241
GIULIO ARISTIDE SARTORIO
(ROMA, 1860 - ROMA, 1932)
Return of buffaloes
Lithograph, 635 × 670 mm (sheet). Trial proof? “P.S.” and title in pencil at lower left. Stamp “GIULIO ARISTIDE [..]
241
GIULIO ARISTIDE SARTORIO
(ROMA, 1860 - ROMA, 1932)
Return of buffaloes
Lithograph, 635 × 670 mm (sheet). Trial proof? “P.S.” and title in pencil at lower left. Stamp “GIULIO ARISTIDE [..]
242
LORENZO VIANI
(Viareggio, 1882 - Roma, 1936)
Portrait of a standing woman
Woodcut, 695 × 495 mm. Signed in pencil at lower left. Fine impression with contrasting tones, printed on thick [..]
242
LORENZO VIANI
(Viareggio, 1882 - Roma, 1936)
Portrait of a standing woman
Woodcut, 695 × 495 mm. Signed in pencil at lower left. Fine impression with contrasting tones, printed on thick [..]
243
Donald Shaw MacLaughlan
(1876 - 1938)
The Enchanted Pod
1920
Woodcut, 695 × 495 mm. Signed in pencil at lower left. Fine impression with contrasting tones, printed on thick [..]
243
Donald Shaw MacLaughlan
(1876 - 1938)
The Enchanted Pod
1920
Woodcut, 695 × 495 mm. Signed in pencil at lower left. Fine impression with contrasting tones, printed on thick [..]
244
MAX KLINGER
(Lipsia, 1857 - Großjena, 1920)
Beschreibung, from "Das Zelt"
Etching and aquatint on chine-collé, 227 × 175 mm (plate), 590 × 400 mm (sheet). Opus XIV, Blatt 28 from the series [..]
244
MAX KLINGER
(Lipsia, 1857 - Großjena, 1920)
Beschreibung, from "Das Zelt"
Etching and aquatint on chine-collé, 227 × 175 mm (plate), 590 × 400 mm (sheet). Opus XIV, Blatt 28 from the series [..]
245
Sigmund Lipinsky
(1873 - 1940)
Pandora
Etching, 330 × 165 mm (image). Edition from Die Graphischen Künste, vol. XXXVII, Vienna 1914. Grochala 12. [..]
245
Sigmund Lipinsky
(1873 - 1940)
Pandora
Etching, 330 × 165 mm (image). Edition from Die Graphischen Künste, vol. XXXVII, Vienna 1914. Grochala 12. [..]
246
Sigmund Lipinsky
(1873 - 1940)
The Fates
1914
Etching, 480 × 235 mm (plate). Signed in pencil at lower right. Grochala 12. Superb impression with silver [..]
246
Sigmund Lipinsky
(1873 - 1940)
The Fates
1914
Etching, 480 × 235 mm (plate). Signed in pencil at lower right. Grochala 12. Superb impression with silver [..]
247
Sigmund Lipinsky
(1873 - 1940)
Nostalgia
Etching and engraving, 332 × 519 mm (plate). Signed in pencil at lower right. Grochala 19. Fine, sharp impression. [..]
247
Sigmund Lipinsky
(1873 - 1940)
Nostalgia
Etching and engraving, 332 × 519 mm (plate). Signed in pencil at lower right. Grochala 19. Fine, sharp impression. [..]
248
Sigmund Lipinsky
(1873 - 1940)
Calma Marina
1912
Etching on chine-collé, 235 × 375 mm (plate), 345 × 470 mm (sheet). Edition 38/100 in pencil, signed at lower [..]
248
Sigmund Lipinsky
(1873 - 1940)
Calma Marina
1912
Etching on chine-collé, 235 × 375 mm (plate), 345 × 470 mm (sheet). Edition 38/100 in pencil, signed at lower [..]
249
Sigmund Lipinsky
(1873 - 1940)
Odyssey
1929
Complete set of 8 prints. Etching, 220 × 140 mm (each plate), 480 × 327 mm (each sheet). Each numbered in pencil [..]
249
Sigmund Lipinsky
(1873 - 1940)
Odyssey
1929
Complete set of 8 prints. Etching, 220 × 140 mm (each plate), 480 × 327 mm (each sheet). Each numbered in pencil [..]
250
MARC CHAGALL©
(Lëzna, 1887 - San Paolo di Venza, 1985)
Les Fables
Set of 28 prints from Les Fables by La Fontaine. Etching and aquatint, 400 × 305 mm (each sheet). 15 copies signed [..]
250
MARC CHAGALL©
(Lëzna, 1887 - San Paolo di Venza, 1985)
Les Fables
Set of 28 prints from Les Fables by La Fontaine. Etching and aquatint, 400 × 305 mm (each sheet). 15 copies signed [..]
251
ERNST BARLACH
(Wedel, 1870 - Rostock, 1938)
Erscheinung im Nebel, from "Der Tote Tag"
1912
Lithograph, 513 × 622 mm (sheet). Signed in pencil at lower right. Schult 24. Fine impression on wove paper. [..]
251
ERNST BARLACH
(Wedel, 1870 - Rostock, 1938)
Erscheinung im Nebel, from "Der Tote Tag"
1912
Lithograph, 513 × 622 mm (sheet). Signed in pencil at lower right. Schult 24. Fine impression on wove paper. [..]
252
ERNST BARLACH
(Wedel, 1870 - Rostock, 1938)
Der Seufzerstein, from "Der tote Tag"
Lithograph, 515 × 670 mm (sheet). Signed in pencil at lower right. Schult 24. Fine impression with strong black [..]
252
ERNST BARLACH
(Wedel, 1870 - Rostock, 1938)
Der Seufzerstein, from "Der tote Tag"
Lithograph, 515 × 670 mm (sheet). Signed in pencil at lower right. Schult 24. Fine impression with strong black [..]
253
MAX BECKMANN
(Lipsia, 1884 - New York, 1950)
Der Neger, from "Jahrmarkt"
1922
Drypoint, 395 × 260 mm (plate), 525 × 385 mm (sheet). Titled, dated and signed in pencil. Fine, crisp impression [..]
253
MAX BECKMANN
(Lipsia, 1884 - New York, 1950)
Der Neger, from "Jahrmarkt"
1922
Drypoint, 395 × 260 mm (plate), 525 × 385 mm (sheet). Titled, dated and signed in pencil. Fine, crisp impression [..]
254
OTTO DIX©
(Untermhaus, 1891 - Singen, 1969)
Zerschossene, da Der Krieg
Etching, aquatint and drypoint, 146 × 197 mm (plate), 350 × 460 mm (sheet). Edition 70/70, no. VIII of the series, [..]
254
OTTO DIX©
(Untermhaus, 1891 - Singen, 1969)
Zerschossene, da Der Krieg
Etching, aquatint and drypoint, 146 × 197 mm (plate), 350 × 460 mm (sheet). Edition 70/70, no. VIII of the series, [..]
255
OTTO DIX©
(Untermhaus, 1891 - Singen, 1969)
Verschuttete, from Der Krieg
Etching, aquatint and drypoint, 137 × 190 mm (plate), 347 × 470 mm (sheet). Edition 62/70, no. II of the series, [..]
255
OTTO DIX©
(Untermhaus, 1891 - Singen, 1969)
Verschuttete, from Der Krieg
Etching, aquatint and drypoint, 137 × 190 mm (plate), 347 × 470 mm (sheet). Edition 62/70, no. II of the series, [..]
256
OTTO DIX©
(Untermhaus, 1891 - Singen, 1969)
Drahtverhau vor dem Kampfgraben, from "Der Krieg"
1924
Etching, aquatint and drypoint, 470 × 347 mm (sheet). Edition 62/70, no. X of the series, signed in pencil below. [..]
256
OTTO DIX©
(Untermhaus, 1891 - Singen, 1969)
Drahtverhau vor dem Kampfgraben, from "Der Krieg"
1924
Etching, aquatint and drypoint, 470 × 347 mm (sheet). Edition 62/70, no. X of the series, signed in pencil below. [..]
257
CHRISTIAN SCHAD©
(Miesbach, 1894 - Keilberg, 1982)
Resolution
1917
Woodcut, 310 × 410 mm (sheet). Title, signature and date in pencil below. Fine impression with strong contrasts, [..]
257
CHRISTIAN SCHAD©
(Miesbach, 1894 - Keilberg, 1982)
Resolution
1917
Woodcut, 310 × 410 mm (sheet). Title, signature and date in pencil below. Fine impression with strong contrasts, [..]
258
CHRISTIAN SCHAD©
(Miesbach, 1894 - Keilberg, 1982)
Bettina | Kitty
1970
Drypoint, 450 × 330 mm (each sheet). Title, edition (99/100), signature and date in pencil. Fine impressions [..]
258
CHRISTIAN SCHAD©
(Miesbach, 1894 - Keilberg, 1982)
Bettina | Kitty
1970
Drypoint, 450 × 330 mm (each sheet). Title, edition (99/100), signature and date in pencil. Fine impressions [..]
259
KARL HUBBUCH©
(Karlsruhe, 1891 - 1979)
Portrait of a girl
Woodcut, 365 × 410 mm (plate), 510 × 660 mm (sheet). Artist’s proof (Probedruck), signed in pencil at lower left. [..]
259
KARL HUBBUCH©
(Karlsruhe, 1891 - 1979)
Portrait of a girl
Woodcut, 365 × 410 mm (plate), 510 × 660 mm (sheet). Artist’s proof (Probedruck), signed in pencil at lower left. [..]
260
OTTO DIX©
(Untermhaus, 1891 - Singen, 1969)
Portrait of Angermayer
1923
Lithograph on paper, 540 × 410 mm (sheet). Edition 33/40, signed and dated in pencil below. Fine impression [..]
260
OTTO DIX©
(Untermhaus, 1891 - Singen, 1969)
Portrait of Angermayer
1923
Lithograph on paper, 540 × 410 mm (sheet). Edition 33/40, signed and dated in pencil below. Fine impression [..]
261
MAX BECKMANN
(Lipsia, 1884 - New York, 1950)
Portrait of Käthe Carl
1916
Drypoint, 236 × 173 mm (plate), 490 × 340 mm (sheet). Edition number at lower left of the sheet: 74/X. Signed [..]
261
MAX BECKMANN
(Lipsia, 1884 - New York, 1950)
Portrait of Käthe Carl
1916
Drypoint, 236 × 173 mm (plate), 490 × 340 mm (sheet). Edition number at lower left of the sheet: 74/X. Signed [..]
262
Angèle Delasalle
(1867)
Olympia
1909
Etching, 145 × 215 mm (plate), 190 × 280 mm (sheet). Fine, sharp impression on thick wove paper. Sheet with [..]
262
Angèle Delasalle
(1867)
Olympia
1909
Etching, 145 × 215 mm (plate), 190 × 280 mm (sheet). Fine, sharp impression on thick wove paper. Sheet with [..]
263
Jean-Emile Laboureur
(1877 - 1943)
Les Champs-Elysées
1912
Etching, 250 × 630 mm (plate). Published by the Chalcographie du Louvre. Fine impression on wove paper. The [..]
263
Jean-Emile Laboureur
(1877 - 1943)
Les Champs-Elysées
1912
Etching, 250 × 630 mm (plate). Published by the Chalcographie du Louvre. Fine impression on wove paper. The [..]
264
BRUNO CROATTO
(Trieste, 1875 - Roma, 1948)
Narni
1912
Etching and aquatint, 360 × 505 mm. Signed in pencil at lower left. Fine impression printed in greenish ink, [..]
264
BRUNO CROATTO
(Trieste, 1875 - Roma, 1948)
Narni
1912
Etching and aquatint, 360 × 505 mm. Signed in pencil at lower left. Fine impression printed in greenish ink, [..]
265
BRUNO CROATTO
(Trieste, 1875 - Roma, 1948)
Palermo: San Giovanni degli Eremiti
Etching and drypoint, 495 × 535 mm. Signed in pencil at lower left, inscribed “op. 270”, title in pencil at lower [..]
265
BRUNO CROATTO
(Trieste, 1875 - Roma, 1948)
Palermo: San Giovanni degli Eremiti
Etching and drypoint, 495 × 535 mm. Signed in pencil at lower left, inscribed “op. 270”, title in pencil at lower [..]
266
Giovanni Costetti
(1878 - 1949)
Basiliola
Etching, 372 × 270 mm (plate), 493 × 380 mm (sheet). Fine impression with strong tones, printed in brown ink [..]
266
Giovanni Costetti
(1878 - 1949)
Basiliola
Etching, 372 × 270 mm (plate), 493 × 380 mm (sheet). Fine impression with strong tones, printed in brown ink [..]
267
BASILIO CASCELLA
(Pescara, 1860 - Roma, 1950)
Illustrazione abruzzese. Serie II fascicolo III.
In-folio (410 x 410 mm). 36 pagine, con 7 illustrazioni fuori testo, incisioni di Cascella e altri.
267
BASILIO CASCELLA
(Pescara, 1860 - Roma, 1950)
Illustrazione abruzzese. Serie II fascicolo III.
In-folio (410 x 410 mm). 36 pagine, con 7 illustrazioni fuori testo, incisioni di Cascella e altri.
267 bis
BASILIO CASCELLA
(Pescara, 1860 - Roma, 1950)
Illustrazione abruzzese. Serie II fascicolo II
In-folio (410 x 410 mm). 40 pagine, con 8 illustrazioni fuori testo, incisioni di Cascella e altri.
267 bis
BASILIO CASCELLA
(Pescara, 1860 - Roma, 1950)
Illustrazione abruzzese. Serie II fascicolo II
In-folio (410 x 410 mm). 40 pagine, con 8 illustrazioni fuori testo, incisioni di Cascella e altri.
267 ter
BASILIO CASCELLA
(Pescara, 1860 - Roma, 1950)
Illustrazione abruzzese. Serie IV fascicolo IV
In-folio (410 x 410 mm). 38 pagine, con 8 illustrazioni fuori testo, incisioni di Cascella e altri.
267 ter
BASILIO CASCELLA
(Pescara, 1860 - Roma, 1950)
Illustrazione abruzzese. Serie IV fascicolo IV
In-folio (410 x 410 mm). 38 pagine, con 8 illustrazioni fuori testo, incisioni di Cascella e altri.
267 quater
TOMMASO CASCELLA
(Ortona, 1890 - Pescara, 1968)
La Grande Illustrazione. Anno I° n° 1
In-folio (410 x 345 mm). 34 pagine, con 6 illustrazioni fuori testo, titoli e incisioni di Cascella e altri.
267 quater
TOMMASO CASCELLA
(Ortona, 1890 - Pescara, 1968)
La Grande Illustrazione. Anno I° n° 1
In-folio (410 x 345 mm). 34 pagine, con 6 illustrazioni fuori testo, titoli e incisioni di Cascella e altri.
268
Guglielmo Baldassini
(1885 - 1952)
La vita nel porto (Genova)
Etching, 120 × 180 mm (plate). Signed in pencil at lower right. Fine impression printed in greenish ink. With [..]
268
Guglielmo Baldassini
(1885 - 1952)
La vita nel porto (Genova)
Etching, 120 × 180 mm (plate). Signed in pencil at lower right. Fine impression printed in greenish ink. With [..]
269
Dante Broglio
(1873 - 1954)
View of Theatre of Marcellus in Rome
1934
Etching, 345 × 482 mm (plate), 490 × 685 mm (sheet). Signed and dated in the plate. Edition 12/12, signed in pencil [..]
269
Dante Broglio
(1873 - 1954)
View of Theatre of Marcellus in Rome
1934
Etching, 345 × 482 mm (plate), 490 × 685 mm (sheet). Signed and dated in the plate. Edition 12/12, signed in pencil [..]
270
HENRI LAURENS
(Parigi, 1885 - 1954)
Femme assise à la jambe levée
Lithograph, 560 × 370 mm (sheet). Artist’s proof, signed in pencil at lower left. Fine impression. Sheet evenly [..]
270
HENRI LAURENS
(Parigi, 1885 - 1954)
Femme assise à la jambe levée
Lithograph, 560 × 370 mm (sheet). Artist’s proof, signed in pencil at lower left. Fine impression. Sheet evenly [..]
271
Settimo Bocconi
(1875 - 1959)
View with two cypresses
1926
Etching, 242 × 300 mm (plate), 470 × 502 mm (sheet). Signed and dated in pencil. Fine impression on wove paper. [..]
271
Settimo Bocconi
(1875 - 1959)
View with two cypresses
1926
Etching, 242 × 300 mm (plate), 470 × 502 mm (sheet). Signed and dated in pencil. Fine impression on wove paper. [..]
272
Edouard Jules Chimot
(1880 - 1959)
Female figure
Aquatint and etching, 270 × 218 mm (plate), 315 × 242 mm (sheet). Very fine impression on Rives paper. Sheet [..]
272
Edouard Jules Chimot
(1880 - 1959)
Female figure
Aquatint and etching, 270 × 218 mm (plate), 315 × 242 mm (sheet). Very fine impression on Rives paper. Sheet [..]
273
Ernesto Michahelles THAYAHT
(Firenze, 1893 - Marina di Pietrasanta, 1959)
Dynamism of dancers
1922
Woodcut, 315 × 255 mm. Fine example with rich contrasts on wove paper. In very good condition, except for uniform [..]
273
Ernesto Michahelles THAYAHT
(Firenze, 1893 - Marina di Pietrasanta, 1959)
Dynamism of dancers
1922
Woodcut, 315 × 255 mm. Fine example with rich contrasts on wove paper. In very good condition, except for uniform [..]
274
FORTUNATO DEPERO©
(Fondo, 1892 - Rovereto, 1960)
Richard Ginori
Lithograph, 260 × 192 mm. Mounted on cardboard with a hanging hole at the top center. Two postage stamps applied [..]
274
FORTUNATO DEPERO©
(Fondo, 1892 - Rovereto, 1960)
Richard Ginori
Lithograph, 260 × 192 mm. Mounted on cardboard with a hanging hole at the top center. Two postage stamps applied [..]
275
FORTUNATO DEPERO©
(Fondo, 1892 - Rovereto, 1960)
Davide Campari & C. Bitter Campari
Lithograph, 305 × 220 mm. Fine impression with strong contrasts. Mounted on cardboard with a hanging hole at [..]
275
FORTUNATO DEPERO©
(Fondo, 1892 - Rovereto, 1960)
Davide Campari & C. Bitter Campari
Lithograph, 305 × 220 mm. Fine impression with strong contrasts. Mounted on cardboard with a hanging hole at [..]
276
Plastica mangiabile. Invito alla serata di cucina futurista
1933
Plastica Mangiabile modellata da Tapparelli - Prampolini - Fillia - Munari. Glorificazione della cucina futurista [..]
276
Plastica mangiabile. Invito alla serata di cucina futurista
1933
Plastica Mangiabile modellata da Tapparelli - Prampolini - Fillia - Munari. Glorificazione della cucina futurista [..]
277
FORTUNATO DEPERO©
(Fondo, 1892 - Rovereto, 1960)
Anche il sarto mi offrì un cordial Campari
Lithograph, 225 × 165 mm (plate), 345 × 245 mm (sheet). Fine impression with strong contrasts on wove paper. [..]
277
FORTUNATO DEPERO©
(Fondo, 1892 - Rovereto, 1960)
Anche il sarto mi offrì un cordial Campari
Lithograph, 225 × 165 mm (plate), 345 × 245 mm (sheet). Fine impression with strong contrasts on wove paper. [..]