41
Giuseppe Moricci
(Firenze, 1806 - Firenze, 1879)
Female portrait with an infant
Pencil on thin unlaid paper, with watermark (J WHATMAN TURKEY MILL 1827), 264 x 210 mm. Embossed stamp [..]
41
Giuseppe Moricci
(Firenze, 1806 - Firenze, 1879)
Female portrait with an infant
Pencil on thin unlaid paper, with watermark (J WHATMAN TURKEY MILL 1827), 264 x 210 mm. Embossed stamp [..]
42
Study for a kneeling figure (Santo Stefano?)
Neapolitan artist of the 18th century
Black and white pencil on laid paper with watermark (initials P M within a circle). 316 x 244 mm.
42
Study for a kneeling figure (Santo Stefano?)
Neapolitan artist of the 18th century
Black and white pencil on laid paper with watermark (initials P M within a circle). 316 x 244 mm.
43
Giuseppe Piattoli
(Firenze, 1743 - Firenze, 1823)
Chi tardi arriva male alloggia
Brown ink on thin laid paper with watermark, 200 x 281 mm. On the lower margin, hand inscription in italian: [..]
43
Giuseppe Piattoli
(Firenze, 1743 - Firenze, 1823)
Chi tardi arriva male alloggia
Brown ink on thin laid paper with watermark, 200 x 281 mm. On the lower margin, hand inscription in italian: [..]
44
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
"Brigands warned of coming force"
Pencil on laid paper, 198 x 270 mm. The work could be a preparatory drawing for the series of etchings by Bartolomeo [..]
44
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
"Brigands warned of coming force"
Pencil on laid paper, 198 x 270 mm. The work could be a preparatory drawing for the series of etchings by Bartolomeo [..]
45
Tommaso Maria Conca
(Gaeta, 1734 - Roma, 1822)
Attributed to
Dancing female figure
Black pencil with white highlights on blue laid paper, with a fragment of watermark. 294 x 224 mm.
45
Tommaso Maria Conca
(Gaeta, 1734 - Roma, 1822)
Attributed to
Dancing female figure
Black pencil with white highlights on blue laid paper, with a fragment of watermark. 294 x 224 mm.
46
John Flaxman
(York, 1755 - Londra, 1826)
Pair of studies by Coefore
Ink on thick laid paper (one sheet with a fragment of watermark). 255 x 110 mm and 253 x 85 mm. The two drawings [..]
46
John Flaxman
(York, 1755 - Londra, 1826)
Pair of studies by Coefore
Ink on thick laid paper (one sheet with a fragment of watermark). 255 x 110 mm and 253 x 85 mm. The two drawings [..]
47
Vincenzo Brioschi
(1786 - 1843)
Battle scene
Brown ink on laid paper with watermark, 154 x 256 mm. On the reverse, fragment of a long autograph note, signed [..]
47
Vincenzo Brioschi
(1786 - 1843)
Battle scene
Brown ink on laid paper with watermark, 154 x 256 mm. On the reverse, fragment of a long autograph note, signed [..]
48
Pietro Benvenuti
(Arezzo, 1769 - Firenze, 1844)
Study of a male nude
Black and white chalk over pencil on brown laid paper. 607 x 418 mm
48
Pietro Benvenuti
(Arezzo, 1769 - Firenze, 1844)
Study of a male nude
Black and white chalk over pencil on brown laid paper. 607 x 418 mm
49
Pietro Fancelli
(Bologna, 1765 - Pesaro, 1805)
Study for a male figure
Black and white chalk on thin laid paper with watermark (initials P Z). 470 x 317 mm
49
Pietro Fancelli
(Bologna, 1765 - Pesaro, 1805)
Study for a male figure
Black and white chalk on thin laid paper with watermark (initials P Z). 470 x 317 mm
50
Study for a seated male nude
Red chalk with white highlights on laid paper, with barely legible watermark. 545 x 414mm
50
Study for a seated male nude
Red chalk with white highlights on laid paper, with barely legible watermark. 545 x 414mm
51
Portrait of a gentleman
Lombard neoclassical artist
Red, black pencil and charcoal on unlaid paper. 236 x 175 mm On the reverse stamp "co. ENRICO del TORSO | TISSANO [..]
51
Portrait of a gentleman
Lombard neoclassical artist
Red, black pencil and charcoal on unlaid paper. 236 x 175 mm On the reverse stamp "co. ENRICO del TORSO | TISSANO [..]
52
Giovanni Andrea Darif
(Venezia, 1801 - Venezia, 1870)
Series of five portraits: three laurel-crowned poets and two female figures
5 pencil drawings backed on a sheet of blue laid paper. 110 x 105 mm and 150 x 95 mm approx.
52
Giovanni Andrea Darif
(Venezia, 1801 - Venezia, 1870)
Series of five portraits: three laurel-crowned poets and two female figures
5 pencil drawings backed on a sheet of blue laid paper. 110 x 105 mm and 150 x 95 mm approx.
53
Mauro Gandolfi
(Bologna, 1764 - 1834)
Infant Christ
Pen and ink on parchment. 216 x 332 mm. At the bottom of the edge of the cradle the dedication: "All'amico D.r [..]
53
Mauro Gandolfi
(Bologna, 1764 - 1834)
Infant Christ
Pen and ink on parchment. 216 x 332 mm. At the bottom of the edge of the cradle the dedication: "All'amico D.r [..]
54
Meeting of dignitaries
Italian artist, early 19th century
Brown ink over traces of pencil on thick laid paper, with watermark. 206 x 280 mm. On the reverse, collection [..]
54
Meeting of dignitaries
Italian artist, early 19th century
Brown ink over traces of pencil on thick laid paper, with watermark. 206 x 280 mm. On the reverse, collection [..]
55
Francesco Gonin
(Torino, 1808 - Giaveno, 1889)
Death of a knight
1835
Black pencil and watercolor on wove paper. 225 x 292 mm. Signed and dated at the bottom of the left: "f. [..]
55
Francesco Gonin
(Torino, 1808 - Giaveno, 1889)
Death of a knight
1835
Black pencil and watercolor on wove paper. 225 x 292 mm. Signed and dated at the bottom of the left: "f. [..]
56
Godefroy Durand
(Düsseldorf, 1832 - Paris, 1896)
Un matin
1871
Pencil on wove paper 324 x 238 mm. Signed, dated and titled at the bottom.
56
Godefroy Durand
(Düsseldorf, 1832 - Paris, 1896)
Un matin
1871
Pencil on wove paper 324 x 238 mm. Signed, dated and titled at the bottom.
57
Odoardo Borrani
(Pisa, 1833 - Firenze, 1905)
Woman with a fan
Pencil on laid paper with watermark (letters M C D). 225 x 163mm
57
Odoardo Borrani
(Pisa, 1833 - Firenze, 1905)
Woman with a fan
Pencil on laid paper with watermark (letters M C D). 225 x 163mm
59
View of St. Peter's Square
Watercolor over traces of pencil on unlaid paper, 129 x 175 mm. Inscription in pencil on the back: "ROMA [..]
59
View of St. Peter's Square
Watercolor over traces of pencil on unlaid paper, 129 x 175 mm. Inscription in pencil on the back: "ROMA [..]
61
Ugo da Carpi
(1532)
Hercules chases Envy from the Temple of the Muses
1517 ca.
by Baldassare Peruzzi. Chiaroscuro woodcut from two matrices, in light blue ink, 299 x 224 mm. I state (Bartsch) [..]
61
Ugo da Carpi
(1532)
Hercules chases Envy from the Temple of the Muses
1517 ca.
by Baldassare Peruzzi. Chiaroscuro woodcut from two matrices, in light blue ink, 299 x 224 mm. I state (Bartsch) [..]
62
Albrecht Durer
(1471 - 1528)
Christ Crowned with Thorns
1512
From "The Engraved Passion" series. Engraving, 117 x 73 mm. Meder 9, Bartsch VII.9. Clear impression (Meder [..]
62
Albrecht Durer
(1471 - 1528)
Christ Crowned with Thorns
1512
From "The Engraved Passion" series. Engraving, 117 x 73 mm. Meder 9, Bartsch VII.9. Clear impression (Meder [..]
63
Albrecht Durer
(1471 - 1528)
Saint John the Baptist and Saint Onuphrius
Woodcut, 213 x 144 mm. Meder 230, Bartsch VII.112 Meder c? Impression printed on laid paper with barely [..]
63
Albrecht Durer
(1471 - 1528)
Saint John the Baptist and Saint Onuphrius
Woodcut, 213 x 144 mm. Meder 230, Bartsch VII.112 Meder c? Impression printed on laid paper with barely [..]
64
Albrecht Durer
(1471 - 1528)
Based on
Madonna and Child
Copy in reverse from Dürer. 117 x 77 mm (plate), 132 x 90 mm (sheet). Printed on thin laid paper. In excellent [..]
64
Albrecht Durer
(1471 - 1528)
Based on
Madonna and Child
Copy in reverse from Dürer. 117 x 77 mm (plate), 132 x 90 mm (sheet). Printed on thin laid paper. In excellent [..]
65
Marcantonio Raimondi
(1534)
Albrecht Durer
(1471 - 1528)
After
The Presentation of The Virgin in the Temple
from "The Life of The Virgin" series after Dürer. Engraving, 298 x 214 mm. Bartsch XIV.625. Collector's stamp [..]
65
Marcantonio Raimondi
(1534)
Albrecht Durer
(1471 - 1528)
After
The Presentation of The Virgin in the Temple
from "The Life of The Virgin" series after Dürer. Engraving, 298 x 214 mm. Bartsch XIV.625. Collector's stamp [..]
66
Marcantonio Raimondi
(1534)
Albrecht Durer
(1471 - 1528)
After
Marriage of the Virgin
from the series "Life of the Virgin" by Dürer. Graver, 263 x 206 mm. Bartsch XIV.626. Example missing [..]
66
Marcantonio Raimondi
(1534)
Albrecht Durer
(1471 - 1528)
After
Marriage of the Virgin
from the series "Life of the Virgin" by Dürer. Graver, 263 x 206 mm. Bartsch XIV.626. Example missing [..]
67
Marcantonio Raimondi
(1534)
Based on
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Attributed to
Massacre of the Innocents
Deceptive copy in the same direction after Marcantonio. Engraving, 278 x 430 mm. Delaborde 8. Fine, sharp impression [..]
67
Marcantonio Raimondi
(1534)
Based on
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Attributed to
Massacre of the Innocents
Deceptive copy in the same direction after Marcantonio. Engraving, 278 x 430 mm. Delaborde 8. Fine, sharp impression [..]
68
Marcantonio Raimondi
(1534)
Attributed to
Tha Abduction of Helen
after Raphael. Engraving, 419 x 219 mm. Bartsch XIV.209, Delaborde (copy after Marcantonio Raimondi?). Edition [..]
68
Marcantonio Raimondi
(1534)
Attributed to
Tha Abduction of Helen
after Raphael. Engraving, 419 x 219 mm. Bartsch XIV.209, Delaborde (copy after Marcantonio Raimondi?). Edition [..]
69
Marcantonio Raimondi
(1534)
Joseph and Putiphar's wife
Engraving, 204 x 243 mm. II state of 2, with Nicolas Van Aelst's address. Bartsch XIV.9, Delaborde 4. [..]
69
Marcantonio Raimondi
(1534)
Joseph and Putiphar's wife
Engraving, 204 x 243 mm. II state of 2, with Nicolas Van Aelst's address. Bartsch XIV.9, Delaborde 4. [..]
70
Marcantonio Raimondi
(1534)
Young and Old Bacchant
after Raphael. Engraving, 185 x 142 mm. Single state. Bartsch XIV.294. Delaborde 135. 18th century edition. [..]
70
Marcantonio Raimondi
(1534)
Young and Old Bacchant
after Raphael. Engraving, 185 x 142 mm. Single state. Bartsch XIV.294. Delaborde 135. 18th century edition. [..]
71
Marcantonio Raimondi
(1534)
Based on
The Pietà
copy in the same direction after Raimondi (not in Delaborde). Engraving, 274 x 196 mm. Printed on heavy ivory [..]
71
Marcantonio Raimondi
(1534)
Based on
The Pietà
copy in the same direction after Raimondi (not in Delaborde). Engraving, 274 x 196 mm. Printed on heavy ivory [..]
72
Capital Vices
anonymous 16th century engraver
Lot of 7 engravings, approx. 45 x 25 mm. each. Fine impressions on thin laid paper, in good general condition. [..]
72
Capital Vices
anonymous 16th century engraver
Lot of 7 engravings, approx. 45 x 25 mm. each. Fine impressions on thin laid paper, in good general condition. [..]
73
Devotional Prints
anonymous German engraver of the 16th century
Lot of three woodcuts, approx. 95 x 75. each In good condition except for restored tears on two sheets.
73
Devotional Prints
anonymous German engraver of the 16th century
Lot of three woodcuts, approx. 95 x 75. each In good condition except for restored tears on two sheets.
74
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
St. Peter and St. John Healing the Cripples at the Gate of the Temple
1526
after Raphael. Etching and chiaroscuro woodcut, 247 x 398 mm. II state of 2. Bartsch XVI.7; Takahatake 38. [..]
74
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
St. Peter and St. John Healing the Cripples at the Gate of the Temple
1526
after Raphael. Etching and chiaroscuro woodcut, 247 x 398 mm. II state of 2. Bartsch XVI.7; Takahatake 38. [..]
75
Giulio Bonasone
in the way of
Avaritia | Diligentia
Lot of 2 engravings. 278 x 135 mm and 285 x 155 mm. Fresh impressions on thin laid paper. “Diligence” backed [..]
75
Giulio Bonasone
in the way of
Avaritia | Diligentia
Lot of 2 engravings. 278 x 135 mm and 285 x 155 mm. Fresh impressions on thin laid paper. “Diligence” backed [..]
76
Giovan Battista Scultori
(1503 - 1575)
Hercules and Antaeus
Engraving, 213 x 142 mm. Bartsch XV.12. Impression on laid paper. I n a fair state of conservation, backed [..]
76
Giovan Battista Scultori
(1503 - 1575)
Hercules and Antaeus
Engraving, 213 x 142 mm. Bartsch XV.12. Impression on laid paper. I n a fair state of conservation, backed [..]
77
Agostino Veneziano detto Agostino dei Musi
Attributed to
Cupid with a Griffin
Engraving, 126 x 167 mm. Fine, sharp impression printed on heavy laid paper. With small margins beyond the [..]
77
Agostino Veneziano detto Agostino dei Musi
Attributed to
Cupid with a Griffin
Engraving, 126 x 167 mm. Fine, sharp impression printed on heavy laid paper. With small margins beyond the [..]
78
Hans Brosamer
Aristotle and Phyllis
Graver, 78 x 97 mm. Bartsch VIII.18, Hollstein 21. Clear impression on laid paper. Trimmed and counterfounded [..]
78
Hans Brosamer
Aristotle and Phyllis
Graver, 78 x 97 mm. Bartsch VIII.18, Hollstein 21. Clear impression on laid paper. Trimmed and counterfounded [..]
79
Hans Sebald Beham
(1500 - 1550)
The two couples and the fool
Engraving, 32 x 53 mm. I state of 3, before the year was added. Pauli 214, Bartsch VIII.212. [..]
79
Hans Sebald Beham
(1500 - 1550)
The two couples and the fool
Engraving, 32 x 53 mm. I state of 3, before the year was added. Pauli 214, Bartsch VIII.212. [..]
80
Hans Sebald Beham
(1500 - 1550)
James the Greater
from the series of 12 Apostles. Burin, 44 x 29 mm. State II of 4. Pauli 53, Bartsch VIII.51. Nice impression [..]
80
Hans Sebald Beham
(1500 - 1550)
James the Greater
from the series of 12 Apostles. Burin, 44 x 29 mm. State II of 4. Pauli 53, Bartsch VIII.51. Nice impression [..]