171
Ottavio Leoni
(1578 - 1630)
Portrait of Simon Vouet
Etching and engraving, 144 × 89 mm (plate), 362 × 240 mm (sheet). State with the numbering at the upper right. [..]
171
Ottavio Leoni
(1578 - 1630)
Portrait of Simon Vouet
Etching and engraving, 144 × 89 mm (plate), 362 × 240 mm (sheet). State with the numbering at the upper right. [..]
172
Giacomo Lauro
(1560 - 1645)
Splendore dell'antica e moderna Roma
Lot of 20 plates from Splendore dell’antica e moderna Roma. Etching, 206 × 280 mm (each sheet). Very fine [..]
172
Giacomo Lauro
(1560 - 1645)
Splendore dell'antica e moderna Roma
Lot of 20 plates from Splendore dell’antica e moderna Roma. Etching, 206 × 280 mm (each sheet). Very fine [..]
173
Giovanni Maggi
(Roma, 1566)
Fontane diverse che si vedano nel'Alma Città di Roma e altre parte d'Italia
Lot of 7 plates from Fontane diverse che si vedano nell’Alma Città di Roma e altre parte d’Italia. Etching, [..]
173
Giovanni Maggi
(Roma, 1566)
Fontane diverse che si vedano nel'Alma Città di Roma e altre parte d'Italia
Lot of 7 plates from Fontane diverse che si vedano nell’Alma Città di Roma e altre parte d’Italia. Etching, [..]
174
Giovanni Battista Ferrari
(Siena , 1584 - 1655)
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
1656
Lot of 45 plates plus title page, from Ferrari’s work. Etching, approx. 350 × 240 mm (each sheet). Fine impressions, [..]
174
Giovanni Battista Ferrari
(Siena , 1584 - 1655)
Hesperides sive de Malorum Aureorum cultura et usu. Libri Quatuor
1656
Lot of 45 plates plus title page, from Ferrari’s work. Etching, approx. 350 × 240 mm (each sheet). Fine impressions, [..]
175
Giovanni Battista Falda
(Valduggia, 1643 - Roma, 1678)
Alessandro Specchi
(1668 - 1729)
Giovanni Francesco Venturini
(Roma, 1650 - 1711)
Il Nuovo Teatro di Roma - Le Fontane
Lot of 44 plates from Il Nuovo Teatro di Roma and Le Fontane, published by Giovanni Giacomo de Rossi in Rome. [..]
175
Giovanni Battista Falda
(Valduggia, 1643 - Roma, 1678)
Alessandro Specchi
(1668 - 1729)
Giovanni Francesco Venturini
(Roma, 1650 - 1711)
Il Nuovo Teatro di Roma - Le Fontane
Lot of 44 plates from Il Nuovo Teatro di Roma and Le Fontane, published by Giovanni Giacomo de Rossi in Rome. [..]
176
Pietro Aquila
(1630 - 1692)
Pan and Luna, after Annibale Carracci
Etching and engraving, 430 × 285 mm (plate), 470 × 630 mm (sheet). Fine impression, hand-coloured, printed [..]
176
Pietro Aquila
(1630 - 1692)
Pan and Luna, after Annibale Carracci
Etching and engraving, 430 × 285 mm (plate), 470 × 630 mm (sheet). Fine impression, hand-coloured, printed [..]
177
Pietro Aquila
(1630 - 1692)
Aurora, Cephalus, and Tithonus | Venus, after Annibale Carracci
Lot of two prints. Etching and engraving, 415 × 600 mm (each sheet). Fine impressions, hand-coloured, printed [..]
177
Pietro Aquila
(1630 - 1692)
Aurora, Cephalus, and Tithonus | Venus, after Annibale Carracci
Lot of two prints. Etching and engraving, 415 × 600 mm (each sheet). Fine impressions, hand-coloured, printed [..]
178
Pietro Aquila
(1630 - 1692)
Fresco in the Room of the Signature, after Raphael
Etching and engraving, 527 × 710 mm (sheet). Fine impression on laid paper. Sheet with small margins. The sheet [..]
178
Pietro Aquila
(1630 - 1692)
Fresco in the Room of the Signature, after Raphael
Etching and engraving, 527 × 710 mm (sheet). Fine impression on laid paper. Sheet with small margins. The sheet [..]
179
Raphael Sadeler I
(Anversa)
Landscape with Sailing Boat, after Paul Brill
Etching and engraving, 205 × 272 mm (plate), 240 × 303 mm (sheet). Very fine impression with plate tone, printed [..]
179
Raphael Sadeler I
(Anversa)
Landscape with Sailing Boat, after Paul Brill
Etching and engraving, 205 × 272 mm (plate), 240 × 303 mm (sheet). Very fine impression with plate tone, printed [..]
180
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Mountainous Landscape with Stream, after Pieter Stevens
Etching and engraving, 200 × 287 mm (plate), 256 × 393 mm (sheet). From the series Eight Bohemian Landscapes. [..]
180
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Mountainous Landscape with Stream, after Pieter Stevens
Etching and engraving, 200 × 287 mm (plate), 256 × 393 mm (sheet). From the series Eight Bohemian Landscapes. [..]
181
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Landscape with a Large Tree and a Fisherman, after Roelandt Savery
Engraving, 237 × 285 mm (sheet). Hollstein 237. Fine impression, printed on laid paper with watermark (Three [..]
181
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Landscape with a Large Tree and a Fisherman, after Roelandt Savery
Engraving, 237 × 285 mm (sheet). Hollstein 237. Fine impression, printed on laid paper with watermark (Three [..]
182
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Mountainous Landscape with Mill, after Pieter Stevens
Etching and engraving, 208 × 271 mm. From the series Eight Bohemian Landscapes. First state of 3, without the [..]
182
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Mountainous Landscape with Mill, after Pieter Stevens
Etching and engraving, 208 × 271 mm. From the series Eight Bohemian Landscapes. First state of 3, without the [..]
183
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Martia Fulvia Titi Vespasian uxor
Engraving, 355 × 240 mm (plate), 365 × 247 mm (sheet). Very fine impression, printed on laid paper with a letter [..]
183
Aegidius Sadeler II
(Anversa, 1568 - Praga, 1629)
Martia Fulvia Titi Vespasian uxor
Engraving, 355 × 240 mm (plate), 365 × 247 mm (sheet). Very fine impression, printed on laid paper with a letter [..]
184
Madonna and Child with the Infant Saint John, after Parmigianino
Engraving, 105 × 130 mm. First state, before the printer’s address. Hollstein 75; Bartsch XII.56.12. Very fine, [..]
184
Madonna and Child with the Infant Saint John, after Parmigianino
Engraving, 105 × 130 mm. First state, before the printer’s address. Hollstein 75; Bartsch XII.56.12. Very fine, [..]
185
Nicolas de Bruyn
(1571 - 1656)
The Queen of Sheba before Solomon
Engraving, 422 × 668 mm. New Hollstein 35; Hollstein 36. Fine impression. Trimmed to the platemark and backed. [..]
185
Nicolas de Bruyn
(1571 - 1656)
The Queen of Sheba before Solomon
Engraving, 422 × 668 mm. New Hollstein 35; Hollstein 36. Fine impression. Trimmed to the platemark and backed. [..]
186
Crispijn de Passe I
(1637)
Madonna and Child with Angels
Engraving, 243 × 185 mm. Hollstein 191. Impression printed on laid paper. Trimmed to the platemark, mounted [..]
186
Crispijn de Passe I
(1637)
Madonna and Child with Angels
Engraving, 243 × 185 mm. Hollstein 191. Impression printed on laid paper. Trimmed to the platemark, mounted [..]
187
Johan Bara
(Bois le Duc, 1581 - Bois le Duc, 1634)
Landscape with Phaeton and Apollo | Landscape with Two Men Carrying a Log
Lot of two etchings. Etching, approx. 205 × 267 mm (each plate), 252 × 320 mm (each sheet). Fine, sharp impressions, [..]
187
Johan Bara
(Bois le Duc, 1581 - Bois le Duc, 1634)
Landscape with Phaeton and Apollo | Landscape with Two Men Carrying a Log
Lot of two etchings. Etching, approx. 205 × 267 mm (each plate), 252 × 320 mm (each sheet). Fine, sharp impressions, [..]
188
Johan Bara
(Bois le Duc, 1581 - Bois le Duc, 1634)
The Journey of Tobias with the Archangel Raphael | Tobias Catching the Fish, after Giovanni Domenico Zapponi
Lot of two etchings. Etching, approx. 205 × 267 mm (each plate), 252 × 320 mm (each sheet). First state of 3, [..]
188
Johan Bara
(Bois le Duc, 1581 - Bois le Duc, 1634)
The Journey of Tobias with the Archangel Raphael | Tobias Catching the Fish, after Giovanni Domenico [..]
Lot of two etchings. Etching, approx. 205 × 267 mm (each plate), 252 × 320 mm (each sheet). First state of 3, [..]
189
Cornelis Galle I
(1576 - 1650)
The Christ Child and the Infant Saint John the Baptist, after Pieter Paul Rubens
Engraving, 334 × 438 mm. Hollstein 255. Very fine impression, printed on thin laid paper. Trimmed to the platemark. [..]
189
Cornelis Galle I
(1576 - 1650)
The Christ Child and the Infant Saint John the Baptist, after Pieter Paul Rubens
Engraving, 334 × 438 mm. Hollstein 255. Very fine impression, printed on thin laid paper. Trimmed to the platemark. [..]
190
Schelte Adamsz. Bolswert
(Bolsward, 1586 - Anversa, 1659)
Holy Family, after Anthony van Dyck
Engraving, 450 × 331 mm. New Hollstein (Van Dyck) 545. Fine impression, printed on thin laid paper. Trimmed [..]
190
Schelte Adamsz. Bolswert
(Bolsward, 1586 - Anversa, 1659)
Holy Family, after Anthony van Dyck
Engraving, 450 × 331 mm. New Hollstein (Van Dyck) 545. Fine impression, printed on thin laid paper. Trimmed [..]
191
Pieter Soutman
(Haarlem - 1657)
Willibrord, after Cornelis Visscher
Etching and engraving, 440 × 310 mm (plate), 510 × 360 mm (sheet). From the series Saints of the Northern and [..]
191
Pieter Soutman
(Haarlem - 1657)
Willibrord, after Cornelis Visscher
Etching and engraving, 440 × 310 mm (plate), 510 × 360 mm (sheet). From the series Saints of the Northern and [..]
192
Paulus Pontius
(1603 - 1603)
Wladislaus Sigismundus D.G. Poloniæ et Sveciæ Princeps, after Peter Paul Rubens
Engraving, 320 × 220 mm. Hollstein 139. Fine impression, printed on laid paper with watermark. Trimmed to the [..]
192
Paulus Pontius
(1603 - 1603)
Wladislaus Sigismundus D.G. Poloniæ et Sveciæ Princeps, after Peter Paul Rubens
Engraving, 320 × 220 mm. Hollstein 139. Fine impression, printed on laid paper with watermark. Trimmed to the [..]
193
Paulus Pontius
(1603 - 1603)
Hermann Joseph of Cologne Kneeling before the Virgin, after Anthony van Dyck
Engraving, 335 × 262 mm. Fine impression, printed on laid paper with watermark. Trimmed to the platemark. In [..]
193
Paulus Pontius
(1603 - 1603)
Hermann Joseph of Cologne Kneeling before the Virgin, after Anthony van Dyck
Engraving, 335 × 262 mm. Fine impression, printed on laid paper with watermark. Trimmed to the platemark. In [..]
194
Paulus Pontius
(1603 - 1603)
Saint Rosalia, after Anthony van Dyck
Engraving, 443 × 340 mm. Fine impression, printed on laid paper. Sheet with narrow margins beyond the platemark. [..]
194
Paulus Pontius
(1603 - 1603)
Saint Rosalia, after Anthony van Dyck
Engraving, 443 × 340 mm. Fine impression, printed on laid paper. Sheet with narrow margins beyond the platemark. [..]
195
Pieter de Jode II
(1606)
The Visitation, after Peter Paul Rubens
Engraving, 658 × 502 mm. Hollstein 1. Very fine impression, but backed. Sheet with small margins beyond the [..]
195
Pieter de Jode II
(1606)
The Visitation, after Peter Paul Rubens
Engraving, 658 × 502 mm. Hollstein 1. Very fine impression, but backed. Sheet with small margins beyond the [..]
196
Claes Jansz. Visscher
(1587 - 1652)
Byrsa Amsterodamensis
Engraving and etching, approx. 250 × 320 mm. View of the Royal Exchange in Amsterdam. Hollstein 418. Very fine [..]
196
Claes Jansz. Visscher
(1587 - 1652)
Byrsa Amsterodamensis
Engraving and etching, approx. 250 × 320 mm. View of the Royal Exchange in Amsterdam. Hollstein 418. Very fine [..]
197
Theodor Dirk Matham
(Haarlem, 1605 - Amsterdam, 1676)
Mystical Marriage of Saint Catherine of Alexandria, after Paolo Veronese
Etching and engraving, 292 × 415 mm (plate), 304 × 426 mm (sheet). New Hollstein (Theodoor Matham) 5. Beautiful [..]
197
Theodor Dirk Matham
(Haarlem, 1605 - Amsterdam, 1676)
Mystical Marriage of Saint Catherine of Alexandria, after Paolo Veronese
Etching and engraving, 292 × 415 mm (plate), 304 × 426 mm (sheet). New Hollstein (Theodoor Matham) 5. Beautiful [..]
198
Jan van Vliet
(Delft )
Mathematical
Etching and engraving, 160 × 125 mm. Second state of 3, after the reduction of the plate and before the address [..]
198
Jan van Vliet
(Delft )
Mathematical
Etching and engraving, 160 × 125 mm. Second state of 3, after the reduction of the plate and before the address [..]
199
Wenceslaus Hollar
(1607 - 1677)
The Stomach and the Limbs
Etching, 257 × 175 mm (plate), 405 × 245 mm (sheet). Plate from The Fables of Æsop Paraphras'd in Verse: Adorned [..]
199
Wenceslaus Hollar
(1607 - 1677)
The Stomach and the Limbs
Etching, 257 × 175 mm (plate), 405 × 245 mm (sheet). Plate from The Fables of Æsop Paraphras'd in Verse: Adorned [..]
200
Wenceslaus Hollar
(1607 - 1677)
Paulus Pontius
(1603 - 1603)
Diana, after Peeter van Avont
Etching, engraving and drypoint, 215 × 157 mm. Very fine, sharp and well-inked impression, printed on laid [..]
200
Wenceslaus Hollar
(1607 - 1677)
Paulus Pontius
(1603 - 1603)
Diana, after Peeter van Avont
Etching, engraving and drypoint, 215 × 157 mm. Very fine, sharp and well-inked impression, printed on laid [..]
201
See Sclacht zwischen den Spanien und Hollander 1639
anonymous German engraver of the 17th century
Etching, 232 × 668 mm. From Martin Zieller’s Theatrum Europaeum, published from 1635 onwards in twenty-one volumes. [..]
201
See Sclacht zwischen den Spanien und Hollander 1639
anonymous German engraver of the 17th century
Etching, 232 × 668 mm. From Martin Zieller’s Theatrum Europaeum, published from 1635 onwards in twenty-one volumes. [..]
202
Leonhard II Heckenauer
(Ausburgo - 1704)
A Large Candelabrum
Engraving and etching, 242 × 147 mm (sheet). Plate 3 from the suite Neues sehr dienliches Goldschmidts Buch, darinen [..]
202
Leonhard II Heckenauer
(Ausburgo - 1704)
A Large Candelabrum
Engraving and etching, 242 × 147 mm (sheet). Plate 3 from the suite Neues sehr dienliches Goldschmidts Buch, darinen [..]
203
Claude Mellan
(1598 - 1688)
Saint Jerome
Engraving, 446 × 310 mm (sheet). IFF 87; Montaiglon 82. Fine impression, printed on laid paper with a large [..]
203
Claude Mellan
(1598 - 1688)
Saint Jerome
Engraving, 446 × 310 mm (sheet). IFF 87; Montaiglon 82. Fine impression, printed on laid paper with a large [..]
204
Nicolas Guillaume de La Fleur
(Lorraine - Roma, 1670)
Leda, after Paolo Veronese
Etching and engraving, 305 × 217 mm (plate), 325 × 240 mm (sheet). Very fine impression on laid paper with [..]
204
Nicolas Guillaume de La Fleur
(Lorraine - Roma, 1670)
Leda, after Paolo Veronese
Etching and engraving, 305 × 217 mm (plate), 325 × 240 mm (sheet). Very fine impression on laid paper with [..]
205
Jean Pesne
(Rouen, 1623 - Parigi, 1700)
The Mystical Marriage of Saint Catherine, after Annibale Carracci
Etching, 286 × 401 mm (plate), 320 × 440 mm (sheet). Fine impression, with deep black tones, printed on laid [..]
205
Jean Pesne
(Rouen, 1623 - Parigi, 1700)
The Mystical Marriage of Saint Catherine, after Annibale Carracci
Etching, 286 × 401 mm (plate), 320 × 440 mm (sheet). Fine impression, with deep black tones, printed on laid [..]
206
Girard Audran
(1640 - 1703)
Le Passage Du Granique | La bataille d'Arbelles, after Charles Le Brun
Lot of two etchings. Etching, approx. 360 × 840 mm (printed area). Each impression printed from four plates [..]
206
Girard Audran
(1640 - 1703)
Le Passage Du Granique | La bataille d'Arbelles, after Charles Le Brun
Lot of two etchings. Etching, approx. 360 × 840 mm (printed area). Each impression printed from four plates [..]
207
Jean Berain
(Saint-Mihiel, 1640 - Paris, 1711)
Ornaments
Lot of 18 plates plus two title pages from Ornemens Inventez par J. Berain... 1703 and Livre de Desseins de Cheminées, [..]
207
Jean Berain
(Saint-Mihiel, 1640 - Paris, 1711)
Ornaments
Lot of 18 plates plus two title pages from Ornemens Inventez par J. Berain... 1703 and Livre de Desseins de Cheminées, [..]
208
Francesco Londonio
(Milano, 1723 - 1783)
A Sleeping Shepherd Seated on a Rock
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). Scola 84. [..]
208
Francesco Londonio
(Milano, 1723 - 1783)
A Sleeping Shepherd Seated on a Rock
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). Scola 84. [..]
209
Francesco Londonio
(Milano, 1723 - 1783)
A Shepherd with his Dog
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). Rare [..]
209
Francesco Londonio
(Milano, 1723 - 1783)
A Shepherd with his Dog
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). Rare [..]
210
Francesco Londonio
(Milano, 1723 - 1783)
An Old Shepherd with a Basket of Fruit, a Donkey, a Goat and a Dog
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). Rare [..]
210
Francesco Londonio
(Milano, 1723 - 1783)
An Old Shepherd with a Basket of Fruit, a Donkey, a Goat and a Dog
Etching on blue paper with hand-applied white heightening, 267 × 350 mm (plate), 287 × 367 mm (sheet). Rare [..]