181
Girolamo Scarsello
The Garden of Venus
(HSC Monogramist)
From a detail of Pietro Testa's print. Etching, 188 x 151 mm. Nagler 3140. Very fine, fresh impression on laid [..]
181
Girolamo Scarsello
The Garden of Venus
(HSC Monogramist)
From a detail of Pietro Testa's print. Etching, 188 x 151 mm. Nagler 3140. Very fine, fresh impression on laid [..]
182
Girolamo Scarsello
Cupid standing on the back of a dolphin
After Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Fine impression [..]
182
Girolamo Scarsello
Cupid standing on the back of a dolphin
After Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Fine impression [..]
183
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Very nice impression on laid paper. Sheet in excellent condition, [..]
183
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Very nice impression on laid paper. Sheet in excellent condition, [..]
184
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very nice impression with tones on laid paper. In excellent [..]
184
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very nice impression with tones on laid paper. In excellent [..]
185
Charles Dupuis
(1685 - 1742)
L'Occupation selon l'age, after Antoine Watteau
Etching, 385 x 440 mm (plate), 427 x 515 mm (sheet). Fine hand-colored impression, printed on laid paper. With [..]
185
Charles Dupuis
(1685 - 1742)
L'Occupation selon l'age, after Antoine Watteau
Etching, 385 x 440 mm (plate), 427 x 515 mm (sheet). Fine hand-colored impression, printed on laid paper. With [..]
186
Vue perspective de la Grande Salle des Bosquets des Jardins de Versailles
second half of the 18th century
Etching and engraving, approx. 300 x 418 mm. Optical view, vue optique, of the gardens of Versailles, with the [..]
186
Vue perspective de la Grande Salle des Bosquets des Jardins de Versailles
second half of the 18th century
Etching and engraving, approx. 300 x 418 mm. Optical view, vue optique, of the gardens of Versailles, with the [..]
187
Vue perspective de la Grote du Chateau de Meudon
second half of the 18th century
Etching and engraving, approx. 295 x 408 mm. Optical view, vue optique, of the gardens of the Chateau de Meudon [..]
187
Vue perspective de la Grote du Chateau de Meudon
second half of the 18th century
Etching and engraving, approx. 295 x 408 mm. Optical view, vue optique, of the gardens of the Chateau de Meudon [..]
188
Jean Baptiste Oudry
(1686 - 1755)
Deer hunting
Etching, 318 x 270 mm. Fine impression printed on laid paper with watermark. Missing the lower margin with caption [..]
188
Jean Baptiste Oudry
(1686 - 1755)
Deer hunting
Etching, 318 x 270 mm. Fine impression printed on laid paper with watermark. Missing the lower margin with caption [..]
189
Claude Dubosc
(1682 - 1745)
Mira piscium captura, The Miracolous Drought of Fishes, after Raphael
Etching, 449 x 375 mm. Fine impression on thick laid paper. Trimmed sheet with small margins preserved, uniformly [..]
189
Claude Dubosc
(1682 - 1745)
Mira piscium captura, The Miracolous Drought of Fishes, after Raphael
Etching, 449 x 375 mm. Fine impression on thick laid paper. Trimmed sheet with small margins preserved, uniformly [..]
190
Anne Claude Philippe de Tubières, Comte de Caylus
(1692 - 1765)
Nicolas Lesueur
(1690 - 1764)
The Fall of Phaeton, after Giuseppe Cesari called Cavaliere d'Arpino.
Woodcut (Lesueur) and etching (de Tubières), 440 x 268 mm (plate), 550 x 402 mm (sheet). Plate from "Recueil Crozat". [..]
190
Anne Claude Philippe de Tubières, Comte de Caylus
(1692 - 1765)
Nicolas Lesueur
(1690 - 1764)
The Fall of Phaeton, after Giuseppe Cesari called Cavaliere d'Arpino.
Woodcut (Lesueur) and etching (de Tubières), 440 x 268 mm (plate), 550 x 402 mm (sheet). Plate from "Recueil Crozat". [..]
191
Johann Daniel Herz
(1693 - 1754)
Cherub with fruit basket
Engraving, 340 x 226 mm. Backed, but in general in good condition.
191
Johann Daniel Herz
(1693 - 1754)
Cherub with fruit basket
Engraving, 340 x 226 mm. Backed, but in general in good condition.
192
Adrien Manglard
(1695 - 1760)
Ponte Salaro | Ponte Mamolo fuori di Roma
1753-1754
Lot of two prints. Etching, 345 x 485 mm each (sheet). Fine impressions on laid paper with watermark. In very [..]
192
Adrien Manglard
(1695 - 1760)
Ponte Salaro | Ponte Mamolo fuori di Roma
1753-1754
Lot of two prints. Etching, 345 x 485 mm each (sheet). Fine impressions on laid paper with watermark. In very [..]
193
Adrien Manglard
(1695 - 1760)
Landscape with ancient architecture
1753
Etching, 445 x 580 mm (sheet). Fine impression on laid paper. Sheet with large margins, in very good condition, [..]
193
Adrien Manglard
(1695 - 1760)
Landscape with ancient architecture
1753
Etching, 445 x 580 mm (sheet). Fine impression on laid paper. Sheet with large margins, in very good condition, [..]
194
Paolo Anesi
(1697 - 1773)
Veduta della Madonna del Rosario a Monte Mario | Veduta di Port Castello
Lot of two prints: View of the Madonna del Rosario in Monte Mario Etching, 194 x 274 mm (sheet). Fine, sharp [..]
194
Paolo Anesi
(1697 - 1773)
Veduta della Madonna del Rosario a Monte Mario | Veduta di Port Castello
Lot of two prints: View of the Madonna del Rosario in Monte Mario Etching, 194 x 274 mm (sheet). Fine, sharp [..]
195
Johann Jakob Haid
(1704 - 1767)
Samuel of Cocceii
Mezzotint, 410 x 257 mm (sheet). Superb impression on laid paper. Sheet in very good general condition.
195
Johann Jakob Haid
(1704 - 1767)
Samuel of Cocceii
Mezzotint, 410 x 257 mm (sheet). Superb impression on laid paper. Sheet in very good general condition.
196
Joseph Wagner
(1706 - 1786)
Allegory of Europe, after Jacopo Amigoni
Etching, 493 x 327 mm (plate); 556 x 420 mm (sheet). Fine impression on laid paper with watermark and “AS” countermark. [..]
196
Joseph Wagner
(1706 - 1786)
Allegory of Europe, after Jacopo Amigoni
Etching, 493 x 327 mm (plate); 556 x 420 mm (sheet). Fine impression on laid paper with watermark and “AS” countermark. [..]
197
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Fathers of the Church Disputing the Dogma of the Immaculate Conception, after Guido Reni
Etching, 586 x 358 mm (plate); 675 x 510 mm (sheet). LeBlanc II.253.45. A fine example printed on laid paper [..]
197
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Fathers of the Church Disputing the Dogma of the Immaculate Conception, after Guido Reni
Etching, 586 x 358 mm (plate); 675 x 510 mm (sheet). LeBlanc II.253.45. A fine example printed on laid paper [..]
198
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Sepulchral monument of Gregory XIII
Etching, 940 x 545 mm (sheet). LeBlanc II.254.67. Nice impression with plate-tone, printed on two portions of [..]
198
Jakob Frey
(Lucerna, 1708 - Roma, 1752)
Sepulchral monument of Gregory XIII
Etching, 940 x 545 mm (sheet). LeBlanc II.254.67. Nice impression with plate-tone, printed on two portions of [..]
199
Christian Rugendas
(1708 - 1781)
Battles, after Georg Philipp Rugendas
Lot of two prints. Mezzotint, approx. 170 x 250 mm (each sheet) Proofs with small margins, backed. Scattered [..]
199
Christian Rugendas
(1708 - 1781)
Battles, after Georg Philipp Rugendas
Lot of two prints. Mezzotint, approx. 170 x 250 mm (each sheet) Proofs with small margins, backed. Scattered [..]
200
Giuseppe Vasi
(1710 - 1782)
Disegni delle macchine
Lot of four engravings: Disegno della seconda macchina rappresentante il Monte Etna Disegno della seconda [..]
200
Giuseppe Vasi
(1710 - 1782)
Disegni delle macchine
Lot of four engravings: Disegno della seconda macchina rappresentante il Monte Etna Disegno della seconda [..]
201
Giuseppe Vasi
(1710 - 1782)
Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma
Lot of sixteen plates from the series "Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma". Etching, approx. [..]
201
Giuseppe Vasi
(1710 - 1782)
Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma
Lot of sixteen plates from the series "Raccolta Delle Più Belle Vedute Antiche, E Moderne Di Roma". Etching, approx. [..]
202
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Mausoleo d'Elio Adriano (ora chiamato Castello Sant'Angelo)...
Etching, 535 x 760 mm. 1st state of 4, with the author's address. Roman edition. Hind 30.
Very nice impression [..]
202
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Mausoleo d'Elio Adriano (ora chiamato Castello Sant'Angelo)...
Etching, 535 x 760 mm. 1st state of 4, with the author's address. Roman edition. Hind 30.
Very nice impression [..]
203
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Piazza del Popolo
Etching, 535 x 755 mm. 3rd state of 7, with the author's address. Roman edition. Hind 14. Very nice impression [..]
203
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Piazza del Popolo
Etching, 535 x 755 mm. 3rd state of 7, with the author's address. Roman edition. Hind 14. Very nice impression [..]
204
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Giovanni Laterano
Etching, 540 x 750 mm. 3rd state of 6, with the author's address. Roman edition. Hind 8. Very nice impression [..]
204
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Basilica di S. Giovanni Laterano
Etching, 540 x 750 mm. 3rd state of 6, with the author's address. Roman edition. Hind 8. Very nice impression [..]
205
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Tempio di Cibele a Piazza della Bocca della Verità
Etching, 530 x 750 mm. 2nd state of 5, with the author's address. Roman edition. Hind 47. Fine impression on [..]
205
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Tempio di Cibele a Piazza della Bocca della Verità
Etching, 530 x 750 mm. 2nd state of 5, with the author's address. Roman edition. Hind 47. Fine impression on [..]
206
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Spaccato interno della Basilica di S. Paolo fuori delle Mura
Etching, 418 x 615 mm (plate); 475 x 680 mm (sheet). 3rd state of 7, with address and price: Palazzo Tomati, [..]
206
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Spaccato interno della Basilica di S. Paolo fuori delle Mura
Etching, 418 x 615 mm (plate); 475 x 680 mm (sheet). 3rd state of 7, with address and price: Palazzo Tomati, [..]
207
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Staircase with trophies and two flags, from the series "Carceri"
Etching, 555 x 400 mm (plate), 662 x 495 mm (sheets). State III/3. Hind 8. Fine impression on heavy, wove paper. [..]
207
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Staircase with trophies and two flags, from the series "Carceri"
Etching, 555 x 400 mm (plate), 662 x 495 mm (sheets). State III/3. Hind 8. Fine impression on heavy, wove paper. [..]
208
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
The Giant Wheel, from "Carceri" series
Etching, 560 x 405 mm. State III/3, Hind 9. Trimmed. With frame and glass. The print has not been examined outside [..]
208
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
The Giant Wheel, from "Carceri" series
Etching, 560 x 405 mm. State III/3, Hind 9. Trimmed. With frame and glass. The print has not been examined outside [..]
209
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Sigre. Nicola Zabbaglia Ingegnere della Reverenda Fabbrica di S.Pietro
after Pier Leone Ghezzi. Etching, 300 x 198 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings [..]
209
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Sigre. Nicola Zabbaglia Ingegnere della Reverenda Fabbrica di S.Pietro
after Pier Leone Ghezzi. Etching, 300 x 198 mm (plate), 405 x 560 mm (sheet). Plate from "Collection of some drawings [..]
210
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Raccolta di alcuni disegni del Barberi da Cento detto il Guercino...
Etching, 478 x 352 mm (plate), 560 x 405 mm (sheet). Title page from "Collection of some drawings by Barberi da [..]
210
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Raccolta di alcuni disegni del Barberi da Cento detto il Guercino...
Etching, 478 x 352 mm (plate), 560 x 405 mm (sheet). Title page from "Collection of some drawings by Barberi da [..]