122
Francisco de Arteaga
(1711)
Emblems, from Fiestas de la Santa Iglesia de Sevilla
1672
Set of two plates from Fiestas de la Santa Iglesia de Sevilla, published in Seville in 1672 on the occasion of [..]
122
Francisco de Arteaga
(1711)
Emblems, from Fiestas de la Santa Iglesia de Sevilla
1672
Set of two plates from Fiestas de la Santa Iglesia de Sevilla, published in Seville in 1672 on the occasion of [..]
123
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Mystical Marriage of Saint Catherine
Etching, 174 × 127 mm (plate), 195 × 150 mm approx. (sheet). Fifth state of 5, with the outline of the oval fully [..]
123
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Mystical Marriage of Saint Catherine
Etching, 174 × 127 mm (plate), 195 × 150 mm approx. (sheet). Fifth state of 5, with the outline of the oval fully [..]
124
Giuseppe Maria Mitelli
(1634 - 1718)
FEBRARO (February)
From the series of the Twelve Months. Etching, 300 × 195 mm. Bertarelli 512. Very fine impression with strong [..]
124
Giuseppe Maria Mitelli
(1634 - 1718)
FEBRARO (February)
From the series of the Twelve Months. Etching, 300 × 195 mm. Bertarelli 512. Very fine impression with strong [..]
125
Giuseppe Maria Mitelli
(1634 - 1718)
Non può già l'huom per faticar la mano
Etching, 282 × 195 mm (plate), 370 × 282 mm (sheet). Bertarelli 289. Very fine impression with strong contrasts [..]
125
Giuseppe Maria Mitelli
(1634 - 1718)
Non può già l'huom per faticar la mano
Etching, 282 × 195 mm (plate), 370 × 282 mm (sheet). Bertarelli 289. Very fine impression with strong contrasts [..]
126
Lodovico Mattioli
(1662 - 1747)
The Resurrection of Christ, after Giuseppe Maria Crespi
Etching, 462 × 324 mm. Bartsch XIX.342.8. Fine impression on laid paper with watermark. Sheet trimmed but, [..]
126
Lodovico Mattioli
(1662 - 1747)
The Resurrection of Christ, after Giuseppe Maria Crespi
Etching, 462 × 324 mm. Bartsch XIX.342.8. Fine impression on laid paper with watermark. Sheet trimmed but, [..]
127
Balthazar Sigismond Sedlezky
(1695 - 1774)
Claude Gillot
(1673 - 1722)
Based on
Les Obseques | L'Education
Set of two copies in reverse after Claude Gillot, from the series Vite dei satiri. Etching and engraving, [..]
127
Balthazar Sigismond Sedlezky
(1695 - 1774)
Claude Gillot
(1673 - 1722)
Based on
Les Obseques | L'Education
Set of two copies in reverse after Claude Gillot, from the series Vite dei satiri. Etching and engraving, [..]
128
Arnold van Westerhout
(1651 - 1725)
Nuova ed esatta pianta del conclave ... fatto nella sede vacante di papa Innocenzo XIII
1724 ca.
Engraving and etching, 400 × 526 mm approx. Very fine impression on laid paper. Sheet with traces of vertical [..]
128
Arnold van Westerhout
(1651 - 1725)
Nuova ed esatta pianta del conclave ... fatto nella sede vacante di papa Innocenzo XIII
1724 ca.
Engraving and etching, 400 × 526 mm approx. Very fine impression on laid paper. Sheet with traces of vertical [..]
129
Nuova et essatta pianta del conclave fatto in sede vacante di Papa Benedetto XIII
1730
Engraving and etching, 390 × 525 mm (plate), 425 × 550 mm approx. (sheet). Fine impression on laid paper, with [..]
129
Nuova et essatta pianta del conclave fatto in sede vacante di Papa Benedetto XIII
1730
Engraving and etching, 390 × 525 mm (plate), 425 × 550 mm approx. (sheet). Fine impression on laid paper, with [..]
130
Joseph Dall'Armi
(1787)
Prospetto del Conclave nel palazzo del Quirinale
Lithograph, 285 × 312 mm approx. Fine impression. Overall in very good condition, except for two light stains. [..]
130
Joseph Dall'Armi
(1787)
Prospetto del Conclave nel palazzo del Quirinale
Lithograph, 285 × 312 mm approx. Fine impression. Overall in very good condition, except for two light stains. [..]
131
Luca Carlevarijs
(1664 - 1730)
Ponte di Rialto | Veduta della Zecca | Palazzo Leze
Set of three engravings from Le Fabriche e Vedute di Venezia disegnate, poste in prospettiva ed intagliate da [..]
131
Luca Carlevarijs
(1664 - 1730)
Ponte di Rialto | Veduta della Zecca | Palazzo Leze
Set of three engravings from Le Fabriche e Vedute di Venezia disegnate, poste in prospettiva ed intagliate da [..]
132
Filippo Vasconi
(1730)
Il Platon de pulcinella fra suoi portici... | Per cert'infermità fiera e nascosa..., da Pier Leone Ghezzi
Set of two prints. Etching, 395 × 545 mm (sheet). Very fine impressions on laid paper with watermark (lily [..]
132
Filippo Vasconi
(1730)
Il Platon de pulcinella fra suoi portici... | Per cert'infermità fiera e nascosa..., da Pier Leone Gh [..]
Set of two prints. Etching, 395 × 545 mm (sheet). Very fine impressions on laid paper with watermark (lily [..]
133
Edmé Jeaurat
(1688 - 1738)
Four Seasons, after Nicolas Vleughels
Set of four prints. Engraving and etching, 185 × 200 mm approx. (each sheet). Le Blanc 56–59. Fine impressions [..]
133
Edmé Jeaurat
(1688 - 1738)
Four Seasons, after Nicolas Vleughels
Set of four prints. Engraving and etching, 185 × 200 mm approx. (each sheet). Le Blanc 56–59. Fine impressions [..]
134
Henri Simon Thomassin
(1688 - 1741)
Portrait of Caravaggio
Etching, 227 × 136 mm (plate), 258 × 165 mm (sheet). Le Blanc IV.32.5. Fine impression on laid paper with fragment [..]
134
Henri Simon Thomassin
(1688 - 1741)
Portrait of Caravaggio
Etching, 227 × 136 mm (plate), 258 × 165 mm (sheet). Le Blanc IV.32.5. Fine impression on laid paper with fragment [..]
135
Nicolas Dauphin De Beauvais
(1687 - 1753)
Nicolas Henri Tardieu
(1674 - 1749)
Saint Magdalene the Penitent | Noli me tangere
Set of two plates from Recueil d’Estampes d’après les plus beaux tableaux… qui sont en France , printed and published [..]
135
Nicolas Dauphin De Beauvais
(1687 - 1753)
Nicolas Henri Tardieu
(1674 - 1749)
Saint Magdalene the Penitent | Noli me tangere
Set of two plates from Recueil d’Estampes d’après les plus beaux tableaux… qui sont en France , printed and published [..]
136
Johann Daniel Herz
(1693 - 1754)
Frescoes in the Palazzo Doria Pamhilij in Piazza Navona, after Pietro da Cortona
Set of four engravings. Etching, 310 × 470 mm approx. (each). Fine impressions on laid paper with watermark. [..]
136
Johann Daniel Herz
(1693 - 1754)
Frescoes in the Palazzo Doria Pamhilij in Piazza Navona, after Pietro da Cortona
Set of four engravings. Etching, 310 × 470 mm approx. (each). Fine impressions on laid paper with watermark. [..]
137
Jean Audran
(1667 - 1756)
Portrait of Pierre Paul Rubens, after Anton van Dyck
Etching and engraving, 507 × 355 mm (plate), 597 × 440 mm (sheet). Title plate of the famous La Galerie du Luxembourg [..]
137
Jean Audran
(1667 - 1756)
Portrait of Pierre Paul Rubens, after Anton van Dyck
Etching and engraving, 507 × 355 mm (plate), 597 × 440 mm (sheet). Title plate of the famous La Galerie du Luxembourg [..]
138
Louis Joseph Le Lorrain
(1715 - 1759)
Disegno della Gran Festa da Ballo in Prospettiva fattasi nel Real Teatro di S. Carlo
Etching, 535 × 780 mm (sheet). Le Blanc 15. Printed on laid paper with a large watermark and countermark. Margins [..]
138
Louis Joseph Le Lorrain
(1715 - 1759)
Disegno della Gran Festa da Ballo in Prospettiva fattasi nel Real Teatro di S. Carlo
Etching, 535 × 780 mm (sheet). Le Blanc 15. Printed on laid paper with a large watermark and countermark. Margins [..]
139
Pierre Alexandre Aveline
(1702 - 1760)
Les Charmes de la Vie, after Antoine Watteau
Etching and engraving, 377 × 485 mm. Third state of 4, before the effacement of Surugue’s address. IFF I.312.9. [..]
139
Pierre Alexandre Aveline
(1702 - 1760)
Les Charmes de la Vie, after Antoine Watteau
Etching and engraving, 377 × 485 mm. Third state of 4, before the effacement of Surugue’s address. IFF I.312.9. [..]
140
William Hogarth
(1697 - 1764)
Boys peeping at Nature
Etching, 151 × 127 mm (plate), 177 × 150 mm (sheet). Fourth state of 4 (reworked). Paulson 120. Subscription [..]
140
William Hogarth
(1697 - 1764)
Boys peeping at Nature
Etching, 151 × 127 mm (plate), 177 × 150 mm (sheet). Fourth state of 4 (reworked). Paulson 120. Subscription [..]
141
René Michel (Michel Ange) Slodtz
(1705 - 1764)
Studies of heads and figures
Etching, 170 × 118 mm (plate), 203 × 144 mm (sheet). Very fine, sharp impression on laid paper. Sheet with [..]
141
René Michel (Michel Ange) Slodtz
(1705 - 1764)
Studies of heads and figures
Etching, 170 × 118 mm (plate), 203 × 144 mm (sheet). Very fine, sharp impression on laid paper. Sheet with [..]
142
Nicolas Lesueur
(1690 - 1764)
The Chariot of the Sun, after Paolo Farinati
Chiaroscuro woodcut, printed in light blue tones over brown key block, 568 × 380 mm (sheet). From Cabinet Crozat. [..]
142
Nicolas Lesueur
(1690 - 1764)
The Chariot of the Sun, after Paolo Farinati
Chiaroscuro woodcut, printed in light blue tones over brown key block, 568 × 380 mm (sheet). From Cabinet Crozat. [..]
143
Jacob Folkema
(1692 - 1767)
Pomology, after Johann Hermann Knoop
Set of three plates (VII, VIII, XII) depicting various types of pears and apples, from Pomologia by Johann Hermann [..]
143
Jacob Folkema
(1692 - 1767)
Pomology, after Johann Hermann Knoop
Set of three plates (VII, VIII, XII) depicting various types of pears and apples, from Pomologia by Johann Hermann [..]
144
Giovanni Zempel
(1696 - 1768)
Propositiones theologicae di Michael Lodzinski
1763
Etching and engraving, 875 × 565 mm. Printed at the workshop of Giovanni Zempel in 1762. Very rare. The theses [..]
144
Giovanni Zempel
(1696 - 1768)
Propositiones theologicae di Michael Lodzinski
1763
Etching and engraving, 875 × 565 mm. Printed at the workshop of Giovanni Zempel in 1762. Very rare. The theses [..]
145
Christian Wilhelm Ernst Dietrich
(1712 - 1774)
Small landscape with tower
Etching, 27 × 85 mm (plate), 32 × 92 mm (sheet). First state of 3, before the addition of the number. Linck 168. [..]
145
Christian Wilhelm Ernst Dietrich
(1712 - 1774)
Small landscape with tower
Etching, 27 × 85 mm (plate), 32 × 92 mm (sheet). First state of 3, before the addition of the number. Linck 168. [..]
146
Giovanni Antonio Canal detto il Canaletto
(Venezia, 1697 - 1768)
The Bishop's Tomb
From Vedute altre prese da i luoghi altre ideate da Antonio Canal . Etching, 301 × 215 mm (plate), 350 × 497 [..]
146
Giovanni Antonio Canal detto il Canaletto
(Venezia, 1697 - 1768)
The Bishop's Tomb
From Vedute altre prese da i luoghi altre ideate da Antonio Canal . Etching, 301 × 215 mm (plate), 350 × 497 [..]
147
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Fireplace
Etching, 240 × 380 mm (plate), 280 × 425 mm (sheet). Plate from Diverse maniere d’adornare i cammini ed ogni altra [..]
147
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Fireplace
Etching, 240 × 380 mm (plate), 280 × 425 mm (sheet). Plate from Diverse maniere d’adornare i cammini ed ogni altra [..]
148
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Tempio della Fortuna virile
Etching, 385 × 595 mm (plate), 425 × 655 mm (sheet). Fifth state of 7, with the price erased. First Paris edition. [..]
148
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Tempio della Fortuna virile
Etching, 385 × 595 mm (plate), 425 × 655 mm (sheet). Fifth state of 7, with the price erased. First Paris edition. [..]
149
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna dell'Atrio del Portico di Ottavia
1823
Etching, 525 × 755 mm (sheet). Third state of 6, Roman edition. Hind 59. Fine impression on laid paper. Sheet [..]
149
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna dell'Atrio del Portico di Ottavia
1823
Etching, 525 × 755 mm (sheet). Third state of 6, Roman edition. Hind 59. Fine impression on laid paper. Sheet [..]
150
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta dell'Arco di Tito
1771
Etching, 540 × 780 mm (sheet). First state of 4, before numbering. Hind 98. Very fine, fresh impression on [..]
150
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta dell'Arco di Tito
1771
Etching, 540 × 780 mm (sheet). First state of 4, before numbering. Hind 98. Very fine, fresh impression on [..]
151
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Idea delle antiche vie Appia e Ardeatina
Etching, 147 × 200 mm (plate), 250 × 395 mm (sheet). From the series Opere varie di architettura, prospettive, [..]
151
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Idea delle antiche vie Appia e Ardeatina
Etching, 147 × 200 mm (plate), 250 × 395 mm (sheet). From the series Opere varie di architettura, prospettive, [..]
152
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Sepolcro di Pisone Liciniano su l'antica via Appia
Etching, 412 × 612 mm (plate), 525 × 740 mm (sheet). First state of 3, before the addition of numbering. Hind [..]
152
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Sepolcro di Pisone Liciniano su l'antica via Appia
Etching, 412 × 612 mm (plate), 525 × 740 mm (sheet). First state of 3, before the addition of numbering. Hind [..]
153
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Avanzi di una Sala appartenente al Castro Pretorio nella Villa Adriana in Tivoli
Etching, 442 × 575 mm (plate), 525 × 740 mm (sheet). First state of 3, before the addition of numbering. Hind [..]
153
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Avanzi di una Sala appartenente al Castro Pretorio nella Villa Adriana in Tivoli
Etching, 442 × 575 mm (plate), 525 × 740 mm (sheet). First state of 3, before the addition of numbering. Hind [..]
153 bis
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
View of the Facade of the Basilica of St. John Lateran
Etching, 493 × 712 mm (plate), 505 × 740 mm (sheet). 1st of 4 states, before the addition of the numbering in [..]
153 bis
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
View of the Facade of the Basilica of St. John Lateran
Etching, 493 × 712 mm (plate), 505 × 740 mm (sheet). 1st of 4 states, before the addition of the numbering in [..]
154
Jeremias Wachsmuth
(1712 - 1779)
Allegories of the Five Senses
Set of five engravings from the extensive series Historiae et Allegoriae , published in Augsburg by Johann Georg [..]
154
Jeremias Wachsmuth
(1712 - 1779)
Allegories of the Five Senses
Set of five engravings from the extensive series Historiae et Allegoriae , published in Augsburg by Johann Georg [..]
155
Jean Baptiste Michel
(1748 - 1804)
David Teniers | Catherine Breughel, after David Teniers
Set of two prints. Etching and stipple, 265 × 185 mm approx. (each plate), 280 × 196 mm (sheet). Fine impressions [..]
155
Jean Baptiste Michel
(1748 - 1804)
David Teniers | Catherine Breughel, after David Teniers
Set of two prints. Etching and stipple, 265 × 185 mm approx. (each plate), 280 × 196 mm (sheet). Fine impressions [..]
156
Jacques Philippe LeBas
(1707 - 1783)
David Teniers et sa famille, after David Teniers
1747
Etching and engraving, 372 × 495 mm (plate), 477 × 645 mm (sheet). Le Blanc II.511.170. Fine example printed [..]
156
Jacques Philippe LeBas
(1707 - 1783)
David Teniers et sa famille, after David Teniers
1747
Etching and engraving, 372 × 495 mm (plate), 477 × 645 mm (sheet). Le Blanc II.511.170. Fine example printed [..]
157
Jacques Philippe LeBas
(1707 - 1783)
Les Canards, after David Teniers the Younger
Set of two prints. Etching and engraving, 412 × 305 mm approx. (each plate), 425 × 325 mm approx. (each sheet), [..]
157
Jacques Philippe LeBas
(1707 - 1783)
Les Canards, after David Teniers the Younger
Set of two prints. Etching and engraving, 412 × 305 mm approx. (each plate), 425 × 325 mm approx. (each sheet), [..]
158
Francesco Polanzani
(1700 - 1783)
Veduta intera della Gran Piazza e Chiesa di S. Pietro in Vaticano, after Francesco Panini
Etching, 410 × 730 mm (sheet). Printed on laid paper. Sheet oxidised and restored, but overall in good general [..]
158
Francesco Polanzani
(1700 - 1783)
Veduta intera della Gran Piazza e Chiesa di S. Pietro in Vaticano, after Francesco Panini
Etching, 410 × 730 mm (sheet). Printed on laid paper. Sheet oxidised and restored, but overall in good general [..]
159
Paolo Fidanza
(1731)
Calliope, after Raphael
Engraving, 377 × 268 mm (plate), 560 × 410 mm (sheet). From Recueil de Têtes choisies de personnages illustres [..]
159
Paolo Fidanza
(1731)
Calliope, after Raphael
Engraving, 377 × 268 mm (plate), 560 × 410 mm (sheet). From Recueil de Têtes choisies de personnages illustres [..]
160
Claude Augustine Pierre Duflos
(1700 - 1786)
View of a waterfall on the banks of the Tiber near Rome | View of the remains of the bridge that led to the house of Maecenas in Tivoli
Etching and engraving, 335 × 403 and 333 × 400 mm (plates), 435 × 585 mm (each sheet). Fine examples printed [..]
160
Claude Augustine Pierre Duflos
(1700 - 1786)
View of a waterfall on the banks of the Tiber near Rome | View of the remains of the bridge that led [..]
Etching and engraving, 335 × 403 and 333 × 400 mm (plates), 435 × 585 mm (each sheet). Fine examples printed [..]