61
Stefano della Bella
(Firenze, 1610 - 1664)
After
Nicolas Cochin
(1610 - 1686)
Ordre de la bataille de Nordlingen
1646
Lot of two (of 4) large sheets, unjoined and intact, depicting the battle of Nördlingen. Etching, approx. 492 [..]
61
Stefano della Bella
(Firenze, 1610 - 1664)
After
Nicolas Cochin
(1610 - 1686)
Ordre de la bataille de Nordlingen
1646
Lot of two (of 4) large sheets, unjoined and intact, depicting the battle of Nördlingen. Etching, approx. 492 [..]
62
Guido Reni
(Bologna , 1575 - 1642)
School of
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Attributed to
Judith with the head of Holofernes
etching, 250 x 177 mm (sheet), 265 x 185 mm (passe-partout). Bartsch XVIII.314.1 (school of Guido Reni), [..]
62
Guido Reni
(Bologna , 1575 - 1642)
School of
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Attributed to
Judith with the head of Holofernes
etching, 250 x 177 mm (sheet), 265 x 185 mm (passe-partout). Bartsch XVIII.314.1 (school of Guido Reni), [..]
63
Pietro Testa
(1612 - 1650)
The adoration of the Magi
etching, 427x350mm. Bartsch 3, Bellini 16, Copper 63. state II/III, before Rossi's address. Extremely fine impression [..]
63
Pietro Testa
(1612 - 1650)
The adoration of the Magi
etching, 427x350mm. Bartsch 3, Bellini 16, Copper 63. state II/III, before Rossi's address. Extremely fine impression [..]
64
Elisabetta Sirani
(Bologna, 1638 - 1665)
Our Lady of Sorrows
1657
etching, 285 x 206 mm (plate), 397 x 293 mm (sheet). Bartsch XIX.155.7. Very fine proof on laid paper. Complete [..]
64
Elisabetta Sirani
(Bologna, 1638 - 1665)
Our Lady of Sorrows
1657
etching, 285 x 206 mm (plate), 397 x 293 mm (sheet). Bartsch XIX.155.7. Very fine proof on laid paper. Complete [..]
65
Pietro Aquila
(1630 - 1692)
Adoration of the Magi
etching, 187 x 137 mm (plate), 260 x 201 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
65
Pietro Aquila
(1630 - 1692)
Adoration of the Magi
etching, 187 x 137 mm (plate), 260 x 201 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
66
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
After
Madonna col bambino, san Giuseppe e san Giovannino
XVII secolo
acquaforte, 177 x 132 mm. Altro esemplare al MET (1970.578.7). Bella impressione su carta vergata sottile. Esemplare [..]
66
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
After
Madonna col bambino, san Giuseppe e san Giovannino
XVII secolo
acquaforte, 177 x 132 mm. Altro esemplare al MET (1970.578.7). Bella impressione su carta vergata sottile. Esemplare [..]
67
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of St. Andrew
after Domenichino. Etching, cm 43.6x30. II state on V, printed in Rome in ca. 1650. Bartsch XXI.93.11, [..]
67
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of St. Andrew
after Domenichino. Etching, cm 43.6x30. II state on V, printed in Rome in ca. 1650. Bartsch XXI.93.11, [..]
68
Lorenzo Loli
(1612 - 1691)
The Flight into Egypt
after Guido Reni. Etching, 317 x 247 mm. Bartsch XIX.165.1. Very fine impressione on laid paper with watermark. [..]
68
Lorenzo Loli
(1612 - 1691)
The Flight into Egypt
after Guido Reni. Etching, 317 x 247 mm. Bartsch XIX.165.1. Very fine impressione on laid paper with watermark. [..]
69
Jan Miel
(Beveren, 1599 - Torino, 1663)
Farmer extracting foot thorn
etching, 145 x 217 mm (sheet). Bartsch 3, Hollstein XIV.35.13. Fine impression on laid paper. Sheet in very good [..]
69
Jan Miel
(Beveren, 1599 - Torino, 1663)
Farmer extracting foot thorn
etching, 145 x 217 mm (sheet). Bartsch 3, Hollstein XIV.35.13. Fine impression on laid paper. Sheet in very good [..]
70
Laurent de la Hyre
(1606 - 1656)
Three putti with a barrel of wine
etching, 79 x 103 mm (plate), 100 x 128 mm (sheet). Rosenberg & Thuillier 25. Fine impression on thin laid [..]
70
Laurent de la Hyre
(1606 - 1656)
Three putti with a barrel of wine
etching, 79 x 103 mm (plate), 100 x 128 mm (sheet). Rosenberg & Thuillier 25. Fine impression on thin laid [..]
71
Daniel van den Dyck
(Anversa, 1614 - Mantova, 1662)
Bacchanal
etching, 320 x 422 mm (sheet). Hollstein 11, Robert-Dumesnil III.18.5. Single state. Fine, well [..]
71
Daniel van den Dyck
(Anversa, 1614 - Mantova, 1662)
Bacchanal
etching, 320 x 422 mm (sheet). Hollstein 11, Robert-Dumesnil III.18.5. Single state. Fine, well [..]
72
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
Samuel Manasseh Ben Israel
etching, 149 x 107 mm. Printed on laid paper without watermark. 18th century edition. Exemplary trimmed without [..]
72
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
Samuel Manasseh Ben Israel
etching, 149 x 107 mm. Printed on laid paper without watermark. 18th century edition. Exemplary trimmed without [..]
73
Willem Panneels
(1600 - 1632)
Apollo and Daphne
1631
after Peter Paul Rubens. Etching, 164 x 95 mm (sheet). Hollstein 22, Schneevoogt 122.26. Fine, very fresh [..]
73
Willem Panneels
(1600 - 1632)
Apollo and Daphne
1631
after Peter Paul Rubens. Etching, 164 x 95 mm (sheet). Hollstein 22, Schneevoogt 122.26. Fine, very fresh [..]
74
Cornelis Bega
(1631 - 1664)
Dance
etching, 87 x 77 mm (plate), 106 x 95 mm (sheet). Bartsch V.235.26, Hollstein 26 state III/III. Former Felix Halm [..]
74
Cornelis Bega
(1631 - 1664)
Dance
etching, 87 x 77 mm (plate), 106 x 95 mm (sheet). Bartsch V.235.26, Hollstein 26 state III/III. Former Felix Halm [..]
75
Cornelis Bega
(1631 - 1664)
A man hugging a woman
etching, 87 x 77 mm (sheet). Bartsch V.235.25, Hollstein 25. Very fine, fresh impression on thin laid paper. [..]
75
Cornelis Bega
(1631 - 1664)
A man hugging a woman
etching, 87 x 77 mm (sheet). Bartsch V.235.25, Hollstein 25. Very fine, fresh impression on thin laid paper. [..]
76
ADRIEN VAN OSTADE (Haarlem, 1610 -1685), ATTRIBUITO
Adriaen van Ostade
(1610 - 1685)
A man smoking sitting at the table
Etching, 68 x 55 mm (plate); 75 x 61 mm (sheet). Hollstein 5, Bartsch 353. Fine, sharp impression. The sheet was [..]
76
ADRIEN VAN OSTADE (Haarlem, 1610 -1685), ATTRIBUITO
Adriaen van Ostade
(1610 - 1685)
A man smoking sitting at the table
Etching, 68 x 55 mm (plate); 75 x 61 mm (sheet). Hollstein 5, Bartsch 353. Fine, sharp impression. The sheet was [..]
77
Melchior Küsel
(1626 - 1683)
Vanitas. Two etchings
etching, 237 x 228 mm (platemark); 290 x 355 mm (sheet). From an unidentified series. Beautiful impressions on [..]
77
Melchior Küsel
(1626 - 1683)
Vanitas. Two etchings
etching, 237 x 228 mm (platemark); 290 x 355 mm (sheet). From an unidentified series. Beautiful impressions on [..]
78
Matthäus Merian I
(1593 - 1650)
Tivoli
1688
engraving, 28.7 x 35.6 (plate). Taken from "Topographiae Italiae..." by Martin Zeiller. Fineimpression [..]
78
Matthäus Merian I
(1593 - 1650)
Tivoli
1688
engraving, 28.7 x 35.6 (plate). Taken from "Topographiae Italiae..." by Martin Zeiller. Fineimpression [..]
79
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
Landscape with woods and horsemen
etching, 32 x 46 cm (plate). Impression with nice coeval coloring. With passepartout, glass and frame (50 x 67 [..]
79
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
Landscape with woods and horsemen
etching, 32 x 46 cm (plate). Impression with nice coeval coloring. With passepartout, glass and frame (50 x 67 [..]
80
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
La Reine allant à Fontainebleau accompagnée de ses gardes
grande stampa raffigurante la cavalcade con Regina Maria Teresa che entra Fontainebleau. Acquaforte, 512 x 770 [..]
80
Adriaen Fransz Boudewijns
(1644 - 1719)
Adam François van der Meulen
After
La Reine allant à Fontainebleau accompagnée de ses gardes
grande stampa raffigurante la cavalcade con Regina Maria Teresa che entra Fontainebleau. Acquaforte, 512 x 770 [..]
81
Herman van Swanevelt
(Woerden, 1603 - Parigi, 1655)
Landscape with cows
etching, 182 x 280 mm (sheet), fine impression on laid paper, with small margins outside the platemark and without [..]
81
Herman van Swanevelt
(Woerden, 1603 - Parigi, 1655)
Landscape with cows
etching, 182 x 280 mm (sheet), fine impression on laid paper, with small margins outside the platemark and without [..]
82
Valentin Lefebre
(1637 - 1677)
Landscape with sheep
after Titian's painting. Etching, 25.2 x 39.7 cm (plate); 31 x 42 cm (sheet). Published by Jacobus van Campen. [..]
82
Valentin Lefebre
(1637 - 1677)
Landscape with sheep
after Titian's painting. Etching, 25.2 x 39.7 cm (plate); 31 x 42 cm (sheet). Published by Jacobus van Campen. [..]
83
Anthonie Waterloo
(1640 - 1690)
Lot of three landscapes
Etching, 9.5 x 14.2 cm (plate); 13.5 x 21.5 cm c. each sheet. From the series of 11 landscapes. Hollstein 7, [..]
83
Anthonie Waterloo
(1640 - 1690)
Lot of three landscapes
Etching, 9.5 x 14.2 cm (plate); 13.5 x 21.5 cm c. each sheet. From the series of 11 landscapes. Hollstein 7, [..]
84
Anthonie Waterloo
(1640 - 1690)
Lot of two landscapes with trees
Etching, 12.2 x 13.8 cm (plate); 19 x 29 cm c. (each sheet). From the series of 6 landscapes. Hollstein 58 and [..]
84
Anthonie Waterloo
(1640 - 1690)
Lot of two landscapes with trees
Etching, 12.2 x 13.8 cm (plate); 19 x 29 cm c. (each sheet). From the series of 6 landscapes. Hollstein 58 and [..]
85
Anthonie Waterloo
(1640 - 1690)
Landscape
etching, 190 x 28.7 mm (sheet), lettered on the plate "AW. F", fine, sharp impression on thick laid paper, sheet [..]
85
Anthonie Waterloo
(1640 - 1690)
Landscape
etching, 190 x 28.7 mm (sheet), lettered on the plate "AW. F", fine, sharp impression on thick laid paper, sheet [..]
86
Anthonie Waterloo
(1640 - 1690)
Landscape with houses on the hill
etching, 217 x 287 mm (sheet), inscribed in the upper part of the plate "Anton. Waterlo. f.", sharp and well inked [..]
86
Anthonie Waterloo
(1640 - 1690)
Landscape with houses on the hill
etching, 217 x 287 mm (sheet), inscribed in the upper part of the plate "Anton. Waterlo. f.", sharp and well inked [..]
87
Bernard Picart
(1673 - 1733)
Charles Le Brun
(1619 - 1690)
After
Alexander the Great's triumphs: the battle of Arbella
engraving and etching, approx. 66.5 x 118.5 cm. (total). Printed from 5 plates (the central part and 4 parts of [..]
87
Bernard Picart
(1673 - 1733)
Charles Le Brun
(1619 - 1690)
After
Alexander the Great's triumphs: the battle of Arbella
engraving and etching, approx. 66.5 x 118.5 cm. (total). Printed from 5 plates (the central part and 4 parts of [..]
88
Wenceslaus Hollar
(1607 - 1677)
Based on
Johann Christian Vollerdt
(1708 - 1769)
After
Anthropomorphic landscape
17th century
copy of an anonymous Italian engraver after Hollar's etching. Etching and engraving, 184 x 210 mm. Inscribed: [..]
88
Wenceslaus Hollar
(1607 - 1677)
Based on
Johann Christian Vollerdt
(1708 - 1769)
After
Anthropomorphic landscape
17th century
copy of an anonymous Italian engraver after Hollar's etching. Etching and engraving, 184 x 210 mm. Inscribed: [..]
89
Nicolas de Larmessin II
(1725)
Based on
Habitat de Serrurier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
89
Nicolas de Larmessin II
(1725)
Based on
Habitat de Serrurier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
90
Nicolas de Larmessin II
(1725)
Based on
Habitat de Plombier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
90
Nicolas de Larmessin II
(1725)
Based on
Habitat de Plombier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]