318
Prospetto generale degli anni santi
v
Engraving and etching, 440 × 635 mm. Sheet oxidized, with folds, stains and some repaired losses, but overall [..]
318
Prospetto generale degli anni santi
v
Engraving and etching, 440 × 635 mm. Sheet oxidized, with folds, stains and some repaired losses, but overall [..]
319
Luigi Fabri
(1835)
Battle of Ostia, after Tommaso Minardi, after Raphael
Engraving and etching, approx. 525 × 780 mm (printed area). Fine impression, in good overall condition, except [..]
319
Luigi Fabri
(1835)
Battle of Ostia, after Tommaso Minardi, after Raphael
Engraving and etching, approx. 525 × 780 mm (printed area). Fine impression, in good overall condition, except [..]
320
Franz Valentin Durmer
(Vienna, 1766 - 1831)
The Four Seasons
Lot of two impressions, one in colour and one printed in black ink. Etching and stipple engraving, approx. 400 [..]
320
Franz Valentin Durmer
(Vienna, 1766 - 1831)
The Four Seasons
Lot of two impressions, one in colour and one printed in black ink. Etching and stipple engraving, approx. 400 [..]
321
Anton Paul Eisen
(Norimberga, 1777)
Ceres bei dem Etna (Ceres on the Crater of Etna), after Johann August Nahl the Younger
Stipple engraving, 467 × 354 mm. Very fine impression, printed on wove paper. Trimmed to the platemark. Some [..]
321
Anton Paul Eisen
(Norimberga, 1777)
Ceres bei dem Etna (Ceres on the Crater of Etna), after Johann August Nahl the Younger
Stipple engraving, 467 × 354 mm. Very fine impression, printed on wove paper. Trimmed to the platemark. Some [..]
321 bis
Johann Nepomuk Strixner
(Altottung, 1782 - Monaco, 1855)
La visita del medico, da Frans van Mieris
1819
Litografia, 595 x 452
mm (foglio). Tratta da una raccolta “Konigliche Gallerie von Munchen und Schleisheim” edita [..]
321 bis
Johann Nepomuk Strixner
(Altottung, 1782 - Monaco, 1855)
La visita del medico, da Frans van Mieris
1819
Litografia, 595 x 452
mm (foglio). Tratta da una raccolta “Konigliche Gallerie von Munchen und Schleisheim” edita [..]
322
Abraham Girardet
(Locle, 1764 - Parigi, 1823)
Le Triomphe de Vespasien et de Titus, after Giulio Romano
Engraving and etching, 425 × 555 mm (sheet). Very fine impression on wove paper with a letter watermark. Sheet [..]
322
Abraham Girardet
(Locle, 1764 - Parigi, 1823)
Le Triomphe de Vespasien et de Titus, after Giulio Romano
Engraving and etching, 425 × 555 mm (sheet). Very fine impression on wove paper with a letter watermark. Sheet [..]
323
Pietro Bonato
(Campolongo)
Vénus jouant avec l'Amou, after Palma il giovane
Acquaforte, 373 x 256 mm (lastra), 640 x 490 mm (foglio). Tratta dalla raccolta dal titolo “Le Musée du Louvre [..]
323
Pietro Bonato
(Campolongo)
Vénus jouant avec l'Amou, after Palma il giovane
Acquaforte, 373 x 256 mm (lastra), 640 x 490 mm (foglio). Tratta dalla raccolta dal titolo “Le Musée du Louvre [..]
324
Achille Devéria
(Parigi, 1800 - 1857)
Psyché enlevée par Zéphir
Lithograph, 395 × 565 mm. Fine impression with hand-colouring, printed on wove paper. The paper is uniformly [..]
324
Achille Devéria
(Parigi, 1800 - 1857)
Psyché enlevée par Zéphir
Lithograph, 395 × 565 mm. Fine impression with hand-colouring, printed on wove paper. The paper is uniformly [..]
325
Joseph Netherclift
(1820)
Mrs. Crowdem's rout
1829
Lithograph, 280 × 375 mm (sheet). Colour lithograph, printed on wove paper. Mounted with a passe-partout, glazed [..]
325
Joseph Netherclift
(1820)
Mrs. Crowdem's rout
1829
Lithograph, 280 × 375 mm (sheet). Colour lithograph, printed on wove paper. Mounted with a passe-partout, glazed [..]
326
Mademoiselle Bès
Jeune Troyenne, after Joseph-Ferdinand Lancrenon
Lithograph, 580 × 425 mm. Fine impression on wove paper. Sheet with wide margins preserved. In very good overall [..]
326
Mademoiselle Bès
Jeune Troyenne, after Joseph-Ferdinand Lancrenon
Lithograph, 580 × 425 mm. Fine impression on wove paper. Sheet with wide margins preserved. In very good overall [..]
327
Paul Jourdy
(Dijon, 1805 - Parigi, 1856)
Adam et Eve, after Franz Floris
Lithograph, 316 × 492 mm. Fine impression on wove paper. Overall in very good condition, except for very light [..]
327
Paul Jourdy
(Dijon, 1805 - Parigi, 1856)
Adam et Eve, after Franz Floris
Lithograph, 316 × 492 mm. Fine impression on wove paper. Overall in very good condition, except for very light [..]
327 bis
Ferdinand Hippolyte Lalaisse
(Nancy, 1812 - Parigi, 1884)
Studio di giovane uomo di profilo
Litografia, 515 x 345 mm (foglio). Parte dell'album dal titolo “Cours Spécial de Dessin” curato da Ferdinand Hippolyte [..]
327 bis
Ferdinand Hippolyte Lalaisse
(Nancy, 1812 - Parigi, 1884)
Studio di giovane uomo di profilo
Litografia, 515 x 345 mm (foglio). Parte dell'album dal titolo “Cours Spécial de Dessin” curato da Ferdinand Hippolyte [..]
328
Willem Anstatt
Hercules and Cacus, after Frans Floris
Lithograph, 630 × 460 mm. Very fine impression, printed on wove paper. Sheet with scattered foxing, but otherwise [..]
328
Willem Anstatt
Hercules and Cacus, after Frans Floris
Lithograph, 630 × 460 mm. Very fine impression, printed on wove paper. Sheet with scattered foxing, but otherwise [..]
329
Alexandre Collette
(1876, 1814 - Paris, 1876)
Le socialisme - nouvelle danse des morts, after Alfred Rethel
Lithograph, approx. 320 × 420 mm (each sheet). Set of six lithographs executed by Collette after designs by [..]
329
Alexandre Collette
(1876, 1814 - Paris, 1876)
Le socialisme - nouvelle danse des morts, after Alfred Rethel
Lithograph, approx. 320 × 420 mm (each sheet). Set of six lithographs executed by Collette after designs by [..]
329 bis
Honoré Daumier
(1808 - 1879)
M'sieu l'boucher...
Litografia, 274 x 295 mm (foglio). Originale pubblicato sul periodico “le Chiarivari” per la serie “Actualités” [..]
329 bis
Honoré Daumier
(1808 - 1879)
M'sieu l'boucher...
Litografia, 274 x 295 mm (foglio). Originale pubblicato sul periodico “le Chiarivari” per la serie “Actualités” [..]
329 ter
Claude Régnier
(1860)
Le Député et l’Électeur!..
Litografia, 563 x 457 mm (foglio). Da una serie “Le Musée des Rieurs”, stampata a Parigi dagli ateliers litografici [..]
329 ter
Claude Régnier
(1860)
Le Député et l’Électeur!..
Litografia, 563 x 457 mm (foglio). Da una serie “Le Musée des Rieurs”, stampata a Parigi dagli ateliers litografici [..]
330
Francisco Goya
(1746 - 1828)
Esto sí que es leer
1799
Plate no. 29 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
330
Francisco Goya
(1746 - 1828)
Esto sí que es leer
1799
Plate no. 29 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
331
Francisco Goya
(1746 - 1828)
Ruega por ella
1799
Plate no. 31 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
331
Francisco Goya
(1746 - 1828)
Ruega por ella
1799
Plate no. 31 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
332
Francisco Goya
(1746 - 1828)
Corrección
1799
Plate no. 46 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
332
Francisco Goya
(1746 - 1828)
Corrección
1799
Plate no. 46 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
333
Francisco Goya
(1746 - 1828)
Obsequio al maestro
1799
Plate no. 47 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
333
Francisco Goya
(1746 - 1828)
Obsequio al maestro
1799
Plate no. 47 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
334
Francisco Goya
(1746 - 1828)
Soplones
1799
Plate no. 48 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
334
Francisco Goya
(1746 - 1828)
Soplones
1799
Plate no. 48 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
335
Francisco Goya
(1746 - 1828)
Mejor es holgar
1799
Plate no. 73 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
335
Francisco Goya
(1746 - 1828)
Mejor es holgar
1799
Plate no. 73 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
336
Francisco Goya
(1746 - 1828)
No grites, tonta
1799
Plate no. 74 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
336
Francisco Goya
(1746 - 1828)
No grites, tonta
1799
Plate no. 74 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
337
Francisco Goya
(1746 - 1828)
¡Qual la descañonan! | Mucho hay que chupar | Y aún no se van | Ensayos | Allá va eso | ¿No hay quién nos desate?
Lot of six prints from the series Los Caprichos (plates 21, 45, 59, 60, 66, 75). Etching and aquatint, approx. [..]
337
Francisco Goya
(1746 - 1828)
¡Qual la descañonan! | Mucho hay que chupar | Y aún no se van | Ensayos | Allá va eso | ¿No hay quién [..]
Lot of six prints from the series Los Caprichos (plates 21, 45, 59, 60, 66, 75). Etching and aquatint, approx. [..]
338
Francisco Goya
(1746 - 1828)
Porque fue sensible | El sí pronuncian y la mano alargan al primero que llega | Y se le quema la casa | La filiación | Ya es hora
Lot of 5 prints from the series Los Caprichos (plates 2, 28, 32, 57 and 80). Etching and aquatint, approx. 312 [..]
338
Francisco Goya
(1746 - 1828)
Porque fue sensible | El sí pronuncian y la mano alargan al primero que llega | Y se le quema la casa [..]
Lot of 5 prints from the series Los Caprichos (plates 2, 28, 32, 57 and 80). Etching and aquatint, approx. 312 [..]
339
Francisco Goya
(1746 - 1828)
El de la Rollona | Aquellos polvos | Hilan delgado | Trágala, perro | ¡Quién lo creyera!
Lot of 5 prints from the series Los Caprichos (plates 4, 23, 44, 58 and 62). Etching and aquatint, approx. 312 [..]
339
Francisco Goya
(1746 - 1828)
El de la Rollona | Aquellos polvos | Hilan delgado | Trágala, perro | ¡Quién lo creyera!
Lot of 5 prints from the series Los Caprichos (plates 4, 23, 44, 58 and 62). Etching and aquatint, approx. 312 [..]
340
Francisco Goya
(1746 - 1828)
¡Que pico de oro! | Aguarda que te unten | Devota profesión | Unos a otros | Despacha, que despiertan |
Lot of 5 prints from the series Los Caprichos (plates 53, 67, 70, 77 and 78). Etching and aquatint, approx. 312 [..]
340
Francisco Goya
(1746 - 1828)
¡Que pico de oro! | Aguarda que te unten | Devota profesión | Unos a otros | Despacha, que despiertan [..]
Lot of 5 prints from the series Los Caprichos (plates 53, 67, 70, 77 and 78). Etching and aquatint, approx. 312 [..]
341
Francisco Goya
(1746 - 1828)
Están calientes | El vergonzoso | Sopla | Está vm... | Nadie nos ha visto
Lot of 5 prints from the series Los Caprichos (plates 13, 54, 69, 76 and 79). Etching and aquatint, approx. 312 [..]
341
Francisco Goya
(1746 - 1828)
Están calientes | El vergonzoso | Sopla | Está vm... | Nadie nos ha visto
Lot of 5 prints from the series Los Caprichos (plates 13, 54, 69, 76 and 79). Etching and aquatint, approx. 312 [..]
342
Francisco Goya
(1746 - 1828)
Muchachos al avío | ¿Quién más rendido? | Le descañona | Subir y bajar
Lot of 4 prints from the series Los Caprichos (plates 11, 27, 35 and 58). Etching and aquatint, approx. 312 × [..]
342
Francisco Goya
(1746 - 1828)
Muchachos al avío | ¿Quién más rendido? | Le descañona | Subir y bajar
Lot of 4 prints from the series Los Caprichos (plates 11, 27, 35 and 58). Etching and aquatint, approx. 312 × [..]
343
Édouard Manet
(1832 - 1883)
Lola de Valence
Etching and aquatint, 260 × 180 mm (plate), 530 × 365 mm (sheet). Third state of 3, with the plate reworked and [..]
343
Édouard Manet
(1832 - 1883)
Lola de Valence
Etching and aquatint, 260 × 180 mm (plate), 530 × 365 mm (sheet). Third state of 3, with the plate reworked and [..]
344
Félicien Rops
(Namur, 1833 - Essonnes, 1898)
Le cœur sur la main
Etching, 110 × 167 mm (sheet). Signed in red pencil at the lower edge. Fine impression on thin paper. Margins [..]
344
Félicien Rops
(Namur, 1833 - Essonnes, 1898)
Le cœur sur la main
Etching, 110 × 167 mm (sheet). Signed in red pencil at the lower edge. Fine impression on thin paper. Margins [..]
345
Félix Bracquemond
(1833 - 1914)
La Terrasse de la Villa Brancas
Etching and drypoint, 285 × 432 mm (sheet). Eighth state of 8, with the letters. Beraldi III.80.215; IFF III.381.377. [..]
345
Félix Bracquemond
(1833 - 1914)
La Terrasse de la Villa Brancas
Etching and drypoint, 285 × 432 mm (sheet). Eighth state of 8, with the letters. Beraldi III.80.215; IFF III.381.377. [..]
346
Félix Bracquemond
(1833 - 1914)
La Femme au tigre
Etching and drypoint, 180 × 262 mm (plate); 320 × 445 mm (sheet). Fourth state of 4, with Bracquemond’s name on [..]
346
Félix Bracquemond
(1833 - 1914)
La Femme au tigre
Etching and drypoint, 180 × 262 mm (plate); 320 × 445 mm (sheet). Fourth state of 4, with Bracquemond’s name on [..]
347
Félix Bracquemond
(1833 - 1914)
Le Verger
1894
Lithograph, 475 × 325 mm (sheet). Signed in pencil at the lower right. IFF 532. Very fine impression on wove [..]
347
Félix Bracquemond
(1833 - 1914)
Le Verger
1894
Lithograph, 475 × 325 mm (sheet). Signed in pencil at the lower right. IFF 532. Very fine impression on wove [..]
348
Auguste Lepere
(1849 - 1918)
Embarcadère sur la Garonne, Bordeaux
Four-colour etching and aquatint, 316 × 368 mm (plate); 445 × 620 mm (sheet). Lotz-Brissonneau 106. Fine impression, [..]
348
Auguste Lepere
(1849 - 1918)
Embarcadère sur la Garonne, Bordeaux
Four-colour etching and aquatint, 316 × 368 mm (plate); 445 × 620 mm (sheet). Lotz-Brissonneau 106. Fine impression, [..]
349
Alphonse Legros
(1837 - 1911)
Laitiere a Boulogne
Drypoint, 150 × 225 mm (plate), 185 × 260 mm (sheet). Signed in pencil at the lower right. 3rd state, 3rd plate. [..]
349
Alphonse Legros
(1837 - 1911)
Laitiere a Boulogne
Drypoint, 150 × 225 mm (plate), 185 × 260 mm (sheet). Signed in pencil at the lower right. 3rd state, 3rd plate. [..]
350
Alphonse Legros
(1837 - 1911)
La Mort du vagabond
Etching, 540 × 390 mm (plate), 640 × 455 mm (sheet). Signed in pencil at the lower right. Third state of three, [..]
350
Alphonse Legros
(1837 - 1911)
La Mort du vagabond
Etching, 540 × 390 mm (plate), 640 × 455 mm (sheet). Signed in pencil at the lower right. Third state of three, [..]
351
Sir Francis Seymour Haden
(1818 - 1910)
Battersea Reach (Old Chelsea out of Whistler's Window)
1863
Etching and drypoint, 150 × 226 mm (plate), 190 × 281 mm (sheet). First state of 2. Harrington 52. Very fine [..]
351
Sir Francis Seymour Haden
(1818 - 1910)
Battersea Reach (Old Chelsea out of Whistler's Window)
1863
Etching and drypoint, 150 × 226 mm (plate), 190 × 281 mm (sheet). First state of 2. Harrington 52. Very fine [..]
352
Sir Francis Seymour Haden
(1818 - 1910)
Kew
Etching, 150 × 146 mm (plate), 215 × 157 mm (sheet). Signed in pencil at the lower right. Very fine impression, [..]
352
Sir Francis Seymour Haden
(1818 - 1910)
Kew
Etching, 150 × 146 mm (plate), 215 × 157 mm (sheet). Signed in pencil at the lower right. Very fine impression, [..]
353
James Abbott McNeill Whistler
(Lowell, 1834 - Londra, 1903)
The Put
1861
Etching and drypoint, 121 × 164 mm (plate), 475 × 325 mm (sheet). Third state of 4. Kennedy 85. Fine impression, [..]
353
James Abbott McNeill Whistler
(Lowell, 1834 - Londra, 1903)
The Put
1861
Etching and drypoint, 121 × 164 mm (plate), 475 × 325 mm (sheet). Third state of 4. Kennedy 85. Fine impression, [..]