31
				
   
				
	
    
    View of San Gimignano
late 18th-early 19th century
        
    
					Brown ink, pen and watercolour on paper. 230 x 340 mm. With contemporary passe-partout and frame (62 x 87 x 3  [..]
				
			
				31
                   
			
			
            
	
    
    View of San Gimignano
late 18th-early 19th century
        
    
				Brown ink, pen and watercolour on paper. 230 x 340 mm. With contemporary passe-partout and frame (62 x 87 x 3  [..]
			
		
					32
				
   
				
	
        PELAGIO PALAGI (Bologna, 1775 - 1860)
Attributed to
Study for a male nude
					 Charcoal and white lead on paper, 474 x 375 mm.  
				
			
				32
                   
			
			
            
	
        PELAGIO PALAGI (Bologna, 1775 - 1860)
Attributed to
Study for a male nude
				 Charcoal and white lead on paper, 474 x 375 mm.  
			
		
					33
				
   
				
	
        Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Judith Reveals the Head of Holofernes to the People
					Pencil and gouache on ivory laid paper, traces of other sketches on the back
				
			
				33
                   
			
			
            
	
        Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Attributed to
Judith Reveals the Head of Holofernes to the People
				Pencil and gouache on ivory laid paper, traces of other sketches on the back
			
		
					34
				
   
				
	
        Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Follower of
Study for the figure of Jesus
Neoclassical artist of the Roman school
        
    
					Pencil and chalk, on brown paper
				
			
				34
                   
			
			
            
	
        Francesco Podesti
(Ancona, 1800 - Roma, 1895)
Follower of
Study for the figure of Jesus
Neoclassical artist of the Roman school
        
    
				Pencil and chalk, on brown paper
			
		
					35
				
   
				
	
        Luigi Sabatelli
(1772 - 1850)
Attributed to
The Eritrean Sibyl after Michelangelo
					Pen on brown laid paper
				
			
				35
                   
			
			
            
	
        Luigi Sabatelli
(1772 - 1850)
Attributed to
The Eritrean Sibyl after Michelangelo
				Pen on brown laid paper
			
		
					36
				
   
				
	
        Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Based on
Ferdynand Chotomski-Dienhejm
(Kokoszyńce, 1797 - Gulczew, 1880)
Urbem Ingreditur anno 1680 die 4 Augusti Dux Radziwil Legatus JOANNIS III. SOBIESKI POLONIAE REGIS ad INNOCENTIUM XI
1849
        
    
					 Brown ink and watercolor on unlaid paper, 295 x 572 mm.   Drawing signed "Parisiis 1849 Ferdinandius Chotomski  [..]
				
			
				36
                   
			
			
            
	
        Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Based on
Ferdynand Chotomski-Dienhejm
(Kokoszyńce, 1797 - Gulczew, 1880)
Urbem Ingreditur anno 1680 die 4 Augusti Dux Radziwil Legatus JOANNIS III. SOBIESKI POLONIAE REGIS ad [..]
1849
        
    
				 Brown ink and watercolor on unlaid paper, 295 x 572 mm.   Drawing signed "Parisiis 1849 Ferdinandius Chotomski  [..]
			
		
					37
				
   
				
	
        Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Horace, returning victorious from the clash with the Curiatii, kills his sister
					Preparatory drawing, with pouncing holes. Pencil and grey-brown wash on ivory-coloured paper.
				
			
				37
                   
			
			
            
	
        Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Horace, returning victorious from the clash with the Curiatii, kills his sister
				Preparatory drawing, with pouncing holes. Pencil and grey-brown wash on ivory-coloured paper.
			
		
					38
				
   
				
	
    
    Studies for the Nudes
Neoclassical artist
        
    
					Lot of two drawings. Pencil and white lead on brown paper, approx. 545 x 395 mm. With frames
				
			
				38
                   
			
			
            
	
    
    Studies for the Nudes
Neoclassical artist
        
    
				Lot of two drawings. Pencil and white lead on brown paper, approx. 545 x 395 mm. With frames
			
		
					39
				
   
				
	
        CARLO DELLA PORTA
(1809 - 1890)
Study for the Face of the Madonna
					 Pencil and sanguine on wove paper, 255 x 212 mm.  With frame (36 x 32 x 2 cm). 
				
			
				39
                   
			
			
            
	
        CARLO DELLA PORTA
(1809 - 1890)
Study for the Face of the Madonna
				 Pencil and sanguine on wove paper, 255 x 212 mm.  With frame (36 x 32 x 2 cm). 
			
		
					40
				
   
				
	
        Luigi Vacca
(Torino, 1778 - 1854)
Various figures, studies and sketches
					Suite of 7 sketches, pen and pencil on beige paper. Some sheets with watermark (crown and letters). Handwritten  [..]
				
			
				40
                   
			
			
            
	
        Luigi Vacca
(Torino, 1778 - 1854)
Various figures, studies and sketches
				Suite of 7 sketches, pen and pencil on beige paper. Some sheets with watermark (crown and letters). Handwritten  [..]
			
		
					41
				
   
				
	
    
    Portrait of a man with a beard
19th century
        
    
					 Charcoal on laid paper, 202 x 127 mm. With blue paper passe-partout and plexiglass (38.5 x 30 x 1 cm)  
				
			
				41
                   
			
			
            
	
    
    Portrait of a man with a beard
19th century
        
    
				 Charcoal on laid paper, 202 x 127 mm. With blue paper passe-partout and plexiglass (38.5 x 30 x 1 cm)  
			
		
					42
				
   
				
	
        FRANCESCO COGHETTI (Bergamo, 1801 - Roma, 1875)
Attributed to
Flying Cherubs
					Pencil on wove paper, 254 x 178 mm.
				
			
				42
                   
			
			
            
	
        FRANCESCO COGHETTI (Bergamo, 1801 - Roma, 1875)
Attributed to
Flying Cherubs
				Pencil on wove paper, 254 x 178 mm.
			
		
					43
				
   
				
	
        PIETRO GAGLIARDI
(Roma, 1809 - Frascati, 1890)
Attributed to
Preaching Friar
					Colored chalks on blue paper, 450 x 320 mm
				
			
				43
                   
			
			
            
	
        PIETRO GAGLIARDI
(Roma, 1809 - Frascati, 1890)
Attributed to
Preaching Friar
				Colored chalks on blue paper, 450 x 320 mm
			
		
					45
				
   
				
	
    
    View of St. Mark Square in Venice
					Pencil on wove paper, 140 x 197 mm approx. Signed by Marcello F. Antoniolli
				
			
				45
                   
			
			
            
	
    
    View of St. Mark Square in Venice
				Pencil on wove paper, 140 x 197 mm approx. Signed by Marcello F. Antoniolli
			
		
					46
				
   
				
	
    
    View of the Ancient Appian Way
19th Century
        
    
					Pencil and traces of watercolor on paper, cm. 24,5x34,5. With frame
				
			
				46
                   
			
			
            
	
    
    View of the Ancient Appian Way
19th Century
        
    
				Pencil and traces of watercolor on paper, cm. 24,5x34,5. With frame
						
		Paper 
					
			
					47
				
   
				
	
    
    Seascape with boats
Flemish school of the 19th century
        
    
					Ink on laid paper, 123 x 187 mm. On the verso, drawing of a coat of arms in pencil
				
			
				47
                   
			
			
            
	
    
    Seascape with boats
Flemish school of the 19th century
        
    
				Ink on laid paper, 123 x 187 mm. On the verso, drawing of a coat of arms in pencil
			
		
					49
				
   
				
	
    
    Study for a standing woman
anonymous 19th century artist
        
    
					Watercolor on wove paper, 325 x 135 mm. Pencil sketches on the back
				
			
				49
                   
			
			
            
	
    
    Study for a standing woman
anonymous 19th century artist
        
    
				Watercolor on wove paper, 325 x 135 mm. Pencil sketches on the back
			
		
					50
				
   
				
	
    
    Man in kimono
late 19th century
        
    
					 Watercolor on cardboard, 345 x 240 mm. Signed lower right: A. Porchy?   In excellent condition, with passe-partout  [..]
				
			
				50
                   
			
			
            
	
    
    Man in kimono
late 19th century
        
    
				 Watercolor on cardboard, 345 x 240 mm. Signed lower right: A. Porchy?   In excellent condition, with passe-partout  [..]
			
		
					51
				
   
				
	
        Michael Wolgemut
(1434 - 1519)
Mediolanum
					 Woodcut, 143 x 226 mm (plate), 423 x 282 mm (sheet). View of Milan from the Nuremberg Chronicle.   Fine impression  [..]
				
			
				51
                   
			
			
            
	
        Michael Wolgemut
(1434 - 1519)
Mediolanum
				 Woodcut, 143 x 226 mm (plate), 423 x 282 mm (sheet). View of Milan from the Nuremberg Chronicle.   Fine impression  [..]
			
		
					52
				
   
				
	
    
    Crucifixion
anonymous master of the early 16th century
        
    
					 Woodcut with illumination on parchment, 330 x 221 mm. Nice, vivid hand-coloring. Printed psalm on the reverse.  [..]
				
			
				52
                   
			
			
            
	
    
    Crucifixion
anonymous master of the early 16th century
        
    
				 Woodcut with illumination on parchment, 330 x 221 mm. Nice, vivid hand-coloring. Printed psalm on the reverse.  [..]
			
		
					53
				
   
				
	
        Albrecht Durer
(1471 - 1528)
The Presentation of Mary at the Temple
					 Woodcut, 301 x 211 mm. Meder 193.   Meder g? impression on laid paper with watermark (shield with diagonal  [..]
				
			
				53
                   
			
			
            
	
        Albrecht Durer
(1471 - 1528)
The Presentation of Mary at the Temple
				 Woodcut, 301 x 211 mm. Meder 193.   Meder g? impression on laid paper with watermark (shield with diagonal  [..]
			
		
					54
				
   
				
	
        Albrecht Durer
(1471 - 1528)
Based on
Jesus on the Mount of Olives
					 Copy in reverse after Albrecht Dürer. Engraving, 114 x 71 mm. Meder 4.   Very fine, rich impression on thin laid  [..]
				
			
				54
                   
			
			
            
	
        Albrecht Durer
(1471 - 1528)
Based on
Jesus on the Mount of Olives
				 Copy in reverse after Albrecht Dürer. Engraving, 114 x 71 mm. Meder 4.   Very fine, rich impression on thin laid  [..]
			
		
					55
				
   
				
	
        Albrecht Durer
(1471 - 1528)
Based on
Saint Jerome
					 Copy in the same direction after Dürer. Engraving, 322 x 220 mm.  Bartsch VII.77.61.    Fine impression on thin  [..]
				
			
				55
                   
			
			
            
	
        Albrecht Durer
(1471 - 1528)
Based on
Saint Jerome
				 Copy in the same direction after Dürer. Engraving, 322 x 220 mm.  Bartsch VII.77.61.    Fine impression on thin  [..]
			
		
					56
				
   
				
	
        Marcantonio Raimondi
(1534)
Galatea
					 after Raphael's fresco in the Villa Farnesina. Engraving, 402 x 285 mm. Bartsch XIV.262.350, Delabrode 130.   [..]
				
			
				56
                   
			
			
            
	
        Marcantonio Raimondi
(1534)
Galatea
				 after Raphael's fresco in the Villa Farnesina. Engraving, 402 x 285 mm. Bartsch XIV.262.350, Delabrode 130.   [..]
			
		
					57
				
   
				
	
        Marcantonio Raimondi
(1534)
A man with two trumpets
					 Engraving, 83 x 120 mm. Bartsch XIV.272.356.   Very clear impression on laid paper, with some parts of the engraving  [..]
				
			
				57
                   
			
			
            
	
        Marcantonio Raimondi
(1534)
A man with two trumpets
				 Engraving, 83 x 120 mm. Bartsch XIV.272.356.   Very clear impression on laid paper, with some parts of the engraving  [..]
			
		
					58
				
   
				
	
        Marcantonio Raimondi
(1534)
Follower of
Justice | Servitude
					Engraving, 83 x 67 mm x 79 x 67 mm. Printed on laid paper. Uniformly browned sheets with some stains.
				
			
				58
                   
			
			
            
	
        Marcantonio Raimondi
(1534)
Follower of
Justice | Servitude
				Engraving, 83 x 67 mm x 79 x 67 mm. Printed on laid paper. Uniformly browned sheets with some stains.
			
		
					59
				
   
				
	
        Marcantonio Raimondi
(1534)
The Madonna breastfeeds the Child
					 Engraving, 172 x 129 mm (sheet). Bartsch XIV.67.60   Late edition, on eighteenth-century laid paper with a fragment  [..]
				
			
				59
                   
			
			
            
	
        Marcantonio Raimondi
(1534)
The Madonna breastfeeds the Child
				 Engraving, 172 x 129 mm (sheet). Bartsch XIV.67.60   Late edition, on eighteenth-century laid paper with a fragment  [..]
			
		
					60
				
   
				
	
        Marcantonio Raimondi
(1534)
Cleopatra
					 Engraving, 118 x 180 mm (plate), 168 x 235 mm (sheet). Bartsch XIV.162.199. Rare   Sharpimpression, printed on  [..]
				
			
				60
                   
			
			
            
	
        Marcantonio Raimondi
(1534)
Cleopatra
				 Engraving, 118 x 180 mm (plate), 168 x 235 mm (sheet). Bartsch XIV.162.199. Rare   Sharpimpression, printed on  [..]
			
		 
                        	 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				 
					
				