82
Frédéric Scalberge
(1640)
Landscape with ruins
Etching, 100 × 136 mm. Fine, very fresh impression. Sheet with small margins beyond the platemark, laid down. [..]
82
Frédéric Scalberge
(1640)
Landscape with ruins
Etching, 100 × 136 mm. Fine, very fresh impression. Sheet with small margins beyond the platemark, laid down. [..]
83
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Deposition, after Raphael
anonymous 17th century engraver
Etching, 112 × 146 mm. Strong impression on laid paper. Sheet with thin margins beyond the platemark. A small [..]
83
Raffaello Sanzio
(Urbino , 1483 - Roma, 1520)
Deposition, after Raphael
anonymous 17th century engraver
Etching, 112 × 146 mm. Strong impression on laid paper. Sheet with thin margins beyond the platemark. A small [..]
84
Simon van de Passe
(1595 - 1647)
Henry IV, King of France, and Marie de Medici, after a silver medal
1624 ca.
Engraving, 65 × 54 and 65 × 53 mm (plates), 89 × 135 mm (sheet). Hollstein 60. Fine impressions on laid paper. [..]
84
Simon van de Passe
(1595 - 1647)
Henry IV, King of France, and Marie de Medici, after a silver medal
1624 ca.
Engraving, 65 × 54 and 65 × 53 mm (plates), 89 × 135 mm (sheet). Hollstein 60. Fine impressions on laid paper. [..]
85
Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
History of the Old Testament painted in Rome by Raphael
Set of two engravings. Etching, 135 × 180 mm and 192 × 270 mm (sheet). From the series of 50 engravings by Sisto [..]
85
Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
History of the Old Testament painted in Rome by Raphael
Set of two engravings. Etching, 135 × 180 mm and 192 × 270 mm (sheet). From the series of 50 engravings by Sisto [..]
86
Sisto Badalocchio
(1585 - 1647)
Laocoon
Etching, 378 × 302 mm. Bartsch XVIII.359.33. Impression on laid paper with watermark (lily within a circle [..]
86
Sisto Badalocchio
(1585 - 1647)
Laocoon
Etching, 378 × 302 mm. Bartsch XVIII.359.33. Impression on laid paper with watermark (lily within a circle [..]
87
Theatrum (Ioannes Carotus veronensis pictor et architetus inventor)
1648 ca.
Etching and engraving, 372 × 630 mm. Fine, strong impression printed from three plates on three joined sheets [..]
87
Theatrum (Ioannes Carotus veronensis pictor et architetus inventor)
1648 ca.
Etching and engraving, 372 × 630 mm. Fine, strong impression printed from three plates on three joined sheets [..]
88
Giovanni Battista Coriolano
(1579 - 1649)
Virgin with the Child on the Left, after Guido Reni
Woodcut, 200 × 147 mm. Takahatake, version A, variant b, first state of 2. Takahatake 7 Chiaroscuro woodcut [..]
88
Giovanni Battista Coriolano
(1579 - 1649)
Virgin with the Child on the Left, after Guido Reni
Woodcut, 200 × 147 mm. Takahatake, version A, variant b, first state of 2. Takahatake 7 Chiaroscuro woodcut [..]
89
Giovanni Battista Coriolano
(1579 - 1649)
Herodias and Salome without the Shields
Three-colour woodcut, 165 × 188 mm. Takahatake, version A, variant a, only state; Bartsch, third state of [..]
89
Giovanni Battista Coriolano
(1579 - 1649)
Herodias and Salome without the Shields
Three-colour woodcut, 165 × 188 mm. Takahatake, version A, variant a, only state; Bartsch, third state of [..]
90
San Vitale
Anonymous 18th century engraver
Etching, 246 × 358 mm. Very fine, crisp impression printed on laid paper with watermark (lily within a double [..]
90
San Vitale
Anonymous 18th century engraver
Etching, 246 × 358 mm. Very fine, crisp impression printed on laid paper with watermark (lily within a double [..]
91
Pietro Testa
(1612 - 1650)
The Garden of Charity
Etching, 175 × 247 mm. First state of 2, before the addition of Mariette’s address. Cropper 9. Fine impression, [..]
91
Pietro Testa
(1612 - 1650)
The Garden of Charity
Etching, 175 × 247 mm. First state of 2, before the addition of Mariette’s address. Cropper 9. Fine impression, [..]
92
Pietro Testa
(1612 - 1650)
Self-portrait
Etching, 224 × 165 mm. Third state of 3, with the address of Arnold van Westerhout. Cropper 106. Fine impression [..]
92
Pietro Testa
(1612 - 1650)
Self-portrait
Etching, 224 × 165 mm. Third state of 3, with the address of Arnold van Westerhout. Cropper 106. Fine impression [..]
93
Pietro Testa
(1612 - 1650)
Return of the Prodigal Son
Etching, 208 × 303 mm. First state of 2. Bartsch XX.217.8; Cropper 98. Very fine, clear impression with light [..]
93
Pietro Testa
(1612 - 1650)
Return of the Prodigal Son
Etching, 208 × 303 mm. First state of 2. Bartsch XX.217.8; Cropper 98. Very fine, clear impression with light [..]
94
François Perrier
(1590 - 1650)
The Marriage of Cupid and Psyche, after Raphael
Etching, 183 × 492 mm. First state of 3, before the addition of inscriptions. Dumensil 32. Fine, fresh impression [..]
94
François Perrier
(1590 - 1650)
The Marriage of Cupid and Psyche, after Raphael
Etching, 183 × 492 mm. First state of 3, before the addition of inscriptions. Dumensil 32. Fine, fresh impression [..]
95
Laurent de la Hyre
(1606 - 1656)
Three cherubs with a barrel of wine
Etching, 75 × 103 mm (plate), 150 × 203 mm (sheet). Rosenberg & Thuillier 25. Fine impression on laid paper. [..]
95
Laurent de la Hyre
(1606 - 1656)
Three cherubs with a barrel of wine
Etching, 75 × 103 mm (plate), 150 × 203 mm (sheet). Rosenberg & Thuillier 25. Fine impression on laid paper. [..]
96
Bartolomeo Biscaino
(Genova, 1629 - 1657)
Nativity
Etching, 385 × 274 mm. First state, before the addition of Daman’s address. Bartsch XXI.185.7. Fine impression [..]
96
Bartolomeo Biscaino
(Genova, 1629 - 1657)
Nativity
Etching, 385 × 274 mm. First state, before the addition of Daman’s address. Bartsch XXI.185.7. Fine impression [..]
97
Bartolomeo Biscaino
(Genova, 1629 - 1657)
Herodias with the head of John the Baptist
Etching, 247 × 186 mm. Proof before the addition of Daman’s address at lower left and with a white margin at the [..]
97
Bartolomeo Biscaino
(Genova, 1629 - 1657)
Herodias with the head of John the Baptist
Etching, 247 × 186 mm. Proof before the addition of Daman’s address at lower left and with a white margin at the [..]
98
Stefano della Bella
(Firenze, 1610 - 1664)
The Duchess, from Diverse figure e paesi)
1649
Etching, 94 × 158 mm. Second state. De Vesme/Massar 167. Very fine, sharp impression on laid paper. Sheet trimmed [..]
98
Stefano della Bella
(Firenze, 1610 - 1664)
The Duchess, from Diverse figure e paesi)
1649
Etching, 94 × 158 mm. Second state. De Vesme/Massar 167. Very fine, sharp impression on laid paper. Sheet trimmed [..]
99
Stefano della Bella
(Firenze, 1610 - 1664)
Head of a child turned three-quarters
Etching, 83 × 61 mm. Unique state. De Vesme 303. Fine impression on laid paper. Sheet trimmed to the platemark. [..]
99
Stefano della Bella
(Firenze, 1610 - 1664)
Head of a child turned three-quarters
Etching, 83 × 61 mm. Unique state. De Vesme 303. Fine impression on laid paper. Sheet trimmed to the platemark. [..]
100
Stefano della Bella
(Firenze, 1610 - 1664)
Ornamental panel with two boar heads, from "Ornamenti o grottesche"
Etching, 170 × 69 mm (plate), 195 × 92 mm approx. (sheet). De Vesme/Massar 1010. Very fine impression with [..]
100
Stefano della Bella
(Firenze, 1610 - 1664)
Ornamental panel with two boar heads, from "Ornamenti o grottesche"
Etching, 170 × 69 mm (plate), 195 × 92 mm approx. (sheet). De Vesme/Massar 1010. Very fine impression with [..]
101
Giovanni Benedetto Castiglione Il Grechetto
(Genova, 1609 - Mantova, 1664)
Head of a man facing right | Head of an old man facing left
Two etchings from the series “Piccoli ritratti”: Head of a man facing right Etching, 111 × 85 mm. Unique state. [..]
101
Giovanni Benedetto Castiglione Il Grechetto
(Genova, 1609 - Mantova, 1664)
Head of a man facing right | Head of an old man facing left
Two etchings from the series “Piccoli ritratti”: Head of a man facing right Etching, 111 × 85 mm. Unique state. [..]
102
Giovanni Battista Mola
(1588 - 1665)
Judith with the Head of Holofernes
Etching, 165 × 112 mm. Fine impression on laid paper. In places, very thin margins beyond the platemark. Mounted [..]
102
Giovanni Battista Mola
(1588 - 1665)
Judith with the Head of Holofernes
Etching, 165 × 112 mm. Fine impression on laid paper. In places, very thin margins beyond the platemark. Mounted [..]
103
Giovanni Battista Galestruzzi
(1615 - 1669)
Four subjects after Polidoro da Caravaggio
Set of four prints: Lycurgus and Numa Pompilius Giving Laws to the Romans Etching, 140 × 178 mm (sheet). Only [..]
103
Giovanni Battista Galestruzzi
(1615 - 1669)
Four subjects after Polidoro da Caravaggio
Set of four prints: Lycurgus and Numa Pompilius Giving Laws to the Romans Etching, 140 × 178 mm (sheet). Only [..]
104
Jan Baptist de Wael II
(1632)
Various subjects of figures and animals (complete series)
Complete series of 14 engravings with various subjects, including the title page with the dedication to Gasparo [..]
104
Jan Baptist de Wael II
(1632)
Various subjects of figures and animals (complete series)
Complete series of 14 engravings with various subjects, including the title page with the dedication to Gasparo [..]
105
Pietro Berrettini detto Pietro da Cortona
(Cortona, 1596 - Roma, 1669)
After
Tabulae anatomicae. Plate IIII and Plate XVIII
Set of two prints from Tabulae anatomicae , first published in Rome by Antonio de Rossi for Fausto Amidei in [..]
105
Pietro Berrettini detto Pietro da Cortona
(Cortona, 1596 - Roma, 1669)
After
Tabulae anatomicae. Plate IIII and Plate XVIII
Set of two prints from Tabulae anatomicae , first published in Rome by Antonio de Rossi for Fausto Amidei in [..]
106
Federico Guazzi
(Vercelli, 1623)
The Virgin, from Annunciation, after Annibale Carracci
tching, 270 × 164 mm. De Vesme 346.1 Fine impression on laid paper. Sheet trimmed and formerly backed.
106
Federico Guazzi
(Vercelli, 1623)
The Virgin, from Annunciation, after Annibale Carracci
tching, 270 × 164 mm. De Vesme 346.1 Fine impression on laid paper. Sheet trimmed and formerly backed.
107
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Lucrezia
Etching, 240 × 140 mm (plate), 257 × 157 mm (sheet). Bartsch XIX.148.1. Fine impression with light plate tone, [..]
107
Giovanni Andrea Sirani
(Bologna, 1610 - Bologna, 1670)
Lucrezia
Etching, 240 × 140 mm (plate), 257 × 157 mm (sheet). Bartsch XIX.148.1. Fine impression with light plate tone, [..]
108
Claude Vignon
(Tours, 1593 - Parigi, 1670)
Apotheosis of Hercules
Etching, 252 × 220 mm. Proof before the addition of the address “D. Ciartres excudit” at the centre of the lower [..]
108
Claude Vignon
(Tours, 1593 - Parigi, 1670)
Apotheosis of Hercules
Etching, 252 × 220 mm. Proof before the addition of the address “D. Ciartres excudit” at the centre of the lower [..]
109
Lucas Vorsterman
(1595 - 1675)
Iudocus de Momper, after Anton van Dyck
Etching and engraving, 232 × 155 mm (plate), 450 × 285 mm (sheet). Seventh state of nine. The New Hollstein (Anthony [..]
109
Lucas Vorsterman
(1595 - 1675)
Iudocus de Momper, after Anton van Dyck
Etching and engraving, 232 × 155 mm (plate), 450 × 285 mm (sheet). Seventh state of nine. The New Hollstein (Anthony [..]
110
Giulio Carpioni
(Venezia, 1613 - Vicenza, 1679)
Christ in the Garden of Olives
Etching, 300 × 216 mm. State impossible to determine. Bartsch XX.178.2; Calabi 4. Very fine, well-contrasted [..]
110
Giulio Carpioni
(Venezia, 1613 - Vicenza, 1679)
Christ in the Garden of Olives
Etching, 300 × 216 mm. State impossible to determine. Bartsch XX.178.2; Calabi 4. Very fine, well-contrasted [..]
111
Giovanni Francesco Grimaldi
(1606 - 1680)
Landscape
Etching, 134 × 161 mm. Bellini. Crisp impression on laid paper with watermark. Sheet trimmed, uniformly browned, [..]
111
Giovanni Francesco Grimaldi
(1606 - 1680)
Landscape
Etching, 134 × 161 mm. Bellini. Crisp impression on laid paper with watermark. Sheet trimmed, uniformly browned, [..]
112
Carlo Cesio
(1622 - 1682)
Lady and the Unicorn, after Annibale Carracci
Engraving, 155 × 186 mm (plate), 285 × 305 mm (sheet). From the series Aedium Farnesiarum Tabulae…, published [..]
112
Carlo Cesio
(1622 - 1682)
Lady and the Unicorn, after Annibale Carracci
Engraving, 155 × 186 mm (plate), 285 × 305 mm (sheet). From the series Aedium Farnesiarum Tabulae…, published [..]
113
Jean Le Pautre
(1618 - 1682)
Différents dessins d'alcôves
Complete series of six plates with scenes of Roman history set in alcoves, published by Jean Leblond. Etching, [..]
113
Jean Le Pautre
(1618 - 1682)
Différents dessins d'alcôves
Complete series of six plates with scenes of Roman history set in alcoves, published by Jean Leblond. Etching, [..]
114
Domenico Maria Canuti
(1625 - 1684)
Saint Francis of Assisi, after Guido Reni
Etching, 225 × 172 mm. Bartsch XIX.223.2. Fine, fresh impression on laid paper. Sheet trimmed to the platemark [..]
114
Domenico Maria Canuti
(1625 - 1684)
Saint Francis of Assisi, after Guido Reni
Etching, 225 × 172 mm. Bartsch XIX.223.2. Fine, fresh impression on laid paper. Sheet trimmed to the platemark [..]
115
Jean Vauquer
(1660)
Project for a watch case: Joseph and Potiphar's wife
Engraving, 76 × 73 mm (sheet). Katalog der Ornamentstichsammlung der Staatlichen Kunstbibliothek Berlin 538. [..]
115
Jean Vauquer
(1660)
Project for a watch case: Joseph and Potiphar's wife
Engraving, 76 × 73 mm (sheet). Katalog der Ornamentstichsammlung der Staatlichen Kunstbibliothek Berlin 538. [..]
116
Lorenzo Loli
(1612 - 1691)
Madonna and Child, after Elisabetta Sirani | Saint Jerome, after Giovanni Andrea Sirani
Set of two prints: Madonna and Child, after Elisabetta Sirani Etching, 237 × 185 mm (sheet). Bartsch XIX.166.3. [..]
116
Lorenzo Loli
(1612 - 1691)
Madonna and Child, after Elisabetta Sirani | Saint Jerome, after Giovanni Andrea Sirani
Set of two prints: Madonna and Child, after Elisabetta Sirani Etching, 237 × 185 mm (sheet). Bartsch XIX.166.3. [..]
117
Pietro Aquila
(1630 - 1692)
Galeriae farnesianae icones ... tab. I, after Annibale Carracci
Etching and engraving, 622 × 353 mm (plate). Published by Giovanni Giacomo de’ Rossi. Fine impression on laid [..]
117
Pietro Aquila
(1630 - 1692)
Galeriae farnesianae icones ... tab. I, after Annibale Carracci
Etching and engraving, 622 × 353 mm (plate). Published by Giovanni Giacomo de’ Rossi. Fine impression on laid [..]
118
Lucio Bononi
Flagellation, after Lazzaro Baldi
Etching, 145 × 143 mm. Nagler, Neues allgemeines Künstler-Lexicon , p. 46. Fine impression on laid paper. [..]
118
Lucio Bononi
Flagellation, after Lazzaro Baldi
Etching, 145 × 143 mm. Nagler, Neues allgemeines Künstler-Lexicon , p. 46. Fine impression on laid paper. [..]
119
Luca Giordano
(Napoli, 1634 - 1705)
Christ, the Virgin and Saint Anne
Etching, 310 × 250 mm. State impossible to determine. Bartsch XXI.177.6. Very fine, fresh impression on laid [..]
119
Luca Giordano
(Napoli, 1634 - 1705)
Christ, the Virgin and Saint Anne
Etching, 310 × 250 mm. State impossible to determine. Bartsch XXI.177.6. Very fine, fresh impression on laid [..]
120
Gérard Edelinck
(1640 - 1707)
Le comédien Raimond Poisson en habit de Crispin
Etching, 480 × 366 mm. Third state of 4, with the addition of the artist’s address. IFF IV.27.100. Fine impression [..]
120
Gérard Edelinck
(1640 - 1707)
Le comédien Raimond Poisson en habit de Crispin
Etching, 480 × 366 mm. Third state of 4, with the addition of the artist’s address. IFF IV.27.100. Fine impression [..]
121
Michel Corneille
(1642 - 1708)
River Landscape | Arion Saved by a Dolphin, after Annibale Carracci
Set of two engravings from the series Recueil de 283 estampes gravées à l’eau-forte d’après les dessins originaux… [..]
121
Michel Corneille
(1642 - 1708)
River Landscape | Arion Saved by a Dolphin, after Annibale Carracci
Set of two engravings from the series Recueil de 283 estampes gravées à l’eau-forte d’après les dessins originaux… [..]