291
Pierre Jacques Duret
(Parigi, 1729)
Fête sur le Tibre à Rome, after Joseph Vernet
Etching and engraving, 555 × 745 mm. Fine impression on wove paper. Sheet with very narrow margins beyond the [..]
291
Pierre Jacques Duret
(Parigi, 1729)
Fête sur le Tibre à Rome, after Joseph Vernet
Etching and engraving, 555 × 745 mm. Fine impression on wove paper. Sheet with very narrow margins beyond the [..]
292
Claude Joseph Vernet
(Avignone, 1714 - Parigi, 1789)
L'entrée du port de Marseille | Le port de Rochefort | La Madrague ou la Peche du Thon
Lot of three large prints from the set of six Les Ports de mer de la France, after paintings by Joseph Vernet. [..]
292
Claude Joseph Vernet
(Avignone, 1714 - Parigi, 1789)
L'entrée du port de Marseille | Le port de Rochefort | La Madrague ou la Peche du Thon
Lot of three large prints from the set of six Les Ports de mer de la France, after paintings by Joseph Vernet. [..]
293
Romain Girard
(Parigi, 1751)
Flore, after Louis Lafitte
Etching and crayon manner, 490 × 368 mm (plate), 540 × 402 mm (sheet). Very fine impression on laid paper with [..]
293
Romain Girard
(Parigi, 1751)
Flore, after Louis Lafitte
Etching and crayon manner, 490 × 368 mm (plate), 540 × 402 mm (sheet). Very fine impression on laid paper with [..]
294
Alphabet
anonymous French engraver of the 18th century
Engraving and etching, 175 × 212 mm (sheet). Fine impression on handmade wove paper. Two irregular edges. In [..]
294
Alphabet
anonymous French engraver of the 18th century
Engraving and etching, 175 × 212 mm (sheet). Fine impression on handmade wove paper. Two irregular edges. In [..]
295
John Browne
(1741 - 1801)
William Woollett
(1735 - 1785)
The Cottagers | The Jocund Peasants, after Cornelis Dusart
Lot of two prints. Etching (Browne) and engraving (Woollett), 520 × 400 mm (each sheet). Hollstein 86 and 87. [..]
295
John Browne
(1741 - 1801)
William Woollett
(1735 - 1785)
The Cottagers | The Jocund Peasants, after Cornelis Dusart
Lot of two prints. Etching (Browne) and engraving (Woollett), 520 × 400 mm (each sheet). Hollstein 86 and 87. [..]
296
Richard Earlom
(London, 1743 - 1822)
A Sleeping Bacchus, after Luca Giordano
Mezzotint, 404 × 467 mm (sheet). From A set of Prints engraved after the most capital Paintings in the Collection [..]
296
Richard Earlom
(London, 1743 - 1822)
A Sleeping Bacchus, after Luca Giordano
Mezzotint, 404 × 467 mm (sheet). From A set of Prints engraved after the most capital Paintings in the Collection [..]
297
Richard Earlom
(London, 1743 - 1822)
The Judgment of Paris, after Luca Giordano
Mezzotint, 404 × 472 mm (sheet). From A set of Prints engraved after the most capital Paintings in the Collection [..]
297
Richard Earlom
(London, 1743 - 1822)
The Judgment of Paris, after Luca Giordano
Mezzotint, 404 × 472 mm (sheet). From A set of Prints engraved after the most capital Paintings in the Collection [..]
298
Richard Earlom
(London, 1743 - 1822)
Bacchanalians, after Rubens
Mezzotint, 440 × 478 mm (plate), 508 × 670 mm (sheet). From A set of Prints engraved after the most capital Paintings [..]
298
Richard Earlom
(London, 1743 - 1822)
Bacchanalians, after Rubens
Mezzotint, 440 × 478 mm (plate), 508 × 670 mm (sheet). From A set of Prints engraved after the most capital Paintings [..]
299
John Murphy
The Cyclops at their forge, after Luca Giordano
Mezzotint, 500 × 353 mm (plate), 677 × 508 mm (sheet). From A set of Prints ... after the ... Paintings in the [..]
299
John Murphy
The Cyclops at their forge, after Luca Giordano
Mezzotint, 500 × 353 mm (plate), 677 × 508 mm (sheet). From A set of Prints ... after the ... Paintings in the [..]
300
Benjamin Smith
(1833)
Providence, after Jean Francois Rigaud
Stipple engraving, 680 × 528 mm. From a series of four plates inspired by moral allegories, printed and published [..]
300
Benjamin Smith
(1833)
Providence, after Jean Francois Rigaud
Stipple engraving, 680 × 528 mm. From a series of four plates inspired by moral allegories, printed and published [..]
301
Boydell Shakespeare Gallery
1803
Large lot comprising 54 plates plus two title pages from A Collection Of Prints, From Pictures Painted For The [..]
301
Boydell Shakespeare Gallery
1803
Large lot comprising 54 plates plus two title pages from A Collection Of Prints, From Pictures Painted For The [..]
302
Dilectissimae matris patronis. Theses utriusque juris
1764
Thesis by Peter Joseph Durand. Etching and engraving, letterpress, 745 × 520 mm. Printed on laid paper. Sheet [..]
302
Dilectissimae matris patronis. Theses utriusque juris
1764
Thesis by Peter Joseph Durand. Etching and engraving, letterpress, 745 × 520 mm. Printed on laid paper. Sheet [..]
303
Pitt disperato
anonymous 19th-century Milanese engraver
Etching, 237 × 377 mm (sheet). Fine impression, printed on handmade wove paper. Sheet with wide margins. In [..]
303
Pitt disperato
anonymous 19th-century Milanese engraver
Etching, 237 × 377 mm (sheet). Fine impression, printed on handmade wove paper. Sheet with wide margins. In [..]
304
Francesco Rosaspina
(1762 - 1841)
Portrait of Luigi Lamberti, after Andrea Appiani
Etching, 225 × 170 mm (plate), 270 × 197 mm (sheet). Proof before letters. Very fine impression, printed on [..]
304
Francesco Rosaspina
(1762 - 1841)
Portrait of Luigi Lamberti, after Andrea Appiani
Etching, 225 × 170 mm (plate), 270 × 197 mm (sheet). Proof before letters. Very fine impression, printed on [..]
305
Beheading of St. John the Baptist
Monogrammist AL?
Woodcut, 264 × 197 mm. Probably a Barelli forgery of a woodcut present in the Catalogo Soliani of 1864, p. 11, [..]
305
Beheading of St. John the Baptist
Monogrammist AL?
Woodcut, 264 × 197 mm. Probably a Barelli forgery of a woodcut present in the Catalogo Soliani of 1864, p. 11, [..]
306
Antonio Verico
(Bassano, 1775 - Firenze)
The Triumph of Religion and the Coalition of Paul I, Francis II, George III and Suleiman IV, after Vincenzo Seganti
1800
Etching and engraving, 542 × 390 mm. Fine impression on laid paper. Sheet with wide margins on three sides [..]
306
Antonio Verico
(Bassano, 1775 - Firenze)
The Triumph of Religion and the Coalition of Paul I, Francis II, George III and Suleiman IV, after Vincenzo [..]
1800
Etching and engraving, 542 × 390 mm. Fine impression on laid paper. Sheet with wide margins on three sides [..]
307
Hendrik Voogd
(1768 - 1839)
Roman countryside landscapes
Lot of three prints. Lithograph, 290 × 415 mm and 395 × 500 mm (two sheets). Printed on wove paper. In good [..]
307
Hendrik Voogd
(1768 - 1839)
Roman countryside landscapes
Lot of three prints. Lithograph, 290 × 415 mm and 395 × 500 mm (two sheets). Printed on wove paper. In good [..]
308
Karl Gustav Halmar Mörner
(Stockholm, 1794 - Paris, 1837)
The Carnival of Rome
1820
Complete set of 20 plates. Etching, 325 × 460 mm (each sheet). Complete set of 20 joined and laid down on [..]
308
Karl Gustav Halmar Mörner
(Stockholm, 1794 - Paris, 1837)
The Carnival of Rome
1820
Complete set of 20 plates. Etching, 325 × 460 mm (each sheet). Complete set of 20 joined and laid down on [..]
309
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
1822
Etching, 335 × 465 mm. Fine impression, printed on wove paper. Trimmed to the platemark, with narrow margins [..]
309
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
1822
Etching, 335 × 465 mm. Fine impression, printed on wove paper. Trimmed to the platemark, with narrow margins [..]
310
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta del Tempio delle Camene, da altri del Dio Ridicolo
1823
Etching, 520 × 725 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
310
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta del Tempio delle Camene, da altri del Dio Ridicolo
1823
Etching, 520 × 725 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
311
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta delle Mura di Roma, dalla parte interna della città, vicino alla Porta Celimontana
1823
Etching, 530 × 720 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
311
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta delle Mura di Roma, dalla parte interna della città, vicino alla Porta Celimontana
1823
Etching, 530 × 720 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
312
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta della parte posteriore degl'avanzi del Foro di Nerva, da altri Erario pubblico
1823
Etching, 525 × 720 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
312
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta della parte posteriore degl'avanzi del Foro di Nerva, da altri Erario pubblico
1823
Etching, 525 × 720 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
313
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dell'Arco di Settimio Severo nel Foro Boario
Etching, 405 × 485 mm (plate), 495 × 715 mm (sheet). Fine impression on wove paper. Wide margins preserved. [..]
313
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dell'Arco di Settimio Severo nel Foro Boario
Etching, 405 × 485 mm (plate), 495 × 715 mm (sheet). Fine impression on wove paper. Wide margins preserved. [..]
314
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Ss. Silvestro e Martino ai Monti
Etching and engraving on chine-collé, 520 × 690 mm (sheet). Very fine impression, printed on China paper mounted [..]
314
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Ss. Silvestro e Martino ai Monti
Etching and engraving on chine-collé, 520 × 690 mm (sheet). Very fine impression, printed on China paper mounted [..]
315
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dei grandiosissimi avanzi del Tempio di Giove,dal volgo il frontespizio di Nerone sul Monte Quirinale negl'orti Colonna
Etching, 500 × 640 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. Usual [..]
315
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dei grandiosissimi avanzi del Tempio di Giove,dal volgo il frontespizio di Nerone sul Monte Quirinale [..]
Etching, 500 × 640 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. Usual [..]
316
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta degl'avanzi delle Torri di Belisario. Dalla porta che guarda l'Interno della Città, vicino a Porta S. Giovanni
Etching, 512 × 765 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. In [..]
316
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta degl'avanzi delle Torri di Belisario. Dalla porta che guarda l'Interno della Città, vicino a [..]
Etching, 512 × 765 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. In [..]
317
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta del Ponte di Nona fuori di Porta Maggiore, 9. miglia da Roma
Etching, 510 × 660 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. The [..]
317
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta del Ponte di Nona fuori di Porta Maggiore, 9. miglia da Roma
Etching, 510 × 660 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. The [..]
318
Prospetto generale degli anni santi
v
Engraving and etching, 440 × 635 mm. Sheet oxidized, with folds, stains and some repaired losses, but overall [..]
318
Prospetto generale degli anni santi
v
Engraving and etching, 440 × 635 mm. Sheet oxidized, with folds, stains and some repaired losses, but overall [..]
319
Luigi Fabri
(1835)
Battle of Ostia, after Tommaso Minardi, after Raphael
Engraving and etching, approx. 525 × 780 mm (printed area). Fine impression, in good overall condition, except [..]
319
Luigi Fabri
(1835)
Battle of Ostia, after Tommaso Minardi, after Raphael
Engraving and etching, approx. 525 × 780 mm (printed area). Fine impression, in good overall condition, except [..]
320
Franz Valentin Durmer
(Vienna, 1766 - 1831)
The Four Seasons
Lot of two impressions, one in colour and one printed in black ink. Etching and stipple engraving, approx. 400 [..]
320
Franz Valentin Durmer
(Vienna, 1766 - 1831)
The Four Seasons
Lot of two impressions, one in colour and one printed in black ink. Etching and stipple engraving, approx. 400 [..]
321
Anton Paul Eisen
(Norimberga, 1777)
Ceres bei dem Etna (Ceres on the Crater of Etna), after Johann August Nahl the Younger
Stipple engraving, 467 × 354 mm. Very fine impression, printed on wove paper. Trimmed to the platemark. Some [..]
321
Anton Paul Eisen
(Norimberga, 1777)
Ceres bei dem Etna (Ceres on the Crater of Etna), after Johann August Nahl the Younger
Stipple engraving, 467 × 354 mm. Very fine impression, printed on wove paper. Trimmed to the platemark. Some [..]
322
Abraham Girardet
(Locle, 1764 - Parigi, 1823)
Le Triomphe de Vespasien et de Titus, after Giulio Romano
Engraving and etching, 425 × 555 mm (sheet). Very fine impression on wove paper with a letter watermark. Sheet [..]
322
Abraham Girardet
(Locle, 1764 - Parigi, 1823)
Le Triomphe de Vespasien et de Titus, after Giulio Romano
Engraving and etching, 425 × 555 mm (sheet). Very fine impression on wove paper with a letter watermark. Sheet [..]
323
Pietro Bonato
(Campolongo)
Vénus jouant avec l'Amou, after Palma il giovane
Acquaforte, 373 x 256 mm (lastra), 640 x 490 mm (foglio). Tratta dalla raccolta dal titolo “Le Musée du Louvre [..]
323
Pietro Bonato
(Campolongo)
Vénus jouant avec l'Amou, after Palma il giovane
Acquaforte, 373 x 256 mm (lastra), 640 x 490 mm (foglio). Tratta dalla raccolta dal titolo “Le Musée du Louvre [..]
324
Achille Devéria
(Parigi, 1800 - 1857)
Psyché enlevée par Zéphir
Lithograph, 395 × 565 mm. Fine impression with hand-colouring, printed on wove paper. The paper is uniformly [..]
324
Achille Devéria
(Parigi, 1800 - 1857)
Psyché enlevée par Zéphir
Lithograph, 395 × 565 mm. Fine impression with hand-colouring, printed on wove paper. The paper is uniformly [..]
325
Joseph Netherclift
(1820)
Mrs. Crowdem's rout
1829
Lithograph, 280 × 375 mm (sheet). Colour lithograph, printed on wove paper. Mounted with a passe-partout, glazed [..]
325
Joseph Netherclift
(1820)
Mrs. Crowdem's rout
1829
Lithograph, 280 × 375 mm (sheet). Colour lithograph, printed on wove paper. Mounted with a passe-partout, glazed [..]
326
Mademoiselle Bès
Jeune Troyenne, after Joseph-Ferdinand Lancrenon
Lithograph, 580 × 425 mm. Fine impression on wove paper. Sheet with wide margins preserved. In very good overall [..]
326
Mademoiselle Bès
Jeune Troyenne, after Joseph-Ferdinand Lancrenon
Lithograph, 580 × 425 mm. Fine impression on wove paper. Sheet with wide margins preserved. In very good overall [..]
327
Paul Jourdy
(Dijon, 1805 - Parigi, 1856)
Adam et Eve, after Franz Floris
Lithograph, 316 × 492 mm. Fine impression on wove paper. Overall in very good condition, except for very light [..]
327
Paul Jourdy
(Dijon, 1805 - Parigi, 1856)
Adam et Eve, after Franz Floris
Lithograph, 316 × 492 mm. Fine impression on wove paper. Overall in very good condition, except for very light [..]
328
Willem Anstatt
Hercules and Cacus, after Frans Floris
Lithograph, 630 × 460 mm. Very fine impression, printed on wove paper. Sheet with scattered foxing, but otherwise [..]
328
Willem Anstatt
Hercules and Cacus, after Frans Floris
Lithograph, 630 × 460 mm. Very fine impression, printed on wove paper. Sheet with scattered foxing, but otherwise [..]
329
Alexandre Collette
(1876, 1814 - Paris, 1876)
Le socialisme - nouvelle danse des morts, after Alfred Rethel
Lithograph, approx. 320 × 420 mm (each sheet). Set of six lithographs executed by Collette after designs by [..]
329
Alexandre Collette
(1876, 1814 - Paris, 1876)
Le socialisme - nouvelle danse des morts, after Alfred Rethel
Lithograph, approx. 320 × 420 mm (each sheet). Set of six lithographs executed by Collette after designs by [..]
330
Francisco Goya
(1746 - 1828)
Esto sí que es leer
1799
Plate no. 29 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
330
Francisco Goya
(1746 - 1828)
Esto sí que es leer
1799
Plate no. 29 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]