41
Portrait of a man with a beard
19th century
Charcoal on laid paper, 202 x 127 mm. With blue paper passe-partout and plexiglass (38.5 x 30 x 1 cm)
41
Portrait of a man with a beard
19th century
Charcoal on laid paper, 202 x 127 mm. With blue paper passe-partout and plexiglass (38.5 x 30 x 1 cm)
42
FRANCESCO COGHETTI (Bergamo, 1801 - Roma, 1875)
Attributed to
Flying Cherubs
Pencil on wove paper, 254 x 178 mm.
42
FRANCESCO COGHETTI (Bergamo, 1801 - Roma, 1875)
Attributed to
Flying Cherubs
Pencil on wove paper, 254 x 178 mm.
43
PIETRO GAGLIARDI
(Roma, 1809 - Frascati, 1890)
Attributed to
Preaching Friar
Colored chalks on blue paper, 450 x 320 mm
43
PIETRO GAGLIARDI
(Roma, 1809 - Frascati, 1890)
Attributed to
Preaching Friar
Colored chalks on blue paper, 450 x 320 mm
45
View of St. Mark Square in Venice
Pencil on wove paper, 140 x 197 mm approx. Signed by Marcello F. Antoniolli
45
View of St. Mark Square in Venice
Pencil on wove paper, 140 x 197 mm approx. Signed by Marcello F. Antoniolli
46
View of the Ancient Appian Way
19th Century
Pencil and traces of watercolor on paper, cm. 24,5x34,5. With frame
46
View of the Ancient Appian Way
19th Century
Pencil and traces of watercolor on paper, cm. 24,5x34,5. With frame
Paper
47
Seascape with boats
Flemish school of the 19th century
Ink on laid paper, 123 x 187 mm. On the verso, drawing of a coat of arms in pencil
47
Seascape with boats
Flemish school of the 19th century
Ink on laid paper, 123 x 187 mm. On the verso, drawing of a coat of arms in pencil
49
Study for a standing woman
anonymous 19th century artist
Watercolor on wove paper, 325 x 135 mm. Pencil sketches on the back
49
Study for a standing woman
anonymous 19th century artist
Watercolor on wove paper, 325 x 135 mm. Pencil sketches on the back
50
Man in kimono
late 19th century
Watercolor on cardboard, 345 x 240 mm. Signed lower right: A. Porchy? In excellent condition, with passe-partout [..]
50
Man in kimono
late 19th century
Watercolor on cardboard, 345 x 240 mm. Signed lower right: A. Porchy? In excellent condition, with passe-partout [..]
51
Michael Wolgemut
(1434 - 1519)
Mediolanum
Woodcut, 143 x 226 mm (plate), 423 x 282 mm (sheet). View of Milan from the Nuremberg Chronicle. Fine impression [..]
51
Michael Wolgemut
(1434 - 1519)
Mediolanum
Woodcut, 143 x 226 mm (plate), 423 x 282 mm (sheet). View of Milan from the Nuremberg Chronicle. Fine impression [..]
52
Crucifixion
anonymous master of the early 16th century
Woodcut with illumination on parchment, 330 x 221 mm. Nice, vivid hand-coloring. Printed psalm on the reverse. [..]
52
Crucifixion
anonymous master of the early 16th century
Woodcut with illumination on parchment, 330 x 221 mm. Nice, vivid hand-coloring. Printed psalm on the reverse. [..]
53
Albrecht Durer
(1471 - 1528)
The Presentation of Mary at the Temple
Woodcut, 301 x 211 mm. Meder 193. Meder g? impression on laid paper with watermark (shield with diagonal [..]
53
Albrecht Durer
(1471 - 1528)
The Presentation of Mary at the Temple
Woodcut, 301 x 211 mm. Meder 193. Meder g? impression on laid paper with watermark (shield with diagonal [..]
54
Albrecht Durer
(1471 - 1528)
Based on
Jesus on the Mount of Olives
Copy in reverse after Albrecht Dürer. Engraving, 114 x 71 mm. Meder 4. Very fine, rich impression on thin laid [..]
54
Albrecht Durer
(1471 - 1528)
Based on
Jesus on the Mount of Olives
Copy in reverse after Albrecht Dürer. Engraving, 114 x 71 mm. Meder 4. Very fine, rich impression on thin laid [..]
55
Albrecht Durer
(1471 - 1528)
Based on
Saint Jerome
Copy in the same direction after Dürer. Engraving, 322 x 220 mm. Bartsch VII.77.61. Fine impression on thin [..]
55
Albrecht Durer
(1471 - 1528)
Based on
Saint Jerome
Copy in the same direction after Dürer. Engraving, 322 x 220 mm. Bartsch VII.77.61. Fine impression on thin [..]
56
Marcantonio Raimondi
(1534)
Galatea
after Raphael's fresco in the Villa Farnesina. Engraving, 402 x 285 mm. Bartsch XIV.262.350, Delabrode 130. [..]
56
Marcantonio Raimondi
(1534)
Galatea
after Raphael's fresco in the Villa Farnesina. Engraving, 402 x 285 mm. Bartsch XIV.262.350, Delabrode 130. [..]
57
Marcantonio Raimondi
(1534)
A man with two trumpets
Engraving, 83 x 120 mm. Bartsch XIV.272.356. Very clear impression on laid paper, with some parts of the engraving [..]
57
Marcantonio Raimondi
(1534)
A man with two trumpets
Engraving, 83 x 120 mm. Bartsch XIV.272.356. Very clear impression on laid paper, with some parts of the engraving [..]
58
Marcantonio Raimondi
(1534)
Follower of
Justice | Servitude
Engraving, 83 x 67 mm x 79 x 67 mm. Printed on laid paper. Uniformly browned sheets with some stains.
58
Marcantonio Raimondi
(1534)
Follower of
Justice | Servitude
Engraving, 83 x 67 mm x 79 x 67 mm. Printed on laid paper. Uniformly browned sheets with some stains.
59
Marcantonio Raimondi
(1534)
The Madonna breastfeeds the Child
Engraving, 172 x 129 mm (sheet). Bartsch XIV.67.60 Late edition, on eighteenth-century laid paper with a fragment [..]
59
Marcantonio Raimondi
(1534)
The Madonna breastfeeds the Child
Engraving, 172 x 129 mm (sheet). Bartsch XIV.67.60 Late edition, on eighteenth-century laid paper with a fragment [..]
60
Marcantonio Raimondi
(1534)
Cleopatra
Engraving, 118 x 180 mm (plate), 168 x 235 mm (sheet). Bartsch XIV.162.199. Rare Sharpimpression, printed on [..]
60
Marcantonio Raimondi
(1534)
Cleopatra
Engraving, 118 x 180 mm (plate), 168 x 235 mm (sheet). Bartsch XIV.162.199. Rare Sharpimpression, printed on [..]
61
Marcantonio Raimondi
(1534)
Based on
Alexander the Great Preserving the Works of Homer in Achilles' Sarcophagus
copy in the same direction after Marcantonio, with inscription on the tablet: Rafael Vrb. inve. Engraving, 260 [..]
61
Marcantonio Raimondi
(1534)
Based on
Alexander the Great Preserving the Works of Homer in Achilles' Sarcophagus
copy in the same direction after Marcantonio, with inscription on the tablet: Rafael Vrb. inve. Engraving, 260 [..]
62
Marcantonio Raimondi
(1534)
School of
The Sacrifice of Cain and Abel
after Raphael. Engraving, 256 x 455 mm. Before Lafreri's address. Bartsch XV.9.4. Fine impression on laid [..]
62
Marcantonio Raimondi
(1534)
School of
The Sacrifice of Cain and Abel
after Raphael. Engraving, 256 x 455 mm. Before Lafreri's address. Bartsch XV.9.4. Fine impression on laid [..]
63
Monogrammista MC
Saint Rocco and Saint Sebastian
Woodcut, 195 x 151 mm. Fresh impression on laid paper. The sheet is uniformly browned but in good condition, [..]
63
Monogrammista MC
Saint Rocco and Saint Sebastian
Woodcut, 195 x 151 mm. Fresh impression on laid paper. The sheet is uniformly browned but in good condition, [..]
64
Maestro AF
Martin Luther and John the Constant kneeling before Christ
copy with additions after Lucas Cranach the Younger. Woodcut, 108 x 145 mm. Printed on laid paper. Trimmed. [..]
64
Maestro AF
Martin Luther and John the Constant kneeling before Christ
copy with additions after Lucas Cranach the Younger. Woodcut, 108 x 145 mm. Printed on laid paper. Trimmed. [..]
65
Leonhard Beck
(1542)
Marching Knights
Woodcut, 240 x 204 mm. From the 1775 edition of "Der Weisskinig". Fine impression printed on thin laid paper [..]
65
Leonhard Beck
(1542)
Marching Knights
Woodcut, 240 x 204 mm. From the 1775 edition of "Der Weisskinig". Fine impression printed on thin laid paper [..]
66
Emperor on horseback
anonymous 15th century engraver
Woodcut, 388 x 272 mm. Impression on laid paper, backed on another sheet of paper. With signs of foxing.
66
Emperor on horseback
anonymous 15th century engraver
Woodcut, 388 x 272 mm. Impression on laid paper, backed on another sheet of paper. With signs of foxing.
67
Albrecht Altdorfer
(1538)
Salvador Mundi
1512
Engraving, 77 x 44 mm. Bartsch VIII.45.10. New Hollstein 11. Very fine impression on thin laid paper. Trimmed [..]
67
Albrecht Altdorfer
(1538)
Salvador Mundi
1512
Engraving, 77 x 44 mm. Bartsch VIII.45.10. New Hollstein 11. Very fine impression on thin laid paper. Trimmed [..]
68
Albrecht Altdorfer
(1538)
Christ descends into Limbo
Woodcut, 72 x 49 mm. Bartsch VIII.75.34, New Hollstein w.34. Fine impression on laid paper. Trimmed but with [..]
68
Albrecht Altdorfer
(1538)
Christ descends into Limbo
Woodcut, 72 x 49 mm. Bartsch VIII.75.34, New Hollstein w.34. Fine impression on laid paper. Trimmed but with [..]
69
Genealogy of Christ (Young Salmon with his family)
anonymous 16th century engraver
After Michelangelo's fresco in the Sistine Chapel. Engraving, 154 x 196 mm. 1st state of 2. BM V,2.25. Fine [..]
69
Genealogy of Christ (Young Salmon with his family)
anonymous 16th century engraver
After Michelangelo's fresco in the Sistine Chapel. Engraving, 154 x 196 mm. 1st state of 2. BM V,2.25. Fine [..]
70
Agostino Veneziano detto Agostino dei Musi
Ornamental panel with four putti and a woman
Engraving, 205 x 144 mm. I state of 2, before Antonio Salamanca's address. Bartsch XIV.396.564. Fine, sharp [..]
70
Agostino Veneziano detto Agostino dei Musi
Ornamental panel with four putti and a woman
Engraving, 205 x 144 mm. I state of 2, before Antonio Salamanca's address. Bartsch XIV.396.564. Fine, sharp [..]
71
Agostino Veneziano detto Agostino dei Musi
Heracles as a child with Alcmena and Amphitryon
Engraving, 240 x 177 mm. State with the address of Antonio Salamanca. Bartsch XIV.236.315 Printed on laid paper, [..]
71
Agostino Veneziano detto Agostino dei Musi
Heracles as a child with Alcmena and Amphitryon
Engraving, 240 x 177 mm. State with the address of Antonio Salamanca. Bartsch XIV.236.315 Printed on laid paper, [..]
72
Agostino Veneziano detto Agostino dei Musi
Maestro del Dado (1530-1560 fl.)
Story of Cupid and Psyche
lot of 11 plates from a series of 32, nine of which were engraved by Maestro del Dado and two by Agostino Veneziano [..]
72
Agostino Veneziano detto Agostino dei Musi
Maestro del Dado (1530-1560 fl.)
Story of Cupid and Psyche
lot of 11 plates from a series of 32, nine of which were engraved by Maestro del Dado and two by Agostino Veneziano [..]
73
Maestro del Dado (1530-1560 fl.)
The Sacrifice to Priapus
Engraving, 160 x 287 mm (plate), 254 x 374 mm (sheet). IV state of 4, with the address of Philippe Thomassin [..]
73
Maestro del Dado (1530-1560 fl.)
The Sacrifice to Priapus
Engraving, 160 x 287 mm (plate), 254 x 374 mm (sheet). IV state of 4, with the address of Philippe Thomassin [..]
74
Maestro del Dado (1530-1560 fl.)
Apollo and Daphne
after Baldassare Peruzzi. Engraving, 237 x 184 mm (plate), 390 x 257 mm. Bartsch XV.198.21. Fine impression [..]
74
Maestro del Dado (1530-1560 fl.)
Apollo and Daphne
after Baldassare Peruzzi. Engraving, 237 x 184 mm (plate), 390 x 257 mm. Bartsch XV.198.21. Fine impression [..]
75
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Birth of Venus
after Raphael. Engraving, 258 x 172 mm. Bartsch XIV.243.323 Fine and sharp impression on laid paper with an [..]
75
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Birth of Venus
after Raphael. Engraving, 258 x 172 mm. Bartsch XIV.243.323 Fine and sharp impression on laid paper with an [..]
76
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Galatea flees from Polyphemus
Lot of two impressions. Bartsch XIV.182.224: A) Engraving, 108 x 168 mm. Fine impression printed on thin laid [..]
76
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Galatea flees from Polyphemus
Lot of two impressions. Bartsch XIV.182.224: A) Engraving, 108 x 168 mm. Fine impression printed on thin laid [..]
77
Marco Dente detto Marco da Ravenna
(1493 - 1527)
A Satyr and a Ram Clashing
Engraving, 112 x 180 mm. State with the address of Salamanca at the bottom right. Bartsch XIV.181.221 Sharp [..]
77
Marco Dente detto Marco da Ravenna
(1493 - 1527)
A Satyr and a Ram Clashing
Engraving, 112 x 180 mm. State with the address of Salamanca at the bottom right. Bartsch XIV.181.221 Sharp [..]
78
Lucas van Leyden
(1533)
Based on
Mary Magdalene
copy in reverse after Lucas of Leyden, applied on the frontispiece of Ortelius' Theatrum geographiae veteris. [..]
78
Lucas van Leyden
(1533)
Based on
Mary Magdalene
copy in reverse after Lucas of Leyden, applied on the frontispiece of Ortelius' Theatrum geographiae veteris. [..]
79
Giulio Bonasone
The Vision of Saint Jerome
after Parmigianino. Engraving, 358 x 241 mm. 2nd state with inscriptions. Bartsch XV.127.62, Massari 12a. With [..]
79
Giulio Bonasone
The Vision of Saint Jerome
after Parmigianino. Engraving, 358 x 241 mm. 2nd state with inscriptions. Bartsch XV.127.62, Massari 12a. With [..]
80
Giulio Bonasone
The Entombment
after Titian. Etching, 292 x 180 mm. Bartsch XV.120.44. Fine impression on contemporary laid paper with watermark [..]
80
Giulio Bonasone
The Entombment
after Titian. Etching, 292 x 180 mm. Bartsch XV.120.44. Fine impression on contemporary laid paper with watermark [..]