166
Salvator Rosa
(Napoli, 1615 - 1673)
Glaucus and Scylla
Etching and drypoint, 345 × 232 mm. Wallace 101; Bartsch XX.275.20. Fine impression, printed on laid paper [..]
166
Salvator Rosa
(Napoli, 1615 - 1673)
Glaucus and Scylla
Etching and drypoint, 345 × 232 mm. Wallace 101; Bartsch XX.275.20. Fine impression, printed on laid paper [..]
167
Harbour with Boats
anonymous Tuscan etcher of the 17th century
Etching, 250 × 392 mm. Fine impression, printed on laid paper with watermark (bird above the letters M B). [..]
167
Harbour with Boats
anonymous Tuscan etcher of the 17th century
Etching, 250 × 392 mm. Fine impression, printed on laid paper with watermark (bird above the letters M B). [..]
168
Seascape with Boats
anonymous Tuscan etcher of the 17th century
Etching, 257 × 394 mm. Fine impression with plate tone, printed on laid paper with watermark (bird above the [..]
168
Seascape with Boats
anonymous Tuscan etcher of the 17th century
Etching, 257 × 394 mm. Fine impression with plate tone, printed on laid paper with watermark (bird above the [..]
169
Valerio Spada
(Colle Val d'Elsa, 1613 - Firenze, 1688)
Attributed to
Hercules in Thebes
anonymous Tuscan etcher of the 17th century
Lot of two plates from Ercole in Tebe, festa teatrale rappresentata in Firenze per le reali nozze de’ serenissimi [..]
169
Valerio Spada
(Colle Val d'Elsa, 1613 - Firenze, 1688)
Attributed to
Hercules in Thebes
anonymous Tuscan etcher of the 17th century
Lot of two plates from Ercole in Tebe, festa teatrale rappresentata in Firenze per le reali nozze de’ serenissimi [..]
170
Saint Donatus, Bishop of Arezzo and Martyr...
anonymous 17th century etcher
Etching, 385 × 270 mm (sheet). Impression with some printing creases, with margins beyond the platemark on [..]
170
Saint Donatus, Bishop of Arezzo and Martyr...
anonymous 17th century etcher
Etching, 385 × 270 mm (sheet). Impression with some printing creases, with margins beyond the platemark on [..]
171
Ottavio Leoni
(1578 - 1630)
Portrait of Simon Vouet
Etching and engraving, 144 × 89 mm (plate), 362 × 240 mm (sheet). State with the numbering at the upper right. [..]
171
Ottavio Leoni
(1578 - 1630)
Portrait of Simon Vouet
Etching and engraving, 144 × 89 mm (plate), 362 × 240 mm (sheet). State with the numbering at the upper right. [..]
172
Giacomo Lauro
(1560 - 1645)
Splendore dell'antica e moderna Roma
Lot of 20 plates from Splendore dell’antica e moderna Roma. Etching, 206 × 280 mm (each sheet). Very fine [..]
172
Giacomo Lauro
(1560 - 1645)
Splendore dell'antica e moderna Roma
Lot of 20 plates from Splendore dell’antica e moderna Roma. Etching, 206 × 280 mm (each sheet). Very fine [..]
173
Giovanni Maggi
(Roma, 1566)
Fontane diverse che si vedano nel'Alma Città di Roma e altre parte d'Italia
Lot of 7 plates from Fontane diverse che si vedano nell’Alma Città di Roma e altre parte d’Italia. Etching, [..]
173
Giovanni Maggi
(Roma, 1566)
Fontane diverse che si vedano nel'Alma Città di Roma e altre parte d'Italia
Lot of 7 plates from Fontane diverse che si vedano nell’Alma Città di Roma e altre parte d’Italia. Etching, [..]
174
Giovanni Battista Ferrari
(Siena , 1584 - 1655)
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
1656
Lot of 45 plates plus title page, from Ferrari’s work. Etching, approx. 350 × 240 mm (each sheet). Fine impressions, [..]
174
Giovanni Battista Ferrari
(Siena , 1584 - 1655)
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
1656
Lot of 45 plates plus title page, from Ferrari’s work. Etching, approx. 350 × 240 mm (each sheet). Fine impressions, [..]
175
Giovanni Battista Falda
(Valduggia, 1643 - Roma, 1678)
Alessandro Specchi
(1668 - 1729)
Giovanni Francesco Venturini
(Roma, 1650 - 1711)
Il Nuovo Teatro di Roma - Le Fontane
Lot of 44 plates from Il Nuovo Teatro di Roma and Le Fontane, published by Giovanni Giacomo de Rossi in Rome. [..]
175
Giovanni Battista Falda
(Valduggia, 1643 - Roma, 1678)
Alessandro Specchi
(1668 - 1729)
Giovanni Francesco Venturini
(Roma, 1650 - 1711)
Il Nuovo Teatro di Roma - Le Fontane
Lot of 44 plates from Il Nuovo Teatro di Roma and Le Fontane, published by Giovanni Giacomo de Rossi in Rome. [..]
176
Pietro Aquila
(1630 - 1692)
Pan and Luna, after Annibale Carracci
Etching and engraving, 430 × 285 mm (plate), 470 × 630 mm (sheet). Fine impression, hand-coloured, printed [..]
176
Pietro Aquila
(1630 - 1692)
Pan and Luna, after Annibale Carracci
Etching and engraving, 430 × 285 mm (plate), 470 × 630 mm (sheet). Fine impression, hand-coloured, printed [..]
177
Pietro Aquila
(1630 - 1692)
Aurora, Cephalus, and Tithonus | Venus, after Annibale Carracci
Lot of two prints. Etching and engraving, 415 × 600 mm (each sheet). Fine impressions, hand-coloured, printed [..]
177
Pietro Aquila
(1630 - 1692)
Aurora, Cephalus, and Tithonus | Venus, after Annibale Carracci
Lot of two prints. Etching and engraving, 415 × 600 mm (each sheet). Fine impressions, hand-coloured, printed [..]
178
Pietro Aquila
(1630 - 1692)
Fresco in the Room of the Signature, after Raphael
Etching and engraving, 527 × 710 mm (sheet). Fine impression on laid paper. Sheet with small margins. The sheet [..]
178
Pietro Aquila
(1630 - 1692)
Fresco in the Room of the Signature, after Raphael
Etching and engraving, 527 × 710 mm (sheet). Fine impression on laid paper. Sheet with small margins. The sheet [..]
179
Raphael Sadeler I
(Anversa)
Landscape with Sailing Boat, after Paul Brill
Etching and engraving, 205 × 272 mm (plate), 240 × 303 mm (sheet). Very fine impression with plate tone, printed [..]
179
Raphael Sadeler I
(Anversa)
Landscape with Sailing Boat, after Paul Brill
Etching and engraving, 205 × 272 mm (plate), 240 × 303 mm (sheet). Very fine impression with plate tone, printed [..]
180
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Mountainous Landscape with Stream, after Pieter Stevens
Etching and engraving, 200 × 287 mm (plate), 256 × 393 mm (sheet). From the series Eight Bohemian Landscapes. [..]
180
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Mountainous Landscape with Stream, after Pieter Stevens
Etching and engraving, 200 × 287 mm (plate), 256 × 393 mm (sheet). From the series Eight Bohemian Landscapes. [..]
181
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Landscape with a Large Tree and a Fisherman, after Roelandt Savery
Engraving, 237 × 285 mm (sheet). Hollstein 237. Fine impression, printed on laid paper with watermark (Three [..]
181
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Landscape with a Large Tree and a Fisherman, after Roelandt Savery
Engraving, 237 × 285 mm (sheet). Hollstein 237. Fine impression, printed on laid paper with watermark (Three [..]
182
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Mountainous Landscape with Mill, after Pieter Stevens
Etching and engraving, 208 × 271 mm. From the series Eight Bohemian Landscapes. First state of 3, without the [..]
182
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Mountainous Landscape with Mill, after Pieter Stevens
Etching and engraving, 208 × 271 mm. From the series Eight Bohemian Landscapes. First state of 3, without the [..]
183
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Martia Fulvia Titi Vespasian uxor
Engraving, 355 × 240 mm (plate), 365 × 247 mm (sheet). Very fine impression, printed on laid paper with a letter [..]
183
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Martia Fulvia Titi Vespasian uxor
Engraving, 355 × 240 mm (plate), 365 × 247 mm (sheet). Very fine impression, printed on laid paper with a letter [..]
184
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Madonna and Child with the Infant Saint John, after Parmigianino
Engraving, 105 × 130 mm. First state, before the printer’s address. Hollstein 75; Bartsch XII.56.12. Very fine, [..]
184
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Madonna and Child with the Infant Saint John, after Parmigianino
Engraving, 105 × 130 mm. First state, before the printer’s address. Hollstein 75; Bartsch XII.56.12. Very fine, [..]
185
Nicolas de Bruyn
(1571 - 1656)
The Queen of Sheba before Solomon
Engraving, 422 × 668 mm. New Hollstein 35; Hollstein 36. Fine impression. Trimmed to the platemark and backed. [..]
185
Nicolas de Bruyn
(1571 - 1656)
The Queen of Sheba before Solomon
Engraving, 422 × 668 mm. New Hollstein 35; Hollstein 36. Fine impression. Trimmed to the platemark and backed. [..]
186
Crispijn de Passe I
(1637)
Madonna and Child with Angels
Engraving, 243 × 185 mm. Hollstein 191. Impression printed on laid paper. Trimmed to the platemark, mounted [..]
186
Crispijn de Passe I
(1637)
Madonna and Child with Angels
Engraving, 243 × 185 mm. Hollstein 191. Impression printed on laid paper. Trimmed to the platemark, mounted [..]
187
Johan Bara
(Bois le Duc, 1581 - Bois le Duc, 1634)
Landscape with Phaeton and Apollo | Landscape with Two Men Carrying a Log
Lot of two etchings. Etching, approx. 205 × 267 mm (each plate), 252 × 320 mm (each sheet). Fine, sharp impressions, [..]
187
Johan Bara
(Bois le Duc, 1581 - Bois le Duc, 1634)
Landscape with Phaeton and Apollo | Landscape with Two Men Carrying a Log
Lot of two etchings. Etching, approx. 205 × 267 mm (each plate), 252 × 320 mm (each sheet). Fine, sharp impressions, [..]
188
Johan Bara
(Bois le Duc, 1581 - Bois le Duc, 1634)
The Journey of Tobias with the Archangel Raphael | Tobias Catching the Fish, after Giovanni Domenico Zapponi
Lot of two etchings. Etching, approx. 205 × 267 mm (each plate), 252 × 320 mm (each sheet). First state of 3, [..]
188
Johan Bara
(Bois le Duc, 1581 - Bois le Duc, 1634)
The Journey of Tobias with the Archangel Raphael | Tobias Catching the Fish, after Giovanni Domenico [..]
Lot of two etchings. Etching, approx. 205 × 267 mm (each plate), 252 × 320 mm (each sheet). First state of 3, [..]
188 bis
Herman van Swanevelt
(Woerden, 1603 - Parigi, 1655)
Maddalena penitente nel deserto
Acquaforte, 253 x 329
mm (lastra), 270 x 355 mm (foglio). D alla serie di quattro dedicata ai Penitenti. IV [..]
188 bis
Herman van Swanevelt
(Woerden, 1603 - Parigi, 1655)
Maddalena penitente nel deserto
Acquaforte, 253 x 329
mm (lastra), 270 x 355 mm (foglio). D alla serie di quattro dedicata ai Penitenti. IV [..]
189
Cornelis Galle I
(1576 - 1650)
The Christ Child and the Infant Saint John the Baptist, after Pieter Paul Rubens
Engraving, 334 × 438 mm. Hollstein 255. Very fine impression, printed on thin laid paper. Trimmed to the platemark. [..]
189
Cornelis Galle I
(1576 - 1650)
The Christ Child and the Infant Saint John the Baptist, after Pieter Paul Rubens
Engraving, 334 × 438 mm. Hollstein 255. Very fine impression, printed on thin laid paper. Trimmed to the platemark. [..]
190
Schelte Adamsz. Bolswert
(Bolsward, 1586 - Anversa, 1659)
Holy Family, after Anthony van Dyck
Engraving, 450 × 331 mm. New Hollstein (Van Dyck) 545. Fine impression, printed on thin laid paper. Trimmed [..]
190
Schelte Adamsz. Bolswert
(Bolsward, 1586 - Anversa, 1659)
Holy Family, after Anthony van Dyck
Engraving, 450 × 331 mm. New Hollstein (Van Dyck) 545. Fine impression, printed on thin laid paper. Trimmed [..]
191
Pieter Soutman
(Haarlem - 1657)
Willibrord, after Cornelis Visscher
Etching and engraving, 440 × 310 mm (plate), 510 × 360 mm (sheet). From the series Saints of the Northern and [..]
191
Pieter Soutman
(Haarlem - 1657)
Willibrord, after Cornelis Visscher
Etching and engraving, 440 × 310 mm (plate), 510 × 360 mm (sheet). From the series Saints of the Northern and [..]
192
Paulus Pontius
(1603 - 1603)
Wladislaus Sigismundus D.G. Poloniæ et Sveciæ Princeps, after Peter Paul Rubens
Engraving, 320 × 220 mm. Hollstein 139. Fine impression, printed on laid paper with watermark. Trimmed to the [..]
192
Paulus Pontius
(1603 - 1603)
Wladislaus Sigismundus D.G. Poloniæ et Sveciæ Princeps, after Peter Paul Rubens
Engraving, 320 × 220 mm. Hollstein 139. Fine impression, printed on laid paper with watermark. Trimmed to the [..]
193
Paulus Pontius
(1603 - 1603)
Hermann Joseph of Cologne Kneeling before the Virgin, after Anthony van Dyck
Engraving, 335 × 262 mm. Fine impression, printed on laid paper with watermark. Trimmed to the platemark. In [..]
193
Paulus Pontius
(1603 - 1603)
Hermann Joseph of Cologne Kneeling before the Virgin, after Anthony van Dyck
Engraving, 335 × 262 mm. Fine impression, printed on laid paper with watermark. Trimmed to the platemark. In [..]
194
Paulus Pontius
(1603 - 1603)
Saint Rosalia, after Anthony van Dyck
Engraving, 443 × 340 mm. Fine impression, printed on laid paper. Sheet with narrow margins beyond the platemark. [..]
194
Paulus Pontius
(1603 - 1603)
Saint Rosalia, after Anthony van Dyck
Engraving, 443 × 340 mm. Fine impression, printed on laid paper. Sheet with narrow margins beyond the platemark. [..]
195
Pieter de Jode II
(1606)
The Visitation, after Peter Paul Rubens
Engraving, 658 × 502 mm. 1st state of 3, before Hubert's address. Hollstein IX.210.1. Very fine impression, [..]
195
Pieter de Jode II
(1606)
The Visitation, after Peter Paul Rubens
Engraving, 658 × 502 mm. 1st state of 3, before Hubert's address. Hollstein IX.210.1. Very fine impression, [..]
196
Claes Jansz. Visscher
(1587 - 1652)
Byrsa Amsterodamensis
Engraving and etching, approx. 250 × 320 mm. View of the Royal Exchange in Amsterdam. Hollstein 418. Very fine [..]
196
Claes Jansz. Visscher
(1587 - 1652)
Byrsa Amsterodamensis
Engraving and etching, approx. 250 × 320 mm. View of the Royal Exchange in Amsterdam. Hollstein 418. Very fine [..]
197
Theodor Dirk Matham
(Haarlem, 1605 - Amsterdam, 1676)
Mystical Marriage of Saint Catherine of Alexandria, after Paolo Veronese
Etching and engraving, 292 × 415 mm (plate), 304 × 426 mm (sheet). New Hollstein (Theodoor Matham) 5. Beautiful [..]
197
Theodor Dirk Matham
(Haarlem, 1605 - Amsterdam, 1676)
Mystical Marriage of Saint Catherine of Alexandria, after Paolo Veronese
Etching and engraving, 292 × 415 mm (plate), 304 × 426 mm (sheet). New Hollstein (Theodoor Matham) 5. Beautiful [..]
198
Jan van Vliet
(Delft )
Mathematical
Etching and engraving, 160 × 125 mm. Second state of 3, after the reduction of the plate and before the address [..]
198
Jan van Vliet
(Delft )
Mathematical
Etching and engraving, 160 × 125 mm. Second state of 3, after the reduction of the plate and before the address [..]
199
Wenceslaus Hollar
(1607 - 1677)
The Stomach and the Limbs
Etching, 257 × 175 mm (plate), 405 × 245 mm (sheet). Plate from The Fables of Æsop Paraphras'd in Verse: Adorned [..]
199
Wenceslaus Hollar
(1607 - 1677)
The Stomach and the Limbs
Etching, 257 × 175 mm (plate), 405 × 245 mm (sheet). Plate from The Fables of Æsop Paraphras'd in Verse: Adorned [..]
200
Wenceslaus Hollar
(1607 - 1677)
Paulus Pontius
(1603 - 1603)
Diana, after Peeter van Avont
Etching, engraving and drypoint, 215 × 157 mm. Very fine, sharp and well-inked impression, printed on laid [..]
200
Wenceslaus Hollar
(1607 - 1677)
Paulus Pontius
(1603 - 1603)
Diana, after Peeter van Avont
Etching, engraving and drypoint, 215 × 157 mm. Very fine, sharp and well-inked impression, printed on laid [..]
201
See Sclacht zwischen den Spanien und Hollander 1639
anonymous German engraver of the 17th century
Etching, 232 × 668 mm. From Martin Zieller’s Theatrum Europaeum, published from 1635 onwards in twenty-one volumes. [..]
201
See Sclacht zwischen den Spanien und Hollander 1639
anonymous German engraver of the 17th century
Etching, 232 × 668 mm. From Martin Zieller’s Theatrum Europaeum, published from 1635 onwards in twenty-one volumes. [..]
202
Leonhard II Heckenauer
(Ausburgo - 1704)
A Large Candelabrum
Engraving and etching, 242 × 147 mm (sheet). Plate 3 from the suite Neues sehr dienliches Goldschmidts Buch, darinen [..]
202
Leonhard II Heckenauer
(Ausburgo - 1704)
A Large Candelabrum
Engraving and etching, 242 × 147 mm (sheet). Plate 3 from the suite Neues sehr dienliches Goldschmidts Buch, darinen [..]
203
Claude Mellan
(1598 - 1688)
Saint Jerome
Engraving, 446 × 310 mm (sheet). IFF 87; Montaiglon 82. Fine impression, printed on laid paper with a large [..]
203
Claude Mellan
(1598 - 1688)
Saint Jerome
Engraving, 446 × 310 mm (sheet). IFF 87; Montaiglon 82. Fine impression, printed on laid paper with a large [..]
204
Nicolas Guillaume de La Fleur
(Lorraine - Roma, 1670)
Leda, after Paolo Veronese
Etching and engraving, 305 × 217 mm (plate), 325 × 240 mm (sheet). Very fine impression on laid paper with [..]
204
Nicolas Guillaume de La Fleur
(Lorraine - Roma, 1670)
Leda, after Paolo Veronese
Etching and engraving, 305 × 217 mm (plate), 325 × 240 mm (sheet). Very fine impression on laid paper with [..]