31
Jacob Matham
(1571 - 1631)
Fides
1593
by Hendrik Goltzius. Burin, 323 x 268 mm. Bartsch III.165.125, Hollstein 263, New Hollstein 145. Superb, clear [..]
31
Jacob Matham
(1571 - 1631)
Fides
1593
by Hendrik Goltzius. Burin, 323 x 268 mm. Bartsch III.165.125, Hollstein 263, New Hollstein 145. Superb, clear [..]
32
Matthias Greuter
(1638)
Attributed to
Fall of the Giants
after Jacob Cornelisz Cobaert after Guglielmo della Porta's painting in the Vatican Library. Engraving, 215 x [..]
32
Matthias Greuter
(1638)
Attributed to
Fall of the Giants
after Jacob Cornelisz Cobaert after Guglielmo della Porta's painting in the Vatican Library. Engraving, 215 x [..]
33
Nicolas de Bruyn
(1571 - 1656)
Josue Dux | Judas Machabeus| Artus Rex
1594
lot of 3 engravings from the series of 12 depicting the heads of the rulers in ornamental borders. Engraving, [..]
33
Nicolas de Bruyn
(1571 - 1656)
Josue Dux | Judas Machabeus| Artus Rex
1594
lot of 3 engravings from the series of 12 depicting the heads of the rulers in ornamental borders. Engraving, [..]
34
Theodoor Galle
(1571 - 1633)
Attributed to
Aegidius Sadeler II
(1568, 1629)
Based on
The Flagellation of Christ
Engraving, 255 x 181 mm. Mirror copy of an engraving bay Aegidius Sadeler after Palma di Giovane's painting [..]
34
Theodoor Galle
(1571 - 1633)
Attributed to
Aegidius Sadeler II
(1568, 1629)
Based on
The Flagellation of Christ
Engraving, 255 x 181 mm. Mirror copy of an engraving bay Aegidius Sadeler after Palma di Giovane's painting [..]
35
Jan (Johannes) Sadeler
(1550 - 1600)
Genesis: Creation of Birds and Fish | Creation of Adam and Eve
lot of two engravings from the series of seven, by Martin Vos. approx. 200 x 255 mm each. Hollstein 16 and 17. [..]
35
Jan (Johannes) Sadeler
(1550 - 1600)
Genesis: Creation of Birds and Fish | Creation of Adam and Eve
lot of two engravings from the series of seven, by Martin Vos. approx. 200 x 255 mm each. Hollstein 16 and 17. [..]
36
Hendrik Goltzius
(1558 - 1617)
Workshop of
Pan and Syringe
engraving, 177 x 255 mm. Bartsch III.105.18. Fine, sharp impression on laid paper with watermark. Trimmed example, [..]
36
Hendrik Goltzius
(1558 - 1617)
Workshop of
Pan and Syringe
engraving, 177 x 255 mm. Bartsch III.105.18. Fine, sharp impression on laid paper with watermark. Trimmed example, [..]
37
Cornelis Bloemaert
(1603 - 1692)
Hercules
after Joachim von Sandrart, engraving, 45 x 32 cm (sheet); taken from "Galleria Giustiniana" by Marquis Vincenzo [..]
37
Cornelis Bloemaert
(1603 - 1692)
Hercules
after Joachim von Sandrart, engraving, 45 x 32 cm (sheet); taken from "Galleria Giustiniana" by Marquis Vincenzo [..]
38
Giacomo Lauro
(1560 - 1645)
AMPHITHEATRUM TAURI STATILII | THEATRUM MARCI SCAURI
etching, 206 x 274 mm (each sheet). Fine, clear impressions on laid paper (one with watermark). Sheets in very [..]
38
Giacomo Lauro
(1560 - 1645)
AMPHITHEATRUM TAURI STATILII | THEATRUM MARCI SCAURI
etching, 206 x 274 mm (each sheet). Fine, clear impressions on laid paper (one with watermark). Sheets in very [..]
39
Giacomo Lauro
(1560 - 1645)
THERMAE CONSTANTINI IMPERATORIS | THERMAE AGRIPAE
etching, 206 x 274 mm (each sheet). Fine, clear impression on laid paper (one with watermark). Sheets in very [..]
39
Giacomo Lauro
(1560 - 1645)
THERMAE CONSTANTINI IMPERATORIS | THERMAE AGRIPAE
etching, 206 x 274 mm (each sheet). Fine, clear impression on laid paper (one with watermark). Sheets in very [..]
40
Giacomo Lauro
(1560 - 1645)
Lot of 4 plates with views of Rome
Lot of 4 plates from Antiquae Urbis Splendor. Etching, 17.5 x 23.2 cm (plate); 28 x 40 cm (sheet). Sharpimpressions [..]
40
Giacomo Lauro
(1560 - 1645)
Lot of 4 plates with views of Rome
Lot of 4 plates from Antiquae Urbis Splendor. Etching, 17.5 x 23.2 cm (plate); 28 x 40 cm (sheet). Sharpimpressions [..]
41
Giacomo Lauro
(1560 - 1645)
Porta Nevia et LABICANA Hodie Porta Maggiore...
Etching, 17,7 x 23,6 cm (platemark); 21,3 x 28,3 cm (sheet). Plate 68 from Giacomo Lauro's Antiquae Urbis splendor. [..]
41
Giacomo Lauro
(1560 - 1645)
Porta Nevia et LABICANA Hodie Porta Maggiore...
Etching, 17,7 x 23,6 cm (platemark); 21,3 x 28,3 cm (sheet). Plate 68 from Giacomo Lauro's Antiquae Urbis splendor. [..]
42
Geronima Parasole
(1569 - 1622)
Saint Andrew saves a bishop
after Antonio Tempesta, woodcut, 206 x 122 mm, fine impression, sharp and well inked, backed on an ancient sheet. [..]
42
Geronima Parasole
(1569 - 1622)
Saint Andrew saves a bishop
after Antonio Tempesta, woodcut, 206 x 122 mm, fine impression, sharp and well inked, backed on an ancient sheet. [..]
43
Francesco Villamena
(1566 - 1626)
The gardener
engraving, 355 x 227 mm (sheet). Fine, fresh and clear impression on laid paper. Complete sheet, with some paper [..]
43
Francesco Villamena
(1566 - 1626)
The gardener
engraving, 355 x 227 mm (sheet). Fine, fresh and clear impression on laid paper. Complete sheet, with some paper [..]
44
Lucas Vorsterman
(1595 - 1675)
Portrait of Orazio Gentileschi
by Anthony van Dyck. Burin, 240 x 175 mm. Very fine, clear impression on laid paper. Trimmed copy with small [..]
44
Lucas Vorsterman
(1595 - 1675)
Portrait of Orazio Gentileschi
by Anthony van Dyck. Burin, 240 x 175 mm. Very fine, clear impression on laid paper. Trimmed copy with small [..]
45
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Based on
Last Judgment, by Michelangelo
etching, 317 x 234 mm, copy by an anonymous Italian engraver (Giacomo Lauro?), with dedication to Pietro Sforza, [..]
45
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Based on
Last Judgment, by Michelangelo
etching, 317 x 234 mm, copy by an anonymous Italian engraver (Giacomo Lauro?), with dedication to Pietro Sforza, [..]
46
Odoardo Fialetti
(1573 - 1638)
Frieze with young hero sitting in front of a man and a woman
etching, 65 x 263 mm. Bartsch XVII.300.39. Ex Albert van Loock collection (Lugt 3751 on the reverse). Very [..]
46
Odoardo Fialetti
(1573 - 1638)
Frieze with young hero sitting in front of a man and a woman
etching, 65 x 263 mm. Bartsch XVII.300.39. Ex Albert van Loock collection (Lugt 3751 on the reverse). Very [..]
47
Odoardo Fialetti
(1573 - 1638)
Mars
after Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis). Etching, 148 x 208 mm. Bartsch XVII.271.23. [..]
47
Odoardo Fialetti
(1573 - 1638)
Mars
after Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis). Etching, 148 x 208 mm. Bartsch XVII.271.23. [..]
48
Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
Joseph and Putiphar's wife
1607
from a series of 50 engravings for the Bible by Sisto Badalocchio and Giovanni Lanfranco after Raffaello, published [..]
48
Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
Joseph and Putiphar's wife
1607
from a series of 50 engravings for the Bible by Sisto Badalocchio and Giovanni Lanfranco after Raffaello, published [..]
49
Orazio Farinati
(1559 - 1616)
Madonna with Child and Saint John
after Paolo Farinati, published by Gaspare dall'Oglio. Etching, 252 x 222 mm (plate), 275 x 235 mm (sheet). [..]
49
Orazio Farinati
(1559 - 1616)
Madonna with Child and Saint John
after Paolo Farinati, published by Gaspare dall'Oglio. Etching, 252 x 222 mm (plate), 275 x 235 mm (sheet). [..]
50
Agostino Carracci
(1557 - 1602)
The Mystical Marriage of Saint Catherine
after Paolo Veronese's painting in the church of S. Caterina in Venice. Etching, 504 x 332 mm. Bohlin 104, state [..]
50
Agostino Carracci
(1557 - 1602)
The Mystical Marriage of Saint Catherine
after Paolo Veronese's painting in the church of S. Caterina in Venice. Etching, 504 x 332 mm. Bohlin 104, state [..]
51
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
The Holy Family with Saint John the Baptist
1590
etching, 167 x 221 mm. Bohlin 11, I state on 3. Impressed on laid paper, a restoration at the top. Trimmed with [..]
51
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
The Holy Family with Saint John the Baptist
1590
etching, 167 x 221 mm. Bohlin 11, I state on 3. Impressed on laid paper, a restoration at the top. Trimmed with [..]
52
Jacques Callot
(1592 - 1635)
View of Paris, with Seine and Louvre
1630 ca.
etching, 160 x 335 mm. Lieure 667 . Very fine , fresh and well-inked impression with deep black [..]
52
Jacques Callot
(1592 - 1635)
View of Paris, with Seine and Louvre
1630 ca.
etching, 160 x 335 mm. Lieure 667 . Very fine , fresh and well-inked impression with deep black [..]
53
Jacques Callot
(1592 - 1635)
La foire de Gondreville
etching, 191 x 336 mm. Lieure 561. II state on IV, before Silvestre's address. Superb impression, sharp [..]
53
Jacques Callot
(1592 - 1635)
La foire de Gondreville
etching, 191 x 336 mm. Lieure 561. II state on IV, before Silvestre's address. Superb impression, sharp [..]
54
Jacques Callot
(1592 - 1635)
M. B. Philippi Appos. (Martyrdom of Saint Philip)
etching, 75 x 49 mm. Lieure 1394, state IV on 4. Late impression, on thin wove paper, glued along the upper margin [..]
54
Jacques Callot
(1592 - 1635)
M. B. Philippi Appos. (Martyrdom of Saint Philip)
etching, 75 x 49 mm. Lieure 1394, state IV on 4. Late impression, on thin wove paper, glued along the upper margin [..]
55
Jacques Callot
(1592 - 1635)
Based on
La Petite Passion
Copies of 12 plates by Callot, published by Jacques Jean Pasquier (1718-1785), with French titles and engraver's [..]
55
Jacques Callot
(1592 - 1635)
Based on
La Petite Passion
Copies of 12 plates by Callot, published by Jacques Jean Pasquier (1718-1785), with French titles and engraver's [..]
56
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum
etching, 134 x141 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
56
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum
etching, 134 x141 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
57
Stefano della Bella (Firenze, 1610 - 1664)
Baths of Diocletian
etching, 177 x170 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
57
Stefano della Bella (Firenze, 1610 - 1664)
Baths of Diocletian
etching, 177 x170 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
58
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum and Arch of Constantine
etching, 132 x138 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
58
Stefano della Bella (Firenze, 1610 - 1664)
Colosseum and Arch of Constantine
etching, 132 x138 mm (sheet). From the Roman Ruins series, first published by François Langlois, the Ciartres. [..]
59
Stefano della Bella
(Firenze, 1610 - 1664)
Francesco de' Medici
1634
AFTER Justus Sustermans, etching, 173 x 120 mm (platemark), 215 x 185 mm (sheet), printed on laid paper with watermark, [..]
59
Stefano della Bella
(Firenze, 1610 - 1664)
Francesco de' Medici
1634
AFTER Justus Sustermans, etching, 173 x 120 mm (platemark), 215 x 185 mm (sheet), printed on laid paper with watermark, [..]
60
Stefano della Bella
(Firenze, 1610 - 1664)
Two engravings from the series "Les aigles"
1651 ca.
etchings, a. 117 x 147 mm (platemark), 165 x 192 mm (sheet); b. 120 x 147 mm (platemark), 162 x 190 mm (sheet); [..]
60
Stefano della Bella
(Firenze, 1610 - 1664)
Two engravings from the series "Les aigles"
1651 ca.
etchings, a. 117 x 147 mm (platemark), 165 x 192 mm (sheet); b. 120 x 147 mm (platemark), 162 x 190 mm (sheet); [..]