91
Nicolas de Larmessin II
(1725)
Based on
Habitat de Meusnier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
91
Nicolas de Larmessin II
(1725)
Based on
Habitat de Meusnier
engraving and etching, 267 x 190 mm (platemark); 440 x 315 mm (sheet). Copy after Larmassin, depicting an imaginary [..]
92
View of the eastern facade of the Basilica of Santa Maria Maggiore
1621
etching, 51.5x39.7 cm. T ake from "Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V pont. [..]
92
View of the eastern facade of the Basilica of Santa Maria Maggiore
1621
etching, 51.5x39.7 cm. T ake from "Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V pont. [..]
93
Giovanni Battista Falda
(1643 - 1678)
Veduta del Castello, e Ponte Sant'Angelo, abbellito, et adornato con le statue degli angeli da Papa Clemente IX
etching and engraving, 45 x 68 cm. Trimmed copy, without lower margin. A few small creases and short tears but [..]
93
Giovanni Battista Falda
(1643 - 1678)
Veduta del Castello, e Ponte Sant'Angelo, abbellito, et adornato con le statue degli angeli da Papa [..]
etching and engraving, 45 x 68 cm. Trimmed copy, without lower margin. A few small creases and short tears but [..]
94
Gomar Wouters
(1649)
La Piazza del Popolo abbellita con li nuovi Edifici et Veduta della Citta di Roma come sie trova al presente
etching, approx. 45 x 70 cm Published by Domenico de Rossi. Beautiful, clear impression on laid paper. Trace of [..]
94
Gomar Wouters
(1649)
La Piazza del Popolo abbellita con li nuovi Edifici et Veduta della Citta di Roma come sie trova al [..]
etching, approx. 45 x 70 cm Published by Domenico de Rossi. Beautiful, clear impression on laid paper. Trace of [..]
95
Gomar Wouters
(1649)
Piazza Navona
etching, 45 x 66 cm (sheet). Published by Domenico Rossi. Example with missing parts at the top, left and bottom. [..]
95
Gomar Wouters
(1649)
Piazza Navona
etching, 45 x 66 cm (sheet). Published by Domenico Rossi. Example with missing parts at the top, left and bottom. [..]
96
Alessandro Specchi
(1668 - 1729)
Veduta interiore della Gran Basilica di S.Pietro in Vaticano
engraving and etching 68.5 x 53 cm. Fine, crisp impression on thin laid paper. One vertical fold and traces of [..]
96
Alessandro Specchi
(1668 - 1729)
Veduta interiore della Gran Basilica di S.Pietro in Vaticano
engraving and etching 68.5 x 53 cm. Fine, crisp impression on thin laid paper. One vertical fold and traces of [..]
97
Carlo Antonio Buffagnotti
(1660)
Architectural studies
lot of two etchings after Ferdinando Bibiena, approx. 265 x 270 mm each. Fine impressions on laid paper. Specimens [..]
97
Carlo Antonio Buffagnotti
(1660)
Architectural studies
lot of two etchings after Ferdinando Bibiena, approx. 265 x 270 mm each. Fine impressions on laid paper. Specimens [..]
98
Francesco Vaccaro
(1687)
Architectural capriccio with fountain
etching, 129 × 174 mm (plate), 156 x 200 mm (sheet). Fine, crisp and fresh impression on laid paper with [..]
98
Francesco Vaccaro
(1687)
Architectural capriccio with fountain
etching, 129 × 174 mm (plate), 156 x 200 mm (sheet). Fine, crisp and fresh impression on laid paper with [..]
99
Giovan Battista Marinetti
(fl. prima metà del XVIII sec.)
Grandi Vasi
Lotto di 2 incisioni. Acquaforte, A) 141 x 109 mm (lastra), 275 x 203 mm (foglio) B) 141 x 109 mm (lastra), [..]
99
Giovan Battista Marinetti
(fl. prima metà del XVIII sec.)
Grandi Vasi
Lotto di 2 incisioni. Acquaforte, A) 141 x 109 mm (lastra), 275 x 203 mm (foglio) B) 141 x 109 mm (lastra), [..]
100
Paolo Anesi
(1697 - 1773)
View of the Madonna del Rosario in Monte Mario
etching, 135 x 193 mm (plate), 194 x 274 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
100
Paolo Anesi
(1697 - 1773)
View of the Madonna del Rosario in Monte Mario
etching, 135 x 193 mm (plate), 194 x 274 mm (sheet). Fine, clear and fresh impression on laid paper with a fragment [..]
101
Paolo Anesi
(1697 - 1773)
View of Rome
etching, 181 x 135 mm (platemark); 265 x 202 mm (sheet), printed on laid paper, sheet in excellent condition
101
Paolo Anesi
(1697 - 1773)
View of Rome
etching, 181 x 135 mm (platemark); 265 x 202 mm (sheet), printed on laid paper, sheet in excellent condition
102
Giuseppe Maria Mitelli
(1634 - 1718)
Chair salesman
1660
from the series Le Arti di Bologna, by Annibale Carracci, etching, 278 x 195 mm (plate), 300 x 218 mm (sheet). [..]
102
Giuseppe Maria Mitelli
(1634 - 1718)
Chair salesman
1660
from the series Le Arti di Bologna, by Annibale Carracci, etching, 278 x 195 mm (plate), 300 x 218 mm (sheet). [..]
103
S. Vincentius Ferrerius Ord. Pred.
etching, 387 x 260 mm, inscribed: P. A. Stagnone fecit in Milano, printed on laid paper, sheet in good condition, [..]
103
S. Vincentius Ferrerius Ord. Pred.
etching, 387 x 260 mm, inscribed: P. A. Stagnone fecit in Milano, printed on laid paper, sheet in good condition, [..]
104
Ritratto del corpo di S. Filomena vergine e martire
1831
rare devotional print, signed on the plate: "L. del Monaco in. e scl.". Etching, 139 x 193 mm (plate), 190 x 245 [..]
104
Ritratto del corpo di S. Filomena vergine e martire
1831
rare devotional print, signed on the plate: "L. del Monaco in. e scl.". Etching, 139 x 193 mm (plate), 190 x 245 [..]
105
Vera Efigie della Miracolosa Immagine di MA.RIA VERGINE SS. posta nella CATREDA.LE di San Cyriaco di Ancona
17th century
Very rare devotional print signed in plate "Stefano Russolo sculp. An[cona]". Etching, 250 x 191 mm (plate), [..]
105
Vera Efigie della Miracolosa Immagine di MA.RIA VERGINE SS. posta nella CATREDA.LE di San Cyriaco di [..]
17th century
Very rare devotional print signed in plate "Stefano Russolo sculp. An[cona]". Etching, 250 x 191 mm (plate), [..]
106
Miguel de Sorello
Jesus hands the keys to St. Peter on Lake Tiberias (Pasce oves meas)
after Corvi's drawing for one of the ten tapestries made for the Sistine Chapel based on designs by Raphael. [..]
106
Miguel de Sorello
Jesus hands the keys to St. Peter on Lake Tiberias (Pasce oves meas)
after Corvi's drawing for one of the ten tapestries made for the Sistine Chapel based on designs by Raphael. [..]
107
Giovanni Girolamo Frezza
(1659 - 1748)
The Judgment of Paris
1704
after Sisto Badalocchi's painting. Etching and engraving, 45 x 49 cm. T aken from "PICTVRAE FRANCISCI ALBANI IN [..]
107
Giovanni Girolamo Frezza
(1659 - 1748)
The Judgment of Paris
1704
after Sisto Badalocchi's painting. Etching and engraving, 45 x 49 cm. T aken from "PICTVRAE FRANCISCI ALBANI IN [..]
108
Georg Leopold Hertel
Diogenes
after Giovanni Benedetto Castiglione. Etching, 197 x 293 mm. Fine impression on laid paper with watermark. Trimmed [..]
108
Georg Leopold Hertel
Diogenes
after Giovanni Benedetto Castiglione. Etching, 197 x 293 mm. Fine impression on laid paper with watermark. Trimmed [..]
109
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
etching, 93 x 226 mm (plate), 216 x 300 mm (sheet). TIB 33. Splendid proof on laid paper with a fragment of watermark. [..]
109
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
etching, 93 x 226 mm (plate), 216 x 300 mm (sheet). TIB 33. Splendid proof on laid paper with a fragment of watermark. [..]
110
Francesco Polanzani
(1700 - 1783)
Panini Francesco
(1738 - 1800)
After
VEDUTA INTIERA DELLA GRAN PIAZZA E CHIESA DI S. PIETRO IN VATICANO...
1790
etching, 59 x 80 cm (sheet). Fine, sharp impression. Oxidized sheet, with foxing, some stains and a long, barely [..]
110
Francesco Polanzani
(1700 - 1783)
Panini Francesco
(1738 - 1800)
After
VEDUTA INTIERA DELLA GRAN PIAZZA E CHIESA DI S. PIETRO IN VATICANO...
1790
etching, 59 x 80 cm (sheet). Fine, sharp impression. Oxidized sheet, with foxing, some stains and a long, barely [..]
111
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Veduta in prospettiva della Gran Fontana dell'Acqua Vergine detta di Trevi
1746
etching, 468 x 720 mm. Example backed on another sheet, with some defects (on the upper margin, lower left and [..]
111
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Veduta in prospettiva della Gran Fontana dell'Acqua Vergine detta di Trevi
1746
etching, 468 x 720 mm. Example backed on another sheet, with some defects (on the upper margin, lower left and [..]
112
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Church of S. Giacomo in Scoscacavalli
etching, 210 x 323 mm (plate), 280 x 392 mm (sheet). Fine, clear impression on thin laid paper with coeval coloring. [..]
112
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Church of S. Giacomo in Scoscacavalli
etching, 210 x 323 mm (plate), 280 x 392 mm (sheet). Fine, clear impression on thin laid paper with coeval coloring. [..]
113
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Church of SS. Venanzio and Ansovino
etching, 210 x 323 mm (plate), 280 x 392 mm (sheet). Fine, clear impression on thin laid paper with coeval coloring. [..]
113
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Church of SS. Venanzio and Ansovino
etching, 210 x 323 mm (plate), 280 x 392 mm (sheet). Fine, clear impression on thin laid paper with coeval coloring. [..]
114
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Macel de Corvi square
etching, 148 x 215 mm (plate), 280 x 392 mm (sheet). Fine, crisp impression on thin laid paper. In very good co [..]
114
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Macel de Corvi square
etching, 148 x 215 mm (plate), 280 x 392 mm (sheet). Fine, crisp impression on thin laid paper. In very good co [..]
115
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Church of S. Pietro in Vinculis
etching, 213 x 323 mm (plate), 280 x 392 mm (sheet). Fine, crisp impression on thin laid paper. In very good co [..]
115
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Church of S. Pietro in Vinculis
etching, 213 x 323 mm (plate), 280 x 392 mm (sheet). Fine, crisp impression on thin laid paper. In very good co [..]
116
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta delle antiche sostruzioni fatte da Tarquinio Superbo dette il Bel Lido...
etching, 447 x 672 mm (plate), 530 x 755 mm (sheet). Very fine, fresh and clear impression in the I state, before [..]
116
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta delle antiche sostruzioni fatte da Tarquinio Superbo dette il Bel Lido...
etching, 447 x 672 mm (plate), 530 x 755 mm (sheet). Very fine, fresh and clear impression in the I state, before [..]
117
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta
etching, 403 x 617 mm (plate), 490 x 705 mm (sheet). Fine, clear impression in the second state of 6. Hind 22. [..]
117
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta
etching, 403 x 617 mm (plate), 490 x 705 mm (sheet). Fine, clear impression in the second state of 6. Hind 22. [..]
118
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
View of the Sepulcher of the Plauzia Family from the road that leads from Rome to Ponte Luciano
etching 44.7 x 65.2 cm, from 'Antichità Romane', 1st Paris edition 1800, Focillon 297. Impression with large [..]
118
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
View of the Sepulcher of the Plauzia Family from the road that leads from Rome to Ponte Luciano
etching 44.7 x 65.2 cm, from 'Antichità Romane', 1st Paris edition 1800, Focillon 297. Impression with large [..]
119
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Posticum earundem reliquiarum templi pseudodipteri Antonini Pii, quae in praecedente Tabula sunt expositae...
etching, 383 x 531 mm (sheet), fine impression on laid paper with double watermark (lily in double circle and [..]
119
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Posticum earundem reliquiarum templi pseudodipteri Antonini Pii, quae in praecedente Tabula sunt expo [..]
etching, 383 x 531 mm (sheet), fine impression on laid paper with double watermark (lily in double circle and [..]
120
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Porticus M. Philippi
Etching, 41 x 54.5 cm. Plate XXIX from "The Campus Martius of Ancient Rome". Focillon 460. Sharp, well-executed [..]
120
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Porticus M. Philippi
Etching, 41 x 54.5 cm. Plate XXIX from "The Campus Martius of Ancient Rome". Focillon 460. Sharp, well-executed [..]