1
Geoffroy Dumonstier
(Saint-Étienne-du-Rouvray, 1500 - Parigi, 1573)
Attributed to
To clothe the naked
Pen and ink on laid paper, traces of pencil, 96 x 185 mm. With collectors' marks of Giuseppe Vallardi (L.1223) [..]
1
Geoffroy Dumonstier
(Saint-Étienne-du-Rouvray, 1500 - Parigi, 1573)
Attributed to
To clothe the naked
Pen and ink on laid paper, traces of pencil, 96 x 185 mm. With collectors' marks of Giuseppe Vallardi (L.1223) [..]
2
Study for a Saint
Lombard or Emilian school of the 16th century
Pen, brown ink, wash and traces of sanguine on laid paper, 170 x 150 mm. Collectors' marks of Pacini (ca. 1860-1880) [..]
2
Study for a Saint
Lombard or Emilian school of the 16th century
Pen, brown ink, wash and traces of sanguine on laid paper, 170 x 150 mm. Collectors' marks of Pacini (ca. 1860-1880) [..]
3
Study of two figures
Anonymous artist, 16th century
Pen, wash, brown ink and black ink, 131 x 150 mm. With collector's mark Carlo Prayer (L.2044).
3
Study of two figures
Anonymous artist, 16th century
Pen, wash, brown ink and black ink, 131 x 150 mm. With collector's mark Carlo Prayer (L.2044).
4
Conversion of St. Paul
Lombard-Emilian school of the 16th century
Sanguine on laid paper, 248 x 205 mm.
4
Conversion of St. Paul
Lombard-Emilian school of the 16th century
Sanguine on laid paper, 248 x 205 mm.
5
Saint Bernard of Siena with two kneeling figures
Emilian school of the 16th century
Pen and brown ink on laid paper, 233 x 160 mm. Backed on a sheet of paper.
5
Saint Bernard of Siena with two kneeling figures
Emilian school of the 16th century
Pen and brown ink on laid paper, 233 x 160 mm. Backed on a sheet of paper.
6
Studies for grotesques
Anonymous 16th/17th century
Lot of 3 sheets. Polychrome pigments and gold leaf on parchment, 315 x 95, 340 x 94, 427 x 92 mm.
6
Studies for grotesques
Anonymous 16th/17th century
Lot of 3 sheets. Polychrome pigments and gold leaf on parchment, 315 x 95, 340 x 94, 427 x 92 mm.
7
Profane Allegories
Italian School of the 17th Century
Brown ink, pen and blue wash on twelve sheets of thin laid paper, approx. 110 x 175 mm (each sheet). Some sheets [..]
7
Profane Allegories
Italian School of the 17th Century
Brown ink, pen and blue wash on twelve sheets of thin laid paper, approx. 110 x 175 mm (each sheet). Some sheets [..]
8
Giacinto Gimignani
(Pistoia, 1611 - Roma, 1681)
Circle of
Christ and the Samaritan Woman at the Well
Pencil on paper See G.GIMIGNANI, Christ and the Samaritan Woman (Vienna, Dorotheum, 10-17-2017; Alexis Bordes [..]
8
Giacinto Gimignani
(Pistoia, 1611 - Roma, 1681)
Circle of
Christ and the Samaritan Woman at the Well
Pencil on paper See G.GIMIGNANI, Christ and the Samaritan Woman (Vienna, Dorotheum, 10-17-2017; Alexis Bordes [..]
9
Domenico Zampieri il Domenichino
(Bologna, 1581 - Napoli, 1641)
After
Saint Mark and Saint Matthew
Roman school, second half of the 17th century
Sanguine and pencil on laid paper with watermark (Heawood 1623, Rome, second half of the 17th century) Two [..]
9
Domenico Zampieri il Domenichino
(Bologna, 1581 - Napoli, 1641)
After
Saint Mark and Saint Matthew
Roman school, second half of the 17th century
Sanguine and pencil on laid paper with watermark (Heawood 1623, Rome, second half of the 17th century) Two [..]
10
Study for a naked man
Anonymous 17th century artist
Sanguine on laid paper with watermark, 312 x 230 mm.
10
Study for a naked man
Anonymous 17th century artist
Sanguine on laid paper with watermark, 312 x 230 mm.
11
Scuola napoletana, XVII secolo
The Virgin intercedes for the souls in Purgatory
Neapolitan school, late 18th century
Pen, brown ink and black pastel on laid paper prepared with a fragment of watermark (Fleur-de-Lis inscribed [..]
11
Scuola napoletana, XVII secolo
The Virgin intercedes for the souls in Purgatory
Neapolitan school, late 18th century
Pen, brown ink and black pastel on laid paper prepared with a fragment of watermark (Fleur-de-Lis inscribed [..]
13
Study for Saint Peter ?
Anonymous 17th century artist
Pen and ink on laid paper, 195 x 108 mm. Backed on another sheet of paper.
13
Study for Saint Peter ?
Anonymous 17th century artist
Pen and ink on laid paper, 195 x 108 mm. Backed on another sheet of paper.
14
Artista olandese, XVII secolo
Landscape with three bulls
Dutch artist, 17th century
Ink on brown laid paper, cm. 16.5x23.8. With frame
14
Artista olandese, XVII secolo
Landscape with three bulls
Dutch artist, 17th century
Ink on brown laid paper, cm. 16.5x23.8. With frame
Paper
15
Alessio De Marchis
(Napoli, 1684 - Perugia, 1752)
Attributed to
Landscape with river and castle
Ink, wash and white lead on paper. 190 x 280 mm. Backed on a cardboard, with frame
15
Alessio De Marchis
(Napoli, 1684 - Perugia, 1752)
Attributed to
Landscape with river and castle
Ink, wash and white lead on paper. 190 x 280 mm. Backed on a cardboard, with frame
Paper
16
Pastoral scenes with animals
French School of the 17th century
Lot of 4 drawings. Pen and brown ink, on beige paper, approx. 45 x 145 mm each. With coeval passe-partout.
16
Pastoral scenes with animals
French School of the 17th century
Lot of 4 drawings. Pen and brown ink, on beige paper, approx. 45 x 145 mm each. With coeval passe-partout.
18
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
in the way of
Still life with fruits, game birds and a hare
Ink and watercolor on cardboard, applied on board, 245 x 364 mm. With frame
18
Jan Baptist Weenix
(Amsterdam, 1642 - Amsterdam, 1719)
in the way of
Still life with fruits, game birds and a hare
Ink and watercolor on cardboard, applied on board, 245 x 364 mm. With frame
Cardboard
19
Immaculate Conception
Anonymous 17th century artist
Sanguine on laid paper with watermark, 467 x 290 mm.
19
Immaculate Conception
Anonymous 17th century artist
Sanguine on laid paper with watermark, 467 x 290 mm.
20
Saint John the Baptist
Central Italian school, 17th-18th century
Pencil, ink and watercolour on laid paper, 218 x 120 mm. With the collector's stamp of Countess Margherita Cavranzola [..]
20
Saint John the Baptist
Central Italian school, 17th-18th century
Pencil, ink and watercolour on laid paper, 218 x 120 mm. With the collector's stamp of Countess Margherita Cavranzola [..]
Paper
21
Mythological scene
Italian School of the 17th century
Pen, brown ink on brown laid paper cut into an oval
21
Mythological scene
Italian School of the 17th century
Pen, brown ink on brown laid paper cut into an oval
22
Artista napoletano, XVIII secolo
Two beggars
Pencil and white chalk on brown laid paper, 380 x 315 mm. With frame
22
Artista napoletano, XVIII secolo
Two beggars
Pencil and white chalk on brown laid paper, 380 x 315 mm. With frame
Paper
23
Bartolomé Esteban Murillo
(Siviglia - Cadice, 1682)
in the manner of
Apparition of the Holy Cross
Brown ink, pen and wash on paper, 130 x 191 mm (sheet), 200 x 260 mm (passe-partout). Sheet backed on coeval pa [..]
23
Bartolomé Esteban Murillo
(Siviglia - Cadice, 1682)
in the manner of
Apparition of the Holy Cross
Brown ink, pen and wash on paper, 130 x 191 mm (sheet), 200 x 260 mm (passe-partout). Sheet backed on coeval pa [..]
24
Architectural capriccio with figures
Italian School of the 18th Century
Pen, ink and pencil, and pouncing, on heavy beige paper
24
Architectural capriccio with figures
Italian School of the 18th Century
Pen, ink and pencil, and pouncing, on heavy beige paper
26
Shepherdess with Child and Dogs
18th century French artist
Sanguine and pencil on paper, 131 x 180 mm. Backed on another sheet of paper
26
Shepherdess with Child and Dogs
18th century French artist
Sanguine and pencil on paper, 131 x 180 mm. Backed on another sheet of paper
27
Study of Architecture
18th century French artist
Brown ink, pencil and wash on laid paper, 215 x 154 mm.
27
Study of Architecture
18th century French artist
Brown ink, pencil and wash on laid paper, 215 x 154 mm.
28
Study for Angels' heads
Italian artist of the 17th century
Sanguine on laid paper (fragment of an engraving on the verso), 167 x 204 mm.
28
Study for Angels' heads
Italian artist of the 17th century
Sanguine on laid paper (fragment of an engraving on the verso), 167 x 204 mm.
29
Bellis Silvestris Lin | Parrot Tulip
Watercolor and ink on paper, approx. 370 x 260 mm each sheet. With passe-pasrtout and frame (65 x 52 x 1 cm)
29
Bellis Silvestris Lin | Parrot Tulip
Watercolor and ink on paper, approx. 370 x 260 mm each sheet. With passe-pasrtout and frame (65 x 52 x 1 cm)
30
Bouquet with tulips and peonies
1790
Tempera on parchment, approx. 21 x 166 mm. Signed and dated. With passe-partout and frame (35 x 30 x 1 cm)
30
Bouquet with tulips and peonies
1790
Tempera on parchment, approx. 21 x 166 mm. Signed and dated. With passe-partout and frame (35 x 30 x 1 cm)
31
View of San Gimignano
late 18th-early 19th century
Brown ink, pen and watercolour on paper. 230 x 340 mm. With contemporary passe-partout and frame (62 x 87 x 3 [..]
31
View of San Gimignano
late 18th-early 19th century
Brown ink, pen and watercolour on paper. 230 x 340 mm. With contemporary passe-partout and frame (62 x 87 x 3 [..]
32
PELAGIO PALAGI (Bologna, 1775 - 1860)
Attributed to
Study for a male nude
Charcoal and white lead on paper, 474 x 375 mm.
32
PELAGIO PALAGI (Bologna, 1775 - 1860)
Attributed to
Study for a male nude
Charcoal and white lead on paper, 474 x 375 mm.
33
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Judith Reveals the Head of Holofernes to the People
Pencil and gouache on ivory laid paper, traces of other sketches on the back
33
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Judith Reveals the Head of Holofernes to the People
Pencil and gouache on ivory laid paper, traces of other sketches on the back
34
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Follower of
Study for the figure of Jesus
Neoclassical artist of the Roman school
Pencil and chalk, on brown paper
34
Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Follower of
Study for the figure of Jesus
Neoclassical artist of the Roman school
Pencil and chalk, on brown paper
35
Luigi Sabatelli
(1772 - 1850)
Attributed to
The Eritrean Sibyl after Michelangelo
Pen on brown laid paper
35
Luigi Sabatelli
(1772 - 1850)
Attributed to
The Eritrean Sibyl after Michelangelo
Pen on brown laid paper
36
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Based on
Ferdynand Chotomski-Dienhejm
(Kokoszyńce, 1797 - Gulczew, 1880)
Urbem Ingreditur anno 1680 die 4 Augusti Dux Radziwil Legatus JOANNIS III. SOBIESKI POLONIAE REGIS ad INNOCENTIUM XI
1849
Brown ink and watercolor on unlaid paper, 295 x 572 mm. Drawing signed "Parisiis 1849 Ferdinandius Chotomski [..]
36
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Based on
Ferdynand Chotomski-Dienhejm
(Kokoszyńce, 1797 - Gulczew, 1880)
Urbem Ingreditur anno 1680 die 4 Augusti Dux Radziwil Legatus JOANNIS III. SOBIESKI POLONIAE REGIS ad [..]
1849
Brown ink and watercolor on unlaid paper, 295 x 572 mm. Drawing signed "Parisiis 1849 Ferdinandius Chotomski [..]
37
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Horace, returning victorious from the clash with the Curiatii, kills his sister
Preparatory drawing, with pouncing holes. Pencil and grey-brown wash on ivory-coloured paper.
37
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Horace, returning victorious from the clash with the Curiatii, kills his sister
Preparatory drawing, with pouncing holes. Pencil and grey-brown wash on ivory-coloured paper.
38
Studies for the Nudes
Neoclassical artist
Lot of two drawings. Pencil and white lead on brown paper, approx. 545 x 395 mm. With frames
38
Studies for the Nudes
Neoclassical artist
Lot of two drawings. Pencil and white lead on brown paper, approx. 545 x 395 mm. With frames
39
CARLO DELLA PORTA
(1809 - 1890)
Study for the Face of the Madonna
Pencil and sanguine on wove paper, 255 x 212 mm. With frame (36 x 32 x 2 cm).
39
CARLO DELLA PORTA
(1809 - 1890)
Study for the Face of the Madonna
Pencil and sanguine on wove paper, 255 x 212 mm. With frame (36 x 32 x 2 cm).
40
Luigi Vacca
(Torino, 1778 - 1854)
Various figures, studies and sketches
Suite of 7 sketches, pen and pencil on beige paper. Some sheets with watermark (crown and letters). Handwritten [..]
40
Luigi Vacca
(Torino, 1778 - 1854)
Various figures, studies and sketches
Suite of 7 sketches, pen and pencil on beige paper. Some sheets with watermark (crown and letters). Handwritten [..]