205
Jean Pesne
(Rouen, 1623 - Parigi, 1700)
The Mystical Marriage of Saint Catherine, after Annibale Carracci
Etching, 286 × 401 mm (plate), 320 × 440 mm (sheet). Fine impression, with deep black tones, printed on laid [..]
205
Jean Pesne
(Rouen, 1623 - Parigi, 1700)
The Mystical Marriage of Saint Catherine, after Annibale Carracci
Etching, 286 × 401 mm (plate), 320 × 440 mm (sheet). Fine impression, with deep black tones, printed on laid [..]
206
Pierre Picault
(1680 - 1711)
Le Passage Du Granique | La bataille d'Arbelles, after Charles Le Brun
Lot of two etchings. Etching, approx. 360 × 840 mm (printed area). Each impression printed from four plates [..]
206
Pierre Picault
(1680 - 1711)
Le Passage Du Granique | La bataille d'Arbelles, after Charles Le Brun
Lot of two etchings. Etching, approx. 360 × 840 mm (printed area). Each impression printed from four plates [..]
207
Jean Berain
(Saint-Mihiel, 1640 - Paris, 1711)
Ornaments
Lot of 18 plates plus two title pages from Ornemens Inventez par J. Berain... 1703 and Livre de Desseins de Cheminées, [..]
207
Jean Berain
(Saint-Mihiel, 1640 - Paris, 1711)
Ornaments
Lot of 18 plates plus two title pages from Ornemens Inventez par J. Berain... 1703 and Livre de Desseins de Cheminées, [..]
208
Francesco Londonio
(Milano, 1723 - 1783)
Sleeping Shepherd Boy, Woman, Child and Shepherd
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). From the [..]
208
Francesco Londonio
(Milano, 1723 - 1783)
Sleeping Shepherd Boy, Woman, Child and Shepherd
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). From the [..]
209
Francesco Londonio
(Milano, 1723 - 1783)
Seated Shepherd Boy and Woman Giving a Child a Drink
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). From the [..]
209
Francesco Londonio
(Milano, 1723 - 1783)
Seated Shepherd Boy and Woman Giving a Child a Drink
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). From the [..]
210
Francesco Londonio
(Milano, 1723 - 1783)
Reclining Old Man Leaning Against a Sack
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). From the [..]
210
Francesco Londonio
(Milano, 1723 - 1783)
Reclining Old Man Leaning Against a Sack
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). From the [..]
211
Giovanni Antonio Canal detto il Canaletto
(Venezia, 1697 - 1768)
Landscape with a Tower and Two Ruined Pillars | Landscape with a Woman at a Well
Two etchings printed on the same sheet. Etching, 143 × 212 mm and 132 × 208 mm (plate); 380 × 275 mm (sheet). [..]
211
Giovanni Antonio Canal detto il Canaletto
(Venezia, 1697 - 1768)
Landscape with a Tower and Two Ruined Pillars | Landscape with a Woman at a Well
Two etchings printed on the same sheet. Etching, 143 × 212 mm and 132 × 208 mm (plate); 380 × 275 mm (sheet). [..]
212
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, after Antonio Canal
From the series Urbis Venetiarum Prospectus celebriores. Etching, 425 × 584 mm (plate). Rare. Fine impression [..]
212
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, after Antonio Canal
From the series Urbis Venetiarum Prospectus celebriores. Etching, 425 × 584 mm (plate). Rare. Fine impression [..]
213
Bernardo Bellotto
(1722 - 1780)
Vue de la ville de Pirne devant la porte nommée Dohnaiszh-Thor, avec la forteresse Sonnenstein
Etching, 415 × 530 mm (plate). Kozakiewicz 204. Fine impression on laid paper. Vertical mark at the upper centre. [..]
213
Bernardo Bellotto
(1722 - 1780)
Vue de la ville de Pirne devant la porte nommée Dohnaiszh-Thor, avec la forteresse Sonnenstein
Etching, 415 × 530 mm (plate). Kozakiewicz 204. Fine impression on laid paper. Vertical mark at the upper centre. [..]
214
Joseph Wagner
(1706 - 1786)
Prospetto della Chiesa di S. Simeone Appostolo con alcune fabbriche d'invenzione del pittore, after Canaletto
Etching, 336 × 490 mm (plate), 400 × 545 mm (sheet). From the series Prospetti sei di altrettanti Templi di Venezia. [..]
214
Joseph Wagner
(1706 - 1786)
Prospetto della Chiesa di S. Simeone Appostolo con alcune fabbriche d'invenzione del pittore, after [..]
Etching, 336 × 490 mm (plate), 400 × 545 mm (sheet). From the series Prospetti sei di altrettanti Templi di Venezia. [..]
214 bis
Francesco Bartolozzi
(1728 - 1815)
Rozzo è il mio suon, ma pur alletta, e piace, da Nicolas Berghem
Acquaforte e bulino, 350 x 458 mm. Da una serie di tre dal titolo “Suite de trois paysages dal le genre de Berghem” [..]
214 bis
Francesco Bartolozzi
(1728 - 1815)
Rozzo è il mio suon, ma pur alletta, e piace, da Nicolas Berghem
Acquaforte e bulino, 350 x 458 mm. Da una serie di tre dal titolo “Suite de trois paysages dal le genre de Berghem” [..]
214 ter
Francesco Bartolozzi
(1728 - 1815)
Abramo e i tre Angeli, da Jacopo Amigoni
Acquaforte e bulino, 520 x 341 mm (lastra), 564 x 384 mm (foglio). Bell’esemplare stampato su carta vergata [..]
214 ter
Francesco Bartolozzi
(1728 - 1815)
Abramo e i tre Angeli, da Jacopo Amigoni
Acquaforte e bulino, 520 x 341 mm (lastra), 564 x 384 mm (foglio). Bell’esemplare stampato su carta vergata [..]
214 quater
Francesco Bartolozzi
(1728 - 1815)
La Vertù couronnant la Noblesse, da Francesco Fontebasso
Acquaforte e bulino, 425 x 334
mm (lastra), 502 x 388 mm (foglio). Bellissima impressione su carta vergata [..]
214 quater
Francesco Bartolozzi
(1728 - 1815)
La Vertù couronnant la Noblesse, da Francesco Fontebasso
Acquaforte e bulino, 425 x 334
mm (lastra), 502 x 388 mm (foglio). Bellissima impressione su carta vergata [..]
215
Giuliano Giampiccoli
(Belluno, 1703 - 1759)
Il molle fianco,e il tergo a noi rivolto..., after Francesco Zuccarelli
Etching, 430 × 542 mm (plate), 495 × 680 mm (sheet). Fine impression on laid paper with watermark. Sheet with [..]
215
Giuliano Giampiccoli
(Belluno, 1703 - 1759)
Il molle fianco,e il tergo a noi rivolto..., after Francesco Zuccarelli
Etching, 430 × 542 mm (plate), 495 × 680 mm (sheet). Fine impression on laid paper with watermark. Sheet with [..]
216
Giambattista Brustolon
(1718 - 1796)
Piazza San Marco verso la Basilica e il Campanile
Etching, 282 × 432 mm. Sheet trimmed to the printed area, backed and hand-coloured.
216
Giambattista Brustolon
(1718 - 1796)
Piazza San Marco verso la Basilica e il Campanile
Etching, 282 × 432 mm. Sheet trimmed to the printed area, backed and hand-coloured.
217
Basilica San Marco | Piazzetta San Marco
Giovanni Brizeghel, publisher
Lithograph, 495 × 660 mm (each sheet). Lot of two lithographs from Venezia prospettica, monumentale, storica artistica, [..]
217
Basilica San Marco | Piazzetta San Marco
Giovanni Brizeghel, publisher
Lithograph, 495 × 660 mm (each sheet). Lot of two lithographs from Venezia prospettica, monumentale, storica artistica, [..]
218
View of Campo di San Stefano
anonymous 18th century etcher
Etching and engraving, 332 × 492 mm. From Il gran teatro di Venezia… by Domenico Lovisa, published in Venice around [..]
218
View of Campo di San Stefano
anonymous 18th century etcher
Etching and engraving, 332 × 492 mm. From Il gran teatro di Venezia… by Domenico Lovisa, published in Venice around [..]
219
Remondini
Prospectus amaenissimus areae Divi Marci Venetiarum
Optical view. Engraving and etching, 302 × 420 mm (sheet). Printed on laid paper, hand-coloured. Trimmed to [..]
219
Remondini
Prospectus amaenissimus areae Divi Marci Venetiarum
Optical view. Engraving and etching, 302 × 420 mm (sheet). Printed on laid paper, hand-coloured. Trimmed to [..]
220
Giovanni Girolamo Frezza
(1659 - 1748)
Aurora | Nox
1704
Lot of two etchings. Etching, 412 × 314 mm (each plate), 482 × 375 mm (each sheet). After designs by Francesco [..]
220
Giovanni Girolamo Frezza
(1659 - 1748)
Aurora | Nox
1704
Lot of two etchings. Etching, 412 × 314 mm (each plate), 482 × 375 mm (each sheet). After designs by Francesco [..]
221
Giovanni Girolamo Frezza
(1659 - 1748)
Pallas
Etching, 410 × 360 mm (plate), 550 × 404 mm (sheet). After a subject painted in fresco in antiquity and subsequently [..]
221
Giovanni Girolamo Frezza
(1659 - 1748)
Pallas
Etching, 410 × 360 mm (plate), 550 × 404 mm (sheet). After a subject painted in fresco in antiquity and subsequently [..]
222
Giovanni Girolamo Frezza
(1659 - 1748)
Lucifer | Hesperus
Lot of two etchings. Etching, approx. 268 × 202 mm (each plate), 488 × 368 mm (each sheet). After designs by Francesco [..]
222
Giovanni Girolamo Frezza
(1659 - 1748)
Lucifer | Hesperus
Lot of two etchings. Etching, approx. 268 × 202 mm (each plate), 488 × 368 mm (each sheet). After designs by Francesco [..]
223
Carlo Bartolomeo Gregori
(1702 - 1759)
Saint Mark | Saint Matthew | Saint John | Saint Luke
Lot of 4 etchings. Etching, approx. 220 × 220 mm. Fine impressions on laid paper, some sheets with fragments [..]
223
Carlo Bartolomeo Gregori
(1702 - 1759)
Saint Mark | Saint Matthew | Saint John | Saint Luke
Lot of 4 etchings. Etching, approx. 220 × 220 mm. Fine impressions on laid paper, some sheets with fragments [..]
223 bis
Stefano Mulinari
(Firenze)
Circe disseta i compagni di Ulisse, da Parmigianino
Acquaforte e acquatinta, 296 x 229
mm (lastra), 618 x 430 mm (foglio). Dalla raccolta dal titolo [..]
223 bis
Stefano Mulinari
(Firenze)
Circe disseta i compagni di Ulisse, da Parmigianino
Acquaforte e acquatinta, 296 x 229
mm (lastra), 618 x 430 mm (foglio). Dalla raccolta dal titolo [..]
223 ter
Stefano Mulinari
(Firenze)
La toilette di Venere, dal Parmigianino
Acquaforte e acquatinta, 355 x 425 mm (foglio). Bellissimo esemplare stampato con inchiostratura in delicate [..]
223 ter
Stefano Mulinari
(Firenze)
La toilette di Venere, dal Parmigianino
Acquaforte e acquatinta, 355 x 425 mm (foglio). Bellissimo esemplare stampato con inchiostratura in delicate [..]
224
Giuseppe Zocchi
(Firenze, 1716 - 1767)
Offerte a Ceres, after Pietro da Cortona
Etching, 390 × 257 mm (plate), 495 × 372 mm (sheet). Fine impression in sepia ink, printed on wove paper. Wide [..]
224
Giuseppe Zocchi
(Firenze, 1716 - 1767)
Offerte a Ceres, after Pietro da Cortona
Etching, 390 × 257 mm (plate), 495 × 372 mm (sheet). Fine impression in sepia ink, printed on wove paper. Wide [..]
225
Angelo Zaffonato
(Bassano - 1835)
Pietro Zancon
(Bassano, 1772 - 1807)
Antonio Zecchin
(Bassano - 1795 fl.)
Twelve Months, after William Hamilton
Serie completa di dodici mesi. Maniera punteggiata (incisione a pointillé), 225 × 265 mm ca. cad. Impressioni [..]
225
Angelo Zaffonato
(Bassano - 1835)
Pietro Zancon
(Bassano, 1772 - 1807)
Antonio Zecchin
(Bassano - 1795 fl.)
Twelve Months, after William Hamilton
Serie completa di dodici mesi. Maniera punteggiata (incisione a pointillé), 225 × 265 mm ca. cad. Impressioni [..]
226
Giovanni Battista Falda
(Valduggia, 1643 - Roma, 1678)
Veduta dell'Ampia Basilica Vaticana...
Etching, 480 × 660 mm (plate), 530 × 695 mm (sheet). Very fine, sharp impression, with fairly deep black tones. [..]
226
Giovanni Battista Falda
(Valduggia, 1643 - Roma, 1678)
Veduta dell'Ampia Basilica Vaticana...
Etching, 480 × 660 mm (plate), 530 × 695 mm (sheet). Very fine, sharp impression, with fairly deep black tones. [..]
227
Alessandro Specchi
(1668 - 1729)
Prospetto del Palazzo della Gran Curia Innocenziana per Residenza dei Tribunali
Etching and engraving, 510 × 738 mm. Very fine impression, with strong contrasts, printed on laid paper with [..]
227
Alessandro Specchi
(1668 - 1729)
Prospetto del Palazzo della Gran Curia Innocenziana per Residenza dei Tribunali
Etching and engraving, 510 × 738 mm. Very fine impression, with strong contrasts, printed on laid paper with [..]
228
Giovanni Battista Sintes
(Roma)
Prospettiva della seconda macchina de fuochi d'artificio rappresentante il Ratto di Ganimede
Etching, 460 × 650 mm (sheet). Fine impression, printed on laid paper with watermark. Sheet with preserved [..]
228
Giovanni Battista Sintes
(Roma)
Prospettiva della seconda macchina de fuochi d'artificio rappresentante il Ratto di Ganimede
Etching, 460 × 650 mm (sheet). Fine impression, printed on laid paper with watermark. Sheet with preserved [..]
229
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Disegno della Seconda Machina rappresentante il Monte Testaccio con abitazione, after Giuseppe Palazzi
1778
Etching, 515 × 388 mm (plate), 568 × 425 mm (sheet). Fine impression, printed on thin laid paper with watermark. [..]
229
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Disegno della Seconda Machina rappresentante il Monte Testaccio con abitazione, after Giuseppe Palazz [..]
1778
Etching, 515 × 388 mm (plate), 568 × 425 mm (sheet). Fine impression, printed on thin laid paper with watermark. [..]
230
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Disegno della Seconda Machina rappresentante il Monte Etna gia rinomato per la favolosa Fucina di Vulcano
Etching, 400 × 545 mm (plate), 445 × 590 mm (sheet). Printed on laid paper, with wide margins preserved. A [..]
230
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Disegno della Seconda Machina rappresentante il Monte Etna gia rinomato per la favolosa Fucina di Vul [..]
Etching, 400 × 545 mm (plate), 445 × 590 mm (sheet). Printed on laid paper, with wide margins preserved. A [..]
231
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Disegno della Seconda Macchina rappresentante un Palazzo festivamente ornato con Loggia, after Giuseppe Palazzi
Etching, 515 × 388 mm (plate), 585 × 437 mm (sheet). Impression printed on laid paper. Sheet with preserved [..]
231
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
Disegno della Seconda Macchina rappresentante un Palazzo festivamente ornato con Loggia, after Giuseppe [..]
Etching, 515 × 388 mm (plate), 585 × 437 mm (sheet). Impression printed on laid paper. Sheet with preserved [..]
232
Jean Barbault
(1705 - 1766)
After
View of Ponte Sisto | Tiber River shoreline towards the Mouth of Truth | View of the Piazza di Monte Citorio
anonymous 18th century engraver
Lot of three etchings after drawings by Jean Barbault. Etching, 513 × 768 mm (each sheet). Fine impressions, [..]
232
Jean Barbault
(1705 - 1766)
After
View of Ponte Sisto | Tiber River shoreline towards the Mouth of Truth | View of the Piazza di Monte [..]
anonymous 18th century engraver
Lot of three etchings after drawings by Jean Barbault. Etching, 513 × 768 mm (each sheet). Fine impressions, [..]
233
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto veneziano
Etching, 400 × 545 mm (plate), 535 × 765 mm (sheet). Third state of five, with the address and price. Frontispiece [..]
233
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Vedute di Roma disegnate ed incise da Giambattista Piranesi architetto veneziano
Etching, 400 × 545 mm (plate), 535 × 765 mm (sheet). Third state of five, with the address and price. Frontispiece [..]
234
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna delta Basilica di S. Pietro in Vaticano
1748
Etching, 405 × 595 mm (plate), 545 × 782 mm (sheet). First state of 6, before the addition of the address. Hind [..]
234
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna delta Basilica di S. Pietro in Vaticano
1748
Etching, 405 × 595 mm (plate), 545 × 782 mm (sheet). First state of 6, before the addition of the address. Hind [..]
235
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Castello dell' Acqua Felice, presso le Terme Diocleziane
Etching, 410 × 690 mm (plate), 538 × 772 mm (sheet). Second state of 5, with the address and price. Hind 20. [..]
235
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Castello dell' Acqua Felice, presso le Terme Diocleziane
Etching, 410 × 690 mm (plate), 538 × 772 mm (sheet). Second state of 5, with the address and price. Hind 20. [..]
236
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta
Etching, 408 × 615 mm (plate), 527 × 726 mm (sheet). Second state of 6, with the address (Autore, Palazzo Tomati) [..]
236
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta del Palazzo fabbricato sul Quirinale per le Segreterie de Brevi e della Sacra Consulta
Etching, 408 × 615 mm (plate), 527 × 726 mm (sheet). Second state of 6, with the address (Autore, Palazzo Tomati) [..]
237
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Tempio di Bacco (S. Costanza)
1756
Etching, 418 × 550 mm (plate), 555 × 800 mm (sheet). First state of 6, with the title “Tempio di Bacco” and before [..]
237
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Tempio di Bacco (S. Costanza)
1756
Etching, 418 × 550 mm (plate), 555 × 800 mm (sheet). First state of 6, with the title “Tempio di Bacco” and before [..]
238
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna del Sepolcro di S. Costanza, ... in oggi chiesa della medesima santa
Etching, 414 × 552 mm. Third state of 6, with the address of Strada Felice and the price. Hind 37. Very fine [..]
238
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna del Sepolcro di S. Costanza, ... in oggi chiesa della medesima santa
Etching, 414 × 552 mm. Third state of 6, with the address of Strada Felice and the price. Hind 37. Very fine [..]
239
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta dell'avanzo del Castello, che prendendo una porzione dell'Acqua Giulia
1753
Etching, 400 × 602 mm (plate), 540 × 770 mm (sheet). Third state of 6, with the alternate title, the address of [..]
239
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta dell'avanzo del Castello, che prendendo una porzione dell'Acqua Giulia
1753
Etching, 400 × 602 mm (plate), 540 × 770 mm (sheet). Third state of 6, with the alternate title, the address of [..]