41
Giacomo Lauro
(1560 - 1645)
Porta Nevia et LABICANA Hodie Porta Maggiore...
Etching, 17,7 x 23,6 cm (platemark); 21,3 x 28,3 cm (sheet). Plate 68 from Giacomo Lauro's Antiquae Urbis splendor. [..]
41
Giacomo Lauro
(1560 - 1645)
Porta Nevia et LABICANA Hodie Porta Maggiore...
Etching, 17,7 x 23,6 cm (platemark); 21,3 x 28,3 cm (sheet). Plate 68 from Giacomo Lauro's Antiquae Urbis splendor. [..]
42
Geronima Parasole
(1569 - 1622)
Saint Andrew saves a bishop
after Antonio Tempesta, woodcut, 206 x 122 mm, fine impression, sharp and well inked, backed on an ancient sheet. [..]
42
Geronima Parasole
(1569 - 1622)
Saint Andrew saves a bishop
after Antonio Tempesta, woodcut, 206 x 122 mm, fine impression, sharp and well inked, backed on an ancient sheet. [..]
43
Francesco Villamena
(1566 - 1626)
The gardener
engraving, 355 x 227 mm (sheet). Fine, fresh and clear impression on laid paper. Complete sheet, with some paper [..]
43
Francesco Villamena
(1566 - 1626)
The gardener
engraving, 355 x 227 mm (sheet). Fine, fresh and clear impression on laid paper. Complete sheet, with some paper [..]
44
Lucas Vorsterman
(1595 - 1675)
Portrait of Orazio Gentileschi
by Anthony van Dyck. Burin, 240 x 175 mm. Very fine, clear impression on laid paper. Trimmed copy with small [..]
44
Lucas Vorsterman
(1595 - 1675)
Portrait of Orazio Gentileschi
by Anthony van Dyck. Burin, 240 x 175 mm. Very fine, clear impression on laid paper. Trimmed copy with small [..]
45
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Based on
Last Judgment, by Michelangelo
etching, 317 x 234 mm, copy by an anonymous Italian engraver (Giacomo Lauro?), with dedication to Pietro Sforza, [..]
45
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Based on
Last Judgment, by Michelangelo
etching, 317 x 234 mm, copy by an anonymous Italian engraver (Giacomo Lauro?), with dedication to Pietro Sforza, [..]
46
Odoardo Fialetti
(1573 - 1638)
Frieze with young hero sitting in front of a man and a woman
etching, 65 x 263 mm. Bartsch XVII.300.39. Ex Albert van Loock collection (Lugt 3751 on the reverse). Very [..]
46
Odoardo Fialetti
(1573 - 1638)
Frieze with young hero sitting in front of a man and a woman
etching, 65 x 263 mm. Bartsch XVII.300.39. Ex Albert van Loock collection (Lugt 3751 on the reverse). Very [..]
47
Odoardo Fialetti
(1573 - 1638)
Mars
after Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis). Etching, 148 x 208 mm. Bartsch XVII.271.23. [..]
47
Odoardo Fialetti
(1573 - 1638)
Mars
after Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis). Etching, 148 x 208 mm. Bartsch XVII.271.23. [..]
48
Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
Joseph and Putiphar's wife
1607
from a series of 50 engravings for the Bible by Sisto Badalocchio and Giovanni Lanfranco after Raffaello, published [..]
48
Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
Joseph and Putiphar's wife
1607
from a series of 50 engravings for the Bible by Sisto Badalocchio and Giovanni Lanfranco after Raffaello, published [..]
49
Orazio Farinati
(1559 - 1616)
Madonna with Child and Saint John
after Paolo Farinati, published by Gaspare dall'Oglio. Etching, 252 x 222 mm (plate), 275 x 235 mm (sheet). [..]
49
Orazio Farinati
(1559 - 1616)
Madonna with Child and Saint John
after Paolo Farinati, published by Gaspare dall'Oglio. Etching, 252 x 222 mm (plate), 275 x 235 mm (sheet). [..]
50
Agostino Carracci
(1557 - 1602)
The Mystical Marriage of Saint Catherine
after Paolo Veronese's painting in the church of S. Caterina in Venice. Etching, 504 x 332 mm. Bohlin 104, state [..]
50
Agostino Carracci
(1557 - 1602)
The Mystical Marriage of Saint Catherine
after Paolo Veronese's painting in the church of S. Caterina in Venice. Etching, 504 x 332 mm. Bohlin 104, state [..]
51
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
The Holy Family with Saint John the Baptist
1590
etching, 167 x 221 mm. Bohlin 11, I state on 3. Impressed on laid paper, a restoration at the top. Trimmed with [..]
51
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
The Holy Family with Saint John the Baptist
1590
etching, 167 x 221 mm. Bohlin 11, I state on 3. Impressed on laid paper, a restoration at the top. Trimmed with [..]
52
Jacques Callot
(1592 - 1635)
View of Paris, with Seine and Louvre
1630 ca.
etching, 160 x 335 mm. Lieure 667 . Very fine , fresh and well-inked impression with deep black [..]
52
Jacques Callot
(1592 - 1635)
View of Paris, with Seine and Louvre
1630 ca.
etching, 160 x 335 mm. Lieure 667 . Very fine , fresh and well-inked impression with deep black [..]
53
Jacques Callot
(1592 - 1635)
La foire de Gondreville
etching, 191 x 336 mm. Lieure 561. II state on IV, before Silvestre's address. Superb impression, sharp [..]
53
Jacques Callot
(1592 - 1635)
La foire de Gondreville
etching, 191 x 336 mm. Lieure 561. II state on IV, before Silvestre's address. Superb impression, sharp [..]
54
Jacques Callot
(1592 - 1635)
M. B. Philippi Appos. (Martyrdom of Saint Philip)
etching, 75 x 49 mm. Lieure 1394, state IV on 4. Late impression, on thin wove paper, glued along the upper margin [..]
54
Jacques Callot
(1592 - 1635)
M. B. Philippi Appos. (Martyrdom of Saint Philip)
etching, 75 x 49 mm. Lieure 1394, state IV on 4. Late impression, on thin wove paper, glued along the upper margin [..]
55
Jacques Callot
(1592 - 1635)
Based on
La Petite Passion
Copies of 12 plates by Callot, published by Jacques Jean Pasquier (1718-1785), with French titles and engraver's [..]
55
Jacques Callot
(1592 - 1635)
Based on
La Petite Passion
Copies of 12 plates by Callot, published by Jacques Jean Pasquier (1718-1785), with French titles and engraver's [..]
56
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum
etching, 134 x141 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
56
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum
etching, 134 x141 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
57
Stefano della Bella (Firenze, 1610 - 1664)
Baths of Diocletian
etching, 177 x170 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
57
Stefano della Bella (Firenze, 1610 - 1664)
Baths of Diocletian
etching, 177 x170 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
58
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum and Arch of Constantine
etching, 132 x138 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
58
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum and Arch of Constantine
etching, 132 x138 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
59
Stefano della Bella
(Firenze, 1610 - 1664)
Francesco de' Medici
1634
AFTER Justus Sustermans, etching, 173 x 120 mm (platemark), 215 x 185 mm (sheet), printed on laid paper with watermark, [..]
59
Stefano della Bella
(Firenze, 1610 - 1664)
Francesco de' Medici
1634
AFTER Justus Sustermans, etching, 173 x 120 mm (platemark), 215 x 185 mm (sheet), printed on laid paper with watermark, [..]
60
Stefano della Bella
(Firenze, 1610 - 1664)
Two engravings from the series "Les aigles"
1651 ca.
etchings, a. 117 x 147 mm (platemark), 165 x 192 mm (sheet); b. 120 x 147 mm (platemark), 162 x 190 mm (sheet); [..]
60
Stefano della Bella
(Firenze, 1610 - 1664)
Two engravings from the series "Les aigles"
1651 ca.
etchings, a. 117 x 147 mm (platemark), 165 x 192 mm (sheet); b. 120 x 147 mm (platemark), 162 x 190 mm (sheet); [..]
61
Stefano della Bella
(Firenze, 1610 - 1664)
After
Nicolas Cochin
(1610 - 1686)
Ordre de la bataille de Nordlingen
1646
Lot of two (of 4) large sheets, unjoined and intact, depicting the battle of Nördlingen. Etching, approx. 492 [..]
61
Stefano della Bella
(Firenze, 1610 - 1664)
After
Nicolas Cochin
(1610 - 1686)
Ordre de la bataille de Nordlingen
1646
Lot of two (of 4) large sheets, unjoined and intact, depicting the battle of Nördlingen. Etching, approx. 492 [..]
62
Guido Reni
(Bologna , 1575 - 1642)
School of
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Attributed to
Judith with the head of Holofernes
etching, 250 x 177 mm (sheet), 265 x 185 mm (passe-partout). Bartsch XVIII.314.1 (school of Guido Reni), [..]
62
Guido Reni
(Bologna , 1575 - 1642)
School of
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Attributed to
Judith with the head of Holofernes
etching, 250 x 177 mm (sheet), 265 x 185 mm (passe-partout). Bartsch XVIII.314.1 (school of Guido Reni), [..]
63
Pietro Testa
(1612 - 1650)
The adoration of the Magi
etching, 427x350mm. Bartsch 3, Bellini 16, Copper 63. state II/III, before Rossi's address. Extremely fine impression [..]
63
Pietro Testa
(1612 - 1650)
The adoration of the Magi
etching, 427x350mm. Bartsch 3, Bellini 16, Copper 63. state II/III, before Rossi's address. Extremely fine impression [..]
64
Elisabetta Sirani
(Bologna, 1638 - 1665)
Our Lady of Sorrows
1657
etching, 285 x 206 mm (plate), 397 x 293 mm (sheet). Bartsch XIX.155.7. Very fine proof on laid paper. Complete [..]
64
Elisabetta Sirani
(Bologna, 1638 - 1665)
Our Lady of Sorrows
1657
etching, 285 x 206 mm (plate), 397 x 293 mm (sheet). Bartsch XIX.155.7. Very fine proof on laid paper. Complete [..]
65
Pietro Aquila
(1630 - 1692)
Adoration of the Magi
etching, 187 x 137 mm (plate), 260 x 201 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
65
Pietro Aquila
(1630 - 1692)
Adoration of the Magi
etching, 187 x 137 mm (plate), 260 x 201 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
66
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
After
Madonna col bambino, san Giuseppe e san Giovannino
XVII secolo
acquaforte, 177 x 132 mm. Altro esemplare al MET (1970.578.7). Bella impressione su carta vergata sottile. Esemplare [..]
66
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
After
Madonna col bambino, san Giuseppe e san Giovannino
XVII secolo
acquaforte, 177 x 132 mm. Altro esemplare al MET (1970.578.7). Bella impressione su carta vergata sottile. Esemplare [..]
67
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of St. Andrew
after Domenichino. Etching, cm 43.6x30. II state on V, printed in Rome in ca. 1650. Bartsch XXI.93.11, [..]
67
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of St. Andrew
after Domenichino. Etching, cm 43.6x30. II state on V, printed in Rome in ca. 1650. Bartsch XXI.93.11, [..]
68
Lorenzo Loli
(1612 - 1691)
The Flight into Egypt
after Guido Reni. Etching, 317 x 247 mm. Bartsch XIX.165.1. Very fine impressione on laid paper with watermark. [..]
68
Lorenzo Loli
(1612 - 1691)
The Flight into Egypt
after Guido Reni. Etching, 317 x 247 mm. Bartsch XIX.165.1. Very fine impressione on laid paper with watermark. [..]
69
Jan Miel
(Beveren, 1599 - Torino, 1663)
Farmer extracting foot thorn
etching, 145 x 217 mm (sheet). Bartsch 3, Hollstein XIV.35.13. Fine impression on laid paper. Sheet in very good [..]
69
Jan Miel
(Beveren, 1599 - Torino, 1663)
Farmer extracting foot thorn
etching, 145 x 217 mm (sheet). Bartsch 3, Hollstein XIV.35.13. Fine impression on laid paper. Sheet in very good [..]
70
Laurent de la Hyre
(1606 - 1656)
Three putti with a barrel of wine
etching, 79 x 103 mm (plate), 100 x 128 mm (sheet). Rosenberg & Thuillier 25. Fine impression on thin laid [..]
70
Laurent de la Hyre
(1606 - 1656)
Three putti with a barrel of wine
etching, 79 x 103 mm (plate), 100 x 128 mm (sheet). Rosenberg & Thuillier 25. Fine impression on thin laid [..]
71
Daniel van den Dyck
(Anversa, 1614 - Mantova, 1662)
Bacchanal
etching, 320 x 422 mm (sheet). Hollstein 11, Robert-Dumesnil III.18.5. Single state. Fine, well [..]
71
Daniel van den Dyck
(Anversa, 1614 - Mantova, 1662)
Bacchanal
etching, 320 x 422 mm (sheet). Hollstein 11, Robert-Dumesnil III.18.5. Single state. Fine, well [..]
72
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
Samuel Manasseh Ben Israel
etching, 149 x 107 mm. Printed on laid paper without watermark. 18th century edition. Exemplary trimmed without [..]
72
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
Samuel Manasseh Ben Israel
etching, 149 x 107 mm. Printed on laid paper without watermark. 18th century edition. Exemplary trimmed without [..]
73
Willem Panneels
(1600 - 1632)
Apollo and Daphne
1631
after Peter Paul Rubens. Etching, 164 x 95 mm (sheet). Hollstein 22, Schneevoogt 122.26. Fine, very fresh [..]
73
Willem Panneels
(1600 - 1632)
Apollo and Daphne
1631
after Peter Paul Rubens. Etching, 164 x 95 mm (sheet). Hollstein 22, Schneevoogt 122.26. Fine, very fresh [..]
74
Cornelis Bega
(1631 - 1664)
Dance
etching, 87 x 77 mm (plate), 106 x 95 mm (sheet). Bartsch V.235.26, Hollstein 26 state III/III. Former Felix Halm [..]
74
Cornelis Bega
(1631 - 1664)
Dance
etching, 87 x 77 mm (plate), 106 x 95 mm (sheet). Bartsch V.235.26, Hollstein 26 state III/III. Former Felix Halm [..]
75
Cornelis Bega
(1631 - 1664)
A man hugging a woman
etching, 87 x 77 mm (sheet). Bartsch V.235.25, Hollstein 25. Very fine, fresh impression on thin laid paper. [..]
75
Cornelis Bega
(1631 - 1664)
A man hugging a woman
etching, 87 x 77 mm (sheet). Bartsch V.235.25, Hollstein 25. Very fine, fresh impression on thin laid paper. [..]
76
ADRIEN VAN OSTADE (Haarlem, 1610 -1685), ATTRIBUITO
Adriaen van Ostade
(1610 - 1685)
A man smoking sitting at the table
Etching, 68 x 55 mm (plate); 75 x 61 mm (sheet). Hollstein 5, Bartsch 353. Fine, sharp impression. The sheet was [..]
76
ADRIEN VAN OSTADE (Haarlem, 1610 -1685), ATTRIBUITO
Adriaen van Ostade
(1610 - 1685)
A man smoking sitting at the table
Etching, 68 x 55 mm (plate); 75 x 61 mm (sheet). Hollstein 5, Bartsch 353. Fine, sharp impression. The sheet was [..]
77
Melchior Küsel
(1626 - 1683)
Vanitas. Two etchings
etching, 237 x 228 mm (platemark); 290 x 355 mm (sheet). From an unidentified series. Beautiful impressions on [..]
77
Melchior Küsel
(1626 - 1683)
Vanitas. Two etchings
etching, 237 x 228 mm (platemark); 290 x 355 mm (sheet). From an unidentified series. Beautiful impressions on [..]
78
Matthäus Merian I
(1593 - 1650)
Tivoli
1688
engraving, 28.7 x 35.6 (plate). Taken from "Topographiae Italiae..." by Martin Zeiller. Fineimpression [..]
78
Matthäus Merian I
(1593 - 1650)
Tivoli
1688
engraving, 28.7 x 35.6 (plate). Taken from "Topographiae Italiae..." by Martin Zeiller. Fineimpression [..]
79
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
Landscape with woods and horsemen
etching, 32 x 46 cm (plate). Impression with nice coeval coloring. With passepartout, glass and frame (50 x 67 [..]
79
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
Landscape with woods and horsemen
etching, 32 x 46 cm (plate). Impression with nice coeval coloring. With passepartout, glass and frame (50 x 67 [..]
80
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
La Reine allant à Fontainebleau accompagnée de ses gardes
grande stampa raffigurante la cavalcade con Regina Maria Teresa che entra Fontainebleau. Acquaforte, 512 x 770 [..]
80
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
La Reine allant à Fontainebleau accompagnée de ses gardes
grande stampa raffigurante la cavalcade con Regina Maria Teresa che entra Fontainebleau. Acquaforte, 512 x 770 [..]