131
Hendrik Goltzius
(Muhlbracht, 1558 - Haarlem, 1617)
Visitation
1593
Engraving, 475 × 352 mm. From the series of six Masterpieces, in which Goltzius imitates the styles of the great [..]
131
Hendrik Goltzius
(Muhlbracht, 1558 - Haarlem, 1617)
Visitation
1593
Engraving, 475 × 352 mm. From the series of six Masterpieces, in which Goltzius imitates the styles of the great [..]
132
Jan Saenredam
(Zaandam , 1565 - Assendelft , 1607)
Based on
Adam and Eve
Etching and engraving, 334 × 222 mm. Anonymous counterproof copy after Saenredam, after a design by Cornelis Cornelisz [..]
132
Jan Saenredam
(Zaandam , 1565 - Assendelft , 1607)
Based on
Adam and Eve
Etching and engraving, 334 × 222 mm. Anonymous counterproof copy after Saenredam, after a design by Cornelis Cornelisz [..]
133
Melchior Meier
(fl. 1582)
Apollo and Marsyas and the Judgment of Midas
Engraving, 230 × 313 mm. 2nd state of 2, engraving completed. Hollstein XXV.29.7 Fine impression, printed [..]
133
Melchior Meier
(fl. 1582)
Apollo and Marsyas and the Judgment of Midas
Engraving, 230 × 313 mm. 2nd state of 2, engraving completed. Hollstein XXV.29.7 Fine impression, printed [..]
134
Pietro Andrea Mattioli
(1501 - 1578)
Commentarii..
Lot of 56 plates with woodcuts from Commentarii in sex libros Pedacii Dioscoridis…, published in Venice in 1570. [..]
134
Pietro Andrea Mattioli
(1501 - 1578)
Commentarii..
Lot of 56 plates with woodcuts from Commentarii in sex libros Pedacii Dioscoridis…, published in Venice in 1570. [..]
135
Giovanni Benedetto Castiglione detto Il Grechetto
(Genova, 1609 - Mantova, 1664)
Raising of Lazarus
Etching, 233 × 325 mm (sheet). Bartsch XXI.12.6; Bellini 59. Superb, sharp impression with strong contrasts, [..]
135
Giovanni Benedetto Castiglione detto Il Grechetto
(Genova, 1609 - Mantova, 1664)
Raising of Lazarus
Etching, 233 × 325 mm (sheet). Bartsch XXI.12.6; Bellini 59. Superb, sharp impression with strong contrasts, [..]
136
Salvatore Castiglione
(1620 - 1676)
Raising of Lazarus
Etching, 112 × 214 mm (plate), 155 × 260 mm (sheet). Bartsch XXI.43.1. According to Bartsch, the only etching [..]
136
Salvatore Castiglione
(1620 - 1676)
Raising of Lazarus
Etching, 112 × 214 mm (plate), 155 × 260 mm (sheet). Bartsch XXI.43.1. According to Bartsch, the only etching [..]
136 bis
Giovanni Benedetto Castiglione detto Il Grechetto
(Genova, 1609 - Mantova, 1664)
Testa di d'uomo volto a destra | Testa di vecchio volto a sinistra
Due incisioni dalla serie "Piccoli ritratti": Testa di d'uomo volto a destra Acquaforte, 111 x 85 mm. [..]
136 bis
Giovanni Benedetto Castiglione detto Il Grechetto
(Genova, 1609 - Mantova, 1664)
Testa di d'uomo volto a destra | Testa di vecchio volto a sinistra
Due incisioni dalla serie "Piccoli ritratti": Testa di d'uomo volto a destra Acquaforte, 111 x 85 mm. [..]
137
Bartolomeo Biscaino
(Genova, 1629 - 1657)
Nativity
Etching, 385 × 274 mm. Bartsch XXI.185.7. Superb impression with strong black tones, printed on somewhat heavier [..]
137
Bartolomeo Biscaino
(Genova, 1629 - 1657)
Nativity
Etching, 385 × 274 mm. Bartsch XXI.185.7. Superb impression with strong black tones, printed on somewhat heavier [..]
138
Giovanni David
(Cabella Ligure, 1749 - Genova, 1790)
Artemisia
Etching, 95 × 135 mm (sheet). First state, before the addition of aquatint. Grasso 145. Very fine impression [..]
138
Giovanni David
(Cabella Ligure, 1749 - Genova, 1790)
Artemisia
Etching, 95 × 135 mm (sheet). First state, before the addition of aquatint. Grasso 145. Very fine impression [..]
139
Giulio Carpioni
(Venezia, 1613 - Vicenza, 1679)
The Virgin and Child with the Infant Saint John the Baptist
Etching, 233 × 153 mm. With the address of the printer Matteo Cadorin. Bartsch XX.182.7. Superb, very sharp [..]
139
Giulio Carpioni
(Venezia, 1613 - Vicenza, 1679)
The Virgin and Child with the Infant Saint John the Baptist
Etching, 233 × 153 mm. With the address of the printer Matteo Cadorin. Bartsch XX.182.7. Superb, very sharp [..]
140
Marco Boschini
(Venezia, 1602 - 1681)
La carta del navegar pitoresco
Engraving, approx. 192 × 152 mm (each sheet). Lot of three allegorical plates from La carta del navegar pitoresco, [..]
140
Marco Boschini
(Venezia, 1602 - 1681)
La carta del navegar pitoresco
Engraving, approx. 192 × 152 mm (each sheet). Lot of three allegorical plates from La carta del navegar pitoresco, [..]
141
Elisabetta Piccini detta Suor Isabella
(Venezia, 1644 - 1734)
Annunciation | Nativity | Crucifixion | Resurrection | Pentecost
Lot of five engravings. Engraving and etching, approx. 335 × 210 mm (each plate), approx. 387 × 265 mm (each sheet). [..]
141
Elisabetta Piccini detta Suor Isabella
(Venezia, 1644 - 1734)
Annunciation | Nativity | Crucifixion | Resurrection | Pentecost
Lot of five engravings. Engraving and etching, approx. 335 × 210 mm (each plate), approx. 387 × 265 mm (each sheet). [..]
141 bis
Jacopo Negretti detto Palma il Giovane
(Venezia, 1544 - 1628)
After
Natività
anonimo incisore del XVII secolo
Acquaforte, 316 x 241 mm (foglio) Bell'esemplare stampato su carta vergata con un frammento di filigrana non [..]
141 bis
Jacopo Negretti detto Palma il Giovane
(Venezia, 1544 - 1628)
After
Natività
anonimo incisore del XVII secolo
Acquaforte, 316 x 241 mm (foglio) Bell'esemplare stampato su carta vergata con un frammento di filigrana non [..]
142
Agostino Carracci
(Bologna, 1557 - Parma, 1602)
Francesco Brizio
(Bologna - 1623)
Saint Jerome
1602 ca.
Engraving, 390 × 280 mm. One of Agostino’s most celebrated works, published shortly after his death in an unfinished [..]
142
Agostino Carracci
(Bologna, 1557 - Parma, 1602)
Francesco Brizio
(Bologna - 1623)
Saint Jerome
1602 ca.
Engraving, 390 × 280 mm. One of Agostino’s most celebrated works, published shortly after his death in an unfinished [..]
143
Ludovico Carracci
(Bologna, 1555 - 1619)
Madonna and Child with Angels
Etching, 172 × 122 mm. Second state of 3. Bartsch V.44.2; De Grazia 3. Fine impression, printed on laid paper. [..]
143
Ludovico Carracci
(Bologna, 1555 - 1619)
Madonna and Child with Angels
Etching, 172 × 122 mm. Second state of 3. Bartsch V.44.2; De Grazia 3. Fine impression, printed on laid paper. [..]
144
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
Madonna della Scodella
Etching, 127 × 164 mm. Third state, with the address of Nicolas van Aelst. Bartsch XVIII.186.9; Bohlin 20. [..]
144
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
Madonna della Scodella
Etching, 127 × 164 mm. Third state, with the address of Nicolas van Aelst. Bartsch XVIII.186.9; Bohlin 20. [..]
145
Francesco Brizio
(Bologna - 1623)
Saint Roch Distributing Alms to the Poor, after Annibale Carracci
Etching, 295 × 460 mm. Published by Pietro Stefanoni. Bartsch XVIII.305.53 (as Guido Reni); TIB 4003.049 S2 (as [..]
145
Francesco Brizio
(Bologna - 1623)
Saint Roch Distributing Alms to the Poor, after Annibale Carracci
Etching, 295 × 460 mm. Published by Pietro Stefanoni. Bartsch XVIII.305.53 (as Guido Reni); TIB 4003.049 S2 (as [..]
146
Guido Reni
(Bologna , 1575 - 1642)
The Christ Child and the Infant Saint John the Baptist
Etching, 120 × 172 mm (sheet). First state, with the address of Van Aelst. Bartsch XVIII.287.13; TIB 4005.027 [..]
146
Guido Reni
(Bologna , 1575 - 1642)
The Christ Child and the Infant Saint John the Baptist
Etching, 120 × 172 mm (sheet). First state, with the address of Van Aelst. Bartsch XVIII.287.13; TIB 4005.027 [..]
147
Giovanni Battista Coriolano
(Bologna, 1579 - 1649)
Herodias and Salome
Three-colour woodcut, 165 × 188 mm. Takahatake Version A, variant a. Third state of 3. Takahatake, “Coriolano”, [..]
147
Giovanni Battista Coriolano
(Bologna, 1579 - 1649)
Herodias and Salome
Three-colour woodcut, 165 × 188 mm. Takahatake Version A, variant a. Third state of 3. Takahatake, “Coriolano”, [..]
148
Giuseppe Caletti
(Cremona - Ferrara , 1660)
Samson and Delilah
Etching, 128 × 148 mm (plate), 142 × 166 mm (sheet). Bartsch XX.133.64. Very fine impression with light plate [..]
148
Giuseppe Caletti
(Cremona - Ferrara , 1660)
Samson and Delilah
Etching, 128 × 148 mm (plate), 142 × 166 mm (sheet). Bartsch XX.133.64. Very fine impression with light plate [..]
149
Bernardino Curti
(Bologna, 1611)
Portrait of Cardinal Rinaldo D'Este and view of Reggio
Etching, 246 × 178 mm. Impression printed on laid paper. Trimmed to the platemark. Mounted along the upper [..]
149
Bernardino Curti
(Bologna, 1611)
Portrait of Cardinal Rinaldo D'Este and view of Reggio
Etching, 246 × 178 mm. Impression printed on laid paper. Trimmed to the platemark. Mounted along the upper [..]
150
Simone Cantarini Il Pesarese
(Pesaro, 1612 - Verona, 1648)
Saint Sebastian
Etching, 196 × 132 mm. Bartsch XIX.136.24; Massari 14. Fine impression on laid paper. Trimmed sheet, with a [..]
150
Simone Cantarini Il Pesarese
(Pesaro, 1612 - Verona, 1648)
Saint Sebastian
Etching, 196 × 132 mm. Bartsch XIX.136.24; Massari 14. Fine impression on laid paper. Trimmed sheet, with a [..]
151
Simone Cantarini Il Pesarese
(Pesaro, 1612 - Verona, 1648)
Flight into Egypt
Etching, 162 × 202 mm. Bartsch XIX.125.4 Very fine impression, printed on laid paper with watermark. Sheet [..]
151
Simone Cantarini Il Pesarese
(Pesaro, 1612 - Verona, 1648)
Flight into Egypt
Etching, 162 × 202 mm. Bartsch XIX.125.4 Very fine impression, printed on laid paper with watermark. Sheet [..]
152
Giuseppe Maria Mitelli
(1634 - 1718)
Martyrdom of Saint Sebastian, after Paolo Veronese
Etching, 340 × 510 mm. Bertarelli 41; Bartsch XIX.282.32. Very fine, sharp impression, printed on laid paper [..]
152
Giuseppe Maria Mitelli
(1634 - 1718)
Martyrdom of Saint Sebastian, after Paolo Veronese
Etching, 340 × 510 mm. Bertarelli 41; Bartsch XIX.282.32. Very fine, sharp impression, printed on laid paper [..]
152 bis
Giuseppe Maria Mitelli
(1634 - 1718)
L'Adorazione dei Pastori, da Paolo Caliari detto il Veronese
Acquaforte di formato ottagonale, 408 x 542 mm ca (foglio). Bartsch XIX.272.4 Impressione molto bella [..]
152 bis
Giuseppe Maria Mitelli
(1634 - 1718)
L'Adorazione dei Pastori, da Paolo Caliari detto il Veronese
Acquaforte di formato ottagonale, 408 x 542 mm ca (foglio). Bartsch XIX.272.4 Impressione molto bella [..]
153
Giuseppe Maria Mitelli
(1634 - 1718)
Cumpendi dal Stat di Bulogna dov s'fa tutt i massar ...
Etching, 170 × 230 mm. Engraved portion of a large notice listing the names of the villages in the region and [..]
153
Giuseppe Maria Mitelli
(1634 - 1718)
Cumpendi dal Stat di Bulogna dov s'fa tutt i massar ...
Etching, 170 × 230 mm. Engraved portion of a large notice listing the names of the villages in the region and [..]
154
Giuseppe Maria Mitelli
(1634 - 1718)
Non ho mai visto il piu' bello, after Pietro de' Rossi
Etching, 255 × 415 mm (plate), 315 × 457 mm (sheet). Bertarelli 314. Very fine impression with light plate [..]
154
Giuseppe Maria Mitelli
(1634 - 1718)
Non ho mai visto il piu' bello, after Pietro de' Rossi
Etching, 255 × 415 mm (plate), 315 × 457 mm (sheet). Bertarelli 314. Very fine impression with light plate [..]
155
Lucio Bononi
The Agony in the Garden
Etching, 145 × 140 mm. Very fine impression with deep black tones, printed on laid paper. Sheet with narrow [..]
155
Lucio Bononi
The Agony in the Garden
Etching, 145 × 140 mm. Very fine impression with deep black tones, printed on laid paper. Sheet with narrow [..]
156
Lodovico Mattioli
(1662 - 1747)
Caccasenno on Horseback
Etching, 202 × 148 mm (plate), 280 × 206 mm (sheet). Plate 19 from the suite of 20 illustrations for the poem [..]
156
Lodovico Mattioli
(1662 - 1747)
Caccasenno on Horseback
Etching, 202 × 148 mm (plate), 280 × 206 mm (sheet). Plate 19 from the suite of 20 illustrations for the poem [..]
157
Gaetano Gandolfi
(Bologna, 1734 - 1802)
The Brawl in the Tavern
Etching, 121 × 158 mm (plate), 133 × 168 mm (sheet). De Vesme 15. Very fine, sharp impression. Sheet with small [..]
157
Gaetano Gandolfi
(Bologna, 1734 - 1802)
The Brawl in the Tavern
Etching, 121 × 158 mm (plate), 133 × 168 mm (sheet). De Vesme 15. Very fine, sharp impression. Sheet with small [..]
158
Luigi Tadolini
(1758 - 1823)
Study of Bishops' Heads, after Gaetano Gandolfi
Etching, 216 × 299 mm (sheet). D. B. Maino, “Gaetano Gandolfi’s ‘Capricci’ of Heads: Drawings and Engravings”, [..]
158
Luigi Tadolini
(1758 - 1823)
Study of Bishops' Heads, after Gaetano Gandolfi
Etching, 216 × 299 mm (sheet). D. B. Maino, “Gaetano Gandolfi’s ‘Capricci’ of Heads: Drawings and Engravings”, [..]
159
Mauro Gandolfi
(Bologna, 1764 - 1834)
Portrait of a Bearded Man, after David Teniers the Younger
Engraving, 420 × 308 mm (plate), 575 × 415 mm (sheet). Very fine impression, printed on wove paper. Sheet with [..]
159
Mauro Gandolfi
(Bologna, 1764 - 1834)
Portrait of a Bearded Man, after David Teniers the Younger
Engraving, 420 × 308 mm (plate), 575 × 415 mm (sheet). Very fine impression, printed on wove paper. Sheet with [..]
160
Carlo Antonio Buffagnotti
(Bologna, 1660)
Architectural Studies, after Ferdinando Galli (Bibiena)
Lot of three prints. Etching, approx. 265 × 270 mm (each plate), 470 × 350 mm (each sheet). Strongly inked [..]
160
Carlo Antonio Buffagnotti
(Bologna, 1660)
Architectural Studies, after Ferdinando Galli (Bibiena)
Lot of three prints. Etching, approx. 265 × 270 mm (each plate), 470 × 350 mm (each sheet). Strongly inked [..]
161
Vincenzo Mazzi
(Bologna, 1748)
Architectural Capriccio
Etching, 132 × 250 mm (plate), 260 × 400 mm (sheet). Very fine impression with deep, bright tones, printed [..]
161
Vincenzo Mazzi
(Bologna, 1748)
Architectural Capriccio
Etching, 132 × 250 mm (plate), 260 × 400 mm (sheet). Very fine impression with deep, bright tones, printed [..]
162
Paolo Battista De Solaris ?
Madonna and Child with Saint Bernardino, after Francesco Vanni
Engraving, 257 × 155 mm. Signed in the plate: “Paulus Bapt.a De Solarijs sculp. et excudit”. Very fine, sharp [..]
162
Paolo Battista De Solaris ?
Madonna and Child with Saint Bernardino, after Francesco Vanni
Engraving, 257 × 155 mm. Signed in the plate: “Paulus Bapt.a De Solarijs sculp. et excudit”. Very fine, sharp [..]
163
Jacques Callot
(Nancy, 1592 - 1635)
Crossing of the Red Sea
Etching, 124 × 232 mm. 2nd state of 7, with Callot’s name etched before the alteration of the wave in the middle. [..]
163
Jacques Callot
(Nancy, 1592 - 1635)
Crossing of the Red Sea
Etching, 124 × 232 mm. 2nd state of 7, with Callot’s name etched before the alteration of the wave in the middle. [..]
164
Stefano della Bella
(Firenze, 1610 - 1664)
Death Carrying a Child
From the series Les Cinq Morts. Etching, 176 × 143 mm. 2nd state of 3. De Vesme/Massar 89. Fine impression, [..]
164
Stefano della Bella
(Firenze, 1610 - 1664)
Death Carrying a Child
From the series Les Cinq Morts. Etching, 176 × 143 mm. 2nd state of 3. De Vesme/Massar 89. Fine impression, [..]
165
Stefano della Bella
(Firenze, 1610 - 1664)
Hunts of Various Animals
Complete set of nine plates. Etching, 228 × 334 mm (each sheet). Only state. De Vesme/Massar 732–740. Fine [..]
165
Stefano della Bella
(Firenze, 1610 - 1664)
Hunts of Various Animals
Complete set of nine plates. Etching, 228 × 334 mm (each sheet). Only state. De Vesme/Massar 732–740. Fine [..]
165 bis
Stefano della Bella
(Firenze, 1610 - 1664)
Pannello ornamentale con due teste di cinghiale, dalla serie "Ornamenti o grottesche"
Acquaforte, 170 x 69 mm (lastra), 195 x 92 mm ca. (foglio). De Vesme/Massar 1010. Molto bella impressione [..]
165 bis
Stefano della Bella
(Firenze, 1610 - 1664)
Pannello ornamentale con due teste di cinghiale, dalla serie "Ornamenti o grottesche"
Acquaforte, 170 x 69 mm (lastra), 195 x 92 mm ca. (foglio). De Vesme/Massar 1010. Molto bella impressione [..]
165 ter
Stefano della Bella
(Firenze, 1610 - 1664)
Testa di fanciullo girata di tre quarti
Acquaforte 83 x 61 mm. Stato unico. De Vesme 303. bella impressione su carta vergata. Esemplare rifilato alla [..]
165 ter
Stefano della Bella
(Firenze, 1610 - 1664)
Testa di fanciullo girata di tre quarti
Acquaforte 83 x 61 mm. Stato unico. De Vesme 303. bella impressione su carta vergata. Esemplare rifilato alla [..]