2
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Follower of
Ecstasy of Saint Cecilia
The drawing is taken from the famous painting by Raffaello Sanzio, with the same subject, executed in 1514 for [..], Tempera e oil on parchment, cm. 27,5x21,5. Framed
2
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Follower of
Ecstasy of Saint Cecilia
The drawing is taken from the famous painting by Raffaello Sanzio, with the same subject, executed in 1514 for [..], Tempera e oil on parchment, cm. 27,5x21,5. Framed
Parchment
3
Artista olandese, XVII secolo
Landscape with three bulls
Ink on brown laid paper, cm. 16,5x23,8. Framed
3
Artista olandese, XVII secolo
Landscape with three bulls
Ink on brown laid paper, cm. 16,5x23,8. Framed
Paper
5
Giovanni Battista Mercati
(Borgo Sansepolcro, 1591 - Roma, 1645)
a) View of the Suburra with Santa Maria Maggiore in the background; b) Classical ruins near San Pietro in Vincoli. Pair of drawings
a) the drawing bears an ink inscription in the upper margin: '16. DALLA SUBURRA A S.TA MARIA MAGGIORE". The drawing [..], Ink on brown laid paper , cm. 10,5x17 each
5
Giovanni Battista Mercati
(Borgo Sansepolcro, 1591 - Roma, 1645)
a) View of the Suburra with Santa Maria Maggiore in the background; b) Classical ruins near San Pietro [..]
a) the drawing bears an ink inscription in the upper margin: '16. DALLA SUBURRA A S.TA MARIA MAGGIORE". The drawing [..], Ink on brown laid paper , cm. 10,5x17 each
Paper
6
Artista bolognese, XVII secolo
The Triumph of Galatea
The drawing bears a recent inscription in italics in the bottom right-hand corner: "CASTIGLIONI", Sanguine and watercolour on brown laid paper applied on blue cardboard, cm. 10,7x27,3
6
Artista bolognese, XVII secolo
The Triumph of Galatea
The drawing bears a recent inscription in italics in the bottom right-hand corner: "CASTIGLIONI", Sanguine and watercolour on brown laid paper applied on blue cardboard, cm. 10,7x27,3
Paper
7
Scuola napoletana, XVII secolo
The Virgin interceding for the Souls in Purgatory
The drawing bears the Moser collection stamp in the bottom left-hand corner, Pencil on laid brown paper, cm. 32x26. Framed
7
Scuola napoletana, XVII secolo
The Virgin interceding for the Souls in Purgatory
The drawing bears the Moser collection stamp in the bottom left-hand corner, Pencil on laid brown paper, cm. 32x26. Framed
Paper
8
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
in the way of
Fruit still life with game and hare hanging on a branch
Ink and watercolour on cardboard laid on panel, cm. 24,5x36,4. Framed
8
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
in the way of
Fruit still life with game and hare hanging on a branch
Ink and watercolour on cardboard laid on panel, cm. 24,5x36,4. Framed
Cardboard
9
Alessio De Marchis
(Napoli, 1684 - Perugia, 1752)
Attributed to
Landscape with river and castle in the background
Watercolour and white lead on paper laid on cardboard, cm. 19x28. Framed
9
Alessio De Marchis
(Napoli, 1684 - Perugia, 1752)
Attributed to
Landscape with river and castle in the background
Watercolour and white lead on paper laid on cardboard, cm. 19x28. Framed
Paper
10
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
Follower of
Romolo and Remo
The work reproduces the lower section of the famous painting by Peter Paul Rubens, with the same subject, preserved [..], Oil on laid paper, cm. 30,5x37,5. Framed
10
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
Follower of
Romolo and Remo
The work reproduces the lower section of the famous painting by Peter Paul Rubens, with the same subject, preserved [..], Oil on laid paper, cm. 30,5x37,5. Framed
Laid paper
11
Peter Heinrich Lambert von Hess
(Düsseldorf , 1792 - Monaco, 1871)
View of St Peter's from Via dell'Arco Oscuro
The drawing bears the signature at lower left: "HESS FECIT", the date at lower right: "ROME 1831" and an inscription [..], Charcoal and pencil on cardboard, cm. 28x39,5
11
Peter Heinrich Lambert von Hess
(Düsseldorf , 1792 - Monaco, 1871)
View of St Peter's from Via dell'Arco Oscuro
The drawing bears the signature at lower left: "HESS FECIT", the date at lower right: "ROME 1831" and an inscription [..], Charcoal and pencil on cardboard, cm. 28x39,5
Cardboard
12
Artista italiano, XVIII - XIX secolo
Amphithéatre Castrense
The outline bears an inscription in brown ink in the lower margin: 'COUR DES CHARETTES CIRCENSES' and inventory [..], Watercoloured outlined on paper laid on cardboard, 20x26 cm. Framed
12
Artista italiano, XVIII - XIX secolo
Amphithéatre Castrense
The outline bears an inscription in brown ink in the lower margin: 'COUR DES CHARETTES CIRCENSES' and inventory [..], Watercoloured outlined on paper laid on cardboard, 20x26 cm. Framed
Paper
13
Luigi Serra
(Bologna, 1846 - Bologna, 1888)
Study for nine statues representing the Muses
Each cut-out bears the name of the depicted Muse in the lower margin; the backing card bears the signature 'LUIGI [..], Pencil, pen and white crayon on different types of blue and brown paper, 9 cuttings approx. 10x5 cm each, applied on cardboard 34x20 cm.
13
Luigi Serra
(Bologna, 1846 - Bologna, 1888)
Study for nine statues representing the Muses
Each cut-out bears the name of the depicted Muse in the lower margin; the backing card bears the signature 'LUIGI [..], Pencil, pen and white crayon on different types of blue and brown paper, 9 cuttings approx. 10x5 cm each, applied on cardboard 34x20 cm.
Paper
14
Artista italiano, XIX secolo
Series of eight academic studies from paintings by Palma il Giovane and Paolo Veronese in Palazzo Ducale in Venice
Pen and ink on brown laid paper, various sizes, maximum dimensions 46x32 cm.
14
Artista italiano, XIX secolo
Series of eight academic studies from paintings by Palma il Giovane and Paolo Veronese in Palazzo Ducale [..]
Pen and ink on brown laid paper, various sizes, maximum dimensions 46x32 cm.
15
Artista emiliano, XVIII secolo
Apostle Judas Thaddeus
Sanguine on brown laid paper applied on cardboard, cm. 44x30,5. Framed
15
Artista emiliano, XVIII secolo
Apostle Judas Thaddeus
Sanguine on brown laid paper applied on cardboard, cm. 44x30,5. Framed
16
Artista neoclassico, primi decenni del XIX secolo
Scene from Antigone by Sophocles
The work bears a long, partially legible inscription in the upper edge on the reverse side with a description [..], Tempera and oil on cardboard, cm. 47x34. Framed
16
Artista neoclassico, primi decenni del XIX secolo
Scene from Antigone by Sophocles
The work bears a long, partially legible inscription in the upper edge on the reverse side with a description [..], Tempera and oil on cardboard, cm. 47x34. Framed
Cardboard
17
Artista napoletano, XVIII secolo
Pair of beggars
Pencil and white chalk on brown laid paper, cm. 38x31,5. Framed
17
Artista napoletano, XVIII secolo
Pair of beggars
Pencil and white chalk on brown laid paper, cm. 38x31,5. Framed
Paper
18
Giovanni Battista Draghi
(Genova, 1657 - Piacenza, 1712)
Recto: Study of scene with four figures within lunette - Verso: Study of three figures walking up the ramp of a building
The drawing bears a pencil inscription in the upper left-hand corner: "GIO. BATT. DRAGHI" AND bears on the verso [..], Ink and watercolour on brown laid paper, cm. 12,5x21, irregular edge
18
Giovanni Battista Draghi
(Genova, 1657 - Piacenza, 1712)
Recto: Study of scene with four figures within lunette - Verso: Study of three figures walking up the [..]
The drawing bears a pencil inscription in the upper left-hand corner: "GIO. BATT. DRAGHI" AND bears on the verso [..], Ink and watercolour on brown laid paper, cm. 12,5x21, irregular edge
Paper
19
Alessandro Guardassoni
(Bologna, 1819 - Bologna, 1888)
Preparatory study for the right-hand figures in the painting 'Pier Capponi tears up the pacts imposed by Charles VIII'.
The drawing bears the date in the lower left-hand corner: '20 NOV. 59'., Pencil on watermarked paper, 20.6x28 cm.
19
Alessandro Guardassoni
(Bologna, 1819 - Bologna, 1888)
Preparatory study for the right-hand figures in the painting 'Pier Capponi tears up the pacts imposed [..]
The drawing bears the date in the lower left-hand corner: '20 NOV. 59'., Pencil on watermarked paper, 20.6x28 cm.
20
Alessandro Guardassoni
(Bologna, 1819 - Bologna, 1888)
Preparatory study for the general composition of the painting "Pier Capponi tears up the pacts imposed by Charles VIII".
The drawing bears the signature and date in the bottom right-hand margin: 'A. GUARDASSONI / 20 NOV. 59'., Pencil on watermarked paper, 28x20.6 cm
20
Alessandro Guardassoni
(Bologna, 1819 - Bologna, 1888)
Preparatory study for the general composition of the painting "Pier Capponi tears up the pacts imposed [..]
The drawing bears the signature and date in the bottom right-hand margin: 'A. GUARDASSONI / 20 NOV. 59'., Pencil on watermarked paper, 28x20.6 cm
21
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Study of a figure wearing a toga
The sheet bears a pencil inscription on the verso: "PODESTI", Charcoal and watercolour on paper, cm. 22,2x31,3
21
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Study of a figure wearing a toga
The sheet bears a pencil inscription on the verso: "PODESTI", Charcoal and watercolour on paper, cm. 22,2x31,3
Paper
22
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Study of a female figure at prayer and for a Moses
Pencil on paper, 22.2x31.3 cm
22
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Study of a female figure at prayer and for a Moses
Pencil on paper, 22.2x31.3 cm
23
Artista attivo a Roma, fine XVIII - inizio XIX secolo
a)Arch of Giano; b) Mausoleum of Cecilia Metella; c) Temple of Minerva Medica; d) Temple of Sibyl. Suite of four Views of Roman Monuments
Tempera on paper, cm. 8x12 each one. Antique frame
23
Artista attivo a Roma, fine XVIII - inizio XIX secolo
a)Arch of Giano; b) Mausoleum of Cecilia Metella; c) Temple of Minerva Medica; d) Temple of Sibyl. Suite [..]
Tempera on paper, cm. 8x12 each one. Antique frame
Paper
24
Francesco de' Rossi Salviati
(Roma, 1510 - Firenze , 1563)
Sphere of
Allegory of the rivers Partenope, Sebeto and Garigliano
Pen, ink and watercolour on paper laid on cardboard, cm. 26x34. Framed
24
Francesco de' Rossi Salviati
(Roma, 1510 - Firenze , 1563)
Sphere of
Allegory of the rivers Partenope, Sebeto and Garigliano
Pen, ink and watercolour on paper laid on cardboard, cm. 26x34. Framed
Paper
25
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
Circle of
Ninfa
The drawing bears an illegible inscription in the lower margin, Pen, ink and traces of watercolour on brown laid paper, cm. 9,5x4. Framed
25
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
Circle of
Ninfa
The drawing bears an illegible inscription in the lower margin, Pen, ink and traces of watercolour on brown laid paper, cm. 9,5x4. Framed
Paper
26
Artista lombardo, seconda metà XVI secolo
The Deposition of Christ
Ink and pastel colours on laid paper with watermark applied on cardboard, cm. 46,5x39,5
26
Artista lombardo, seconda metà XVI secolo
The Deposition of Christ
Ink and pastel colours on laid paper with watermark applied on cardboard, cm. 46,5x39,5
Paper
27
Artista russo, seconda metà XIX secolo
a) The Apollo Belvedere b) The Galatian Suicide or The Ludovisi Gaul. Pair of drawings
a) The drawing bears the date and signature on the lower right corner: "M. Ланцкая / 22- III -1891"; b) The drawing [..], Pencil and charcoal on watermarked paper, cm. 79,5x54 each. Framed
27
Artista russo, seconda metà XIX secolo
a) The Apollo Belvedere b) The Galatian Suicide or The Ludovisi Gaul. Pair of drawings
a) The drawing bears the date and signature on the lower right corner: "M. Ланцкая / 22- III -1891"; b) The drawing [..], Pencil and charcoal on watermarked paper, cm. 79,5x54 each. Framed
Paper
28
Gaspar van Wittel
(Amersfoort, 1653 - Roma, 1736)
Follower of
View of Rome from Prati di Castello
Unusual and rare view of Rome seen from Prati di Castello, with Saint Peter's Basilica, Castel Sant' Angelo and [..], Brown ink and grey watercolour on two sheets of laid paper with watermark joined at the centre , cm. 16x75.5 approx.
28
Gaspar van Wittel
(Amersfoort, 1653 - Roma, 1736)
Follower of
View of Rome from Prati di Castello
Unusual and rare view of Rome seen from Prati di Castello, with Saint Peter's Basilica, Castel Sant' Angelo and [..], Brown ink and grey watercolour on two sheets of laid paper with watermark joined at the centre , cm. 16x75.5 approx.
Paper
29
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Preparatory drawing for "Il Giuramento degli Anconitani"
The drawing is a preparatory study for the large canvas of the same subject executed by Podesti between 1844 and [..], Pencil on ten jointed boards, 126.5x168.5 cm
29
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Preparatory drawing for "Il Giuramento degli Anconitani"
The drawing is a preparatory study for the large canvas of the same subject executed by Podesti between 1844 and [..], Pencil on ten jointed boards, 126.5x168.5 cm
30
Antonio Ermolao Paoletti
(Venezia, 1834 - Venezia, 1912)
Attributed to
Napoleonic soldier
The drawing bears sign in lower left corner: "PAOLETTI"; on the verso is a sketch for a study of a male figure. [..], Pencil on brown paper laid on cardboard, cm. 25,2x17
30
Antonio Ermolao Paoletti
(Venezia, 1834 - Venezia, 1912)
Attributed to
Napoleonic soldier
The drawing bears sign in lower left corner: "PAOLETTI"; on the verso is a sketch for a study of a male figure. [..], Pencil on brown paper laid on cardboard, cm. 25,2x17
Cardboard