280
Christian von Mechel
(Basel, 1737 - Berlino, 1817)
Tombeau de Madame Langhans, after Johann August Nahl
Etching, 400 × 273 mm (plate), 442 × 324 mm (sheet). Very fine impression, printed on laid paper. Sheet with [..]
280
Christian von Mechel
(Basel, 1737 - Berlino, 1817)
Tombeau de Madame Langhans, after Johann August Nahl
Etching, 400 × 273 mm (plate), 442 × 324 mm (sheet). Very fine impression, printed on laid paper. Sheet with [..]
281
Ignaz Unterberger
(Cavalese, 1748 - Vienna, 1797)
Portrait of Franz Georg Edler von Kees
Etching, 323 × 202 mm (plate), 400 × 258 mm (sheet). Very fine impression, printed on laid paper. Wide margins. [..]
281
Ignaz Unterberger
(Cavalese, 1748 - Vienna, 1797)
Portrait of Franz Georg Edler von Kees
Etching, 323 × 202 mm (plate), 400 × 258 mm (sheet). Very fine impression, printed on laid paper. Wide margins. [..]
282
Nicolas Henri Tardieu
(1674 - 1749)
Adam e Eve repris de leur péché, after Domenichino
Engraving and etching, 550 × 402 mm (sheet). Plate from Recueil d’Estampes d’après les plus beaux tableaux ... [..]
282
Nicolas Henri Tardieu
(1674 - 1749)
Adam e Eve repris de leur péché, after Domenichino
Engraving and etching, 550 × 402 mm (sheet). Plate from Recueil d’Estampes d’après les plus beaux tableaux ... [..]
282 bis
Jacques Chereau
(1688 - 1776)
Portrait de Jeanne D'Arragon Reine de Sicila, da Raffaello
Acquaforte e bulino, 550 x 398 mm (foglio) Foglio ossidato, cin un punto di ruggine sul margine inferiore.&nbs [..]
282 bis
Jacques Chereau
(1688 - 1776)
Portrait de Jeanne D'Arragon Reine de Sicila, da Raffaello
Acquaforte e bulino, 550 x 398 mm (foglio) Foglio ossidato, cin un punto di ruggine sul margine inferiore.&nbs [..]
283
Francois Joullain
(Parigi, 1700)
Mercure et hersé
Etching, 438 × 298 mm (plate), 550 × 400 mm (sheet). From the collection Recueil d’Estampes d’après les plus beaux [..]
283
Francois Joullain
(Parigi, 1700)
Mercure et hersé
Etching, 438 × 298 mm (plate), 550 × 400 mm (sheet). From the collection Recueil d’Estampes d’après les plus beaux [..]
284
Charles Nicolas Cochin
(1688 - 1754)
Hercule gaulois, ou l'Eloquence, after Raffaello
Aquatint in brown ink, 550 × 395 mm (sheet). From Cabinet Crozat. Very fine impression, printed in reddish-brown [..]
284
Charles Nicolas Cochin
(1688 - 1754)
Hercule gaulois, ou l'Eloquence, after Raffaello
Aquatint in brown ink, 550 × 395 mm (sheet). From Cabinet Crozat. Very fine impression, printed in reddish-brown [..]
285
Edmé Jeaurat
(1688 - 1738)
Four Seasons, after Nicolas Vleughels
Suite of four prints. Engraving and etching, approx. 185 × 200 mm (each sheet). Le Blanc 56–59. Fine impressions [..]
285
Edmé Jeaurat
(1688 - 1738)
Four Seasons, after Nicolas Vleughels
Suite of four prints. Engraving and etching, approx. 185 × 200 mm (each sheet). Le Blanc 56–59. Fine impressions [..]
286
Pierre Filloeul
(Abbeville, 1696 - Paris)
François de Poilly II
(Abbeville, 1666 - Parigi, 1741)
Young man blowing soap bubbles | Young woman blowing soap bubbles
Pierre Filloeul (Abbeville, 1696 – Paris, c. 1754) Les Bouteilles de savon, after Jean-Siméon Chardin Etching, [..]
286
Pierre Filloeul
(Abbeville, 1696 - Paris)
François de Poilly II
(Abbeville, 1666 - Parigi, 1741)
Young man blowing soap bubbles | Young woman blowing soap bubbles
Pierre Filloeul (Abbeville, 1696 – Paris, c. 1754) Les Bouteilles de savon, after Jean-Siméon Chardin Etching, [..]
287
Interior of a Glassworks
anonymous Venetian engraver of the 18th century
Etching, 270 × 200 mm (plate), 330 × 235 mm (sheet). Very fine impression, printed on laid paper. Sheet with [..]
287
Interior of a Glassworks
anonymous Venetian engraver of the 18th century
Etching, 270 × 200 mm (plate), 330 × 235 mm (sheet). Very fine impression, printed on laid paper. Sheet with [..]
288
Jean Baptiste Marie Pierre
(Paris, 1713 - 1789)
Rocaille-style fountain
Etching, 430 × 308 mm (sheet). Very fine impression on laid paper. Sheet with margins of approximately 1 cm [..]
288
Jean Baptiste Marie Pierre
(Paris, 1713 - 1789)
Rocaille-style fountain
Etching, 430 × 308 mm (sheet). Very fine impression on laid paper. Sheet with margins of approximately 1 cm [..]
289
Charles Nicolas Cochin II
(1715 - 1790)
Le thrionfé de David
Etching and engraving, 237 × 302 mm. Frame after a design by Callot. IFF 1. Fine, sharp impression. Trimmed [..]
289
Charles Nicolas Cochin II
(1715 - 1790)
Le thrionfé de David
Etching and engraving, 237 × 302 mm. Frame after a design by Callot. IFF 1. Fine, sharp impression. Trimmed [..]
290
Jacques Aliamet
(1726 - 1788)
Arrivée au Sabat, after David Teniers il Giovane
Etching and engraving, 381 × 279 mm. IFF 27. Very fine impression, printed on laid paper. Trimmed to the platemark. [..]
290
Jacques Aliamet
(1726 - 1788)
Arrivée au Sabat, after David Teniers il Giovane
Etching and engraving, 381 × 279 mm. IFF 27. Very fine impression, printed on laid paper. Trimmed to the platemark. [..]
291
Pierre Jacques Duret
(Parigi, 1729)
Fête sur le Tibre à Rome, after Joseph Vernet
Etching and engraving, 555 × 745 mm. Fine impression on wove paper. Sheet with very narrow margins beyond the [..]
291
Pierre Jacques Duret
(Parigi, 1729)
Fête sur le Tibre à Rome, after Joseph Vernet
Etching and engraving, 555 × 745 mm. Fine impression on wove paper. Sheet with very narrow margins beyond the [..]
292
Claude Joseph Vernet
(Avignone, 1714 - Parigi, 1789)
L'entrée du port de Marseille | Le port de Rochefort | La Madrague ou la Peche du Thon
Lot of three large prints from the set of six Les Ports de mer de la France, after paintings by Joseph Vernet. [..]
292
Claude Joseph Vernet
(Avignone, 1714 - Parigi, 1789)
L'entrée du port de Marseille | Le port de Rochefort | La Madrague ou la Peche du Thon
Lot of three large prints from the set of six Les Ports de mer de la France, after paintings by Joseph Vernet. [..]
293
Romain Girard
(Parigi, 1751)
Flore, after Louis Lafitte
Etching and crayon manner, 490 × 368 mm (plate), 540 × 402 mm (sheet). Very fine impression on laid paper with [..]
293
Romain Girard
(Parigi, 1751)
Flore, after Louis Lafitte
Etching and crayon manner, 490 × 368 mm (plate), 540 × 402 mm (sheet). Very fine impression on laid paper with [..]
294
Alphabet
anonymous French engraver of the 18th century
Engraving and etching, 175 × 212 mm (sheet). Fine impression on handmade wove paper. Two irregular edges. In [..]
294
Alphabet
anonymous French engraver of the 18th century
Engraving and etching, 175 × 212 mm (sheet). Fine impression on handmade wove paper. Two irregular edges. In [..]
295
John Browne
(1741 - 1801)
William Woollett
(1735 - 1785)
The Cottagers | The Jocund Peasants, after Cornelis Dusart
Lot of two prints. Etching (Browne) and engraving (Woollett), 520 × 400 mm (each sheet). Hollstein 86 and 87. [..]
295
John Browne
(1741 - 1801)
William Woollett
(1735 - 1785)
The Cottagers | The Jocund Peasants, after Cornelis Dusart
Lot of two prints. Etching (Browne) and engraving (Woollett), 520 × 400 mm (each sheet). Hollstein 86 and 87. [..]
296
Richard Earlom
(London, 1743 - 1822)
A Sleeping Bacchus, after Luca Giordano
Mezzotint, 404 × 467 mm (sheet). From A set of Prints engraved after the most capital Paintings in the Collection [..]
296
Richard Earlom
(London, 1743 - 1822)
A Sleeping Bacchus, after Luca Giordano
Mezzotint, 404 × 467 mm (sheet). From A set of Prints engraved after the most capital Paintings in the Collection [..]
297
Richard Earlom
(London, 1743 - 1822)
The Judgment of Paris, after Luca Giordano
Mezzotint, 404 × 472 mm (sheet). From A set of Prints engraved after the most capital Paintings in the Collection [..]
297
Richard Earlom
(London, 1743 - 1822)
The Judgment of Paris, after Luca Giordano
Mezzotint, 404 × 472 mm (sheet). From A set of Prints engraved after the most capital Paintings in the Collection [..]
298
Richard Earlom
(London, 1743 - 1822)
Bacchanalians, after Rubens
Mezzotint, 440 × 478 mm (plate), 508 × 670 mm (sheet). From A set of Prints engraved after the most capital Paintings [..]
298
Richard Earlom
(London, 1743 - 1822)
Bacchanalians, after Rubens
Mezzotint, 440 × 478 mm (plate), 508 × 670 mm (sheet). From A set of Prints engraved after the most capital Paintings [..]
299
John Murphy
The Cyclops at their forge, after Luca Giordano
Mezzotint, 500 × 353 mm (plate), 677 × 508 mm (sheet). From A set of Prints ... after the ... Paintings in the [..]
299
John Murphy
The Cyclops at their forge, after Luca Giordano
Mezzotint, 500 × 353 mm (plate), 677 × 508 mm (sheet). From A set of Prints ... after the ... Paintings in the [..]
300
Benjamin Smith
(1833)
Providence, after Jean Francois Rigaud
Stipple engraving, 680 × 528 mm. From a series of four plates inspired by moral allegories, printed and published [..]
300
Benjamin Smith
(1833)
Providence, after Jean Francois Rigaud
Stipple engraving, 680 × 528 mm. From a series of four plates inspired by moral allegories, printed and published [..]
301
Boydell Shakespeare Gallery
1803
Large lot comprising 54 plates plus two title pages from A Collection Of Prints, From Pictures Painted For The [..]
301
Boydell Shakespeare Gallery
1803
Large lot comprising 54 plates plus two title pages from A Collection Of Prints, From Pictures Painted For The [..]
302
Dilectissimae matris patronis. Theses utriusque juris
1764
Thesis by Peter Joseph Durand. Etching and engraving, letterpress, 745 × 520 mm. Printed on laid paper. Sheet [..]
302
Dilectissimae matris patronis. Theses utriusque juris
1764
Thesis by Peter Joseph Durand. Etching and engraving, letterpress, 745 × 520 mm. Printed on laid paper. Sheet [..]
303
Pitt disperato
anonymous 19th-century Milanese engraver
Etching, 237 × 377 mm (sheet). Fine impression, printed on handmade wove paper. Sheet with wide margins. In [..]
303
Pitt disperato
anonymous 19th-century Milanese engraver
Etching, 237 × 377 mm (sheet). Fine impression, printed on handmade wove paper. Sheet with wide margins. In [..]
303 bis
Giovanni Battista Zambelli
(Crema, 1826 - 1901)
Attributed to
La Disfida di Barletta, da Massimo D'Azeglio
Xilografia, 365 x 490 mm (parte incisa), 490 x 578 mm (foglio). Una versione di minori dimensioni di una [..]
303 bis
Giovanni Battista Zambelli
(Crema, 1826 - 1901)
Attributed to
La Disfida di Barletta, da Massimo D'Azeglio
Xilografia, 365 x 490 mm (parte incisa), 490 x 578 mm (foglio). Una versione di minori dimensioni di una [..]
304
Francesco Rosaspina
(1762 - 1841)
Portrait of Luigi Lamberti, after Andrea Appiani
Etching, 225 × 170 mm (plate), 270 × 197 mm (sheet). Proof before letters. Very fine impression, printed on [..]
304
Francesco Rosaspina
(1762 - 1841)
Portrait of Luigi Lamberti, after Andrea Appiani
Etching, 225 × 170 mm (plate), 270 × 197 mm (sheet). Proof before letters. Very fine impression, printed on [..]
305
Beheading of St. John the Baptist
Monogrammist AL?
Woodcut, 264 × 197 mm. Probably a Barelli forgery of a woodcut present in the Catalogo Soliani of 1864, p. 11, [..]
305
Beheading of St. John the Baptist
Monogrammist AL?
Woodcut, 264 × 197 mm. Probably a Barelli forgery of a woodcut present in the Catalogo Soliani of 1864, p. 11, [..]
306
Antonio Verico
(Bassano, 1775 - Firenze)
The Triumph of Religion and the Coalition of Paul I, Francis II, George III and Suleiman IV, after Vincenzo Seganti
1800
Etching and engraving, 542 × 390 mm. Fine impression on laid paper. Sheet with wide margins on three sides [..]
306
Antonio Verico
(Bassano, 1775 - Firenze)
The Triumph of Religion and the Coalition of Paul I, Francis II, George III and Suleiman IV, after Vincenzo [..]
1800
Etching and engraving, 542 × 390 mm. Fine impression on laid paper. Sheet with wide margins on three sides [..]
307
Hendrik Voogd
(1768 - 1839)
Roman countryside landscapes
Lot of three prints. Lithograph, 290 × 415 mm and 395 × 500 mm (two sheets). Printed on wove paper. In good [..]
307
Hendrik Voogd
(1768 - 1839)
Roman countryside landscapes
Lot of three prints. Lithograph, 290 × 415 mm and 395 × 500 mm (two sheets). Printed on wove paper. In good [..]
308
Karl Gustav Halmar Mörner
(Stockholm, 1794 - Paris, 1837)
The Carnival of Rome
1820
Complete set of 20 plates. Etching, 325 × 460 mm (each sheet). Complete set of 20 joined and laid down on [..]
308
Karl Gustav Halmar Mörner
(Stockholm, 1794 - Paris, 1837)
The Carnival of Rome
1820
Complete set of 20 plates. Etching, 325 × 460 mm (each sheet). Complete set of 20 joined and laid down on [..]
309
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
1822
Etching, 335 × 465 mm. Fine impression, printed on wove paper. Trimmed to the platemark, with narrow margins [..]
309
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dell'Avanzo dell'Anfiteatro Castrense
1822
Etching, 335 × 465 mm. Fine impression, printed on wove paper. Trimmed to the platemark, with narrow margins [..]
310
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta del Tempio delle Camene, da altri del Dio Ridicolo
1823
Etching, 520 × 725 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
310
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta del Tempio delle Camene, da altri del Dio Ridicolo
1823
Etching, 520 × 725 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
311
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta delle Mura di Roma, dalla parte interna della città, vicino alla Porta Celimontana
1823
Etching, 530 × 720 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
311
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta delle Mura di Roma, dalla parte interna della città, vicino alla Porta Celimontana
1823
Etching, 530 × 720 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
312
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta della parte posteriore degl'avanzi del Foro di Nerva, da altri Erario pubblico
1823
Etching, 525 × 720 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
312
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta della parte posteriore degl'avanzi del Foro di Nerva, da altri Erario pubblico
1823
Etching, 525 × 720 mm (sheet). Fine impression, with deep black tones, printed on wove paper. Sheet with wide [..]
313
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dell'Arco di Settimio Severo nel Foro Boario
Etching, 405 × 485 mm (plate), 495 × 715 mm (sheet). Fine impression on wove paper. Wide margins preserved. [..]
313
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dell'Arco di Settimio Severo nel Foro Boario
Etching, 405 × 485 mm (plate), 495 × 715 mm (sheet). Fine impression on wove paper. Wide margins preserved. [..]
314
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Ss. Silvestro e Martino ai Monti
Etching and engraving on chine-collé, 520 × 690 mm (sheet). Very fine impression, printed on China paper mounted [..]
314
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Ss. Silvestro e Martino ai Monti
Etching and engraving on chine-collé, 520 × 690 mm (sheet). Very fine impression, printed on China paper mounted [..]
315
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dei grandiosissimi avanzi del Tempio di Giove,dal volgo il frontespizio di Nerone sul Monte Quirinale negl'orti Colonna
Etching, 500 × 640 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. Usual [..]
315
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta dei grandiosissimi avanzi del Tempio di Giove,dal volgo il frontespizio di Nerone sul Monte Quirinale [..]
Etching, 500 × 640 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. Usual [..]
316
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta degl'avanzi delle Torri di Belisario. Dalla porta che guarda l'Interno della Città, vicino a Porta S. Giovanni
Etching, 512 × 765 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. In [..]
316
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta degl'avanzi delle Torri di Belisario. Dalla porta che guarda l'Interno della Città, vicino a [..]
Etching, 512 × 765 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. In [..]
317
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta del Ponte di Nona fuori di Porta Maggiore, 9. miglia da Roma
Etching, 510 × 660 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. The [..]
317
Luigi Rossini
(Ravenna, 1790 - Roma, 1857)
Veduta del Ponte di Nona fuori di Porta Maggiore, 9. miglia da Roma
Etching, 510 × 660 mm (sheet). Very fine impression, printed on wove paper. Sheet with very wide margins. The [..]