331
Francisco Goya
(1746 - 1828)
Ruega por ella
1799
Plate no. 31 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
331
Francisco Goya
(1746 - 1828)
Ruega por ella
1799
Plate no. 31 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
332
Francisco Goya
(1746 - 1828)
Corrección
1799
Plate no. 46 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
332
Francisco Goya
(1746 - 1828)
Corrección
1799
Plate no. 46 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
333
Obsequio al maestro
1799
Plate no. 47 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
333
Obsequio al maestro
1799
Plate no. 47 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
334
Francisco Goya
(1746 - 1828)
Soplones
1799
Plate no. 48 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
334
Francisco Goya
(1746 - 1828)
Soplones
1799
Plate no. 48 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
335
Francisco Goya
(1746 - 1828)
Mejor es holgar
1799
Plate no. 73 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
335
Francisco Goya
(1746 - 1828)
Mejor es holgar
1799
Plate no. 73 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
336
Francisco Goya
(1746 - 1828)
No grites, tonta
1799
Plate no. 74 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
336
Francisco Goya
(1746 - 1828)
No grites, tonta
1799
Plate no. 74 from the series Los Caprichos. Etching and aquatint, 290 × 190 mm (sheet). First edition of 12 (1799). [..]
337
Francisco Goya
(1746 - 1828)
¡Qual la descañonan! | Mucho hay que chupar | Y aún no se van | Ensayos | Allá va eso | ¿No hay quién nos desate?
Lot of six prints from the series Los Caprichos (plates 21, 45, 59, 60, 66, 75). Etching and aquatint, approx. [..]
337
Francisco Goya
(1746 - 1828)
¡Qual la descañonan! | Mucho hay que chupar | Y aún no se van | Ensayos | Allá va eso | ¿No hay quién [..]
Lot of six prints from the series Los Caprichos (plates 21, 45, 59, 60, 66, 75). Etching and aquatint, approx. [..]
338
Francisco Goya
(1746 - 1828)
Porque fue sensible | El sí pronuncian y la mano alargan al primero que llega | Y se le quema la casa | La filiación | Ya es hora
Lot of 5 prints from the series Los Caprichos (plates 2, 28, 32, 57 and 80). Etching and aquatint, approx. 312 [..]
338
Francisco Goya
(1746 - 1828)
Porque fue sensible | El sí pronuncian y la mano alargan al primero que llega | Y se le quema la casa [..]
Lot of 5 prints from the series Los Caprichos (plates 2, 28, 32, 57 and 80). Etching and aquatint, approx. 312 [..]
339
Francisco Goya
(1746 - 1828)
El de la Rollona | Aquellos polvos | Hilan delgado | Trágala, perro | ¡Quién lo creyera!
Lot of 5 prints from the series Los Caprichos (plates 4, 23, 44, 58 and 62). Etching and aquatint, approx. 312 [..]
339
Francisco Goya
(1746 - 1828)
El de la Rollona | Aquellos polvos | Hilan delgado | Trágala, perro | ¡Quién lo creyera!
Lot of 5 prints from the series Los Caprichos (plates 4, 23, 44, 58 and 62). Etching and aquatint, approx. 312 [..]
340
Francisco Goya
(1746 - 1828)
¡Que pico de oro! | Aguarda que te unten | Devota profesión | Unos a otros | Despacha, que despiertan |
Lot of 5 prints from the series Los Caprichos (plates 53, 67, 70, 77 and 78). Etching and aquatint, approx. 312 [..]
340
Francisco Goya
(1746 - 1828)
¡Que pico de oro! | Aguarda que te unten | Devota profesión | Unos a otros | Despacha, que despiertan [..]
Lot of 5 prints from the series Los Caprichos (plates 53, 67, 70, 77 and 78). Etching and aquatint, approx. 312 [..]
341
Francisco Goya
(1746 - 1828)
Están calientes | El vergonzoso | Sopla | Está vm... | Nadie nos ha visto
Lot of 5 prints from the series Los Caprichos (plates 13, 54, 69, 76 and 79). Etching and aquatint, approx. 312 [..]
341
Francisco Goya
(1746 - 1828)
Están calientes | El vergonzoso | Sopla | Está vm... | Nadie nos ha visto
Lot of 5 prints from the series Los Caprichos (plates 13, 54, 69, 76 and 79). Etching and aquatint, approx. 312 [..]
342
Francisco Goya
(1746 - 1828)
Muchachos al avío | ¿Quién más rendido? | Le descañona | Subir y bajar
Lot of 4 prints from the series Los Caprichos (plates 11, 27, 35 and 58). Etching and aquatint, approx. 312 × [..]
342
Francisco Goya
(1746 - 1828)
Muchachos al avío | ¿Quién más rendido? | Le descañona | Subir y bajar
Lot of 4 prints from the series Los Caprichos (plates 11, 27, 35 and 58). Etching and aquatint, approx. 312 × [..]
343
Édouard Manet
(1832 - 1883)
Lola de Valence
Etching and aquatint, 260 × 180 mm (plate), 530 × 365 mm (sheet). Third state of 3, with the plate reworked and [..]
343
Édouard Manet
(1832 - 1883)
Lola de Valence
Etching and aquatint, 260 × 180 mm (plate), 530 × 365 mm (sheet). Third state of 3, with the plate reworked and [..]
344
Félicien Rops
(Namur, 1833 - Essonnes, 1898)
Le cœur sur la main
Etching, 110 × 167 mm (sheet). Signed in red pencil at the lower edge. Fine impression on thin paper. Margins [..]
344
Félicien Rops
(Namur, 1833 - Essonnes, 1898)
Le cœur sur la main
Etching, 110 × 167 mm (sheet). Signed in red pencil at the lower edge. Fine impression on thin paper. Margins [..]
345
Félix Bracquemond
(1833 - 1914)
La Terrasse de la Villa Brancas
Etching and drypoint, 285 × 432 mm (sheet). Eighth state of 8, with the letters. Beraldi III.80.215; IFF III.381.377. [..]
345
Félix Bracquemond
(1833 - 1914)
La Terrasse de la Villa Brancas
Etching and drypoint, 285 × 432 mm (sheet). Eighth state of 8, with the letters. Beraldi III.80.215; IFF III.381.377. [..]
346
Félix Bracquemond
(1833 - 1914)
La Femme au tigre
Etching and drypoint, 180 × 262 mm (plate); 320 × 445 mm (sheet). Fourth state of 4, with Bracquemond’s name on [..]
346
Félix Bracquemond
(1833 - 1914)
La Femme au tigre
Etching and drypoint, 180 × 262 mm (plate); 320 × 445 mm (sheet). Fourth state of 4, with Bracquemond’s name on [..]
347
Félix Bracquemond
(1833 - 1914)
Le Verger
1894
Lithograph, 475 × 325 mm (sheet). Signed in pencil at the lower right. IFF 532. Very fine impression on wove [..]
347
Félix Bracquemond
(1833 - 1914)
Le Verger
1894
Lithograph, 475 × 325 mm (sheet). Signed in pencil at the lower right. IFF 532. Very fine impression on wove [..]
348
Auguste Lepere
(1849 - 1918)
Embarcadère sur la Garonne, Bordeaux
Four-colour etching and aquatint, 316 × 368 mm (plate); 445 × 620 mm (sheet). Lotz-Brissonneau 106. Fine impression, [..]
348
Auguste Lepere
(1849 - 1918)
Embarcadère sur la Garonne, Bordeaux
Four-colour etching and aquatint, 316 × 368 mm (plate); 445 × 620 mm (sheet). Lotz-Brissonneau 106. Fine impression, [..]
349
Alphonse Legros
(1837 - 1911)
Lattaia di Boulogne
Drypoint, 150 × 225 mm (plate), 185 × 260 mm (sheet). Signed in pencil at the lower right. Superb, sharp and [..]
349
Alphonse Legros
(1837 - 1911)
Lattaia di Boulogne
Drypoint, 150 × 225 mm (plate), 185 × 260 mm (sheet). Signed in pencil at the lower right. Superb, sharp and [..]
350
Alphonse Legros
(1837 - 1911)
La Mort du vagabond
Etching, 540 × 390 mm (plate), 640 × 455 mm (sheet). Signed in pencil at the lower right. Poulet-Malassis 89. [..]
350
Alphonse Legros
(1837 - 1911)
La Mort du vagabond
Etching, 540 × 390 mm (plate), 640 × 455 mm (sheet). Signed in pencil at the lower right. Poulet-Malassis 89. [..]
351
Sir Francis Seymour Haden
(1818 - 1910)
Battersea Reach (Old Chelsea out of Whistler's Window)
1863
Etching and drypoint, 150 × 226 mm (plate), 190 × 281 mm (sheet). First state of 2. Harrington 52. Very fine [..]
351
Sir Francis Seymour Haden
(1818 - 1910)
Battersea Reach (Old Chelsea out of Whistler's Window)
1863
Etching and drypoint, 150 × 226 mm (plate), 190 × 281 mm (sheet). First state of 2. Harrington 52. Very fine [..]
352
Sir Francis Seymour Haden
(1818 - 1910)
Kew
Etching, 150 × 146 mm (plate), 215 × 157 mm (sheet). Signed in pencil at the lower right. Very fine impression, [..]
352
Sir Francis Seymour Haden
(1818 - 1910)
Kew
Etching, 150 × 146 mm (plate), 215 × 157 mm (sheet). Signed in pencil at the lower right. Very fine impression, [..]
353
James Abbott McNeill Whistler
(Lowell, 1834 - Londra, 1903)
The Put
1861
Etching and drypoint, 121 × 164 mm (plate), 475 × 325 mm (sheet). Third state of 4. Kennedy 85. Fine impression, [..]
353
James Abbott McNeill Whistler
(Lowell, 1834 - Londra, 1903)
The Put
1861
Etching and drypoint, 121 × 164 mm (plate), 475 × 325 mm (sheet). Third state of 4. Kennedy 85. Fine impression, [..]
354
Théodore Casimir Roussel
(1847 - 1926)
Penelope, a doorway, Chelsea
1888
Etching, 110 × 70 mm. Hauberg 23. Very fine impression with surface tone, printed on laid paper. Very narrow [..]
354
Théodore Casimir Roussel
(1847 - 1926)
Penelope, a doorway, Chelsea
1888
Etching, 110 × 70 mm. Hauberg 23. Very fine impression with surface tone, printed on laid paper. Very narrow [..]
355
Théodore Casimir Roussel
(1847 - 1926)
Window cleaner, Chelsea
1888
Etching, 203 × 133 mm. Hauberg 24. Very fine impression with surface tone, printed on laid paper with a fragment [..]
355
Théodore Casimir Roussel
(1847 - 1926)
Window cleaner, Chelsea
1888
Etching, 203 × 133 mm. Hauberg 24. Very fine impression with surface tone, printed on laid paper with a fragment [..]
356
Émile Bernard
(Lilla, 1868 - Parigi, 1941)
Lucrezia
Etching and aquatint, 208 × 116 mm (sheet). Signed in pencil at the lower right. Very fine impression, printed [..]
356
Émile Bernard
(Lilla, 1868 - Parigi, 1941)
Lucrezia
Etching and aquatint, 208 × 116 mm (sheet). Signed in pencil at the lower right. Very fine impression, printed [..]
357
Maternité devant la mer au Pouldu
Lithograph, 357 × 278 mm. Cailler 120. Five-colour lithograph on wove paper. On the reverse, the stamp of the [..]
357
Maternité devant la mer au Pouldu
Lithograph, 357 × 278 mm. Cailler 120. Five-colour lithograph on wove paper. On the reverse, the stamp of the [..]
358
Felix Vallotton
(1865 - 1925)
Félix Vallotton (self-portrait)
Woodcut, 130 × 108 mm, 238 × 330 mm. Unsigned. Sheet with light uniform browning, but is overall in good con [..]
358
Felix Vallotton
(1865 - 1925)
Félix Vallotton (self-portrait)
Woodcut, 130 × 108 mm, 238 × 330 mm. Unsigned. Sheet with light uniform browning, but is overall in good con [..]
359
Felix Vallotton
(1865 - 1925)
Portrait d'un bibliophile | Portrait de Paul Verlain
Lot of two woodcuts. Woodcuts, approx. 252 × 155 mm (each sheet). Printed on wove paper with C M watermark. [..]
359
Felix Vallotton
(1865 - 1925)
Portrait d'un bibliophile | Portrait de Paul Verlain
Lot of two woodcuts. Woodcuts, approx. 252 × 155 mm (each sheet). Printed on wove paper with C M watermark. [..]
360
Edmond Aman-Jean
(Chevry-Cossigny, 1858 - Parigi, 1936)
Sous les fleurs
Lithograph, 555 × 405 mm (sheet). L’Estampe Moderne edition (blindstamp at the lower right – Lugt 2790), with [..]
360
Edmond Aman-Jean
(Chevry-Cossigny, 1858 - Parigi, 1936)
Sous les fleurs
Lithograph, 555 × 405 mm (sheet). L’Estampe Moderne edition (blindstamp at the lower right – Lugt 2790), with [..]
361
Edmond Aman-Jean
(Chevry-Cossigny, 1858 - Parigi, 1936)
Woman with a basket of fruit
Lot of two prints: Etching and aquatint, 318 × 212 mm (sheet). Signed in pencil at the lower right. Very [..]
361
Edmond Aman-Jean
(Chevry-Cossigny, 1858 - Parigi, 1936)
Woman with a basket of fruit
Lot of two prints: Etching and aquatint, 318 × 212 mm (sheet). Signed in pencil at the lower right. Very [..]
362
Ker-Xavier Roussel
(Lorry-lès-Metz, 1867 - L'Étang-la-Ville, 1944)
Noli me tangere
Lithograph, 250 × 159 mm (sheet). Signed in pencil at the lower edge. Superb impression, with deep black tones, [..]
362
Ker-Xavier Roussel
(Lorry-lès-Metz, 1867 - L'Étang-la-Ville, 1944)
Noli me tangere
Lithograph, 250 × 159 mm (sheet). Signed in pencil at the lower edge. Superb impression, with deep black tones, [..]
363
Ker-Xavier Roussel
(Lorry-lès-Metz, 1867 - L'Étang-la-Ville, 1944)
Two men in a landscape
Etching, 130 × 170 mm (plate), 192 × 272 mm (sheet). Signed in pencil at the lower right. Fine impression [..]
363
Ker-Xavier Roussel
(Lorry-lès-Metz, 1867 - L'Étang-la-Ville, 1944)
Two men in a landscape
Etching, 130 × 170 mm (plate), 192 × 272 mm (sheet). Signed in pencil at the lower right. Fine impression [..]
364
Henri Boutet
(1851 - 1919)
Cancalaise
Etching and aquatint, 280 × 222 mm (sheet). Signed in purple ink. Superb impression, in very good overall co [..]
364
Henri Boutet
(1851 - 1919)
Cancalaise
Etching and aquatint, 280 × 222 mm (sheet). Signed in purple ink. Superb impression, in very good overall co [..]
365
Armand Berton
(1854 - 1917)
Female nude
Etching, 210 × 250 mm (sheet). First state. Signed and dedicated in pencil at the lower right. Very fine impression, [..]
365
Armand Berton
(1854 - 1917)
Female nude
Etching, 210 × 250 mm (sheet). First state. Signed and dedicated in pencil at the lower right. Very fine impression, [..]
366
Louis Legrand
(1863 - 1951)
A Seated Woman | A Woman Dressing
Lot of two prints: A Seated Woman Drypoint, 202 × 161 mm (plate), 338 × 268 mm (sheet). Edition 2/4. Publisher’s [..]
366
Louis Legrand
(1863 - 1951)
A Seated Woman | A Woman Dressing
Lot of two prints: A Seated Woman Drypoint, 202 × 161 mm (plate), 338 × 268 mm (sheet). Edition 2/4. Publisher’s [..]
367
Paul Émile Colin
(1867 - 1949)
Coin de marché
Colour woodcut, 208 × 158 mm (sheet). Edition 24/30. Signed and titled in pencil. Very fine impression, with [..]
367
Paul Émile Colin
(1867 - 1949)
Coin de marché
Colour woodcut, 208 × 158 mm (sheet). Edition 24/30. Signed and titled in pencil. Very fine impression, with [..]
368
Paul Émile Colin
(1867 - 1949)
Reclining Bather
Etching, 122 × 158 mm (plate), 205 × 228 mm (sheet). Edition 4/30. Signed and titled in pencil. Superb impression [..]
368
Paul Émile Colin
(1867 - 1949)
Reclining Bather
Etching, 122 × 158 mm (plate), 205 × 228 mm (sheet). Edition 4/30. Signed and titled in pencil. Superb impression [..]
369
Paul Émile Colin
(1867 - 1949)
Wine carriers in Amalfi
Drypoint, 160 × 230 mm (plate), 205 × 275 mm (sheet). Edition 29/30. Signed and titled in pencil. Superb [..]
369
Paul Émile Colin
(1867 - 1949)
Wine carriers in Amalfi
Drypoint, 160 × 230 mm (plate), 205 × 275 mm (sheet). Edition 29/30. Signed and titled in pencil. Superb [..]
370
Camille Bourget
(1866 - 1931)
Aux Halles Croquis par C. Bourget
Lithograph, 585 × 450 mm (sheet). Signed in pencil at the lower left. Very fine impression, printed on wove [..]
370
Camille Bourget
(1866 - 1931)
Aux Halles Croquis par C. Bourget
Lithograph, 585 × 450 mm (sheet). Signed in pencil at the lower left. Very fine impression, printed on wove [..]