161
Girard Audran
(1640 - 1703)
The Navicella, St. Peter saved from the waters
after Giovanni Lanfranco's fresco in St. Peter's Basilica. Etching, 490 x 313 mm. Trimmed sheet, with defects [..]
161
Girard Audran
(1640 - 1703)
The Navicella, St. Peter saved from the waters
after Giovanni Lanfranco's fresco in St. Peter's Basilica. Etching, 490 x 313 mm. Trimmed sheet, with defects [..]
162
Jan Frans van Bloemen l'Orizzonte
(Anversa, 1662 - Roma, 1749)
Views of Rome
Lot of three engravings. Etching, approx. 245 x 180 mm (each). Fine impression on thin wove paper. In very good [..]
162
Jan Frans van Bloemen l'Orizzonte
(Anversa, 1662 - Roma, 1749)
Views of Rome
Lot of three engravings. Etching, approx. 245 x 180 mm (each). Fine impression on thin wove paper. In very good [..]
163
Giovanni Antonio Lorenzini
(1665 - 1740)
David and Saul with Goliath's head
after Guercino. From the "Palazzo Granducale in Florence" series. Engraving and etching, 258 x 422 mm (plate), [..]
163
Giovanni Antonio Lorenzini
(1665 - 1740)
David and Saul with Goliath's head
after Guercino. From the "Palazzo Granducale in Florence" series. Engraving and etching, 258 x 422 mm (plate), [..]
164
Girolamo Scarsello
Allegory of Fortune
by Guido Reni. Etching, 235 x 188 mm (plate), 352 x 264 mm (sheet). Bartsch XIX.6. Beautiful, fresh impression [..]
164
Girolamo Scarsello
Allegory of Fortune
by Guido Reni. Etching, 235 x 188 mm (plate), 352 x 264 mm (sheet). Bartsch XIX.6. Beautiful, fresh impression [..]
165
Girolamo Scarsello
Saturn
after Giovanni Andrea Sirani. Etching, 187 x 138 mm (plate), 202 x 151 mm (sheet). Printed on laid paper. [..]
165
Girolamo Scarsello
Saturn
after Giovanni Andrea Sirani. Etching, 187 x 138 mm (plate), 202 x 151 mm (sheet). Printed on laid paper. [..]
166
Girolamo Scarsello
Bacchanal with three putti
after Giovanni Andrea Sirani. Etching, 200 x 147 mm. Bartsch XIX.3. Fine impression on laid paper. Proof with [..]
166
Girolamo Scarsello
Bacchanal with three putti
after Giovanni Andrea Sirani. Etching, 200 x 147 mm. Bartsch XIX.3. Fine impression on laid paper. Proof with [..]
167
Girolamo Scarsello
Cupid standing on dolphin's back
after Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Printed on [..]
167
Girolamo Scarsello
Cupid standing on dolphin's back
after Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Printed on [..]
168
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and a goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very fine, well inked and sharp impression on laid [..]
168
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and a goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very fine, well inked and sharp impression on laid [..]
169
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Fine, crisp impression on laid paper. Sheet in very good [..]
169
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Fine, crisp impression on laid paper. Sheet in very good [..]
170
Putti
17th century
4 etchings printed on a single sheet, 61 x 27; 59 x 31; 51 x 31; 61 x 26 mm (plates), 160 x 107 mm (sheet). Interesting [..]
170
Putti
17th century
4 etchings printed on a single sheet, 61 x 27; 59 x 31; 51 x 31; 61 x 26 mm (plates), 160 x 107 mm (sheet). Interesting [..]
171
Marcantonio Bellavia
Holy Family with Saint Anne
Etching, 140 x 105 mm (plate), 160 x 115 mm. Bartsch XX.11 Fine, fresh and well-inked impression on thick laid [..]
171
Marcantonio Bellavia
Holy Family with Saint Anne
Etching, 140 x 105 mm (plate), 160 x 115 mm. Bartsch XX.11 Fine, fresh and well-inked impression on thick laid [..]
172
Giovanni Battista Catenaro
Apollo surrounded by putti
Etching, 227 x 171 mm. De Vesme 2. Splendid impression on laid paper. Trimmed and glued along the edges [..]
172
Giovanni Battista Catenaro
Apollo surrounded by putti
Etching, 227 x 171 mm. De Vesme 2. Splendid impression on laid paper. Trimmed and glued along the edges [..]
173
Grue Francesco Antonio Saverio
(1686 - 1746)
Attributed to
View of a noble palace
Etching, 80 x 123 mm (plate), 88 x 136 mm (sheet). Rare impression. Inscription: D.r Franc.s ant.s Grue del. [..]
173
Grue Francesco Antonio Saverio
(1686 - 1746)
Attributed to
View of a noble palace
Etching, 80 x 123 mm (plate), 88 x 136 mm (sheet). Rare impression. Inscription: D.r Franc.s ant.s Grue del. [..]
174
Johann Georg Bergmüller
(1688 - 1762)
Allegory of Summer
Etching, 108 x 155 mm (plate), 163 x 208 mm (sheet). Very fine, fresh and sharp impression on laid paper. [..]
174
Johann Georg Bergmüller
(1688 - 1762)
Allegory of Summer
Etching, 108 x 155 mm (plate), 163 x 208 mm (sheet). Very fine, fresh and sharp impression on laid paper. [..]
175
John Faber the Younger
(1684 - 1756)
Mary, Countess of Dorset
Mezzotint, 470 x 315 mm. C. Smith, British Mezzotinto portraits from the introduction of the art to the [..]
175
John Faber the Younger
(1684 - 1756)
Mary, Countess of Dorset
Mezzotint, 470 x 315 mm. C. Smith, British Mezzotinto portraits from the introduction of the art to the [..]
176
Miguel de Sorello
Prospettiva della prima macchina, rappresentante un Porto Franco...
after Pierre Parrocel's drawing. Etching, 440 x 375 mm. Printed on thick paper, with sheet trimmed at the [..]
176
Miguel de Sorello
Prospettiva della prima macchina, rappresentante un Porto Franco...
after Pierre Parrocel's drawing. Etching, 440 x 375 mm. Printed on thick paper, with sheet trimmed at the [..]
177
John Baptist Jackson
The Holy Family with four Saints
1739
after Paolo Veronese. Multi-color woodcut, 565 x 350 mm. Kainen, John Baptist Jackson, 18thc. master of the color [..]
177
John Baptist Jackson
The Holy Family with four Saints
1739
after Paolo Veronese. Multi-color woodcut, 565 x 350 mm. Kainen, John Baptist Jackson, 18thc. master of the color [..]
178
Francesco Fontebasso
(1707 - 1769)
Sacrifice of Iphigenia
Etching, 286 x 391 mm (plate), 298 x 402 mm (sheet). De Vesme 9 Very fine, fresh and sharp impression on [..]
178
Francesco Fontebasso
(1707 - 1769)
Sacrifice of Iphigenia
Etching, 286 x 391 mm (plate), 298 x 402 mm (sheet). De Vesme 9 Very fine, fresh and sharp impression on [..]
179
Francesco Fontebasso
(1707 - 1769)
Sofonisba
Etching, 267 x 380 mm. De Vesme 10. Very fine, fresh impression on laid paper. Trimmed. In very good condition [..]
179
Francesco Fontebasso
(1707 - 1769)
Sofonisba
Etching, 267 x 380 mm. De Vesme 10. Very fine, fresh impression on laid paper. Trimmed. In very good condition [..]
180
Philothée François Duflos
(1748)
Tempio della Concordia in Campo vaccino
Etching, 141 x 191 mm. Fine impression on thick laid paper. In very good condition except for a thinning of the [..]
180
Philothée François Duflos
(1748)
Tempio della Concordia in Campo vaccino
Etching, 141 x 191 mm. Fine impression on thick laid paper. In very good condition except for a thinning of the [..]
181
Philothée François Duflos
(1748)
Attributed to
Tempio di Casstore, e Polucce in Campo Vaccino
Etching, 169 x 185 mm. Fine impression on laid paper, backed on a support.
181
Philothée François Duflos
(1748)
Attributed to
Tempio di Casstore, e Polucce in Campo Vaccino
Etching, 169 x 185 mm. Fine impression on laid paper, backed on a support.
182
Johann Georg Hertel
(1719 - 1768)
Landscape with cottage along the river | Landscape with cottage and figures
Lot of two prints. Engraving and etching, approx. 190 x 255 mm. (each) Fine, very fresh impressions, trimmed [..]
182
Johann Georg Hertel
(1719 - 1768)
Landscape with cottage along the river | Landscape with cottage and figures
Lot of two prints. Engraving and etching, approx. 190 x 255 mm. (each) Fine, very fresh impressions, trimmed [..]
183
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Camera sepolcrale dirimpetto alla Chiesa di S. Sebastiano fuori delle mura
Etching, 370 x 510 mm (plate), 520 x 620 mm (sheet). Focillon 266. Fine, well inked, fresh impression on [..]
183
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Camera sepolcrale dirimpetto alla Chiesa di S. Sebastiano fuori delle mura
Etching, 370 x 510 mm (plate), 520 x 620 mm (sheet). Focillon 266. Fine, well inked, fresh impression on [..]
184
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta esterna delle Tre Sale sepolcrali, credute della Famiglia di Aug.to
Etching, 375 x 505 mm (plate), 520 x 620 mm (sheet). Focillon 2663 Fine, well inked, fresh impression on [..]
184
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta esterna delle Tre Sale sepolcrali, credute della Famiglia di Aug.to
Etching, 375 x 505 mm (plate), 520 x 620 mm (sheet). Focillon 2663 Fine, well inked, fresh impression on [..]
185
Pietro Gaspari
(1785)
Multiplex Portus varas Navigiis aptus
Etching, 300 x 408 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
185
Pietro Gaspari
(1785)
Multiplex Portus varas Navigiis aptus
Etching, 300 x 408 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
186
Pietro Gaspari
(1785)
Multiplices adscensus usque ad editores Plateam
Etching, 311 x 418 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
186
Pietro Gaspari
(1785)
Multiplices adscensus usque ad editores Plateam
Etching, 311 x 418 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
187
Pietro Gaspari
(1785)
Urbis Pomaerium, et Porta
Etching, 301 x 410 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
187
Pietro Gaspari
(1785)
Urbis Pomaerium, et Porta
Etching, 301 x 410 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
188
Pietro Gaspari
(1785)
Moles sepulcralis semiruta, alias Sarcophagis et Aedificiis instructa
Etching, 310 x 422 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
188
Pietro Gaspari
(1785)
Moles sepulcralis semiruta, alias Sarcophagis et Aedificiis instructa
Etching, 310 x 422 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
189
Christian Bernhard Rode
(1725 - 1797)
The wounded Dario receives water
1774
Etching, 130 x 212 mm (plate), 253 x 330 mm (sheet). Le Blanc 125. Very fine, fresh and clear impression [..]
189
Christian Bernhard Rode
(1725 - 1797)
The wounded Dario receives water
1774
Etching, 130 x 212 mm (plate), 253 x 330 mm (sheet). Le Blanc 125. Very fine, fresh and clear impression [..]
190
Daniel Chodowiecki
(1726 - 1801)
12 scenes from Lessing's "Minna von Barnhelm".
1769
Published in "Genealogischer CALENDER auf das Jahr 1770; mit Kupfern gezieret und mit Genehmhaltung der Königl. [..]
190
Daniel Chodowiecki
(1726 - 1801)
12 scenes from Lessing's "Minna von Barnhelm".
1769
Published in "Genealogischer CALENDER auf das Jahr 1770; mit Kupfern gezieret und mit Genehmhaltung der Königl. [..]
191
Giandomenico Tiepolo
(1727 - 1804)
Man with high collar looking up to the right
after Giovanni Battista Tiepolo. Etching, 157 x 116 mm (plate), 310 x 228 mm (sheet). I state of 2, before [..]
191
Giandomenico Tiepolo
(1727 - 1804)
Man with high collar looking up to the right
after Giovanni Battista Tiepolo. Etching, 157 x 116 mm (plate), 310 x 228 mm (sheet). I state of 2, before [..]
192
Giandomenico Tiepolo
(1727 - 1804)
Head and shoulders of a man facing right, his eyes are covered by a hat
after Giovanni Battista Tiepolo. Etching, 151 x 115 mm (plate), 310 x 225 mm (sheet). I state of 2, before plate's [..]
192
Giandomenico Tiepolo
(1727 - 1804)
Head and shoulders of a man facing right, his eyes are covered by a hat
after Giovanni Battista Tiepolo. Etching, 151 x 115 mm (plate), 310 x 225 mm (sheet). I state of 2, before plate's [..]
193
Mauro Tesi
(1730 - 1766)
Head of a Roman emperor in cartouche
Etching, 71 x 71 mm. Fine impression on laid paper. Trimmed.
193
Mauro Tesi
(1730 - 1766)
Head of a Roman emperor in cartouche
Etching, 71 x 71 mm. Fine impression on laid paper. Trimmed.
194
Jean Jacques de Boissieu
(1736 - 1810)
Children with dog on a leash
Etching, finished with drypoint and roulette, 140 x 178 mm Fine impression and beautiful inking. Intact and complete [..]
194
Jean Jacques de Boissieu
(1736 - 1810)
Children with dog on a leash
Etching, finished with drypoint and roulette, 140 x 178 mm Fine impression and beautiful inking. Intact and complete [..]
195
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a cottage and stream
after Jacob van Ruisdael'ìs painting. Etching and drypoint, 273 x 395 mm. Fine impression. Trimmed sheet, backed [..]
195
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a cottage and stream
after Jacob van Ruisdael'ìs painting. Etching and drypoint, 273 x 395 mm. Fine impression. Trimmed sheet, backed [..]
196
Jean Jacques de Boissieu
(1736 - 1810)
The elderly beggar
Etching, finished with drypoint and roulette, 355 x 256 mm. Fine impression and beautiful inking. Intact and [..]
196
Jean Jacques de Boissieu
(1736 - 1810)
The elderly beggar
Etching, finished with drypoint and roulette, 355 x 256 mm. Fine impression and beautiful inking. Intact and [..]
197
A choeur d'épouses t'environne...
Etching, 201 x 300 mm. Published by Daumont in Paris (Jean François Daumont 1740-1775 (fl.) in Rue St Martin [..]
197
A choeur d'épouses t'environne...
Etching, 201 x 300 mm. Published by Daumont in Paris (Jean François Daumont 1740-1775 (fl.) in Rue St Martin [..]
198
David Deuchar
(1743 - 1808)
A woman with child in the landscape
Etching, 80 x 85 mm (plate), 330 x 222 mm (sheet). Fine, fresh impression on wove paper. Sheet in very [..]
198
David Deuchar
(1743 - 1808)
A woman with child in the landscape
Etching, 80 x 85 mm (plate), 330 x 222 mm (sheet). Fine, fresh impression on wove paper. Sheet in very [..]
199
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
Etching, 93 x 222 mm (plate), 391 x 295 mm (sheet). IFF 96. Sharp impression on wove paper. Sheet in very good [..]
199
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
Etching, 93 x 222 mm (plate), 391 x 295 mm (sheet). IFF 96. Sharp impression on wove paper. Sheet in very good [..]
200
James Gillray
(1756 - 1815)
To Phantasmagoria; -scene- Conjuring-up an Armed Skeleton
Etching, 260 x 215 mm. Example with nice period colouring, missing parts on the left side and traces of editorial [..]
200
James Gillray
(1756 - 1815)
To Phantasmagoria; -scene- Conjuring-up an Armed Skeleton
Etching, 260 x 215 mm. Example with nice period colouring, missing parts on the left side and traces of editorial [..]