287
Live auction
Old Master and Modern Prints, Matrices, Maps, Photography
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome 00186, tue 20 February 2024
Viewing
Lots visible on request: n.bukowska@bertolamifineart.com
1
Hans Burgkmair il Vecchio
(1473 - 1531)
The young Weisskunig learning English from archers in the Netherlands
woodcut, 33 x 23.5 cm, 1775 edition of Der Weisskunig, printed on laid paper, sheet in good condition except for [..]
1
Hans Burgkmair il Vecchio
(1473 - 1531)
The young Weisskunig learning English from archers in the Netherlands
woodcut, 33 x 23.5 cm, 1775 edition of Der Weisskunig, printed on laid paper, sheet in good condition except for [..]
2
Leonhard Beck
(1542)
Der Weisskunig learns archery
woodcut, 31.7 x 23.7 cm, 1775 edition of Der Weisskinig, printed on laid paper, sheet in good condition except [..]
2
Leonhard Beck
(1542)
Der Weisskunig learns archery
woodcut, 31.7 x 23.7 cm, 1775 edition of Der Weisskinig, printed on laid paper, sheet in good condition except [..]
3
Leonhard Beck
(1542)
The Battle of Stockhamer Haid
woodcut, 35 x 23.7 cm, Der Weisskunig 1775 edition, printed on laid paper, sheet in good condition except for [..]
3
Leonhard Beck
(1542)
The Battle of Stockhamer Haid
woodcut, 35 x 23.7 cm, Der Weisskunig 1775 edition, printed on laid paper, sheet in good condition except for [..]
4
Leonhard Beck
(1542)
King Philip receives his bride
woodcut, 31 x 22.5 cm, Der Weisskunig edition of 1775, printed on laid paper, sheet in good condition, uniformly [..]
4
Leonhard Beck
(1542)
King Philip receives his bride
woodcut, 31 x 22.5 cm, Der Weisskunig edition of 1775, printed on laid paper, sheet in good condition, uniformly [..]
5
Lucas van Leyden
(1533)
Venus and Cupid
engraving, 158 x 112 mm. New Hollstein 138.II, Bartsch VII.412.138. Splendid, clear impression on thin laid [..]
5
Lucas van Leyden
(1533)
Venus and Cupid
engraving, 158 x 112 mm. New Hollstein 138.II, Bartsch VII.412.138. Splendid, clear impression on thin laid [..]
6
Georg Pencz
(1550)
The Queen of Sheba refuses to cross the wooden bridge
1532 ca.
engraving, 50 x 80 mm, fine impression on laid paper, trimmed, with very thin margins, sheet glued in two places [..]
6
Georg Pencz
(1550)
The Queen of Sheba refuses to cross the wooden bridge
1532 ca.
engraving, 50 x 80 mm, fine impression on laid paper, trimmed, with very thin margins, sheet glued in two places [..]
7
Albrecht Dürer
(1471 - 1528)
Based on
The cook and his wife
counterpart copy after Dürer. Engraving, 116 x 81 mm. Signed FM bottom right. Nice proof on laid paper, trimmed [..]
7
Albrecht Dürer
(1471 - 1528)
Based on
The cook and his wife
counterpart copy after Dürer. Engraving, 116 x 81 mm. Signed FM bottom right. Nice proof on laid paper, trimmed [..]
8
Cristofano di Michele Martini Il Robetta
(1480 - 1535)
Allegory of the Power of Love
engraving, 300 x 280 mm (platemark); 395 x 290 mm (sheet). Sharp impression with deep black tones, on thick laid [..]
8
Cristofano di Michele Martini Il Robetta
(1480 - 1535)
Allegory of the Power of Love
engraving, 300 x 280 mm (platemark); 395 x 290 mm (sheet). Sharp impression with deep black tones, on thick laid [..]
9
Antonio Salamanca
(1478 - 1562)
Wedding of Cupid and Psyche
after a fresco by Raphael in Villa Farnesina in Rome. Engraving, 350 x 284 mm. Bartsch XV.43.14, TIB 28; Raphael [..]
9
Antonio Salamanca
(1478 - 1562)
Wedding of Cupid and Psyche
after a fresco by Raphael in Villa Farnesina in Rome. Engraving, 350 x 284 mm. Bartsch XV.43.14, TIB 28; Raphael [..]
10
Agostino Veneziano (Agostino dei Musi)
Eros
after a detail of Raphael's fresco in the Villa Farnesina. Engraving, 121 x 165 mm. Bartsch XIV.179.218. Fine [..]
10
Agostino Veneziano (Agostino dei Musi)
Eros
after a detail of Raphael's fresco in the Villa Farnesina. Engraving, 121 x 165 mm. Bartsch XIV.179.218. Fine [..]
11
Agostino Veneziano (Agostino dei Musi)
St. Matthew
after Giulio Romano. Burin, 210 x 147 mm. Bartsch XIV.83.95 II state. Incomplete example, with approximately 1 [..]
11
Agostino Veneziano (Agostino dei Musi)
St. Matthew
after Giulio Romano. Burin, 210 x 147 mm. Bartsch XIV.83.95 II state. Incomplete example, with approximately 1 [..]
12
Jacopo Caraglio
(1565)
Apollo | Hercules
lot of two prints, after Rosso Fiorentino, with retouches by Francesco Villamena. Engraving, 205 x 111 mm and [..]
12
Jacopo Caraglio
(1565)
Apollo | Hercules
lot of two prints, after Rosso Fiorentino, with retouches by Francesco Villamena. Engraving, 205 x 111 mm and [..]
13
Angelo Falconetto
(1507 - 1567)
Caryatid | Young woman
Lot of two etchings, 111 x 44 mm each. Bartsch XX.101.8 and 9. The first is a fine impression on laid paper [..]
13
Angelo Falconetto
(1507 - 1567)
Caryatid | Young woman
Lot of two etchings, 111 x 44 mm each. Bartsch XX.101.8 and 9. The first is a fine impression on laid paper [..]
14
Lambert Suavius Zutman
(1567)
Christ and the apostles
lot of 10 engravings from the series of 14 depicting Christ with the apostles and Saint Paul. Engraving, approx. [..]
14
Lambert Suavius Zutman
(1567)
Christ and the apostles
lot of 10 engravings from the series of 14 depicting Christ with the apostles and Saint Paul. Engraving, approx. [..]
15
Virgil Solis
(1514 - 1562)
Roman emperors
Lot of 9 plates from the series of 12. Engraving and etching, approx. 82 x 52 mm. each Hollstein 298-309; O'Dell-Franke [..]
15
Virgil Solis
(1514 - 1562)
Roman emperors
Lot of 9 plates from the series of 12. Engraving and etching, approx. 82 x 52 mm. each Hollstein 298-309; O'Dell-Franke [..]
16
Étienne Delaune
(1583)
Europe
1575
engraving, 60 x 80 mm. Robert-Dumesnil IX.61.197. Printed on laid paper, trimmed inside the subject, missing the [..]
16
Étienne Delaune
(1583)
Europe
1575
engraving, 60 x 80 mm. Robert-Dumesnil IX.61.197. Printed on laid paper, trimmed inside the subject, missing the [..]
17
Cherubino Alberti
(1553 - 1615)
Spring
graver, 245 x 158 mm (sheet). Bartsch XVII.84.101. Former William Esdaile collection (Jul 2617). Very fine, fresh [..]
17
Cherubino Alberti
(1553 - 1615)
Spring
graver, 245 x 158 mm (sheet). Bartsch XVII.84.101. Former William Esdaile collection (Jul 2617). Very fine, fresh [..]
18
Giovanni Battista Fontana (1524-1587)
The story of Romulus and Remus
15 plates from the series. Etching, approx. 140 x 180 mm each Bartsch 23, 24, 28, 29, 30, 32, 33, 34, 36, 37, [..]
18
Giovanni Battista Fontana (1524-1587)
The story of Romulus and Remus
15 plates from the series. Etching, approx. 140 x 180 mm each Bartsch 23, 24, 28, 29, 30, 32, 33, 34, 36, 37, [..]
19
Onofrio Panvinio
(1530 - 1568)
Etienne Dupérac
(1604)
Circi
Lotto di 5 tavole raffiguranti i circhi di antica Roma. Bulino e acquaforte, 395 x 505 mm ca. (foglio). Tavole [..]
19
Onofrio Panvinio
(1530 - 1568)
Etienne Dupérac
(1604)
Circi
Lotto di 5 tavole raffiguranti i circhi di antica Roma. Bulino e acquaforte, 395 x 505 mm ca. (foglio). Tavole [..]
20
Onofrio Panvinio
(1530 - 1568)
Etienne Dupérac
(1604)
De ludis circensibus
Lot of 5 plates. Engravings and etchings. Taken from "Onuphrii Panvinii Veronensis, De ludis circensibus, libri [..]
20
Onofrio Panvinio
(1530 - 1568)
Etienne Dupérac
(1604)
De ludis circensibus
Lot of 5 plates. Engravings and etchings. Taken from "Onuphrii Panvinii Veronensis, De ludis circensibus, libri [..]
21
Theodoor de Bry
(1528 - 1598)
Commander of Madness (Duke of Alva) | Commander of Wisdom (William I of Orange)
lot of two engravings of a series of four designs for richly decorated plates. Engraving, diam. 12.2mm and 12.4mm. [..]
21
Theodoor de Bry
(1528 - 1598)
Commander of Madness (Duke of Alva) | Commander of Wisdom (William I of Orange)
lot of two engravings of a series of four designs for richly decorated plates. Engraving, diam. 12.2mm and 12.4mm. [..]
22
Johann Theodor de Bry
(1561 - 1623)
Augustin Quesnel
(1639)
Friezes with sea monsters
after Andrea Maglioli. Engraving, 44 x 205 mm and 35 x 208 mm. Fine impressions on laid paper. First sheet with [..]
22
Johann Theodor de Bry
(1561 - 1623)
Augustin Quesnel
(1639)
Friezes with sea monsters
after Andrea Maglioli. Engraving, 44 x 205 mm and 35 x 208 mm. Fine impressions on laid paper. First sheet with [..]
23
Giovanni Andrea Maglioli
(1610)
After
Sea monsters
engraving, 98 x 161 mm, fine impression but backed on a sheet of unlaid paper, missing corners, stains
23
Giovanni Andrea Maglioli
(1610)
After
Sea monsters
engraving, 98 x 161 mm, fine impression but backed on a sheet of unlaid paper, missing corners, stains
24
4 ornamental friezes
15th-16th century
engraving, 50 x 144 mm; 55 x 148mm; 55 x 134mm; 42 x 240mm; impressions glued on a sheet of laid paper, [..]
24
4 ornamental friezes
15th-16th century
engraving, 50 x 144 mm; 55 x 148mm; 55 x 134mm; 42 x 240mm; impressions glued on a sheet of laid paper, [..]
25
Philip Galle
(1537 - 1612)
The Temple of Diana in Ephesus
1572
part of a series of eight dedicated to the Seven Wonders of the Ancient World, plus an eighth wonder, the Colosseum [..]
25
Philip Galle
(1537 - 1612)
The Temple of Diana in Ephesus
1572
part of a series of eight dedicated to the Seven Wonders of the Ancient World, plus an eighth wonder, the Colosseum [..]
26
Philip Galle
(1537 - 1612)
The nymph Hippocrene
engraving, 10.5x17.5 cm. Fresh impression on laid and watermarked paper, trimmed to the platemark as usual. Reinforcement [..]
26
Philip Galle
(1537 - 1612)
The nymph Hippocrene
engraving, 10.5x17.5 cm. Fresh impression on laid and watermarked paper, trimmed to the platemark as usual. Reinforcement [..]
27
Philip Galle
(1537 - 1612)
Virginia
after Maarten de Vos. Burin 9.4x15.4 cm Fresh impression on laid and watermarked paper, trimmed to the platemark [..]
27
Philip Galle
(1537 - 1612)
Virginia
after Maarten de Vos. Burin 9.4x15.4 cm Fresh impression on laid and watermarked paper, trimmed to the platemark [..]
28
Hieronymus Wierix
(1553 - 1619)
The Holy Family with Saint Elizabeth and Saint John
after Jan van der Straet, published by Philips Galle. Burin, 243 x 183 mm (plate), 255 x 196 mm [..]
28
Hieronymus Wierix
(1553 - 1619)
The Holy Family with Saint Elizabeth and Saint John
after Jan van der Straet, published by Philips Galle. Burin, 243 x 183 mm (plate), 255 x 196 mm [..]
29
Hieronymus Wierix
(1553 - 1619)
Christ mocked
engraving, 165 x 140 mm. From the series of 153 plates 'Evangelicae Historiae Imagines'. Mauquoy-Hendrickx 2090. [..]
29
Hieronymus Wierix
(1553 - 1619)
Christ mocked
engraving, 165 x 140 mm. From the series of 153 plates 'Evangelicae Historiae Imagines'. Mauquoy-Hendrickx 2090. [..]
30
Johannes Wierix
(1549 - 1620)
The risen Christ
after Pieter van der Borcht, engraving, approx. 120 x 80 mm, taken from 'Humanae Salutis Monumenta', fine [..]
30
Johannes Wierix
(1549 - 1620)
The risen Christ
after Pieter van der Borcht, engraving, approx. 120 x 80 mm, taken from 'Humanae Salutis Monumenta', fine [..]
31
Jacob Matham
(1571 - 1631)
Fides
1593
by Hendrik Goltzius. Burin, 323 x 268 mm. Bartsch III.165.125, Hollstein 263, New Hollstein 145. Superb, clear [..]
31
Jacob Matham
(1571 - 1631)
Fides
1593
by Hendrik Goltzius. Burin, 323 x 268 mm. Bartsch III.165.125, Hollstein 263, New Hollstein 145. Superb, clear [..]
32
Matthias Greuter
(1638)
Attributed to
Fall of the Giants
after Jacob Cornelisz Cobaert after Guglielmo della Porta's painting in the Vatican Library. Engraving, 215 x [..]
32
Matthias Greuter
(1638)
Attributed to
Fall of the Giants
after Jacob Cornelisz Cobaert after Guglielmo della Porta's painting in the Vatican Library. Engraving, 215 x [..]
33
Nicolaas de Bruyn
(1571 - 1656)
Josue Dux | Judas Machabeus| Artus Rex
1594
lot of 3 engravings from the series of 12 depicting the heads of the rulers in ornamental borders. Engraving, [..]
33
Nicolaas de Bruyn
(1571 - 1656)
Josue Dux | Judas Machabeus| Artus Rex
1594
lot of 3 engravings from the series of 12 depicting the heads of the rulers in ornamental borders. Engraving, [..]
34
Theodoor Galle
(1571 - 1633)
Attributed to
Aegidius Sadeler II
(1568, 1629)
Based on
The Flagellation of Christ
Engraving, 255 x 181 mm. Mirror copy of an engraving bay Aegidius Sadeler after Palma di Giovane's painting [..]
34
Theodoor Galle
(1571 - 1633)
Attributed to
Aegidius Sadeler II
(1568, 1629)
Based on
The Flagellation of Christ
Engraving, 255 x 181 mm. Mirror copy of an engraving bay Aegidius Sadeler after Palma di Giovane's painting [..]
35
Jan (Johannes) Sadeler
(1550 - 1600)
Genesis: Creation of Birds and Fish | Creation of Adam and Eve
lot of two engravings from the series of seven, by Martin Vos. approx. 200 x 255 mm each. Hollstein 16 and 17. [..]
35
Jan (Johannes) Sadeler
(1550 - 1600)
Genesis: Creation of Birds and Fish | Creation of Adam and Eve
lot of two engravings from the series of seven, by Martin Vos. approx. 200 x 255 mm each. Hollstein 16 and 17. [..]
36
Hendrik Goltzius
(1558 - 1617)
Workshop of
Pan and Syringe
engraving, 177 x 255 mm. Bartsch III.105.18. Fine, sharp impression on laid paper with watermark. Trimmed example, [..]
36
Hendrik Goltzius
(1558 - 1617)
Workshop of
Pan and Syringe
engraving, 177 x 255 mm. Bartsch III.105.18. Fine, sharp impression on laid paper with watermark. Trimmed example, [..]
37
Cornelis Bloemaert
(1603 - 1692)
Hercules
after Joachim von Sandrart, engraving, 45 x 32 cm (sheet); taken from "Galleria Giustiniana" by Marquis Vincenzo [..]
37
Cornelis Bloemaert
(1603 - 1692)
Hercules
after Joachim von Sandrart, engraving, 45 x 32 cm (sheet); taken from "Galleria Giustiniana" by Marquis Vincenzo [..]
38
Giacomo Lauro
(1560 - 1645)
AMPHITHEATRUM TAURI STATILII | THEATRUM MARCI SCAURI
etching, 206 x 274 mm (each sheet). Fine, clear impressions on laid paper (one with watermark). Sheets in very [..]
38
Giacomo Lauro
(1560 - 1645)
AMPHITHEATRUM TAURI STATILII | THEATRUM MARCI SCAURI
etching, 206 x 274 mm (each sheet). Fine, clear impressions on laid paper (one with watermark). Sheets in very [..]
39
Giacomo Lauro
(1560 - 1645)
THERMAE CONSTANTINI IMPERATORIS | THERMAE AGRIPAE
etching, 206 x 274 mm (each sheet). Fine, clear impression on laid paper (one with watermark). Sheets in very [..]
39
Giacomo Lauro
(1560 - 1645)
THERMAE CONSTANTINI IMPERATORIS | THERMAE AGRIPAE
etching, 206 x 274 mm (each sheet). Fine, clear impression on laid paper (one with watermark). Sheets in very [..]
40
Giacomo Lauro
(1560 - 1645)
Lot of 4 plates with views of Rome
Lot of 4 plates from Antiquae Urbis Splendor. Etching, 17.5 x 23.2 cm (plate); 28 x 40 cm (sheet). Sharpimpressions [..]
40
Giacomo Lauro
(1560 - 1645)
Lot of 4 plates with views of Rome
Lot of 4 plates from Antiquae Urbis Splendor. Etching, 17.5 x 23.2 cm (plate); 28 x 40 cm (sheet). Sharpimpressions [..]
41
Giacomo Lauro
(1560 - 1645)
Porta Nevia et LABICANA Hodie Porta Maggiore...
Etching, 17,7 x 23,6 cm (platemark); 21,3 x 28,3 cm (sheet). Plate 68 from Giacomo Lauro's Antiquae Urbis splendor. [..]
41
Giacomo Lauro
(1560 - 1645)
Porta Nevia et LABICANA Hodie Porta Maggiore...
Etching, 17,7 x 23,6 cm (platemark); 21,3 x 28,3 cm (sheet). Plate 68 from Giacomo Lauro's Antiquae Urbis splendor. [..]
42
Geronima Parasole
(1569 - 1622)
Saint Andrew saves a bishop
after Antonio Tempesta, woodcut, 206 x 122 mm, fine impression, sharp and well inked, backed on an ancient sheet. [..]
42
Geronima Parasole
(1569 - 1622)
Saint Andrew saves a bishop
after Antonio Tempesta, woodcut, 206 x 122 mm, fine impression, sharp and well inked, backed on an ancient sheet. [..]
43
Francesco Villamena
(1566 - 1626)
The gardener
engraving, 355 x 227 mm (sheet). Fine, fresh and clear impression on laid paper. Complete sheet, with some paper [..]
43
Francesco Villamena
(1566 - 1626)
The gardener
engraving, 355 x 227 mm (sheet). Fine, fresh and clear impression on laid paper. Complete sheet, with some paper [..]
44
Lucas Vorsterman
(1595 - 1675)
Portrait of Orazio Gentileschi
by Anthony van Dyck. Burin, 240 x 175 mm. Very fine, clear impression on laid paper. Trimmed copy with small [..]
44
Lucas Vorsterman
(1595 - 1675)
Portrait of Orazio Gentileschi
by Anthony van Dyck. Burin, 240 x 175 mm. Very fine, clear impression on laid paper. Trimmed copy with small [..]
45
Martin Rota
(1583)
Based on
Last Judgment, by Michelangelo
etching, 317 x 234 mm, copy by an anonymous Italian engraver (Giacomo Lauro?), with dedication to Pietro Sforza, [..]
45
Martin Rota
(1583)
Based on
Last Judgment, by Michelangelo
etching, 317 x 234 mm, copy by an anonymous Italian engraver (Giacomo Lauro?), with dedication to Pietro Sforza, [..]
46
Odoardo Fialetti
(1573 - 1638)
Frieze with young hero sitting in front of a man and a woman
etching, 65 x 263 mm. Bartsch XVII.300.39. Ex Albert van Loock collection (Lugt 3751 on the reverse). Very [..]
46
Odoardo Fialetti
(1573 - 1638)
Frieze with young hero sitting in front of a man and a woman
etching, 65 x 263 mm. Bartsch XVII.300.39. Ex Albert van Loock collection (Lugt 3751 on the reverse). Very [..]
47
Odoardo Fialetti
(1573 - 1638)
Mars
after Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis). Etching, 148 x 208 mm. Bartsch XVII.271.23. [..]
47
Odoardo Fialetti
(1573 - 1638)
Mars
after Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis). Etching, 148 x 208 mm. Bartsch XVII.271.23. [..]
48
Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
Joseph and Putiphar's wife
1607
from a series of 50 engravings for the Bible by Sisto Badalocchio and Giovanni Lanfranco after Raffaello, published [..]
48
Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
Joseph and Putiphar's wife
1607
from a series of 50 engravings for the Bible by Sisto Badalocchio and Giovanni Lanfranco after Raffaello, published [..]
49
Orazio Farinati
(1559 - 1616)
Madonna with Child and Saint John
after Paolo Farinati, published by Gaspare dall'Oglio. Etching, 252 x 222 mm (plate), 275 x 235 mm (sheet). [..]
49
Orazio Farinati
(1559 - 1616)
Madonna with Child and Saint John
after Paolo Farinati, published by Gaspare dall'Oglio. Etching, 252 x 222 mm (plate), 275 x 235 mm (sheet). [..]
50
Agostino Carracci
(1557 - 1602)
The Mystical Marriage of Saint Catherine
after Paolo Veronese's painting in the church of S. Caterina in Venice. Etching, 504 x 332 mm. Bohlin 104, state [..]
50
Agostino Carracci
(1557 - 1602)
The Mystical Marriage of Saint Catherine
after Paolo Veronese's painting in the church of S. Caterina in Venice. Etching, 504 x 332 mm. Bohlin 104, state [..]
51
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
The Holy Family with Saint John the Baptist
1590
etching, 167 x 221 mm. Bohlin 11, I state on 3. Impressed on laid paper, a restoration at the top. Trimmed with [..]
51
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
The Holy Family with Saint John the Baptist
1590
etching, 167 x 221 mm. Bohlin 11, I state on 3. Impressed on laid paper, a restoration at the top. Trimmed with [..]
52
Jacques Callot
(1592 - 1635)
View of Paris, with Seine and Louvre
1630 ca.
etching, 160 x 335 mm. Lieure 667 . Very fine , fresh and well-inked impression with deep black [..]
52
Jacques Callot
(1592 - 1635)
View of Paris, with Seine and Louvre
1630 ca.
etching, 160 x 335 mm. Lieure 667 . Very fine , fresh and well-inked impression with deep black [..]
53
Jacques Callot
(1592 - 1635)
La foire de Gondreville
etching, 191 x 336 mm. Lieure 561. II state on IV, before Silvestre's address. Superb impression, sharp [..]
53
Jacques Callot
(1592 - 1635)
La foire de Gondreville
etching, 191 x 336 mm. Lieure 561. II state on IV, before Silvestre's address. Superb impression, sharp [..]
54
Jacques Callot
(1592 - 1635)
M. B. Philippi Appos. (Martyrdom of Saint Philip)
etching, 75 x 49 mm. Lieure 1394, state IV on 4. Late impression, on thin wove paper, glued along the upper margin [..]
54
Jacques Callot
(1592 - 1635)
M. B. Philippi Appos. (Martyrdom of Saint Philip)
etching, 75 x 49 mm. Lieure 1394, state IV on 4. Late impression, on thin wove paper, glued along the upper margin [..]
55
Jacques Callot
(1592 - 1635)
Based on
La Petite Passion
Copies of 12 plates by Callot, published by Jacques Jean Pasquier (1718-1785), with French titles and engraver's [..]
55
Jacques Callot
(1592 - 1635)
Based on
La Petite Passion
Copies of 12 plates by Callot, published by Jacques Jean Pasquier (1718-1785), with French titles and engraver's [..]
56
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum
etching, 134 x141 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
56
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum
etching, 134 x141 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
57
Stefano della Bella (Firenze, 1610 - 1664)
Baths of Diocletian
etching, 177 x170 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
57
Stefano della Bella (Firenze, 1610 - 1664)
Baths of Diocletian
etching, 177 x170 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
58
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum and Arch of Constantine
etching, 132 x138 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
58
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum and Arch of Constantine
etching, 132 x138 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
59
Stefano della Bella
(1610 - 1664)
Francesco de' Medici
1634
AFTER Justus Sustermans, etching, 173 x 120 mm (platemark), 215 x 185 mm (sheet), printed on laid paper with watermark, [..]
59
Stefano della Bella
(1610 - 1664)
Francesco de' Medici
1634
AFTER Justus Sustermans, etching, 173 x 120 mm (platemark), 215 x 185 mm (sheet), printed on laid paper with watermark, [..]
60
Stefano della Bella
(1610 - 1664)
Two engravings from the series "Les aigles"
1651 ca.
etchings, a. 117 x 147 mm (platemark), 165 x 192 mm (sheet); b. 120 x 147 mm (platemark), 162 x 190 mm (sheet); [..]
60
Stefano della Bella
(1610 - 1664)
Two engravings from the series "Les aigles"
1651 ca.
etchings, a. 117 x 147 mm (platemark), 165 x 192 mm (sheet); b. 120 x 147 mm (platemark), 162 x 190 mm (sheet); [..]
61
Stefano della Bella
(1610 - 1664)
After
Nicolas Cochin
(1610 - 1686)
Ordre de la bataille de Nordlingen
1646
Lot of two (of 4) large sheets, unjoined and intact, depicting the battle of Nördlingen. Etching, approx. 492 [..]
61
Stefano della Bella
(1610 - 1664)
After
Nicolas Cochin
(1610 - 1686)
Ordre de la bataille de Nordlingen
1646
Lot of two (of 4) large sheets, unjoined and intact, depicting the battle of Nördlingen. Etching, approx. 492 [..]
62
Guido Reni
(Bologna , 1575 - Bologna , 1642)
School of
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Attributed to
Judith with the head of Holofernes
etching, 250 x 177 mm (sheet), 265 x 185 mm (passe-partout). Bartsch XVIII.314.1 (school of Guido Reni), [..]
62
Guido Reni
(Bologna , 1575 - Bologna , 1642)
School of
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Attributed to
Judith with the head of Holofernes
etching, 250 x 177 mm (sheet), 265 x 185 mm (passe-partout). Bartsch XVIII.314.1 (school of Guido Reni), [..]
63
Pietro Testa
(1612 - 1650)
The adoration of the Magi
etching, 427x350mm. Bartsch 3, Bellini 16, Copper 63. state II/III, before Rossi's address. Extremely fine impression [..]
63
Pietro Testa
(1612 - 1650)
The adoration of the Magi
etching, 427x350mm. Bartsch 3, Bellini 16, Copper 63. state II/III, before Rossi's address. Extremely fine impression [..]
64
Elisabetta Sirani
(Bologna, 1638 - 1665)
Our Lady of Sorrows
1657
etching, 285 x 206 mm (plate), 397 x 293 mm (sheet). Bartsch XIX.155.7. Very fine proof on laid paper. Complete [..]
64
Elisabetta Sirani
(Bologna, 1638 - 1665)
Our Lady of Sorrows
1657
etching, 285 x 206 mm (plate), 397 x 293 mm (sheet). Bartsch XIX.155.7. Very fine proof on laid paper. Complete [..]
65
Pietro Aquila
(1630 - 1692)
Adoration of the Magi
etching, 187 x 137 mm (plate), 260 x 201 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
65
Pietro Aquila
(1630 - 1692)
Adoration of the Magi
etching, 187 x 137 mm (plate), 260 x 201 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
66
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
After
Madonna col bambino, san Giuseppe e san Giovannino
XVII secolo
acquaforte, 177 x 132 mm. Altro esemplare al MET (1970.578.7). Bella impressione su carta vergata sottile. Esemplare [..]
66
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
After
Madonna col bambino, san Giuseppe e san Giovannino
XVII secolo
acquaforte, 177 x 132 mm. Altro esemplare al MET (1970.578.7). Bella impressione su carta vergata sottile. Esemplare [..]
67
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of St. Andrew
after Domenichino. Etching, cm 43.6x30. II state on V, printed in Rome in ca. 1650. Bartsch XXI.93.11, [..]
67
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of St. Andrew
after Domenichino. Etching, cm 43.6x30. II state on V, printed in Rome in ca. 1650. Bartsch XXI.93.11, [..]
68
Lorenzo Loli
(1612 - 1691)
The Flight into Egypt
after Guido Reni. Etching, 317 x 247 mm. Bartsch XIX.165.1. Very fine impressione on laid paper with watermark. [..]
68
Lorenzo Loli
(1612 - 1691)
The Flight into Egypt
after Guido Reni. Etching, 317 x 247 mm. Bartsch XIX.165.1. Very fine impressione on laid paper with watermark. [..]
69
Jan Miel
(1599 - 1663)
Farmer extracting foot thorn
etching, 145 x 217 mm (sheet). Bartsch 3, Hollstein XIV.35.13. Fine impression on laid paper. Sheet in very good [..]
69
Jan Miel
(1599 - 1663)
Farmer extracting foot thorn
etching, 145 x 217 mm (sheet). Bartsch 3, Hollstein XIV.35.13. Fine impression on laid paper. Sheet in very good [..]
70
Laurent de la Hyre
(1606 - 1656)
Three putti with a barrel of wine
etching, 79 x 103 mm (plate), 100 x 128 mm (sheet). Rosenberg & Thuillier 25. Fine impression on thin laid [..]
70
Laurent de la Hyre
(1606 - 1656)
Three putti with a barrel of wine
etching, 79 x 103 mm (plate), 100 x 128 mm (sheet). Rosenberg & Thuillier 25. Fine impression on thin laid [..]
71
Daniel van den Dyck
(Anversa, 1614 - Mantova, 1662)
Bacchanal
etching, 320 x 422 mm (sheet). Hollstein 11, Robert-Dumesnil III.18.5. Single state. Fine, well [..]
71
Daniel van den Dyck
(Anversa, 1614 - Mantova, 1662)
Bacchanal
etching, 320 x 422 mm (sheet). Hollstein 11, Robert-Dumesnil III.18.5. Single state. Fine, well [..]
72
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
Samuel Manasseh Ben Israel
etching, 149 x 107 mm. Printed on laid paper without watermark. 18th century edition. Exemplary trimmed without [..]
72
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
Samuel Manasseh Ben Israel
etching, 149 x 107 mm. Printed on laid paper without watermark. 18th century edition. Exemplary trimmed without [..]
73
Willem Panneels
(1600 - 1632)
Apollo and Daphne
1631
after Peter Paul Rubens. Etching, 164 x 95 mm (sheet). Hollstein 22, Schneevoogt 122.26. Fine, very fresh [..]
73
Willem Panneels
(1600 - 1632)
Apollo and Daphne
1631
after Peter Paul Rubens. Etching, 164 x 95 mm (sheet). Hollstein 22, Schneevoogt 122.26. Fine, very fresh [..]
74
Cornelis Bega
(1631 - 1664)
Dance
etching, 87 x 77 mm (plate), 106 x 95 mm (sheet). Bartsch V.235.26, Hollstein 26 state III/III. Former Felix Halm [..]
74
Cornelis Bega
(1631 - 1664)
Dance
etching, 87 x 77 mm (plate), 106 x 95 mm (sheet). Bartsch V.235.26, Hollstein 26 state III/III. Former Felix Halm [..]
75
Cornelis Bega
(1631 - 1664)
A man hugging a woman
etching, 87 x 77 mm (sheet). Bartsch V.235.25, Hollstein 25. Very fine, fresh impression on thin laid paper. [..]
75
Cornelis Bega
(1631 - 1664)
A man hugging a woman
etching, 87 x 77 mm (sheet). Bartsch V.235.25, Hollstein 25. Very fine, fresh impression on thin laid paper. [..]
76
Adriaen van Ostade
(1610 - 1685)
A man smoking sitting at the table
Etching, 68 x 55 mm (plate); 75 x 61 mm (sheet). Hollstein 5, Bartsch 353. Fine, sharp impression. The sheet was [..]
76
Adriaen van Ostade
(1610 - 1685)
A man smoking sitting at the table
Etching, 68 x 55 mm (plate); 75 x 61 mm (sheet). Hollstein 5, Bartsch 353. Fine, sharp impression. The sheet was [..]
77
Melchior Küsel
(1626 - 1683)
Vanitas. Two etchings
etching, 237 x 228 mm (platemark); 290 x 355 mm (sheet). From an unidentified series. Beautiful impressions on [..]
77
Melchior Küsel
(1626 - 1683)
Vanitas. Two etchings
etching, 237 x 228 mm (platemark); 290 x 355 mm (sheet). From an unidentified series. Beautiful impressions on [..]
78
Matthäus Merian I
(1593 - 1650)
Tivoli
1688
engraving, 28.7 x 35.6 (plate). Taken from "Topographiae Italiae..." by Martin Zeiller. Fineimpression [..]
78
Matthäus Merian I
(1593 - 1650)
Tivoli
1688
engraving, 28.7 x 35.6 (plate). Taken from "Topographiae Italiae..." by Martin Zeiller. Fineimpression [..]
79
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
Landscape with woods and horsemen
etching, 32 x 46 cm (plate). Impression with nice coeval coloring. With passepartout, glass and frame (50 x 67 [..]
79
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
Landscape with woods and horsemen
etching, 32 x 46 cm (plate). Impression with nice coeval coloring. With passepartout, glass and frame (50 x 67 [..]
80
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
La Reine allant à Fontainebleau accompagnée de ses gardes
grande stampa raffigurante la cavalcade con Regina Maria Teresa che entra Fontainebleau. Acquaforte, 512 x 770 [..]
80
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
La Reine allant à Fontainebleau accompagnée de ses gardes
grande stampa raffigurante la cavalcade con Regina Maria Teresa che entra Fontainebleau. Acquaforte, 512 x 770 [..]
81
Herman van Swanevelt
(1603 - 1655)
Landscape with cows
etching, 182 x 280 mm (sheet), fine impression on laid paper, with small margins outside the platemark and without [..]
81
Herman van Swanevelt
(1603 - 1655)
Landscape with cows
etching, 182 x 280 mm (sheet), fine impression on laid paper, with small margins outside the platemark and without [..]
82
Valentin Lefebre
(1637 - 1677)
Landscape with sheep
after Titian's painting. Etching, 25.2 x 39.7 cm (plate); 31 x 42 cm (sheet). Published by Jacobus van Campen. [..]
82
Valentin Lefebre
(1637 - 1677)
Landscape with sheep
after Titian's painting. Etching, 25.2 x 39.7 cm (plate); 31 x 42 cm (sheet). Published by Jacobus van Campen. [..]
83
Anthonie Waterloo
(1640 - 1690)
Lot of three landscapes
Etching, 9.5 x 14.2 cm (plate); 13.5 x 21.5 cm c. each sheet. From the series of 11 landscapes. Hollstein 7, [..]
83
Anthonie Waterloo
(1640 - 1690)
Lot of three landscapes
Etching, 9.5 x 14.2 cm (plate); 13.5 x 21.5 cm c. each sheet. From the series of 11 landscapes. Hollstein 7, [..]
84
Anthonie Waterloo
(1640 - 1690)
Lot of two landscapes with trees
Etching, 12.2 x 13.8 cm (plate); 19 x 29 cm c. (each sheet). From the series of 6 landscapes. Hollstein 58 and [..]
84
Anthonie Waterloo
(1640 - 1690)
Lot of two landscapes with trees
Etching, 12.2 x 13.8 cm (plate); 19 x 29 cm c. (each sheet). From the series of 6 landscapes. Hollstein 58 and [..]
85
Anthonie Waterloo
(1640 - 1690)
Landscape
etching, 190 x 28.7 mm (sheet), lettered on the plate "AW. F", fine, sharp impression on thick laid paper, sheet [..]
85
Anthonie Waterloo
(1640 - 1690)
Landscape
etching, 190 x 28.7 mm (sheet), lettered on the plate "AW. F", fine, sharp impression on thick laid paper, sheet [..]
86
Anthonie Waterloo
(1640 - 1690)
Landscape with houses on the hill
etching, 217 x 287 mm (sheet), inscribed in the upper part of the plate "Anton. Waterlo. f.", sharp and well inked [..]
86
Anthonie Waterloo
(1640 - 1690)
Landscape with houses on the hill
etching, 217 x 287 mm (sheet), inscribed in the upper part of the plate "Anton. Waterlo. f.", sharp and well inked [..]
87
Bernard Picart
(1673 - 1733)
Charles Le Brun
(1619 - 1690)
After
Alexander the Great's triumphs: the battle of Arbella
engraving and etching, approx. 66.5 x 118.5 cm. (total). Printed from 5 plates (the central part and 4 parts of [..]
87
Bernard Picart
(1673 - 1733)
Charles Le Brun
(1619 - 1690)
After
Alexander the Great's triumphs: the battle of Arbella
engraving and etching, approx. 66.5 x 118.5 cm. (total). Printed from 5 plates (the central part and 4 parts of [..]
88
Wenceslaus Hollar
(1607 - 1677)
Based on
Johann Christian Vollerdt
(1708 - 1769)
After
Anthropomorphic landscape
17th century
copy of an anonymous Italian engraver after Hollar's etching. Etching and engraving, 184 x 210 mm. Inscribed: [..]
88
Wenceslaus Hollar
(1607 - 1677)
Based on
Johann Christian Vollerdt
(1708 - 1769)
After
Anthropomorphic landscape
17th century
copy of an anonymous Italian engraver after Hollar's etching. Etching and engraving, 184 x 210 mm. Inscribed: [..]
89
Nicolas de Larmessin II
(1725)
Based on
Habitat de Serrurier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
89
Nicolas de Larmessin II
(1725)
Based on
Habitat de Serrurier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
90
Nicolas de Larmessin II
(1725)
Based on
Habitat de Plombier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
90
Nicolas de Larmessin II
(1725)
Based on
Habitat de Plombier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
91
Nicolas de Larmessin II
(1725)
Based on
Habitat de Meusnier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
91
Nicolas de Larmessin II
(1725)
Based on
Habitat de Meusnier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
92
View of the eastern facade of the Basilica of Santa Maria Maggiore
1621
etching, 51.5x39.7 cm. T ake from "Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V pont. [..]
92
View of the eastern facade of the Basilica of Santa Maria Maggiore
1621
etching, 51.5x39.7 cm. T ake from "Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V pont. [..]
93
Giovanni Battista Falda
(1643 - 1678)
Veduta del Castello, e Ponte Sant'Angelo, abbellito, et adornato con le statue degli angeli da Papa Clemente IX
etching and engraving, 45 x 68 cm. Trimmed copy, without lower margin. A few small creases and short tears but [..]
93
Giovanni Battista Falda
(1643 - 1678)
Veduta del Castello, e Ponte Sant'Angelo, abbellito, et adornato con le statue degli angeli da Papa [..]
etching and engraving, 45 x 68 cm. Trimmed copy, without lower margin. A few small creases and short tears but [..]
94
Gomar Wouters
(1649)
La Piazza del Popolo abbellita con li nuovi Edifici et Veduta della Citta di Roma come sie trova al presente
etching, approx. 45 x 70 cm Published by Domenico de Rossi. Beautiful, clear impression on laid paper. Trace of [..]
94
Gomar Wouters
(1649)
La Piazza del Popolo abbellita con li nuovi Edifici et Veduta della Citta di Roma come sie trova al [..]
etching, approx. 45 x 70 cm Published by Domenico de Rossi. Beautiful, clear impression on laid paper. Trace of [..]
95
Gomar Wouters
(1649)
Piazza Navona
etching, 45 x 66 cm (sheet). Published by Domenico Rossi. Example with missing parts at the top, left and bottom. [..]
95
Gomar Wouters
(1649)
Piazza Navona
etching, 45 x 66 cm (sheet). Published by Domenico Rossi. Example with missing parts at the top, left and bottom. [..]
96
Alessandro Specchi
(1668 - 1729)
Veduta interiore della Gran Basilica di S.Pietro in Vaticano
engraving and etching 68.5 x 53 cm. Fine, crisp impression on thin laid paper. One vertical fold and traces of [..]
96
Alessandro Specchi
(1668 - 1729)
Veduta interiore della Gran Basilica di S.Pietro in Vaticano
engraving and etching 68.5 x 53 cm. Fine, crisp impression on thin laid paper. One vertical fold and traces of [..]
97
Carlo Antonio Buffagnotti
(1660)
Architectural studies
lot of two etchings after Ferdinando Bibiena, approx. 265 x 270 mm each. Fine impressions on laid paper. Specimens [..]
97
Carlo Antonio Buffagnotti
(1660)
Architectural studies
lot of two etchings after Ferdinando Bibiena, approx. 265 x 270 mm each. Fine impressions on laid paper. Specimens [..]
98
Francesco Vaccaro
(1687)
Architectural capriccio with fountain
etching, 129 × 174 mm (plate), 156 x 200 mm (sheet). Fine, crisp and fresh impression on laid paper with [..]
98
Francesco Vaccaro
(1687)
Architectural capriccio with fountain
etching, 129 × 174 mm (plate), 156 x 200 mm (sheet). Fine, crisp and fresh impression on laid paper with [..]
99
Giovan Battista Marinetti
(fl. prima metà del XVIII sec.)
Grandi Vasi
Lotto di 2 incisioni. Acquaforte, A) 141 x 109 mm (lastra), 275 x 203 mm (foglio) B) 141 x 109 mm (lastra), [..]
99
Giovan Battista Marinetti
(fl. prima metà del XVIII sec.)
Grandi Vasi
Lotto di 2 incisioni. Acquaforte, A) 141 x 109 mm (lastra), 275 x 203 mm (foglio) B) 141 x 109 mm (lastra), [..]
100
Paolo Anesi
(1697 - 1773)
View of the Madonna del Rosario in Monte Mario
etching, 135 x 193 mm (plate), 194 x 274 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
100
Paolo Anesi
(1697 - 1773)
View of the Madonna del Rosario in Monte Mario
etching, 135 x 193 mm (plate), 194 x 274 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
101
Paolo Anesi
(1697 - 1773)
View of Rome
etching, 181 x 135 mm (platemark); 265 x 202 mm (sheet), printed on laid paper, sheet in excellent condition
101
Paolo Anesi
(1697 - 1773)
View of Rome
etching, 181 x 135 mm (platemark); 265 x 202 mm (sheet), printed on laid paper, sheet in excellent condition
102
Giuseppe Maria Mitelli
(1634 - 1718)
Chair salesman
1660
from the series Le Arti di Bologna, by Annibale Carracci, etching, 278 x 195 mm (plate), 300 x 218 mm (sheet). [..]
102
Giuseppe Maria Mitelli
(1634 - 1718)
Chair salesman
1660
from the series Le Arti di Bologna, by Annibale Carracci, etching, 278 x 195 mm (plate), 300 x 218 mm (sheet). [..]
103
S. Vincentius Ferrerius Ord. Pred.
etching, 387 x 260 mm, inscribed: P. A. Stagnone fecit in Milano, printed on laid paper, sheet in good condition, [..]
103
S. Vincentius Ferrerius Ord. Pred.
etching, 387 x 260 mm, inscribed: P. A. Stagnone fecit in Milano, printed on laid paper, sheet in good condition, [..]
104
Ritratto del corpo di S. Filomena vergine e martire
1831
rare devotional print, signed on the plate: "L. del Monaco in. e scl.". Etching, 139 x 193 mm (plate), 190 x 245 [..]
104
Ritratto del corpo di S. Filomena vergine e martire
1831
rare devotional print, signed on the plate: "L. del Monaco in. e scl.". Etching, 139 x 193 mm (plate), 190 x 245 [..]
105
Vera Efigie della Miracolosa Immagine di MA.RIA VERGINE SS. posta nella CATREDA.LE di San Cyriaco di Ancona
17th century
Very rare devotional print signed in plate "Stefano Russolo sculp. An[cona]". Etching, 250 x 191 mm (plate), [..]
105
Vera Efigie della Miracolosa Immagine di MA.RIA VERGINE SS. posta nella CATREDA.LE di San Cyriaco di [..]
17th century
Very rare devotional print signed in plate "Stefano Russolo sculp. An[cona]". Etching, 250 x 191 mm (plate), [..]
106
Miguel de Sorello
Jesus hands the keys to St. Peter on Lake Tiberias (Pasce oves meas)
after Corvi's drawing for one of the ten tapestries made for the Sistine Chapel based on designs by Raphael. [..]
106
Miguel de Sorello
Jesus hands the keys to St. Peter on Lake Tiberias (Pasce oves meas)
after Corvi's drawing for one of the ten tapestries made for the Sistine Chapel based on designs by Raphael. [..]
107
Giovanni Girolamo Frezza
(1659 - 1748)
The Judgment of Paris
1704
after Sisto Badalocchi's painting. Etching and engraving, 45 x 49 cm. T aken from "PICTVRAE FRANCISCI ALBANI IN [..]
107
Giovanni Girolamo Frezza
(1659 - 1748)
The Judgment of Paris
1704
after Sisto Badalocchi's painting. Etching and engraving, 45 x 49 cm. T aken from "PICTVRAE FRANCISCI ALBANI IN [..]
108
Georg Leopold Hertel
Diogenes
after Giovanni Benedetto Castiglione. Etching, 197 x 293 mm. Fine impression on laid paper with watermark. Trimmed [..]
108
Georg Leopold Hertel
Diogenes
after Giovanni Benedetto Castiglione. Etching, 197 x 293 mm. Fine impression on laid paper with watermark. Trimmed [..]
109
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
etching, 93 x 226 mm (plate), 216 x 300 mm (sheet). TIB 33. Splendid proof on laid paper with a fragment of watermark. [..]
109
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
etching, 93 x 226 mm (plate), 216 x 300 mm (sheet). TIB 33. Splendid proof on laid paper with a fragment of watermark. [..]
110
Francesco Polanzani
(1700 - 1783)
Panini Francesco
(1738 - 1800)
After
VEDUTA INTIERA DELLA GRAN PIAZZA E CHIESA DI S. PIETRO IN VATICANO...
1790
etching, 59 x 80 cm (sheet). Fine, sharp impression. Oxidized sheet, with foxing, some stains and a long, barely [..]
110
Francesco Polanzani
(1700 - 1783)
Panini Francesco
(1738 - 1800)
After
VEDUTA INTIERA DELLA GRAN PIAZZA E CHIESA DI S. PIETRO IN VATICANO...
1790
etching, 59 x 80 cm (sheet). Fine, sharp impression. Oxidized sheet, with foxing, some stains and a long, barely [..]
111
Giuseppe Vasi
(1710 - 1782)
Veduta in prospettiva della Gran Fontana dell'Acqua Vergine detta di Trevi
1746
etching, 468 x 720 mm. Example backed on another sheet, with some defects (on the upper margin, lower left and [..]
111
Giuseppe Vasi
(1710 - 1782)
Veduta in prospettiva della Gran Fontana dell'Acqua Vergine detta di Trevi
1746
etching, 468 x 720 mm. Example backed on another sheet, with some defects (on the upper margin, lower left and [..]
112
Giuseppe Vasi
(1710 - 1782)
Church of S. Giacomo in Scoscacavalli
etching, 210 x 323 mm (plate), 280 x 392 mm (sheet). Fine, clear impression on thin laid paper with coeval coloring. [..]
112
Giuseppe Vasi
(1710 - 1782)
Church of S. Giacomo in Scoscacavalli
etching, 210 x 323 mm (plate), 280 x 392 mm (sheet). Fine, clear impression on thin laid paper with coeval coloring. [..]
113
Giuseppe Vasi
(1710 - 1782)
Church of SS. Venanzio and Ansovino
etching, 210 x 323 mm (plate), 280 x 392 mm (sheet). Fine, clear impression on thin laid paper with coeval coloring. [..]
113
Giuseppe Vasi
(1710 - 1782)
Church of SS. Venanzio and Ansovino
etching, 210 x 323 mm (plate), 280 x 392 mm (sheet). Fine, clear impression on thin laid paper with coeval coloring. [..]
114
Giuseppe Vasi
(1710 - 1782)
Macel de Corvi square
etching, 148 x 215 mm (plate), 280 x 392 mm (sheet). Fine, crisp impression on thin laid paper. In very good co [..]
114
Giuseppe Vasi
(1710 - 1782)
Macel de Corvi square
etching, 148 x 215 mm (plate), 280 x 392 mm (sheet). Fine, crisp impression on thin laid paper. In very good co [..]
115
Giuseppe Vasi
(1710 - 1782)
Church of S. Pietro in Vinculis
etching, 213 x 323 mm (plate), 280 x 392 mm (sheet). Fine, crisp impression on thin laid paper. In very good co [..]
115
Giuseppe Vasi
(1710 - 1782)
Church of S. Pietro in Vinculis
etching, 213 x 323 mm (plate), 280 x 392 mm (sheet). Fine, crisp impression on thin laid paper. In very good co [..]
116
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta delle antiche sostruzioni fatte da Tarquinio Superbo dette il Bel Lido...
etching, 447 x 672 mm (plate), 530 x 755 mm (sheet). Very fine, fresh and clear impression in the I state, before [..]
116
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta delle antiche sostruzioni fatte da Tarquinio Superbo dette il Bel Lido...
etching, 447 x 672 mm (plate), 530 x 755 mm (sheet). Very fine, fresh and clear impression in the I state, before [..]
117
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta
etching, 403 x 617 mm (plate), 490 x 705 mm (sheet). Fine, clear impression in the second state of 6. Hind 22. [..]
117
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta
etching, 403 x 617 mm (plate), 490 x 705 mm (sheet). Fine, clear impression in the second state of 6. Hind 22. [..]
118
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
View of the Sepulcher of the Plauzia Family from the road that leads from Rome to Ponte Luciano
etching 44.7 x 65.2 cm, from 'Antichità Romane', 1st Paris edition 1800, Focillon 297. Impression with large [..]
118
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
View of the Sepulcher of the Plauzia Family from the road that leads from Rome to Ponte Luciano
etching 44.7 x 65.2 cm, from 'Antichità Romane', 1st Paris edition 1800, Focillon 297. Impression with large [..]
119
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Posticum earundem reliquiarum templi pseudodipteri Antonini Pii, quae in praecedente Tabula sunt expositae...
etching, 383 x 531 mm (sheet), fine impression on laid paper with double watermark (lily in double circle and [..]
119
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Posticum earundem reliquiarum templi pseudodipteri Antonini Pii, quae in praecedente Tabula sunt expo [..]
etching, 383 x 531 mm (sheet), fine impression on laid paper with double watermark (lily in double circle and [..]
120
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Porticus M. Philippi
Etching, 41 x 54.5 cm. Plate XXIX from "The Campus Martius of Ancient Rome". Focillon 460. Sharp, well-executed [..]
120
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Porticus M. Philippi
Etching, 41 x 54.5 cm. Plate XXIX from "The Campus Martius of Ancient Rome". Focillon 460. Sharp, well-executed [..]