91
Albrecht Dürer
(Norimberga, 1471 - 1528)
Attribuito a
Creation of Eve, from Liber Chronicarum
Woodcut, 253 × 224 mm (block); 468 × 322 mm (sheet). Plate from the Nuremberg Chronicle (Liber chronicarum), [..]
91
Albrecht Dürer
(Norimberga, 1471 - 1528)
Attribuito a
Creation of Eve, from Liber Chronicarum
Woodcut, 253 × 224 mm (block); 468 × 322 mm (sheet). Plate from the Nuremberg Chronicle (Liber chronicarum), [..]
92
Michael Wolgemut
(1434 - 1519)
e bottega
Adam and Eve with Their Children, Eve Nursing, from the Liber Chronicarum.
Woodcut, 258 × 228 mm (block); 462 × 305 mm (sheet). Plate from the Nuremberg Chronicle (Liber chronicarum). [..]
92
Michael Wolgemut
(1434 - 1519)
e bottega
Adam and Eve with Their Children, Eve Nursing, from the Liber Chronicarum.
Woodcut, 258 × 228 mm (block); 462 × 305 mm (sheet). Plate from the Nuremberg Chronicle (Liber chronicarum). [..]
93
Michael Wolgemut
(1434 - 1519)
e bottega
Sorceress Circe, from Liber Chronicarum
Woodcut, 120 x 170 mm (plate); 462 x 305 mm (sheet). Plate from the Nuremberg Chronicles (Liber chronicarum). [..]
93
Michael Wolgemut
(1434 - 1519)
e bottega
Sorceress Circe, from Liber Chronicarum
Woodcut, 120 x 170 mm (plate); 462 x 305 mm (sheet). Plate from the Nuremberg Chronicles (Liber chronicarum). [..]
94
Fools, da Das Narrenschiff (Stultifera Navis)
A group of 17 plates from various Latin editions (1494, 1497, 1498 and 1507) of Sebastian Brant’s Das Narrenschiff [..]
94
Fools, da Das Narrenschiff (Stultifera Navis)
A group of 17 plates from various Latin editions (1494, 1497, 1498 and 1507) of Sebastian Brant’s Das Narrenschiff [..]
95
Giovanni Britto
(1531)
Adoration of the Shepherds, after Titian
Woodcut, 400 × 508 mm; 422 × 530 mm (support sheet). Passavant VI.224.9. Fine, crisp impression on laid paper. [..]
95
Giovanni Britto
(1531)
Adoration of the Shepherds, after Titian
Woodcut, 400 × 508 mm; 422 × 530 mm (support sheet). Passavant VI.224.9. Fine, crisp impression on laid paper. [..]
96
Giovanni Battista Pittoni (detto Il Vicentino)
(Vicenza, 1520 - 1583)
Uncertain Cuiusdam Ruine Prospectus, after Hieronymus Cock
1561
Etching, 221 × 282 mm (sheet). Plate XVIII from the series of 24 etchings of Roman ruins, inspired by Hieronymus [..]
96
Giovanni Battista Pittoni (detto Il Vicentino)
(Vicenza, 1520 - 1583)
Uncertain Cuiusdam Ruine Prospectus, after Hieronymus Cock
1561
Etching, 221 × 282 mm (sheet). Plate XVIII from the series of 24 etchings of Roman ruins, inspired by Hieronymus [..]
97
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Saint Jerome, after Michiel Coxie
Engraving, 248 × 199 mm (sheet). Hollstein (after Michiel Coxcie) 4. Very fine impression with light plate [..]
97
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Saint Jerome, after Michiel Coxie
Engraving, 248 × 199 mm (sheet). Hollstein (after Michiel Coxcie) 4. Very fine impression with light plate [..]
98
Marcantonio Raimondi
(1534)
Visitation, after Albrecht Dürer
Engraving, 302 × 207 mm. Very fine impression, printed on thin laid paper. Trimmed to the platemark. A few [..]
98
Marcantonio Raimondi
(1534)
Visitation, after Albrecht Dürer
Engraving, 302 × 207 mm. Very fine impression, printed on thin laid paper. Trimmed to the platemark. A few [..]
99
Marcantonio Raimondi
(1534)
Joseph and Putiphar's wife
Engraving, 210 × 249 mm. First state of 2, before the address of Nicolas van Aelst. Bartsch XIV.9; Delaborde 4. [..]
99
Marcantonio Raimondi
(1534)
Joseph and Putiphar's wife
Engraving, 210 × 249 mm. First state of 2, before the address of Nicolas van Aelst. Bartsch XIV.9; Delaborde 4. [..]
100
Marcantonio Raimondi
(1534)
Charity | Justice
Two engravings from the Virtues series. Engravings, 218 × 106 mm and 194 × 107 mm. Bartsch XIV.294.386 and 388; [..]
100
Marcantonio Raimondi
(1534)
Charity | Justice
Two engravings from the Virtues series. Engravings, 218 × 106 mm and 194 × 107 mm. Bartsch XIV.294.386 and 388; [..]
101
Marcantonio Raimondi
(1534)
Scuola di
Venus after the bath
Engraving, 210 × 170 mm. Bartsch XIV.224.297; Delaborde 115. Copy after an engraving by Raimondi. Printed on [..]
101
Marcantonio Raimondi
(1534)
Scuola di
Venus after the bath
Engraving, 210 × 170 mm. Bartsch XIV.224.297; Delaborde 115. Copy after an engraving by Raimondi. Printed on [..]
102
Marco Dente, detto Marco da Ravenna
(Ravenna, 1493 - Roma, 1527)
The Abduction of Helen, after Raphael
Engraving, 290 × 420 mm. Bartsch XIV.171.210. Fine impression printed on thin laid paper with watermark. Trimmed [..]
102
Marco Dente, detto Marco da Ravenna
(Ravenna, 1493 - Roma, 1527)
The Abduction of Helen, after Raphael
Engraving, 290 × 420 mm. Bartsch XIV.171.210. Fine impression printed on thin laid paper with watermark. Trimmed [..]
103
Ugo da Carpi
(Carpi, 1470 - Roma, 1532)
Sacrifice of Isaac
Woodcut, 395 × 415 mm. One of the four panels comprising the full composition. Very fine impression with deep [..]
103
Ugo da Carpi
(Carpi, 1470 - Roma, 1532)
Sacrifice of Isaac
Woodcut, 395 × 415 mm. One of the four panels comprising the full composition. Very fine impression with deep [..]
104
Maestro del Dado
(1530)
Sacrifice of Priapus
Engraving, 124 × 286 mm. Bartsch XV.203.27. Very fine impression, printed on laid paper. Trimmed to the platemark. [..]
104
Maestro del Dado
(1530)
Sacrifice of Priapus
Engraving, 124 × 286 mm. Bartsch XV.203.27. Very fine impression, printed on laid paper. Trimmed to the platemark. [..]
105
Maestro del Dado
(1530)
Three cherubs and an ostrich before a large garland, after Raphael
From the Tapestries series. Engraving, 209 × 279 mm. Second state of 5, with Lafreri’s address. Bartsch XV.208.33. [..]
105
Maestro del Dado
(1530)
Three cherubs and an ostrich before a large garland, after Raphael
From the Tapestries series. Engraving, 209 × 279 mm. Second state of 5, with Lafreri’s address. Bartsch XV.208.33. [..]
106
Giulio Bonasone
Jupiter, Neptune and Pluto divide the universe, after Giulio Romano
Engraving, 194 × 264 mm. Bartsch XV.137.93. Fine impression on laid paper. Trimmed and backed with a sheet [..]
106
Giulio Bonasone
Jupiter, Neptune and Pluto divide the universe, after Giulio Romano
Engraving, 194 × 264 mm. Bartsch XV.137.93. Fine impression on laid paper. Trimmed and backed with a sheet [..]
107
Giulio Bonasone
Raphael sanciti urbinatus
Engraving, 276 × 187 mm. First state, before the address of Giovanni Battista de’ Rossi. Bartsch XV.171.347. [..]
107
Giulio Bonasone
Raphael sanciti urbinatus
Engraving, 276 × 187 mm. First state, before the address of Giovanni Battista de’ Rossi. Bartsch XV.171.347. [..]
108
Hadrian's Tomb | Arch of Titus | Tomb of Hadrian | Arch of Titus | Tomb of Augustus, from the Speculum Romanae Magnificentiae.
Lot of three engravings. 550 × 402 mm approx. (each sheet). Editions with Giovanni Orlandi’s address. Very [..]
108
Hadrian's Tomb | Arch of Titus | Tomb of Hadrian | Arch of Titus | Tomb of Augustus, from the Speculum [..]
Lot of three engravings. 550 × 402 mm approx. (each sheet). Editions with Giovanni Orlandi’s address. Very [..]
109
Nicolas Beatrizet
(1573)
Battle of the Amazons, from the Speculum Romanae Magnificentiae
Engraving, 305 × 795 mm (plate); 415 × 950 mm (sheet). State with the address of Hendrik van Schoel. Bartsch XV.267.98; [..]
109
Nicolas Beatrizet
(1573)
Battle of the Amazons, from the Speculum Romanae Magnificentiae
Engraving, 305 × 795 mm (plate); 415 × 950 mm (sheet). State with the address of Hendrik van Schoel. Bartsch XV.267.98; [..]
110
Girolamo Fagiuoli
(1574)
Fall of the Giants, after Perino del Vaga
Engraving, 340 × 570 mm. Second state, with Lafreri’s address. Bartsch XV.45.16. Impression printed on laid [..]
110
Girolamo Fagiuoli
(1574)
Fall of the Giants, after Perino del Vaga
Engraving, 340 × 570 mm. Second state, with Lafreri’s address. Bartsch XV.45.16. Impression printed on laid [..]
111
Battista Franco
(1510 - 1561)
The Great Flood
Engraving, 257 × 427 mm. First state, before the addition of lettering. Bartsch XVI.155.3; TIB 32/16, 3. Very [..]
111
Battista Franco
(1510 - 1561)
The Great Flood
Engraving, 257 × 427 mm. First state, before the addition of lettering. Bartsch XVI.155.3; TIB 32/16, 3. Very [..]
112
Giovanni Battista Cavalieri
(1601)
Martyrdom of St. Peter, after Michelangelo
Engraving, 416 × 541 mm. B. Barnes, Michelangelo in Print: Reproductions as Response in the Sixteenth Century, [..]
112
Giovanni Battista Cavalieri
(1601)
Martyrdom of St. Peter, after Michelangelo
Engraving, 416 × 541 mm. B. Barnes, Michelangelo in Print: Reproductions as Response in the Sixteenth Century, [..]
113
Giorgio Ghisi
(Mantova, 1520 - 1582)
Venus and the Rose, after Luca Penni
Engraving, 310 × 220 mm. State with the address of Pietro de’ Nobili and Paolo Graziani and the date 1582. State [..]
113
Giorgio Ghisi
(Mantova, 1520 - 1582)
Venus and the Rose, after Luca Penni
Engraving, 310 × 220 mm. State with the address of Pietro de’ Nobili and Paolo Graziani and the date 1582. State [..]
114
Lambert Suavius
(Liege - Frankfurt, 1567)
Deposition
Engraving, 180 × 208 mm. Hollstein 4. Fine impression printed on laid paper. Sheet with a small loss on the [..]
114
Lambert Suavius
(Liege - Frankfurt, 1567)
Deposition
Engraving, 180 × 208 mm. Hollstein 4. Fine impression printed on laid paper. Sheet with a small loss on the [..]
115
Jacopo Negretti detto Palma il Giovane
(Venezia, 1544 - 1628)
St. John the Baptist in the Desert
Etching, 156 × 115 mm. Bartsch XVI.291.19. Superb impression with plate tone, printed on thin laid paper. Sheet [..]
115
Jacopo Negretti detto Palma il Giovane
(Venezia, 1544 - 1628)
St. John the Baptist in the Desert
Etching, 156 × 115 mm. Bartsch XVI.291.19. Superb impression with plate tone, printed on thin laid paper. Sheet [..]
116
Astolfo
anonymous engraver from the mid-16th century
Engraving, 200 × 138 mm Very fine, fresh impression, printed on laid paper with watermark. Sheet with small [..]
116
Astolfo
anonymous engraver from the mid-16th century
Engraving, 200 × 138 mm Very fine, fresh impression, printed on laid paper with watermark. Sheet with small [..]
117
Cherubino Alberti
(1553 - 1615)
Demons, after Michelangelo
Etching, 322 × 210 mm. First state of 2, before the addition of the letter C and the privilege. Bartsch XVII.75.71. [..]
117
Cherubino Alberti
(1553 - 1615)
Demons, after Michelangelo
Etching, 322 × 210 mm. First state of 2, before the addition of the letter C and the privilege. Bartsch XVII.75.71. [..]
118
Cherubino Alberti
(1553 - 1615)
Tiberis fluvij simunacrum Romae in Vaticano | Marsie simulacrum...
Etching, 195 × 250 mm (sheet). Lot of two etchings from Giovanni Battista Cavalieri’s Antiquarum statuarum urbis [..]
118
Cherubino Alberti
(1553 - 1615)
Tiberis fluvij simunacrum Romae in Vaticano | Marsie simulacrum...
Etching, 195 × 250 mm (sheet). Lot of two etchings from Giovanni Battista Cavalieri’s Antiquarum statuarum urbis [..]
119
Francesco Villamena
(1565 - 1624)
Last Supper, after Raphael
Etching, 141 x 250 mm. Beautiful, high-contrast impressions printed on laid paper and trimmed to the edge of [..]
119
Francesco Villamena
(1565 - 1624)
Last Supper, after Raphael
Etching, 141 x 250 mm. Beautiful, high-contrast impressions printed on laid paper and trimmed to the edge of [..]
120
Gerard de Jode
(1591)
Flight into Egypt
Engraving, 193 × 260 mm (plate), 243 × 330 mm (sheet). New Hollstein (De Jode dynasty: Gherard) 248. Very fine [..]
120
Gerard de Jode
(1591)
Flight into Egypt
Engraving, 193 × 260 mm (plate), 243 × 330 mm (sheet). New Hollstein (De Jode dynasty: Gherard) 248. Very fine [..]
121
Hieronymus Cock
(Anversa, 1510 - 1570)
Ex ruinis thermarum Antonini Pii, pospectus 2
Etching, 225 × 312 mm (sheet). From the series Praecipua aliquot Romanae antiquitatis ruinarum monimenta.... Hollstein [..]
121
Hieronymus Cock
(Anversa, 1510 - 1570)
Ex ruinis thermarum Antonini Pii, pospectus 2
Etching, 225 × 312 mm (sheet). From the series Praecipua aliquot Romanae antiquitatis ruinarum monimenta.... Hollstein [..]
122
Johannes van Doetecum I
(1605)
Hall with Ionic columns, after Hans Vredeman de Vries
Etching, 208 × 262 mm. First state of 2, before the address of Hieronymus Cock was erased. New Hollstein 176. [..]
122
Johannes van Doetecum I
(1605)
Hall with Ionic columns, after Hans Vredeman de Vries
Etching, 208 × 262 mm. First state of 2, before the address of Hieronymus Cock was erased. New Hollstein 176. [..]
123
Philip Galle
(1537 - 1612)
Fishing in the Arno with nets, after Giovanni Stradano
From the series Venationes Ferarum, Avium, Piscium. Engraving, 215 × 290 mm. New Hollstein 459. Very fine, [..]
123
Philip Galle
(1537 - 1612)
Fishing in the Arno with nets, after Giovanni Stradano
From the series Venationes Ferarum, Avium, Piscium. Engraving, 215 × 290 mm. New Hollstein 459. Very fine, [..]
124
Philip Galle
(1537 - 1612)
Mons Regionis oppidum... (Siege of Monteriggioni), after Giovanni Stradano
Engraving, 218 × 302 mm (plate), 260 × 380 mm (sheet). Plate from Mediceae Familiae rerum feliciter gestarum victoriae [..]
124
Philip Galle
(1537 - 1612)
Mons Regionis oppidum... (Siege of Monteriggioni), after Giovanni Stradano
Engraving, 218 × 302 mm (plate), 260 × 380 mm (sheet). Plate from Mediceae Familiae rerum feliciter gestarum victoriae [..]
125
Philip Galle
(1537 - 1612)
Eve Offering Adam the Forbidden Fruit | Lot and His Daughters | The Idolatry of Solomon
Lot of three engravings from the series The Power of Women. Engraving, diameter 235–238 mm. Eve in the second [..]
125
Philip Galle
(1537 - 1612)
Eve Offering Adam the Forbidden Fruit | Lot and His Daughters | The Idolatry of Solomon
Lot of three engravings from the series The Power of Women. Engraving, diameter 235–238 mm. Eve in the second [..]
126
Philip Galle
(1537 - 1612)
It Is Easier for a Camel…, after Maarten van Heemskerck
Engraving, 172 × 231 mm (plate), 282 × 338 mm (sheet). Fifth state of 5, with Junius’s verses “Divitum misera [..]
126
Philip Galle
(1537 - 1612)
It Is Easier for a Camel…, after Maarten van Heemskerck
Engraving, 172 × 231 mm (plate), 282 × 338 mm (sheet). Fifth state of 5, with Junius’s verses “Divitum misera [..]
127
Philip Galle
(1537 - 1612)
Forum SS. Apostolorum, after Hendrick van Cleve III
Engraving, 172 × 240 mm (plate), 238 × 322 mm (sheet). From the series Ruinarum Varii Prospectus Ruriumque Aliquot [..]
127
Philip Galle
(1537 - 1612)
Forum SS. Apostolorum, after Hendrick van Cleve III
Engraving, 172 × 240 mm (plate), 238 × 322 mm (sheet). From the series Ruinarum Varii Prospectus Ruriumque Aliquot [..]
128
Philip Galle
(1537 - 1612)
Hostia, after Hendrick van Cleve III
Engraving, 172 × 240 mm (plate), 238 × 322 mm (sheet). From the series Ruinarum Varii Prospectus Ruriumque Aliquot [..]
128
Philip Galle
(1537 - 1612)
Hostia, after Hendrick van Cleve III
Engraving, 172 × 240 mm (plate), 238 × 322 mm (sheet). From the series Ruinarum Varii Prospectus Ruriumque Aliquot [..]
129
Philip Galle
(1537 - 1612)
Forum bohrium Romae, after Hendrick van Cleve III
Engraving, 175 × 244 mm (plate), 260 × 370 mm (sheet). From the series Ruinarum Varii Prospectus Ruriumque Aliquot [..]
129
Philip Galle
(1537 - 1612)
Forum bohrium Romae, after Hendrick van Cleve III
Engraving, 175 × 244 mm (plate), 260 × 370 mm (sheet). From the series Ruinarum Varii Prospectus Ruriumque Aliquot [..]
130
Philip Galle
(1537 - 1612)
Palatini monti prspectus, after Hendrick van Cleve III
Engraving, 170 × 238 mm. From the series Ruinarum Varii Prospectus Ruriumque Aliquot Delineationes. Fine impression, [..]
130
Philip Galle
(1537 - 1612)
Palatini monti prspectus, after Hendrick van Cleve III
Engraving, 170 × 238 mm. From the series Ruinarum Varii Prospectus Ruriumque Aliquot Delineationes. Fine impression, [..]