275
Live auction
Paintings, Drawings and Sculptures from 14th to 19th Century
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Roma 00186, thu 23 November 2023
Viewing
November 17,18,19 3:00-6:30 p.m.
November 20,21,22 10:30a.m.-1:30 p.m./3:00-6:30 p.m.
151
Artista fiorentino, seconda metà XVI secolo
Portrait of a Lady with a veil and handkerchief
The middle-aged gentlewoman portrayed here could perhaps be a widow, if we consider the reserved, dignified and [..], Oil on panel, 61.5x51 cm. Framed
151
Artista fiorentino, seconda metà XVI secolo
Portrait of a Lady with a veil and handkerchief
The middle-aged gentlewoman portrayed here could perhaps be a widow, if we consider the reserved, dignified and [..], Oil on panel, 61.5x51 cm. Framed
152
Imperiale Gramatica
(Roma, 1599 - Roma, 1634)
The Theological Virtues
The figure of Imperiale Gramatica, Antiveduto's son, has been the subject of renewed attention in recent decades, [..], Oil on canvas, cm. 74x64.
152
Imperiale Gramatica
(Roma, 1599 - Roma, 1634)
The Theological Virtues
The figure of Imperiale Gramatica, Antiveduto's son, has been the subject of renewed attention in recent decades, [..], Oil on canvas, cm. 74x64.
Canvas
153
Domenico Gargiulo Micco Spadaro
(Napoli, 1609 - Napoli, 1675)
Attributed to
Moses brings forth Water out of the rock
This fine unpublished painting constitutes, in our opinion, a significant addition to Micco Spadaro's catalog, [..], Oil on canvas, 64x86.5 cm. Framed
153
Domenico Gargiulo Micco Spadaro
(Napoli, 1609 - Napoli, 1675)
Attributed to
Moses brings forth Water out of the rock
This fine unpublished painting constitutes, in our opinion, a significant addition to Micco Spadaro's catalog, [..], Oil on canvas, 64x86.5 cm. Framed
154
Jan Dirksz Both
(Utrecht, 1618 - Utrecht , 1652)
View of the Ripa Grande in Rome
The painting bears signature in the lower left corner: "BOTH J." Of this uncommon view of Rome with the landing [..], Oil on oak panel, cm. 44x50. Framed
154
Jan Dirksz Both
(Utrecht, 1618 - Utrecht , 1652)
View of the Ripa Grande in Rome
The painting bears signature in the lower left corner: "BOTH J." Of this uncommon view of Rome with the landing [..], Oil on oak panel, cm. 44x50. Framed
155
Carlo Sellitto
(Napoli, 1581 - Napoli, 1614)
Attributed to
Saint John the Baptist
The painting is accompanied by an expertise by Prof. Ferdinando Bologna, datated 31th December 1980 (available [..], Oil on canvas, cm. 130x99. Framed
155
Carlo Sellitto
(Napoli, 1581 - Napoli, 1614)
Attributed to
Saint John the Baptist
The painting is accompanied by an expertise by Prof. Ferdinando Bologna, datated 31th December 1980 (available [..], Oil on canvas, cm. 130x99. Framed
Canvas
156
Giovanni Camillo Sagrestani
(Firenze, 1660 - Firenze, 1731)
Adoration of the Magi
The painting is in original canvas., Oil on canvas, 114x170 cm. Framed
156
Giovanni Camillo Sagrestani
(Firenze, 1660 - Firenze, 1731)
Adoration of the Magi
The painting is in original canvas., Oil on canvas, 114x170 cm. Framed
Canvas
157
Simone Pignoni
(Firenze, 1611 - Firenze , 1698)
Saint Agnes
The present work is accompanied by an expertise by Prof. Sandro Bellesi. The lamb and the palm branch in the [..], Oil on canvas, 87x72 cm. Framed
157
Simone Pignoni
(Firenze, 1611 - Firenze , 1698)
Saint Agnes
The present work is accompanied by an expertise by Prof. Sandro Bellesi. The lamb and the palm branch in the [..], Oil on canvas, 87x72 cm. Framed
Canvas
158
Tommaso Realfonso Masillo
(Napoli, 1677 - Napoli, 1743)
Still life of grapes, figs, peaches and pomegranates in a landscape
A favorite pupil of Andrea Belvedere until the latter's departure for Spain in 1794, Tommaso Realfonso (or Realfonzo) [..], Oil on canvas, 66x84 cm. Framed
158
Tommaso Realfonso Masillo
(Napoli, 1677 - Napoli, 1743)
Still life of grapes, figs, peaches and pomegranates in a landscape
A favorite pupil of Andrea Belvedere until the latter's departure for Spain in 1794, Tommaso Realfonso (or Realfonzo) [..], Oil on canvas, 66x84 cm. Framed
159
Gioacchino Assereto
(Genova, 1600 - Genova, 1649)
and help
Madonna and Child with St. Augustine
This canvas of remarkable expressive force and marked naturalism constitutes a second autograph version, with [..], Oil on canvas, 144x120 cm. Framed
159
Gioacchino Assereto
(Genova, 1600 - Genova, 1649)
and help
Madonna and Child with St. Augustine
This canvas of remarkable expressive force and marked naturalism constitutes a second autograph version, with [..], Oil on canvas, 144x120 cm. Framed
160
Artista attivo a Roma, inizio XVIII secolo
a) The Nativity; b) Adoration of the Shepherds. Pair of paintings
This beautiful pair of canvases is an eloquent testimony to the fundamental prerogatives of painting in Rome at [..], Oil on canvas, cm. 60x104 each. Framed
160
Artista attivo a Roma, inizio XVIII secolo
a) The Nativity; b) Adoration of the Shepherds. Pair of paintings
This beautiful pair of canvases is an eloquent testimony to the fundamental prerogatives of painting in Rome at [..], Oil on canvas, cm. 60x104 each. Framed
Canvas
161
Giovanni Battista Piazzetta
(Venezia, 1683 - Venezia, 1754)
and help
a) Sleeping peasant girl with fruit basket; b) Two boys tuning a musical instrument. Pair of paintings.
This beautiful pair of oval paintings, with subjects related to everyday life, clearly manifests its belonging [..], Oil on canvas, 71.5x91 cm. Framed cad
161
Giovanni Battista Piazzetta
(Venezia, 1683 - Venezia, 1754)
and help
a) Sleeping peasant girl with fruit basket; b) Two boys tuning a musical instrument. Pair of painting [..]
This beautiful pair of oval paintings, with subjects related to everyday life, clearly manifests its belonging [..], Oil on canvas, 71.5x91 cm. Framed cad
162
Luca Forte
(Napoli - Napoli, 1670)
Attributed to
Still life of apples, peaches, grapes and figs
As studies on Neapolitan still life in the seventeenth century have progressed - a unique crossroads of exceptional [..], Oil on canvas , cm. 51,5x66. Framed
162
Luca Forte
(Napoli - Napoli, 1670)
Attributed to
Still life of apples, peaches, grapes and figs
As studies on Neapolitan still life in the seventeenth century have progressed - a unique crossroads of exceptional [..], Oil on canvas , cm. 51,5x66. Framed
163
Matthias Stom (Stomer)
(Amersfoort ? - Sicilia)
Adoration of the Magi
Due to its historical and artistic importance, the work is subject to a notification preventing its export from [..], Oil on canvas, cm. 115x163
163
Matthias Stom (Stomer)
(Amersfoort ? - Sicilia)
Adoration of the Magi
Due to its historical and artistic importance, the work is subject to a notification preventing its export from [..], Oil on canvas, cm. 115x163
Canvas
164
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
and help
Holy Family with Saint Anne
The painting is accompanied by the Certificate of Export licence (24/05/2022). The work is accompanied by a diagnostic [..], Olio su tela, cm. 125x97,5. Whit an ancient frame
164
Peter Paul Rubens
(Siegen, 1577 - Anversa, 1640)
and help
Holy Family with Saint Anne
The painting is accompanied by the Certificate of Export licence (24/05/2022). The work is accompanied by a diagnostic [..], Olio su tela, cm. 125x97,5. Whit an ancient frame
Canvas
165
Antonio Canova
(Possagno, 1757 - Venezia, 1822)
Circle of
Bust of Ferdinand IV of Bourbon King of Naples
The son of Carlo di Borbone, king of Naples and Sicily, and Maria Amalia di Sassonia, Ferdinando di Borbone (Naples, [..], White marble, cm. 52x50x34
165
Antonio Canova
(Possagno, 1757 - Venezia, 1822)
Circle of
Bust of Ferdinand IV of Bourbon King of Naples
The son of Carlo di Borbone, king of Naples and Sicily, and Maria Amalia di Sassonia, Ferdinando di Borbone (Naples, [..], White marble, cm. 52x50x34
Marble
167
Scuola veneta, XVII - XVIII secolo
Sansovino Style Frame
The frame has volutes and leaf motifs on the four sides, on the cymatium and on the two short sides putto heads [..], Carved and gilded wood, overall cm. 47,5x52,5; rebate cm. 27,1x37,1.
167
Scuola veneta, XVII - XVIII secolo
Sansovino Style Frame
The frame has volutes and leaf motifs on the four sides, on the cymatium and on the two short sides putto heads [..], Carved and gilded wood, overall cm. 47,5x52,5; rebate cm. 27,1x37,1.
Wood
168
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Attributed to
a) Apollo; b) Bacchus. Pair of paintings
In this elegant pair of single-figure oval paintings one can easily identify the profound influence of Guido Reni's [..], Oil on canvas, cm. 71,5x55. Framed
168
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Attributed to
a) Apollo; b) Bacchus. Pair of paintings
In this elegant pair of single-figure oval paintings one can easily identify the profound influence of Guido Reni's [..], Oil on canvas, cm. 71,5x55. Framed
Canvas
169
Francesco Vanni
(Siena, 1563 - Siena, 1610)
Sphere of
Adoration of the Christ Child
This fine panel painting constitutes a rather interesting attributive case. The work shows an obvious iconographic [..], Oil on panel, cm. 59x48. With tabernacle frame
169
Francesco Vanni
(Siena, 1563 - Siena, 1610)
Sphere of
Adoration of the Christ Child
This fine panel painting constitutes a rather interesting attributive case. The work shows an obvious iconographic [..], Oil on panel, cm. 59x48. With tabernacle frame
170
Artista olandese attivo in Italia, prima metà XVII secolo
Saint Jerome in the act of contemplating the Crucifix
Oil on panel, 68x52 cm. Framed
170
Artista olandese attivo in Italia, prima metà XVII secolo
Saint Jerome in the act of contemplating the Crucifix
Oil on panel, 68x52 cm. Framed
171
Angelo Caroselli
(Roma, 1585 - Roma, 1652)
Sphere of
Flute player with feathered hat
Oil on canvas, cm. 62x48. Framed
171
Angelo Caroselli
(Roma, 1585 - Roma, 1652)
Sphere of
Flute player with feathered hat
Oil on canvas, cm. 62x48. Framed
Canvas
172
Artista napoletano, prima metà XVII secolo
Martyrdom of Saint Sebastian
The painting is in original canvas, Oil on canvas, 183x120.5 cm. Framed
172
Artista napoletano, prima metà XVII secolo
Martyrdom of Saint Sebastian
The painting is in original canvas, Oil on canvas, 183x120.5 cm. Framed
Canvas
173
Artista attivo a Roma, seconda metà XVII secolo
Sleeping Venus undermined by a satyr
In this image with transparent erotic connotations we recognize a harmonious combination of pictorial stimuli [..], Oil on canvas , cm. 64x47. Framed
173
Artista attivo a Roma, seconda metà XVII secolo
Sleeping Venus undermined by a satyr
In this image with transparent erotic connotations we recognize a harmonious combination of pictorial stimuli [..], Oil on canvas , cm. 64x47. Framed
Canvas
174
Giovanni Paolo Panini
(Piacenza, 1691 - Roma, 1756)
and help
a) Capriccio with Classical Monuments and Archaeologist; b) Capriccio with Classical Monuments and Preaching of the Baptist. Pair of paintings
The Capriccio with the archaeologist (174a) bears the initials 'I.P.P.' in the lower left-hand corner. The [..], Oil on canvas, cm. 90x45 each. Framed
174
Giovanni Paolo Panini
(Piacenza, 1691 - Roma, 1756)
and help
a) Capriccio with Classical Monuments and Archaeologist; b) Capriccio with Classical Monuments and Preaching [..]
The Capriccio with the archaeologist (174a) bears the initials 'I.P.P.' in the lower left-hand corner. The [..], Oil on canvas, cm. 90x45 each. Framed
Canvas
175
Artista veneziano, XVIII secolo
View of the Grand Canal with the churches of Santa Lucia and the Scalzi
The painting is present in the Fondazione Zeri photo library as "Giovanni Antonio Canal (Canaletto), manner" [..], Oil on canvas , 27x39 cm. Framed
175
Artista veneziano, XVIII secolo
View of the Grand Canal with the churches of Santa Lucia and the Scalzi
The painting is present in the Fondazione Zeri photo library as "Giovanni Antonio Canal (Canaletto), manner" [..], Oil on canvas , 27x39 cm. Framed
Canvas
176
Artista olandese attivo in Italia, fine XVI secolo
The Martyrdom of Saint Bartholomew
Oil on canvas, 145x120 cm. Framed
176
Artista olandese attivo in Italia, fine XVI secolo
The Martyrdom of Saint Bartholomew
Oil on canvas, 145x120 cm. Framed
Canvas
177
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
Landscape with horsemen stopping by a fountain and beggars
The canvas bears barely legible signature in the lower right corner: "G (...) B WEENIX". In this large canvas [..], Oil on canvas, 142x123 cm. Framed
177
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
Landscape with horsemen stopping by a fountain and beggars
The canvas bears barely legible signature in the lower right corner: "G (...) B WEENIX". In this large canvas [..], Oil on canvas, 142x123 cm. Framed
Canvas
178
Artista fiammingo, XVII secolo
a) Portrait of a Man in a Red Hat; b) Portrait of a Man in a Red Coat. Pair of paintings
Oil on copper, a) cm. 23x19; b) cm. 23,5x19,5. With carved frame and panel stand each.
178
Artista fiammingo, XVII secolo
a) Portrait of a Man in a Red Hat; b) Portrait of a Man in a Red Coat. Pair of paintings
Oil on copper, a) cm. 23x19; b) cm. 23,5x19,5. With carved frame and panel stand each.
Copper
179
Artista attivo a Roma, XVIII secolo
View of Piazza Navona
Oil on canvas, cm. 48,5x68,3. With coeval frame
179
Artista attivo a Roma, XVIII secolo
View of Piazza Navona
Oil on canvas, cm. 48,5x68,3. With coeval frame
180
Gaspare Diziani
(Belluno, 1689 - Venezia, 1767)
Circle of
Gallant scene with a servant
Oil on canvas, cm. 55,5x 72. Framed
180
Gaspare Diziani
(Belluno, 1689 - Venezia, 1767)
Circle of
Gallant scene with a servant
Oil on canvas, cm. 55,5x 72. Framed