294
Live auction
Drawings, Prints and Geographical Maps from the 16th to the 19th Century
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome 00186, fri 19 April 2024
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For information: n.bukowska@bertolamifineart.com |
1
Girolamo da Treviso il Giovane
(Treviso, 1498 - Boulogne-sur-Mer, 1544)
Attributed to
Last Supper
Black pencil, brown wash and white chalk on brown laid paper. 395 x 285 mm (drawing) Backed on a sheet of ancient [..]
1
Girolamo da Treviso il Giovane
(Treviso, 1498 - Boulogne-sur-Mer, 1544)
Attributed to
Last Supper
Black pencil, brown wash and white chalk on brown laid paper. 395 x 285 mm (drawing) Backed on a sheet of ancient [..]
2
Man in profile | Woman in profile
artist active in Rome, 16th century
Lot of two drawings. Red chalk on laid paper. 135 x 92 mm and 151 x 113 mm (drawings). Both backed on [..]
2
Man in profile | Woman in profile
artist active in Rome, 16th century
Lot of two drawings. Red chalk on laid paper. 135 x 92 mm and 151 x 113 mm (drawings). Both backed on [..]
3
Study for a Sandal
Florentine school, 16th century
Brown ink on laid paper with watermark. 62 x 101 mm
3
Study for a Sandal
Florentine school, 16th century
Brown ink on laid paper with watermark. 62 x 101 mm
4
Studies for Five Heads
Tuscan school, 16th century
Brown ink on laid paper, 249 x 220 mm. Backed on a sheet of wove paper.
4
Studies for Five Heads
Tuscan school, 16th century
Brown ink on laid paper, 249 x 220 mm. Backed on a sheet of wove paper.
5
Head of a bearded elderly man
Emilian school, 17th century
Red pencil with highlights on thin laid paper, 142 x 84 mm
5
Head of a bearded elderly man
Emilian school, 17th century
Red pencil with highlights on thin laid paper, 142 x 84 mm
6
Male portrait
Florentine school of the 17th century
Red and black chalk on thin laid paper. 275 x 194 mm
6
Male portrait
Florentine school of the 17th century
Red and black chalk on thin laid paper. 275 x 194 mm
7
Study for a Mascaron
Emilian school, 17th century
Red chalk on thin laid paper with watermark (fleur-de-lis within a circle). 385 x 500mm.
7
Study for a Mascaron
Emilian school, 17th century
Red chalk on thin laid paper with watermark (fleur-de-lis within a circle). 385 x 500mm.
8
Saint Lucia
Roman school, 17th century
Pen, ink and watercolor on laid paper with watermark (Fleur-de-Lis surmounted by the letters CBA), 435 x360 mm. [..]
8
Saint Lucia
Roman school, 17th century
Pen, ink and watercolor on laid paper with watermark (Fleur-de-Lis surmounted by the letters CBA), 435 x360 mm. [..]
9
Male portrait
Roman school of the 17th century
Sanguine, black pencil and white lead on blue laid paper. 166 x 137 mm Handwritten note in ink on the re [..]
9
Male portrait
Roman school of the 17th century
Sanguine, black pencil and white lead on blue laid paper. 166 x 137 mm Handwritten note in ink on the re [..]
10
Study for Four Digures
Emilian school of the 17th century
Red chalk and grey wash on thin laid paper with watermark. 318 x 217 mm
10
Study for Four Digures
Emilian school of the 17th century
Red chalk and grey wash on thin laid paper with watermark. 318 x 217 mm
11
Woman brushing her hair | Female study
Bolognese school of the 17th century
Two drawings on both sides of a thin laid paper (with a fragment of watermark). Red chalk and black pencil. 231 [..]
11
Woman brushing her hair | Female study
Bolognese school of the 17th century
Two drawings on both sides of a thin laid paper (with a fragment of watermark). Red chalk and black pencil. 231 [..]
12
St. John Baptist
central Italy, 17th-18th century
Pencil, ink and wash on laid paper, 218 x 120 mm. The drawing bears the collection stamp of Countess Margherita [..]
12
St. John Baptist
central Italy, 17th-18th century
Pencil, ink and wash on laid paper, 218 x 120 mm. The drawing bears the collection stamp of Countess Margherita [..]
Paper
13
Benedetto Gennari
(Cento, 1633 - Bologna, 1715)
Attributed to
Landscape with figures
Brown ink on laid paper, backed on an antique support. 250 x 428 mm (drawing), 337 x 517 mm (support). Inscription [..]
13
Benedetto Gennari
(Cento, 1633 - Bologna, 1715)
Attributed to
Landscape with figures
Brown ink on laid paper, backed on an antique support. 250 x 428 mm (drawing), 337 x 517 mm (support). Inscription [..]
14
Ferdinando Galli Bibbiena
(Bologna, 1657 - Bologna, 1743)
Attributed to
Walls of a city
Brown ink on laid paper with watermark. 170 x 310 mm. Glued in two places on a modern support.
14
Ferdinando Galli Bibbiena
(Bologna, 1657 - Bologna, 1743)
Attributed to
Walls of a city
Brown ink on laid paper with watermark. 170 x 310 mm. Glued in two places on a modern support.
15
Apollo and Marsyas
Roman school of the 17th century
Red and white chalk on laid paper. 196 x 283mm
15
Apollo and Marsyas
Roman school of the 17th century
Red and white chalk on laid paper. 196 x 283mm
16
Landscape with houses
1631?
Pencil on laid paper, 150 x 263 m. Initials and date on the lower left. With frame, glass and passe-partout (34 [..]
16
Landscape with houses
1631?
Pencil on laid paper, 150 x 263 m. Initials and date on the lower left. With frame, glass and passe-partout (34 [..]
17
Study for a figure with book
Venetian school of the 18th century
Black pencil on laid paper, 140 x 49 mm
17
Study for a figure with book
Venetian school of the 18th century
Black pencil on laid paper, 140 x 49 mm
18
Preparatory study for a decoration of an arch with an angel
18th century Emilian artist
Wash, black pencil and red chalk on thin laid paper with watermark. 300 x 205 mm
18
Preparatory study for a decoration of an arch with an angel
18th century Emilian artist
Wash, black pencil and red chalk on thin laid paper with watermark. 300 x 205 mm
19
Study for Christ Blessing
Emilian artist of the 18th century
Black and white pencil on laid paper with watermark (initials P M within a circle). 325 x 215 mm.
19
Study for Christ Blessing
Emilian artist of the 18th century
Black and white pencil on laid paper with watermark (initials P M within a circle). 325 x 215 mm.
20
Study for a male figure in profile
18th century Emilian artist
Sanguine on laid paper, 327 x 237 mm. Backed on an antique support.
20
Study for a male figure in profile
18th century Emilian artist
Sanguine on laid paper, 327 x 237 mm. Backed on an antique support.
Paper
21
Study for a youth's head
Bolognese artist of the 18th century
Red chalk on laid paper with watermark, 184 x 190 mm
21
Study for a youth's head
Bolognese artist of the 18th century
Red chalk on laid paper with watermark, 184 x 190 mm
22
Still life with a melon and garlic
Roman school, 18th century
Red chalk on thin laid paper. 170 x 130mm
22
Still life with a melon and garlic
Roman school, 18th century
Red chalk on thin laid paper. 170 x 130mm
23
Portrait of an elderly woman (study for Saint Anne?)
Tuscan artist, early 18th century
Red and black pencil on laid paper, 276 x 200 mm. On the reverse a partially erased inscription in ink.
23
Portrait of an elderly woman (study for Saint Anne?)
Tuscan artist, early 18th century
Red and black pencil on laid paper, 276 x 200 mm. On the reverse a partially erased inscription in ink.
24
Portrait of Innocent X
Pencil and black chalk on paper. With frame and glass. The print has not been examined out of frame.
24
Portrait of Innocent X
Pencil and black chalk on paper. With frame and glass. The print has not been examined out of frame.
25
Infant Jesus holding a globe
central Italy, 18th century
Black chalk on brown laid paper. 153 x 125 mm
25
Infant Jesus holding a globe
central Italy, 18th century
Black chalk on brown laid paper. 153 x 125 mm
26
Saint Onuphrius
Roman school, 18th century
Ink on thin laid paper. 196 x 132 mm Pasted in eight places on a sheet of unlaid paper.
26
Saint Onuphrius
Roman school, 18th century
Ink on thin laid paper. 196 x 132 mm Pasted in eight places on a sheet of unlaid paper.
27
Pier Leone Ghezzi
(1674 - 1755)
Attributed to
Operazione cefalica
Black ink on laid paper with watermark. 267 x 379 mm
27
Pier Leone Ghezzi
(1674 - 1755)
Attributed to
Operazione cefalica
Black ink on laid paper with watermark. 267 x 379 mm
28
The Pietà
Neapolitan school, 17th-18th century
Brown ink and wash over traces of pencil on laid paper with a fragment of watermark, 125 x 172 mm.
28
The Pietà
Neapolitan school, 17th-18th century
Brown ink and wash over traces of pencil on laid paper with a fragment of watermark, 125 x 172 mm.
Laid paper
29
The Birth of Venus
18th century
Pencil on laid paper with watermark (the letters C GLAVDET ?). 285 x 442 mm. Glued in 4 places on a support.&n [..]
29
The Birth of Venus
18th century
Pencil on laid paper with watermark (the letters C GLAVDET ?). 285 x 442 mm. Glued in 4 places on a support.&n [..]
30
Figura di un pesce raro preso mezzo istupidito fralle retti a 14 del corr. maggio 1795 nella Marina di Reggio...
Ink, black and red pencil on laid paper with watermark. 145 x 222mm
30
Figura di un pesce raro preso mezzo istupidito fralle retti a 14 del corr. maggio 1795 nella Marina [..]
Ink, black and red pencil on laid paper with watermark. 145 x 222mm
31
Study for a ceiling decoration
Pencil and watercolor ink on laid paper, 173 x 228 mm. Pasted along the right and left edges on a sheet of light [..]
31
Study for a ceiling decoration
Pencil and watercolor ink on laid paper, 173 x 228 mm. Pasted along the right and left edges on a sheet of light [..]
32
Study for a male nude with a cloak
Pencil on laid paper with watermark (cappello, Briquet 3389? – Florence 1480). 280 x 404 mm
32
Study for a male nude with a cloak
Pencil on laid paper with watermark (cappello, Briquet 3389? – Florence 1480). 280 x 404 mm
33
Study for a kneeling man
Venetian artist of the 18th century
Black pencil on thin laid paper with watermark (letters P M within a circle). 188 x 285mm
33
Study for a kneeling man
Venetian artist of the 18th century
Black pencil on thin laid paper with watermark (letters P M within a circle). 188 x 285mm
34
Study for a male figure
Venetian school, 18th century
Black pencil and chalk on blue laid paper. 580 x 432 mm
34
Study for a male figure
Venetian school, 18th century
Black pencil and chalk on blue laid paper. 580 x 432 mm
35
Pietro Antonio Novelli
(Venezia, 1729 - Venezia, 1804)
Figure in seascape with boat
Red pencil and grey wash on laid paper. 163 x 115mm
35
Pietro Antonio Novelli
(Venezia, 1729 - Venezia, 1804)
Figure in seascape with boat
Red pencil and grey wash on laid paper. 163 x 115mm
36
Allegory of Justice
Roman school, 18th century
Red chalk and blue wash on laid paper, 148 x 145 mm
36
Allegory of Justice
Roman school, 18th century
Red chalk and blue wash on laid paper, 148 x 145 mm
37
David and Goliath
Roman school, 18th century
Black ink and wash on laid paper, 175 x 287 mm. Backed on a support.
37
David and Goliath
Roman school, 18th century
Black ink and wash on laid paper, 175 x 287 mm. Backed on a support.
38
Giambettino Cignaroli
(Verona, 1706 - Verona, 1770)
The finding of Romulus and Remus | The head of Pompey presented to Julius Cesar
Lot of two drawings. Black wash on laid paper. 157 x 220 mm approx. (each drawing) 215 x 295 mm (each sheet). [..]
38
Giambettino Cignaroli
(Verona, 1706 - Verona, 1770)
The finding of Romulus and Remus | The head of Pompey presented to Julius Cesar
Lot of two drawings. Black wash on laid paper. 157 x 220 mm approx. (each drawing) 215 x 295 mm (each sheet). [..]
39
Francesco Londonio
(Milano, 1723 - Milano, 1783)
Attributed to
Study for an ox
Pencil on thin laid paper with watermark (crown with CC initials), 212 x 308 mm.
39
Francesco Londonio
(Milano, 1723 - Milano, 1783)
Attributed to
Study for an ox
Pencil on thin laid paper with watermark (crown with CC initials), 212 x 308 mm.
40
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Obverse: Glory of angels | Verso: Study for decoration with the Evangelists
Black pencil, ink and watercolor on unlaid paper, 488 x 730 mm.
40
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Obverse: Glory of angels | Verso: Study for decoration with the Evangelists
Black pencil, ink and watercolor on unlaid paper, 488 x 730 mm.
41
Giuseppe Moricci
(Firenze, 1806 - Firenze, 1879)
Female portrait with an infant
Pencil on thin unlaid paper, with watermark (J WHATMAN TURKEY MILL 1827), 264 x 210 mm. Embossed stamp [..]
41
Giuseppe Moricci
(Firenze, 1806 - Firenze, 1879)
Female portrait with an infant
Pencil on thin unlaid paper, with watermark (J WHATMAN TURKEY MILL 1827), 264 x 210 mm. Embossed stamp [..]
42
Study for a kneeling figure (Santo Stefano?)
Neapolitan artist of the 18th century
Black and white pencil on laid paper with watermark (initials P M within a circle). 316 x 244 mm.
42
Study for a kneeling figure (Santo Stefano?)
Neapolitan artist of the 18th century
Black and white pencil on laid paper with watermark (initials P M within a circle). 316 x 244 mm.
43
Giuseppe Piattoli
(Firenze, 1743 - Firenze, 1823)
Chi tardi arriva male alloggia
Brown ink on thin laid paper with watermark, 200 x 281 mm. On the lower margin, hand inscription in italian: [..]
43
Giuseppe Piattoli
(Firenze, 1743 - Firenze, 1823)
Chi tardi arriva male alloggia
Brown ink on thin laid paper with watermark, 200 x 281 mm. On the lower margin, hand inscription in italian: [..]
44
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
"Brigands warned of coming force"
Pencil on laid paper, 198 x 270 mm. The work could be a preparatory drawing for the series of etchings by Bartolomeo [..]
44
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
"Brigands warned of coming force"
Pencil on laid paper, 198 x 270 mm. The work could be a preparatory drawing for the series of etchings by Bartolomeo [..]
45
Tommaso Maria Conca
(Gaeta, 1734 - Roma, 1822)
Attributed to
Dancing female figure
Black pencil with white highlights on blue laid paper, with a fragment of watermark. 294 x 224 mm.
45
Tommaso Maria Conca
(Gaeta, 1734 - Roma, 1822)
Attributed to
Dancing female figure
Black pencil with white highlights on blue laid paper, with a fragment of watermark. 294 x 224 mm.
46
John Flaxman
(York, 1755 - Londra, 1826)
Pair of studies by Coefore
Ink on thick laid paper (one sheet with a fragment of watermark). 255 x 110 mm and 253 x 85 mm. The two drawings [..]
46
John Flaxman
(York, 1755 - Londra, 1826)
Pair of studies by Coefore
Ink on thick laid paper (one sheet with a fragment of watermark). 255 x 110 mm and 253 x 85 mm. The two drawings [..]
47
Vincenzo Brioschi
(1786 - 1843)
Battle scene
Brown ink on laid paper with watermark, 154 x 256 mm. On the reverse, fragment of a long autograph note, signed [..]
47
Vincenzo Brioschi
(1786 - 1843)
Battle scene
Brown ink on laid paper with watermark, 154 x 256 mm. On the reverse, fragment of a long autograph note, signed [..]
48
Pietro Benvenuti
(Arezzo, 1769 - Firenze, 1844)
Study of a male nude
Black and white chalk over pencil on brown laid paper. 607 x 418 mm
48
Pietro Benvenuti
(Arezzo, 1769 - Firenze, 1844)
Study of a male nude
Black and white chalk over pencil on brown laid paper. 607 x 418 mm
49
Pietro Fancelli
(Bologna, 1765 - Pesaro, 1805)
Study for a male figure
Black and white chalk on thin laid paper with watermark (initials P Z). 470 x 317 mm
49
Pietro Fancelli
(Bologna, 1765 - Pesaro, 1805)
Study for a male figure
Black and white chalk on thin laid paper with watermark (initials P Z). 470 x 317 mm
50
Study for a seated male nude
Red chalk with white highlights on laid paper, with barely legible watermark. 545 x 414mm
50
Study for a seated male nude
Red chalk with white highlights on laid paper, with barely legible watermark. 545 x 414mm
51
Portrait of a gentleman
Lombard neoclassical artist
Red, black pencil and charcoal on unlaid paper. 236 x 175 mm On the reverse stamp "co. ENRICO del TORSO | TISSANO [..]
51
Portrait of a gentleman
Lombard neoclassical artist
Red, black pencil and charcoal on unlaid paper. 236 x 175 mm On the reverse stamp "co. ENRICO del TORSO | TISSANO [..]
52
Giovanni Andrea Darif
(Venezia, 1801 - Venezia, 1870)
Series of five portraits: three laurel-crowned poets and two female figures
5 pencil drawings backed on a sheet of blue laid paper. 110 x 105 mm and 150 x 95 mm approx.
52
Giovanni Andrea Darif
(Venezia, 1801 - Venezia, 1870)
Series of five portraits: three laurel-crowned poets and two female figures
5 pencil drawings backed on a sheet of blue laid paper. 110 x 105 mm and 150 x 95 mm approx.
53
Mauro Gandolfi
(Bologna, 1764 - Bologna, 1834)
Infant Christ
Pen and ink on parchment. 216 x 332 mm. At the bottom of the edge of the cradle the dedication: "All'amico D.r [..]
53
Mauro Gandolfi
(Bologna, 1764 - Bologna, 1834)
Infant Christ
Pen and ink on parchment. 216 x 332 mm. At the bottom of the edge of the cradle the dedication: "All'amico D.r [..]
54
Meeting of dignitaries
Italian artist, early 19th century
Brown ink over traces of pencil on thick laid paper, with watermark. 206 x 280 mm. On the reverse, collection [..]
54
Meeting of dignitaries
Italian artist, early 19th century
Brown ink over traces of pencil on thick laid paper, with watermark. 206 x 280 mm. On the reverse, collection [..]
55
Francesco Gonin
(Torino, 1808 - Giaveno, 1889)
Death of a knight
1835
Black pencil and watercolor on wove paper. 225 x 292 mm. Signed and dated at the bottom of the left: "f. [..]
55
Francesco Gonin
(Torino, 1808 - Giaveno, 1889)
Death of a knight
1835
Black pencil and watercolor on wove paper. 225 x 292 mm. Signed and dated at the bottom of the left: "f. [..]
56
Godefroy Durand
(Düsseldorf, 1832 - Paris, 1896)
Un matin
1871
Pencil on wove paper 324 x 238 mm. Signed, dated and titled at the bottom.
56
Godefroy Durand
(Düsseldorf, 1832 - Paris, 1896)
Un matin
1871
Pencil on wove paper 324 x 238 mm. Signed, dated and titled at the bottom.
57
Odoardo Borrani
(Pisa, 1833 - Firenze, 1905)
Woman with a fan
Pencil on laid paper with watermark (letters M C D). 225 x 163mm
57
Odoardo Borrani
(Pisa, 1833 - Firenze, 1905)
Woman with a fan
Pencil on laid paper with watermark (letters M C D). 225 x 163mm
59
View of St. Peter's Square
Watercolor over traces of pencil on unlaid paper, 129 x 175 mm. Inscription in pencil on the back: "ROMA [..]
59
View of St. Peter's Square
Watercolor over traces of pencil on unlaid paper, 129 x 175 mm. Inscription in pencil on the back: "ROMA [..]
61
Ugo da Carpi
(1532)
Hercules chases Envy from the Temple of the Muses
1517 ca.
by Baldassare Peruzzi. Chiaroscuro woodcut from two matrices, in light blue ink, 299 x 224 mm. I state (Bartsch) [..]
61
Ugo da Carpi
(1532)
Hercules chases Envy from the Temple of the Muses
1517 ca.
by Baldassare Peruzzi. Chiaroscuro woodcut from two matrices, in light blue ink, 299 x 224 mm. I state (Bartsch) [..]
62
Albrecht Dürer
(1471 - 1528)
Christ Crowned with Thorns
1512
From "The Engraved Passion" series. Engraving, 117 x 73 mm. Meder 9, Bartsch VII.9. Clear impression (Meder [..]
62
Albrecht Dürer
(1471 - 1528)
Christ Crowned with Thorns
1512
From "The Engraved Passion" series. Engraving, 117 x 73 mm. Meder 9, Bartsch VII.9. Clear impression (Meder [..]
63
Albrecht Dürer
(1471 - 1528)
Saint John the Baptist and Saint Onuphrius
Woodcut, 213 x 144 mm. Meder 230, Bartsch VII.112 Meder c? Impression printed on laid paper with barely [..]
63
Albrecht Dürer
(1471 - 1528)
Saint John the Baptist and Saint Onuphrius
Woodcut, 213 x 144 mm. Meder 230, Bartsch VII.112 Meder c? Impression printed on laid paper with barely [..]
64
Albrecht Dürer
(1471 - 1528)
Based on
Madonna and Child
Copy in reverse from Dürer. 117 x 77 mm (plate), 132 x 90 mm (sheet). Printed on thin laid paper. In excellent [..]
64
Albrecht Dürer
(1471 - 1528)
Based on
Madonna and Child
Copy in reverse from Dürer. 117 x 77 mm (plate), 132 x 90 mm (sheet). Printed on thin laid paper. In excellent [..]
65
Marcantonio Raimondi
(1534)
Albrecht Dürer
(1471 - 1528)
After
The Presentation of The Virgin in the Temple
from "The Life of The Virgin" series after Dürer. Engraving, 298 x 214 mm. Bartsch XIV.625. Collector's stamp [..]
65
Marcantonio Raimondi
(1534)
Albrecht Dürer
(1471 - 1528)
After
The Presentation of The Virgin in the Temple
from "The Life of The Virgin" series after Dürer. Engraving, 298 x 214 mm. Bartsch XIV.625. Collector's stamp [..]
66
Marcantonio Raimondi
(1534)
Albrecht Dürer
(1471 - 1528)
After
Marriage of the Virgin
from the series "Life of the Virgin" by Dürer. Graver, 263 x 206 mm. Bartsch XIV.626. Example missing [..]
66
Marcantonio Raimondi
(1534)
Albrecht Dürer
(1471 - 1528)
After
Marriage of the Virgin
from the series "Life of the Virgin" by Dürer. Graver, 263 x 206 mm. Bartsch XIV.626. Example missing [..]
67
Marcantonio Raimondi
(1534)
Based on
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Attributed to
Massacre of the Innocents
Deceptive copy in the same direction after Marcantonio. Engraving, 278 x 430 mm. Delaborde 8. Fine, sharp impression [..]
67
Marcantonio Raimondi
(1534)
Based on
Marco Dente detto Marco da Ravenna
(1493 - 1527)
Attributed to
Massacre of the Innocents
Deceptive copy in the same direction after Marcantonio. Engraving, 278 x 430 mm. Delaborde 8. Fine, sharp impression [..]
68
Marcantonio Raimondi
(1534)
Attributed to
Tha Abduction of Helen
after Raphael. Engraving, 419 x 219 mm. Bartsch XIV.209, Delaborde (copy after Marcantonio Raimondi?). Edition [..]
68
Marcantonio Raimondi
(1534)
Attributed to
Tha Abduction of Helen
after Raphael. Engraving, 419 x 219 mm. Bartsch XIV.209, Delaborde (copy after Marcantonio Raimondi?). Edition [..]
69
Marcantonio Raimondi
(1534)
Joseph and Putiphar's wife
Engraving, 204 x 243 mm. II state of 2, with Nicolas Van Aelst's address. Bartsch XIV.9, Delaborde 4. [..]
69
Marcantonio Raimondi
(1534)
Joseph and Putiphar's wife
Engraving, 204 x 243 mm. II state of 2, with Nicolas Van Aelst's address. Bartsch XIV.9, Delaborde 4. [..]
70
Marcantonio Raimondi
(1534)
Young and Old Bacchant
after Raphael. Engraving, 185 x 142 mm. Single state. Bartsch XIV.294. Delaborde 135. 18th century edition. [..]
70
Marcantonio Raimondi
(1534)
Young and Old Bacchant
after Raphael. Engraving, 185 x 142 mm. Single state. Bartsch XIV.294. Delaborde 135. 18th century edition. [..]
71
Marcantonio Raimondi
(1534)
Based on
The Pietà
copy in the same direction after Raimondi (not in Delaborde). Engraving, 274 x 196 mm. Printed on heavy ivory [..]
71
Marcantonio Raimondi
(1534)
Based on
The Pietà
copy in the same direction after Raimondi (not in Delaborde). Engraving, 274 x 196 mm. Printed on heavy ivory [..]
72
Capital Vices
anonymous 16th century engraver
Lot of 7 engravings, approx. 45 x 25 mm. each. Fine impressions on thin laid paper, in good general condition. [..]
72
Capital Vices
anonymous 16th century engraver
Lot of 7 engravings, approx. 45 x 25 mm. each. Fine impressions on thin laid paper, in good general condition. [..]
73
Devotional Prints
anonymous German engraver of the 16th century
Lot of three woodcuts, approx. 95 x 75. each In good condition except for restored tears on two sheets.
73
Devotional Prints
anonymous German engraver of the 16th century
Lot of three woodcuts, approx. 95 x 75. each In good condition except for restored tears on two sheets.
74
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
St. Peter and St. John Healing the Cripples at the Gate of the Temple
1526
after Raphael. Etching and chiaroscuro woodcut, 247 x 398 mm. II state of 2. Bartsch XVI.7; Takahatake 38. [..]
74
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
St. Peter and St. John Healing the Cripples at the Gate of the Temple
1526
after Raphael. Etching and chiaroscuro woodcut, 247 x 398 mm. II state of 2. Bartsch XVI.7; Takahatake 38. [..]
75
Giulio Bonasone
in the way of
Avaritia | Diligentia
Lot of 2 engravings. 278 x 135 mm and 285 x 155 mm. Fresh impressions on thin laid paper. “Diligence” backed [..]
75
Giulio Bonasone
in the way of
Avaritia | Diligentia
Lot of 2 engravings. 278 x 135 mm and 285 x 155 mm. Fresh impressions on thin laid paper. “Diligence” backed [..]
76
Giovan Battista Scultori
(1503 - 1575)
Hercules and Antaeus
Engraving, 213 x 142 mm. Bartsch XV.12. Impression on laid paper. I n a fair state of conservation, backed [..]
76
Giovan Battista Scultori
(1503 - 1575)
Hercules and Antaeus
Engraving, 213 x 142 mm. Bartsch XV.12. Impression on laid paper. I n a fair state of conservation, backed [..]
77
Agostino Veneziano (Agostino dei Musi)
Attributed to
Cupid with a Griffin
Engraving, 126 x 167 mm. Fine, sharp impression printed on heavy laid paper. With small margins beyond the [..]
77
Agostino Veneziano (Agostino dei Musi)
Attributed to
Cupid with a Griffin
Engraving, 126 x 167 mm. Fine, sharp impression printed on heavy laid paper. With small margins beyond the [..]
78
Hans Brosamer
Aristotle and Phyllis
Graver, 78 x 97 mm. Bartsch VIII.18, Hollstein 21. Clear impression on laid paper. Trimmed and counterfounded [..]
78
Hans Brosamer
Aristotle and Phyllis
Graver, 78 x 97 mm. Bartsch VIII.18, Hollstein 21. Clear impression on laid paper. Trimmed and counterfounded [..]
79
Hans Sebald Beham
(1500 - 1550)
The two couples and the fool
Engraving, 32 x 53 mm. I state of 3, before the year was added. Pauli 214, Bartsch VIII.212. [..]
79
Hans Sebald Beham
(1500 - 1550)
The two couples and the fool
Engraving, 32 x 53 mm. I state of 3, before the year was added. Pauli 214, Bartsch VIII.212. [..]
80
Hans Sebald Beham
(1500 - 1550)
James the Greater
from the series of 12 Apostles. Burin, 44 x 29 mm. State II of 4. Pauli 53, Bartsch VIII.51. Nice impression [..]
80
Hans Sebald Beham
(1500 - 1550)
James the Greater
from the series of 12 Apostles. Burin, 44 x 29 mm. State II of 4. Pauli 53, Bartsch VIII.51. Nice impression [..]
81
Georg Pencz
(1550)
Salome with the Head of Saint John the Baptist
c.1533
Engraving, 49 x 71 mm. Bartsch VIII.29. Fine, sharp and fresh impression on thin laid paper. Trimmed. In very [..]
81
Georg Pencz
(1550)
Salome with the Head of Saint John the Baptist
c.1533
Engraving, 49 x 71 mm. Bartsch VIII.29. Fine, sharp and fresh impression on thin laid paper. Trimmed. In very [..]
82
Nicolas Beatrizet
(1573)
Saint Michael defeats Satan
after Raphael. Engraving, 428 x 297 mm. Bernini Pezzini et al., Raphael Invenit, 1985, n.VI Sharp impression [..]
82
Nicolas Beatrizet
(1573)
Saint Michael defeats Satan
after Raphael. Engraving, 428 x 297 mm. Bernini Pezzini et al., Raphael Invenit, 1985, n.VI Sharp impression [..]
83
Angelo Falconetto
(1507 - 1567)
Caryatid | Young woman
Lot of two etchings, 111 x 44 mm each. Bartsch XX.8 and 9. The first is a fine impression on laid paper with [..]
83
Angelo Falconetto
(1507 - 1567)
Caryatid | Young woman
Lot of two etchings, 111 x 44 mm each. Bartsch XX.8 and 9. The first is a fine impression on laid paper with [..]
84
Nicolò Boldrini
(1510 - 1570)
Saint Jerome in the desert
by Titian. Woodcut, 395 x 532 mm. Passavant VI.58, Rosand & Muraro, Titian and the Venetian Woodcut, 1976, [..]
84
Nicolò Boldrini
(1510 - 1570)
Saint Jerome in the desert
by Titian. Woodcut, 395 x 532 mm. Passavant VI.58, Rosand & Muraro, Titian and the Venetian Woodcut, 1976, [..]
85
Virgil Solis
(1514 - 1562)
The Sun
from the Seven Planets series. Engraving, 51 x 85 mm. Bartsch IX.166. Fine, sharp impression on laid [..]
85
Virgil Solis
(1514 - 1562)
The Sun
from the Seven Planets series. Engraving, 51 x 85 mm. Bartsch IX.166. Fine, sharp impression on laid [..]
86
Virgil Solis
(1514 - 1562)
Woman butchering a rooster | Man butchering a bully
Woodcut, 51 x 69 mm (sheet). Printed on both sides of the same sheet of laid paper, in excellent condition.
86
Virgil Solis
(1514 - 1562)
Woman butchering a rooster | Man butchering a bully
Woodcut, 51 x 69 mm (sheet). Printed on both sides of the same sheet of laid paper, in excellent condition.
87
Cornelis Cort
(Hoorn, 1533 - Roma, 1578)
Atreus Farnese from "Speculum Romanae Magnificentiae"
1574
Engraving, 344 x 196 mm. Splendid proof on thin laid paper. Trimmed, with upper right corner missing. Another [..]
87
Cornelis Cort
(Hoorn, 1533 - Roma, 1578)
Atreus Farnese from "Speculum Romanae Magnificentiae"
1574
Engraving, 344 x 196 mm. Splendid proof on thin laid paper. Trimmed, with upper right corner missing. Another [..]
88
Giorgio Ghisi detto il Mantovano (1520-1582)
The Martyrdom of Saint Barbara
Engraving, 270 x 187 mm. II state of 2, with the artist's monogram in the center. Lewis 63, Bartsch XV.10, Massari [..]
88
Giorgio Ghisi detto il Mantovano (1520-1582)
The Martyrdom of Saint Barbara
Engraving, 270 x 187 mm. II state of 2, with the artist's monogram in the center. Lewis 63, Bartsch XV.10, Massari [..]
89
Maestro del Dado (1530-1560 fl.)
The Marriage of Jason and Creusa
Engraving, 326 x 157 mm. Bartsch XV.28. Later edition, printed on heavy laid paper. Trimmed to the platemark. [..]
89
Maestro del Dado (1530-1560 fl.)
The Marriage of Jason and Creusa
Engraving, 326 x 157 mm. Bartsch XV.28. Later edition, printed on heavy laid paper. Trimmed to the platemark. [..]
90
Maestro del Dado (1530-1560 fl.)
Two Gladiators fighting
Engraving, 206 x 233 mm. Bartsch XV.77 Sharp impression printed on laid paper. Trimmed. Paper uniformly oxidized. [..]
90
Maestro del Dado (1530-1560 fl.)
Two Gladiators fighting
Engraving, 206 x 233 mm. Bartsch XV.77 Sharp impression printed on laid paper. Trimmed. Paper uniformly oxidized. [..]
91
Maestro del Dado (1530-1560 fl.)
Cupid Fleeing from Psyche
from the Cupid and Psyche series after Michiel Coxie I. Engraving, 198 x 238 mm (plate), 240 x 296 mm (sheet). [..]
91
Maestro del Dado (1530-1560 fl.)
Cupid Fleeing from Psyche
from the Cupid and Psyche series after Michiel Coxie I. Engraving, 198 x 238 mm (plate), 240 x 296 mm (sheet). [..]
92
Maestro del Dado (1530-1560 fl.)
Venus and Psyche
from the series with the story of Cupid and Psyche by Michiel Coxie I. Burin, 200 x 233 mm (plate), 239 x 296 [..]
92
Maestro del Dado (1530-1560 fl.)
Venus and Psyche
from the series with the story of Cupid and Psyche by Michiel Coxie I. Burin, 200 x 233 mm (plate), 239 x 296 [..]
93
Adamo Scultori
(1530 - 1585)
Mars
by Gulio Romano. Burin, 142 x 202 mm. Bartsch XV.25, Bellini 19. Clear impression on laid paper. Exemplary [..]
93
Adamo Scultori
(1530 - 1585)
Mars
by Gulio Romano. Burin, 142 x 202 mm. Bartsch XV.25, Bellini 19. Clear impression on laid paper. Exemplary [..]
94
Adamo Scultori
(1530 - 1585)
Three putti with sea monsters
Engraving, 119 x 162 mm. Bartsch XV.23, Bellini 105 Printed on laid paper, exemplary with small margins. In [..]
94
Adamo Scultori
(1530 - 1585)
Three putti with sea monsters
Engraving, 119 x 162 mm. Bartsch XV.23, Bellini 105 Printed on laid paper, exemplary with small margins. In [..]
95
Adamo Scultori
(1530 - 1585)
Hercules at the crossroads
after Giulio Romano. Engraving, 197 x 284 mm (plate), 247 x 370 mm (sheet). Single state. Bartsch XV.26, [..]
95
Adamo Scultori
(1530 - 1585)
Hercules at the crossroads
after Giulio Romano. Engraving, 197 x 284 mm (plate), 247 x 370 mm (sheet). Single state. Bartsch XV.26, [..]
96
Giovanni Battista Cavalieri
(1601)
Alexandri magni miles, vuoto Pasquinus... | Acqua Traiana, vulgo Marphorius in foro boario
Lot of two etchings from "ANTIQUARUM STATUARUM URBIS ROMAE". 201 x 126 mm and 204 x 133 mm. Printed on laid paper. [..]
96
Giovanni Battista Cavalieri
(1601)
Alexandri magni miles, vuoto Pasquinus... | Acqua Traiana, vulgo Marphorius in foro boario
Lot of two etchings from "ANTIQUARUM STATUARUM URBIS ROMAE". 201 x 126 mm and 204 x 133 mm. Printed on laid paper. [..]
97
Jan (Johannes) Sadeler
(1550 - 1600)
Marcus Gheeraerts I
Lamentation over the dead Christ
Engraving, 122 x 87 mm. Hollstein 87. Printed on parchment. Missing 1-2 cm from each side.
97
Jan (Johannes) Sadeler
(1550 - 1600)
Marcus Gheeraerts I
Lamentation over the dead Christ
Engraving, 122 x 87 mm. Hollstein 87. Printed on parchment. Missing 1-2 cm from each side.
98
Aegidius Sadeler II
(1568, 1629)
Vestigi delle antichita di Roma Tivoli Pozzuolo et altri luochi...
Lot of three plates (45-47) from the work "Vestigi delle antichita di Roma Tivoli Pozzuolo et altri luochi..." [..]
98
Aegidius Sadeler II
(1568, 1629)
Vestigi delle antichita di Roma Tivoli Pozzuolo et altri luochi...
Lot of three plates (45-47) from the work "Vestigi delle antichita di Roma Tivoli Pozzuolo et altri luochi..." [..]
99
Adriaen Collaert
(1560 - 1618)
Based on
Hermelindis
copy in reverse of Adriaen Collaert's engraving after Marten De Vos. Engraving, 182 x 146 mm. Trimmed to the [..]
99
Adriaen Collaert
(1560 - 1618)
Based on
Hermelindis
copy in reverse of Adriaen Collaert's engraving after Marten De Vos. Engraving, 182 x 146 mm. Trimmed to the [..]
100
Pieter van der Borcht
(1608)
Mount of Olives (Matthew 24)
Taken from "Imagines et Figurae Bibliorum". Etching, 186 x 244 mm. III state. New Hollstein 325. Hubert Dupond's [..]
100
Pieter van der Borcht
(1608)
Mount of Olives (Matthew 24)
Taken from "Imagines et Figurae Bibliorum". Etching, 186 x 244 mm. III state. New Hollstein 325. Hubert Dupond's [..]
101
Landscape with houses and figures
anonymous 17th century Flemish engraver
Etching, 120 x 165 mm. Fine and fresh impression, backed on another sheet of paper.
101
Landscape with houses and figures
anonymous 17th century Flemish engraver
Etching, 120 x 165 mm. Fine and fresh impression, backed on another sheet of paper.
102
Jacques de Bie
(1581 - 1640)
Christ before Herod
after Maarten de Vos. From the series "Vita, Passio, et Resurrectio Iesu Christi". Engraving, 165 x 220 mm. Hollstein, [..]
102
Jacques de Bie
(1581 - 1640)
Christ before Herod
after Maarten de Vos. From the series "Vita, Passio, et Resurrectio Iesu Christi". Engraving, 165 x 220 mm. Hollstein, [..]
103
Theodoor Galle
(1571 - 1633)
Attributed to
Aegidius Sadeler II
(1568, 1629)
Based on
The Flagellation of Christ
Engraving, 255 x 181 mm. Mirror copy of an engraving bay Aegidius Sadeler after Palma di Giovane's painting [..]
103
Theodoor Galle
(1571 - 1633)
Attributed to
Aegidius Sadeler II
(1568, 1629)
Based on
The Flagellation of Christ
Engraving, 255 x 181 mm. Mirror copy of an engraving bay Aegidius Sadeler after Palma di Giovane's painting [..]
104
Hieronymus Wierix
(1553 - 1619)
Christ mocked
engraving, 165 x 140 mm. From the series of 153 plates 'Evangelicae Historiae Imagines'. Mauquoy-Hendrickx 2090. [..]
104
Hieronymus Wierix
(1553 - 1619)
Christ mocked
engraving, 165 x 140 mm. From the series of 153 plates 'Evangelicae Historiae Imagines'. Mauquoy-Hendrickx 2090. [..]
105
Nicolaas de Bruyn
(1571 - 1656)
Josue Dux | Judas Machabeus| Artus Rex
1594
lot of 3 engravings from the series of 12 depicting the heads of the rulers in ornamental borders. Engraving, [..]
105
Nicolaas de Bruyn
(1571 - 1656)
Josue Dux | Judas Machabeus| Artus Rex
1594
lot of 3 engravings from the series of 12 depicting the heads of the rulers in ornamental borders. Engraving, [..]
106
Jacopo Negretti Palma il Giovane
(Venezia, 1544 - Venezia, 1628)
Judith and Holofernes
Etching, 180 x 225 mm. Bartsch XVI.25 Fine, fresh impression on thin laid paper. Specimen with narrow margins [..]
106
Jacopo Negretti Palma il Giovane
(Venezia, 1544 - Venezia, 1628)
Judith and Holofernes
Etching, 180 x 225 mm. Bartsch XVI.25 Fine, fresh impression on thin laid paper. Specimen with narrow margins [..]
107
Pieter Maes
(1560)
Madonna and Child
Etching, 167 x 205 mm. Fine, fresh impression on laid paper. Proof with very narrow margins. Lower right and [..]
107
Pieter Maes
(1560)
Madonna and Child
Etching, 167 x 205 mm. Fine, fresh impression on laid paper. Proof with very narrow margins. Lower right and [..]
108
Francesco Villamena
(1566 - 1626)
Penitent Magdalene
after Francesco Vanni, published by Matteo Florimi. Etching, 225 x 150 mm. M. Bury, The Print in [..]
108
Francesco Villamena
(1566 - 1626)
Penitent Magdalene
after Francesco Vanni, published by Matteo Florimi. Etching, 225 x 150 mm. M. Bury, The Print in [..]
109
Antonio Tempesta
(1555 - 1630)
Judas Thaddeus
Etching, 201 x 142 mm. Fine impression on thin laid paper with a fragment of watermark. Trimmed. Generally [..]
109
Antonio Tempesta
(1555 - 1630)
Judas Thaddeus
Etching, 201 x 142 mm. Fine impression on thin laid paper with a fragment of watermark. Trimmed. Generally [..]
110
Antonio Tempesta
(1555 - 1630)
Landscape with figures
Etching, 129 x 179 mm. Bartsch 1172. Sharp impression on laid paper. With small margins and in very good [..]
110
Antonio Tempesta
(1555 - 1630)
Landscape with figures
Etching, 129 x 179 mm. Bartsch 1172. Sharp impression on laid paper. With small margins and in very good [..]
111
Antonio Tempesta
(1555 - 1630)
The meeting on the Broken Bridge from "The War of the Romans against the Batavians"
1611
after Otto van Veen. The last, 36th plate from the series "The war of the Romans against the Batavians". Etching, [..]
111
Antonio Tempesta
(1555 - 1630)
The meeting on the Broken Bridge from "The War of the Romans against the Batavians"
1611
after Otto van Veen. The last, 36th plate from the series "The war of the Romans against the Batavians". Etching, [..]
112
Raffaele Schiaminossi
(1572 - 1622)
Ezekiel
From the series of 12 prophets. Etching, 192 x 134 mm. Bartsch XVII.7. Fresh impression on laid paper. Trimmed. [..]
112
Raffaele Schiaminossi
(1572 - 1622)
Ezekiel
From the series of 12 prophets. Etching, 192 x 134 mm. Bartsch XVII.7. Fresh impression on laid paper. Trimmed. [..]
113
Odoardo Fialetti
(1573 - 1638)
School of drawing
1608
Etching, 112 x 155 mm (plate), 174 x 240 mm (sheet). Bartsch XVII.210. Beautiful, fresh impression on laid paper. [..]
113
Odoardo Fialetti
(1573 - 1638)
School of drawing
1608
Etching, 112 x 155 mm (plate), 174 x 240 mm (sheet). Bartsch XVII.210. Beautiful, fresh impression on laid paper. [..]
114
Odoardo Fialetti
(1573 - 1638)
Three male heads
from the series ""Il vero modo et ordine per dissegnar tutte le parte et membra del corpo humano" Etching, 105 [..]
114
Odoardo Fialetti
(1573 - 1638)
Three male heads
from the series ""Il vero modo et ordine per dissegnar tutte le parte et membra del corpo humano" Etching, 105 [..]
115
Vespasiano Strada
(1622)
Immaculate Conception
Etching, 192 x 140 mm. Bartsch XVII.10 Printed on very thin laid paper with watermark (anchor inside a circle). [..]
115
Vespasiano Strada
(1622)
Immaculate Conception
Etching, 192 x 140 mm. Bartsch XVII.10 Printed on very thin laid paper with watermark (anchor inside a circle). [..]
116
Jacopo Ciucci
Madonna with Child and a bird
copy in reverse after Vespasiano Strada. Etching, 128 x 100 mm (plate), 135 x 106 mm (sheet). Fine impression [..]
116
Jacopo Ciucci
Madonna with Child and a bird
copy in reverse after Vespasiano Strada. Etching, 128 x 100 mm (plate), 135 x 106 mm (sheet). Fine impression [..]
117
Sisto Badalocchio
(1585 - 1647)
Two prophets
from Correggio, from the series of 6 engravings from the frescoes of the Dome of the Cathedral of Parma. Etching, [..]
117
Sisto Badalocchio
(1585 - 1647)
Two prophets
from Correggio, from the series of 6 engravings from the frescoes of the Dome of the Cathedral of Parma. Etching, [..]
118
Cornelis Schut
(1597 - 1655)
Saint Sebastian
Etching, 306 x 225 mm (plate), 320 x 234 mm (sheet). Hollstein 105. Fine, sharp impression on laid [..]
118
Cornelis Schut
(1597 - 1655)
Saint Sebastian
Etching, 306 x 225 mm (plate), 320 x 234 mm (sheet). Hollstein 105. Fine, sharp impression on laid [..]
119
Cornelis Schut
(1597 - 1655)
Coronation of the Virgin
Etching, 151 x 206 mm. Hollstein 89. Fine and fresh impression on laid paper. Trimmed, in very good condition [..]
119
Cornelis Schut
(1597 - 1655)
Coronation of the Virgin
Etching, 151 x 206 mm. Hollstein 89. Fine and fresh impression on laid paper. Trimmed, in very good condition [..]
120
Cornelis Schut
(1597 - 1655)
Four naked cherubs with a swing
Etching, 100 x 130 mm. Hollstein 160. Fine, fresh impression on thin laid paper. Trimmed, with narrow [..]
120
Cornelis Schut
(1597 - 1655)
Four naked cherubs with a swing
Etching, 100 x 130 mm. Hollstein 160. Fine, fresh impression on thin laid paper. Trimmed, with narrow [..]