316
Live auction
Old and Modern Prints, Drawings and Maps
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome, thu 14 November 2024
For information:
n.bukowska@bertolamifineart.com
n.bukowska@bertolamifineart.com
270
Francesco Bartolozzi
(1728 - 1815)
Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, and Venetian Schools. . . In His Majesty's Collection
1812
Lot of 16 plates engraved by Francesco Bartolozzi and other engravers, taken from "Original Designs of the Most [..]
270
Francesco Bartolozzi
(1728 - 1815)
Original Designs of the Most Celebrated Masters of the Bolognese, Roman, Florentine, and Venetian Schools. [..]
1812
Lot of 16 plates engraved by Francesco Bartolozzi and other engravers, taken from "Original Designs of the Most [..]
271
Sir William Hamilton
(1730 - 1803)
Decoration from an Etruscan vase
Aquatint, 297 x 416 mm (plate), 475 x 720 mm (sheet). Plate from "Collection Of Etruscan, Greek, And Roman Antiquities...". [..]
271
Sir William Hamilton
(1730 - 1803)
Decoration from an Etruscan vase
Aquatint, 297 x 416 mm (plate), 475 x 720 mm (sheet). Plate from "Collection Of Etruscan, Greek, And Roman Antiquities...". [..]
272
Paul Sandby
(1809)
The Opening of the Carnival in Rome
1780
after David Allan's drawing. Aquatint and etching, approx. 360 x 535 mm. Gunn 278. Very nice impression on [..]
272
Paul Sandby
(1809)
The Opening of the Carnival in Rome
1780
after David Allan's drawing. Aquatint and etching, approx. 360 x 535 mm. Gunn 278. Very nice impression on [..]
273
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Equestrian portrait of Marcus Aurelius
Aquatint, 193 x 147 mm (plate), 202 x 159 mm (sheet). Fine impression on laid paper with a fragment of watermark. [..]
273
Jean Claude Richard de Saint-Non Abbé de Saint-Non
(1730 - 1792)
Equestrian portrait of Marcus Aurelius
Aquatint, 193 x 147 mm (plate), 202 x 159 mm (sheet). Fine impression on laid paper with a fragment of watermark. [..]
274
William Wynne Ryland
(1733 - 1783)
Study for a female nude
after Michelangelo. Manière de crayon, 266 x 195 mm (plate), 355 x 280 mm (sheet). Nice impression on laid paper. [..]
274
William Wynne Ryland
(1733 - 1783)
Study for a female nude
after Michelangelo. Manière de crayon, 266 x 195 mm (plate), 355 x 280 mm (sheet). Nice impression on laid paper. [..]
275
Jakob Schmutzer
(1733 - 1811)
Franz Edmund Weirotter | Paul Petrovitch
Lot of two engravings: Jacob Schmutzer (1733-1811) Franz Edmund Weirotter Etching, 405 x 245 mm (sheet). [..]
275
Jakob Schmutzer
(1733 - 1811)
Franz Edmund Weirotter | Paul Petrovitch
Lot of two engravings: Jacob Schmutzer (1733-1811) Franz Edmund Weirotter Etching, 405 x 245 mm (sheet). [..]
276
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Balthasar Anton Dunker
(1746 - 1807)
View of the Church of St. Peter in Rome from the Ponte Molle
Etching and engraving, 415 x 570 mm (plate), 470 x 580 mm (sheet). Very nice proof on laid paper. Sheet with [..]
276
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Balthasar Anton Dunker
(1746 - 1807)
View of the Church of St. Peter in Rome from the Ponte Molle
Etching and engraving, 415 x 570 mm (plate), 470 x 580 mm (sheet). Very nice proof on laid paper. Sheet with [..]
277
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Prospetto meridionale del Palazzo della Villa Albani
after Francesco Panini. Etching and engraving, 475 x 672 mm (plate), 503 x 690 mm (sheet). Marini 204. A fine [..]
277
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Prospetto meridionale del Palazzo della Villa Albani
after Francesco Panini. Etching and engraving, 475 x 672 mm (plate), 503 x 690 mm (sheet). Marini 204. A fine [..]
278
Jean Jacques de Boissieu
(1736 - 1810)
Landscapes
Lot of four prints. Etching and drypoint, approx. 265 x 405 (each sheet). Printed on laid paper. Sheets in [..]
278
Jean Jacques de Boissieu
(1736 - 1810)
Landscapes
Lot of four prints. Etching and drypoint, approx. 265 x 405 (each sheet). Printed on laid paper. Sheets in [..]
279
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a broken river dam in Holland
1782
by Jan Asselyn. Etching, finished with drypoint and roulette, 485 x 363 mm. Very nice and fresh example, with [..]
279
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a broken river dam in Holland
1782
by Jan Asselyn. Etching, finished with drypoint and roulette, 485 x 363 mm. Very nice and fresh example, with [..]
279
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a broken river dam in Holland
1782
after Jan Asselyn. Etching, finished with drypoint and roulette, 485 x 363 mm. Very nice and fresh example, [..]
279
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a broken river dam in Holland
1782
after Jan Asselyn. Etching, finished with drypoint and roulette, 485 x 363 mm. Very nice and fresh example, [..]
280
John Hall
(1739 - 1797)
William Penn's Treaty with Indians, when he founded the Province of Pensylvania in North America
by Benjamin West. Engraving, 500 x 630 mm (sheet). A fine, fresh copy on heavy laid paper. Sheet with stains, [..]
280
John Hall
(1739 - 1797)
William Penn's Treaty with Indians, when he founded the Province of Pensylvania in North America
by Benjamin West. Engraving, 500 x 630 mm (sheet). A fine, fresh copy on heavy laid paper. Sheet with stains, [..]
281
Stefano Mulinari
(Firenze)
Bust of a young woman
1870
after a drawing preserved in the Cabinet of Drawings and Prints of the Uffizi, formerly attributed to Leonardo [..]
281
Stefano Mulinari
(Firenze)
Bust of a young woman
1870
after a drawing preserved in the Cabinet of Drawings and Prints of the Uffizi, formerly attributed to Leonardo [..]
282
Stefano Mulinari
(Firenze)
The Presentation of Jesus at the Temple
after Federico Zuccaro. Aquatint in brownish ink, 335 x 485 mm. From "Original drawings by excellent painters [..]
282
Stefano Mulinari
(Firenze)
The Presentation of Jesus at the Temple
after Federico Zuccaro. Aquatint in brownish ink, 335 x 485 mm. From "Original drawings by excellent painters [..]
283
Pierre Lélu
(1741 - 1810)
The Massacre of the Innocents
1790
after Marcantonio Raimondi. Etching and drawing in pen and brown ink, 440 x 298 mm. In fair condition, trimmed [..]
283
Pierre Lélu
(1741 - 1810)
The Massacre of the Innocents
1790
after Marcantonio Raimondi. Etching and drawing in pen and brown ink, 440 x 298 mm. In fair condition, trimmed [..]
284
Richard Earlom
(London, 1743 - 1822)
Bathsheba bringing Abishag to David
after Adriaen van der Werff. Mezzotint, 625 x 455 mm (plate), 670 x 507 mm (sheet). Rubinstein "Richard Earlom [..]
284
Richard Earlom
(London, 1743 - 1822)
Bathsheba bringing Abishag to David
after Adriaen van der Werff. Mezzotint, 625 x 455 mm (plate), 670 x 507 mm (sheet). Rubinstein "Richard Earlom [..]
285
Richard Earlom
(London, 1743 - 1822)
Orpheus | The exposition of Cyrus
Lot of two engravings after Giovanni Benedetto Castiglione: a) Orpheus Mezzotint, 283 x 369 mm (plate), 292 [..]
285
Richard Earlom
(London, 1743 - 1822)
Orpheus | The exposition of Cyrus
Lot of two engravings after Giovanni Benedetto Castiglione: a) Orpheus Mezzotint, 283 x 369 mm (plate), 292 [..]
286
Dominique Montagù
Giovanni Maria Cassini (1745-1824)
Ancient and modern views of Rome
Lot of 14 plates: 8 plates from "New collection of the best ancient and modern views of Rome drawn and engraved [..]
286
Dominique Montagù
Giovanni Maria Cassini (1745-1824)
Ancient and modern views of Rome
Lot of 14 plates: 8 plates from "New collection of the best ancient and modern views of Rome drawn and engraved [..]
287
Thomas Milton
(1743 - 1827)
City of Rosetta
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
287
Thomas Milton
(1743 - 1827)
City of Rosetta
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
288
Thomas Milton
(1743 - 1827)
Principal Square in Grand Cairo, with Murad Bey's Palace
1811
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
288
Thomas Milton
(1743 - 1827)
Principal Square in Grand Cairo, with Murad Bey's Palace
1811
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
289
Thomas Milton
(1743 - 1827)
Part of the new city of Alexandria, with the Light House
1802
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
289
Thomas Milton
(1743 - 1827)
Part of the new city of Alexandria, with the Light House
1802
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). From the series Views in [..]
290
Thomas Milton
(1743 - 1827)
Theatre at Ephesus
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). Nice, hand-colored copy. [..]
290
Thomas Milton
(1743 - 1827)
Theatre at Ephesus
after Luigi Mayer. Etching and aquatint, 313 x 390 mm (plate), 335 x 480 mm (sheet). Nice, hand-colored copy. [..]
291
Carlo Labruzzi
(Roma, 1748 - Perugia, 1817)
A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Etching, approx. 49.5 x 66.5 cm. Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by [..]
291
Carlo Labruzzi
(Roma, 1748 - Perugia, 1817)
A view of the Palatine Hill, the aqueduct of the Acqua Claudia the Ampitheatre
Etching, approx. 49.5 x 66.5 cm. Plate no. 2 from "Via Appia illustrata ab urbe Roma ad Capuam", published by [..]
292
Benedetto Eredi
(Ravenna - 1815)
La casta Susanna
after Matteo Rosselli. Etching, 365 x 450 mm. Copy with nice contemporary coloring, printed on laid paper. Sheet [..]
292
Benedetto Eredi
(Ravenna - 1815)
La casta Susanna
after Matteo Rosselli. Etching, 365 x 450 mm. Copy with nice contemporary coloring, printed on laid paper. Sheet [..]
293
William Hamilton
(1751 - 1801)
After
Twelve months
Lot of 12 prints engraved by Gennaro Bartoli (active mid-19th century). Engraving and etching, approx. 320 x [..]
293
William Hamilton
(1751 - 1801)
After
Twelve months
Lot of 12 prints engraved by Gennaro Bartoli (active mid-19th century). Engraving and etching, approx. 320 x [..]
294
Gilbert Stuart
(Rhode Island, 1754 - Boston, 1828)
After
George Washington
Engraving by John Halpin after Gilbert Stuart's painting now in the Old State House in Hartford, Connecticut. [..]
294
Gilbert Stuart
(Rhode Island, 1754 - Boston, 1828)
After
George Washington
Engraving by John Halpin after Gilbert Stuart's painting now in the Old State House in Hartford, Connecticut. [..]
295
Georg Abraham Hackert
(Prenzlau, 1755 - Firenze, 1805)
Vue de Caserte | Vue de Persano
Lot of two engravings after Jacob Philipp Hackert's paintings, today in the collection of the Royal Palace of [..]
295
Georg Abraham Hackert
(Prenzlau, 1755 - Firenze, 1805)
Vue de Caserte | Vue de Persano
Lot of two engravings after Jacob Philipp Hackert's paintings, today in the collection of the Royal Palace of [..]
296
Georg Abraham Hackert
(Prenzlau, 1755 - Firenze, 1805)
1.ere vue des ruines du Pont d'Auguste sur la Nera à Narni
AFTER Jacob Philipp Hackert (Prenzlau 1737 – Florence 1807). Etching and engraving, 430 x 578 mm (sheet). Rare [..]
296
Georg Abraham Hackert
(Prenzlau, 1755 - Firenze, 1805)
1.ere vue des ruines du Pont d'Auguste sur la Nera à Narni
AFTER Jacob Philipp Hackert (Prenzlau 1737 – Florence 1807). Etching and engraving, 430 x 578 mm (sheet). Rare [..]
297
Thomas Rowlandson
(1757 - 1827)
(the German doctor) Franz Joseph Gall discusses with colleagues, inside an anatomical room
Etching with contemporary colouring, 225 x 280 mm. In good condition, with yellowing and widespread foxing, [..]
297
Thomas Rowlandson
(1757 - 1827)
(the German doctor) Franz Joseph Gall discusses with colleagues, inside an anatomical room
Etching with contemporary colouring, 225 x 280 mm. In good condition, with yellowing and widespread foxing, [..]
298
Thomas Rowlandson
(1757 - 1827)
Home and Abroad | Abroad and at Home
Etching, approx. 140 x 193 mm (each piece). Original print cut into two pieces, printed on wove paper with [..]
298
Thomas Rowlandson
(1757 - 1827)
Home and Abroad | Abroad and at Home
Etching, approx. 140 x 193 mm (each piece). Original print cut into two pieces, printed on wove paper with [..]