, et ponte Rivoalti...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 315 x 465 mm [..]
173
Michele Marieschi
(1710 - 1743)
Templum S. Mariae Salutis Cleric. Regul. Congregationis a Somascha...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 315 x 468 mm (plate), [..]
173
Michele Marieschi
(1710 - 1743)
Templum S. Mariae Salutis Cleric. Regul. Congregationis a Somascha...
From the series "Magnificentiores Selectioresque Urbis Venetiarum Prospectus". Etching, 315 x 468 mm (plate), [..]
174
Veduta della Piazza di S. Marco nell'ultimo giorno di Carnevale
anonymous Venetian engraver of the 18th century
Published by Teodoro Viero (1740-1819). Etching, 360 x 492 mm (plate), approx. 420 x 535 mm (sheet). Fine [..]
174
Veduta della Piazza di S. Marco nell'ultimo giorno di Carnevale
anonymous Venetian engraver of the 18th century
Published by Teodoro Viero (1740-1819). Etching, 360 x 492 mm (plate), approx. 420 x 535 mm (sheet). Fine [..]
175
Giambattista Brustolon
(1718 - 1796)
The Doge leaving for the Lido on the Bucintoro on Ascension Day, after Antonio Canal
From the series "Le Feste Ducali". Etching, 320 x 465 mm (plate), 360 x 505 mm (sheet). Published by Lodovico [..]
175
Giambattista Brustolon
(1718 - 1796)
The Doge leaving for the Lido on the Bucintoro on Ascension Day, after Antonio Canal
From the series "Le Feste Ducali". Etching, 320 x 465 mm (plate), 360 x 505 mm (sheet). Published by Lodovico [..]
176
Giambattista Brustolon
(1718 - 1796)
A publica Bibliotheca ad majoris Canalis initium prospectus, by Antonio Canal
From the series "Views of Venice". Etching, 323 x 461 mm (plate), 370 x 505 mm approx. (sheet). 1st state of 3, [..]
176
Giambattista Brustolon
(1718 - 1796)
A publica Bibliotheca ad majoris Canalis initium prospectus, by Antonio Canal
From the series "Views of Venice". Etching, 323 x 461 mm (plate), 370 x 505 mm approx. (sheet). 1st state of 3, [..]
177
Bernardo Bellotto
(1722 - 1780)
Vue de la Place de la Villeneuve de Dresden
Etching, approx. 540 x 850 mm. 1st state of 3, before cleaning the margins. De Vesme 14. Fine and fresh impression [..]
177
Bernardo Bellotto
(1722 - 1780)
Vue de la Place de la Villeneuve de Dresden
Etching, approx. 540 x 850 mm. 1st state of 3, before cleaning the margins. De Vesme 14. Fine and fresh impression [..]
178
Giacinto Boccanera
(Leonessa, 1666 - Perugia, 1746)
Martyrdom of Saint Blaise of Sebaste
Etching, 390 x 250 mm (plate), 437 x 300 mm (sheet). Rare. Fine and clear impression on laid paper with watermark. [..]
178
Giacinto Boccanera
(Leonessa, 1666 - Perugia, 1746)
Martyrdom of Saint Blaise of Sebaste
Etching, 390 x 250 mm (plate), 437 x 300 mm (sheet). Rare. Fine and clear impression on laid paper with watermark. [..]
179
Giacomo Maria Giovannini
(Bologna, 1667 - Parma)
Herms, after Ludovico Carracci
Lot of two prints. Etching, 377 x 230 mm (plate); 460 x 310 mm (sheet). Plates 17 and 118 from "Il Claustro di [..]
179
Giacomo Maria Giovannini
(Bologna, 1667 - Parma)
Herms, after Ludovico Carracci
Lot of two prints. Etching, 377 x 230 mm (plate); 460 x 310 mm (sheet). Plates 17 and 118 from "Il Claustro di [..]
180
Alessandro Specchi
(1668 - 1729)
Palazzo Pontifico al Vaticano | Palazzo Borghese | Palazzo Barberini | Palazzo Pamphilj al Collegio Romano | Palazzo Colonna
Lot of five plates depicting the palaces of Rome. Etching, 263 x 392 mm (each sheet) Fine impressions on laid [..]
180
Alessandro Specchi
(1668 - 1729)
Palazzo Pontifico al Vaticano | Palazzo Borghese | Palazzo Barberini | Palazzo Pamphilj al Collegio [..]
Lot of five plates depicting the palaces of Rome. Etching, 263 x 392 mm (each sheet) Fine impressions on laid [..]
181
Girolamo Scarsello
The Garden of Venus
(HSC Monogramist)
From a detail of Pietro Testa's print. Etching, 188 x 151 mm. Nagler 3140. Very fine, fresh impression on laid [..]
181
Girolamo Scarsello
The Garden of Venus
(HSC Monogramist)
From a detail of Pietro Testa's print. Etching, 188 x 151 mm. Nagler 3140. Very fine, fresh impression on laid [..]
182
Girolamo Scarsello
Cupid standing on the back of a dolphin
After Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Fine impression [..]
182
Girolamo Scarsello
Cupid standing on the back of a dolphin
After Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Fine impression [..]
183
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Very nice impression on laid paper. Sheet in excellent condition, [..]
183
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Very nice impression on laid paper. Sheet in excellent condition, [..]
184
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very nice impression with tones on laid paper. In excellent [..]
184
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very nice impression with tones on laid paper. In excellent [..]
185
Charles Dupuis
(1685 - 1742)
L'Occupation selon l'age, after Antoine Watteau
Etching, 385 x 440 mm (plate), 427 x 515 mm (sheet). Fine hand-colored impression, printed on laid paper. With [..]
185
Charles Dupuis
(1685 - 1742)
L'Occupation selon l'age, after Antoine Watteau
Etching, 385 x 440 mm (plate), 427 x 515 mm (sheet). Fine hand-colored impression, printed on laid paper. With [..]
186
Vue perspective de la Grande Salle des Bosquets des Jardins de Versailles
second half of the 18th century
Etching and engraving, approx. 300 x 418 mm. Optical view, vue optique, of the gardens of Versailles, with the [..]
186
Vue perspective de la Grande Salle des Bosquets des Jardins de Versailles
second half of the 18th century
Etching and engraving, approx. 300 x 418 mm. Optical view, vue optique, of the gardens of Versailles, with the [..]
187
Vue perspective de la Grote du Chateau de Meudon
second half of the 18th century
Etching and engraving, approx. 295 x 408 mm. Optical view, vue optique, of the gardens of the Chateau de Meudon [..]
187
Vue perspective de la Grote du Chateau de Meudon
second half of the 18th century
Etching and engraving, approx. 295 x 408 mm. Optical view, vue optique, of the gardens of the Chateau de Meudon [..]
188
Jean Baptiste Oudry
(1686 - 1755)
Deer hunting
Etching, 318 x 270 mm. Fine impression printed on laid paper with watermark. Missing the lower margin with caption [..]
188
Jean Baptiste Oudry
(1686 - 1755)
Deer hunting
Etching, 318 x 270 mm. Fine impression printed on laid paper with watermark. Missing the lower margin with caption [..]
189
Claude Dubosc
(1682 - 1745)
Mira piscium captura, The Miracolous Drought of Fishes, after Raphael
Etching, 449 x 375 mm. Fine impression on thick laid paper. Trimmed sheet with small margins preserved, uniformly [..]
189
Claude Dubosc
(1682 - 1745)
Mira piscium captura, The Miracolous Drought of Fishes, after Raphael
Etching, 449 x 375 mm. Fine impression on thick laid paper. Trimmed sheet with small margins preserved, uniformly [..]
190
Anne Claude Philippe de Tubières, Comte de Caylus
(1692 - 1765)
Nicolas Lesueur
(1690 - 1764)
The Fall of Phaeton, after Giuseppe Cesari called Cavaliere d'Arpino.
Woodcut (Lesueur) and etching (de Tubières), 440 x 268 mm (plate), 550 x 402 mm (sheet). Plate from "Recueil Crozat". [..]
190
Anne Claude Philippe de Tubières, Comte de Caylus
(1692 - 1765)
Nicolas Lesueur
(1690 - 1764)
The Fall of Phaeton, after Giuseppe Cesari called Cavaliere d'Arpino.
Woodcut (Lesueur) and etching (de Tubières), 440 x 268 mm (plate), 550 x 402 mm (sheet). Plate from "Recueil Crozat". [..]
191
Johann Daniel Herz
(1693 - 1754)
Cherub with fruit basket
Engraving, 340 x 226 mm. Backed, but in general in good condition.
191
Johann Daniel Herz
(1693 - 1754)
Cherub with fruit basket
Engraving, 340 x 226 mm. Backed, but in general in good condition.
192
Adrien Manglard
(1695 - 1760)
Ponte Salaro | Ponte Mamolo fuori di Roma
1753-1754
Lot of two prints. Etching, 345 x 485 mm each (sheet). Fine impressions on laid paper with watermark. In very [..]
192
Adrien Manglard
(1695 - 1760)
Ponte Salaro | Ponte Mamolo fuori di Roma
1753-1754
Lot of two prints. Etching, 345 x 485 mm each (sheet). Fine impressions on laid paper with watermark. In very [..]
193
Adrien Manglard
(1695 - 1760)
Landscape with ancient architecture
1753
Etching, 445 x 580 mm (sheet). Fine impression on laid paper. Sheet with large margins, in very good condition, [..]
193
Adrien Manglard
(1695 - 1760)
Landscape with ancient architecture
1753
Etching, 445 x 580 mm (sheet). Fine impression on laid paper. Sheet with large margins, in very good condition, [..]
194
Paolo Anesi
(1697 - 1773)
Veduta della Madonna del Rosario a Monte Mario | Veduta di Port Castello
Lot of two prints: View of the Madonna del Rosario in Monte Mario Etching, 194 x 274 mm (sheet). Fine, sharp [..]
194
Paolo Anesi
(1697 - 1773)
Veduta della Madonna del Rosario a Monte Mario | Veduta di Port Castello
Lot of two prints: View of the Madonna del Rosario in Monte Mario Etching, 194 x 274 mm (sheet). Fine, sharp [..]
195
Johann Jakob Haid
(1704 - 1767)
Samuel of Cocceii
Mezzotint, 410 x 257 mm (sheet). Superb impression on laid paper. Sheet in very good general condition.
195
Johann Jakob Haid
(1704 - 1767)
Samuel of Cocceii
Mezzotint, 410 x 257 mm (sheet). Superb impression on laid paper. Sheet in very good general condition.
196
Joseph Wagner
(1706 - 1786)
Allegory of Europe, after Jacopo Amigoni
Etching, 493 x 327 mm (plate); 556 x 420 mm (sheet). Fine impression on laid paper with watermark and “AS” countermark. [..]
196
Joseph Wagner
(1706 - 1786)
Allegory of Europe, after Jacopo Amigoni
Etching, 493 x 327 mm (plate); 556 x 420 mm (sheet). Fine impression on laid paper with watermark and “AS” countermark. [..]
197
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Fathers of the Church Disputing the Dogma of the Immaculate Conception, after Guido Reni
Etching, 586 x 358 mm (plate); 675 x 510 mm (sheet). LeBlanc II.253.45. A fine example printed on laid paper [..]
197
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Fathers of the Church Disputing the Dogma of the Immaculate Conception, after Guido Reni
Etching, 586 x 358 mm (plate); 675 x 510 mm (sheet). LeBlanc II.253.45. A fine example printed on laid paper [..]
198
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Sepulchral monument of Gregory XIII
Etching, 940 x 545 mm (sheet). LeBlanc II.254.67. Nice impression with plate-tone, printed on two portions of [..]
198
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Sepulchral monument of Gregory XIII
Etching, 940 x 545 mm (sheet). LeBlanc II.254.67. Nice impression with plate-tone, printed on two portions of [..]
199
Christian Rugendas
(1708 - 1781)
Battles, after Georg Philipp Rugendas
Lot of two prints. Mezzotint, approx. 170 x 250 mm (each sheet) Proofs with small margins, backed. Scattered [..]
199
Christian Rugendas
(1708 - 1781)
Battles, after Georg Philipp Rugendas
Lot of two prints. Mezzotint, approx. 170 x 250 mm (each sheet) Proofs with small margins, backed. Scattered [..]
200
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Disegni delle macchine
Lot of four engravings: Disegno della seconda macchina rappresentante il Monte Etna Disegno della seconda [..]
200
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Disegni delle macchine
Lot of four engravings: Disegno della seconda macchina rappresentante il Monte Etna Disegno della seconda [..]