294
Live auction
Drawings, Prints and Geographical Maps from the 16th to the 19th Century
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome 00186, fri 19 April 2024
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For information: n.bukowska@bertolamifineart.com |
151
Jonas Umbach
(1700)
The Good Samaritan
Etching, 80 x 131 mm. Hollstein 43. Printed on laid paper. Trimmed, with small margins, glued in some places [..]
151
Jonas Umbach
(1700)
The Good Samaritan
Etching, 80 x 131 mm. Hollstein 43. Printed on laid paper. Trimmed, with small margins, glued in some places [..]
152
Jonas Umbach
(1700)
Ecce Homo
Etching, 122 x 79 mm. II state. Hollstein 55. Fine impression on laid paper. Trimmed and backed. Otherwise in [..]
152
Jonas Umbach
(1700)
Ecce Homo
Etching, 122 x 79 mm. II state. Hollstein 55. Fine impression on laid paper. Trimmed and backed. Otherwise in [..]
153
Matthias Scheits
Return of the prodigal son
1678
Etching, 140 x 180 mm. Beautiful, crisp impression on laid paper. Specimen with small margins preserved (1-5 [..]
153
Matthias Scheits
Return of the prodigal son
1678
Etching, 140 x 180 mm. Beautiful, crisp impression on laid paper. Specimen with small margins preserved (1-5 [..]
154
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of Saint Andrew
Etching, 288 x 435 mm (plate), 302 x 448 mm (sheet). I state on 5, before the plate reduction. Bartsch XXI.11, [..]
154
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Martyrdom of Saint Andrew
Etching, 288 x 435 mm (plate), 302 x 448 mm (sheet). I state on 5, before the plate reduction. Bartsch XXI.11, [..]
155
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Madonna and Child with Saint Magdalene
Etching, 174 x 129 mm (plate), 186 x 140 mm (sheet). II state on 4. Bartsch XXI.6, Bellini 12. Beautiful, [..]
155
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Madonna and Child with Saint Magdalene
Etching, 174 x 129 mm (plate), 186 x 140 mm (sheet). II state on 4. Bartsch XXI.6, Bellini 12. Beautiful, [..]
156
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
The Nativity of the Virgin
Etching, 216 x 146 mm. II state on 2. Bartsch XXI.1, Bellini 6. Fine impression on thin laid paper. Trimmed. [..]
156
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
The Nativity of the Virgin
Etching, 216 x 146 mm. II state on 2. Bartsch XXI.1, Bellini 6. Fine impression on thin laid paper. Trimmed. [..]
157
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Annunciation
Etching, 212 x 147 mm. I state, before inscription. Bartsch XXI.2, Bellini 9. Fine, fresh and sharp impression [..]
157
Carlo Maratti
(Camerano, 1625 - Roma, 1713)
Annunciation
Etching, 212 x 147 mm. I state, before inscription. Bartsch XXI.2, Bellini 9. Fine, fresh and sharp impression [..]
158
Pietro Santi Bartoli
(1635 - 1700)
Jupiter suckled by the goat Amalthea
after Giulio Romano. Engraving, 240 x 354 mm. Fresh impression, trimmed to the platemark.
158
Pietro Santi Bartoli
(1635 - 1700)
Jupiter suckled by the goat Amalthea
after Giulio Romano. Engraving, 240 x 354 mm. Fresh impression, trimmed to the platemark.
159
Pietro Santi Bartoli
(1635 - 1700)
Hylas a nymphis raptus
by Giulio Romano. Etching, 314 x 542 mm (plate), 332 x 553 mm (sheet). Massari, Giulio Romano pinxit et delineavit, [..]
159
Pietro Santi Bartoli
(1635 - 1700)
Hylas a nymphis raptus
by Giulio Romano. Etching, 314 x 542 mm (plate), 332 x 553 mm (sheet). Massari, Giulio Romano pinxit et delineavit, [..]
160
Valentin Lefebre
(1637 - 1677)
Sleeping Venus
after Tiziano, published by Jacobus van Campen. Etching, 237 x 455 (plate), 289 x 459 mm (sheet). Fine, [..]
160
Valentin Lefebre
(1637 - 1677)
Sleeping Venus
after Tiziano, published by Jacobus van Campen. Etching, 237 x 455 (plate), 289 x 459 mm (sheet). Fine, [..]
161
Girard Audran
(1640 - 1703)
The Navicella, St. Peter saved from the waters
after Giovanni Lanfranco's fresco in St. Peter's Basilica. Etching, 490 x 313 mm. Trimmed sheet, with defects [..]
161
Girard Audran
(1640 - 1703)
The Navicella, St. Peter saved from the waters
after Giovanni Lanfranco's fresco in St. Peter's Basilica. Etching, 490 x 313 mm. Trimmed sheet, with defects [..]
162
Jan Frans van Bloemen l'Orizzonte
(Anversa, 1662 - Roma, 1749)
Views of Rome
Lot of three engravings. Etching, approx. 245 x 180 mm (each). Fine impression on thin wove paper. In very good [..]
162
Jan Frans van Bloemen l'Orizzonte
(Anversa, 1662 - Roma, 1749)
Views of Rome
Lot of three engravings. Etching, approx. 245 x 180 mm (each). Fine impression on thin wove paper. In very good [..]
163
Giovanni Antonio Lorenzini
(1665 - 1740)
David and Saul with Goliath's head
after Guercino. From the "Palazzo Granducale in Florence" series. Engraving and etching, 258 x 422 mm (plate), [..]
163
Giovanni Antonio Lorenzini
(1665 - 1740)
David and Saul with Goliath's head
after Guercino. From the "Palazzo Granducale in Florence" series. Engraving and etching, 258 x 422 mm (plate), [..]
164
Girolamo Scarsello
Allegory of Fortune
by Guido Reni. Etching, 235 x 188 mm (plate), 352 x 264 mm (sheet). Bartsch XIX.6. Beautiful, fresh impression [..]
164
Girolamo Scarsello
Allegory of Fortune
by Guido Reni. Etching, 235 x 188 mm (plate), 352 x 264 mm (sheet). Bartsch XIX.6. Beautiful, fresh impression [..]
165
Girolamo Scarsello
Saturn
after Giovanni Andrea Sirani. Etching, 187 x 138 mm (plate), 202 x 151 mm (sheet). Printed on laid paper. [..]
165
Girolamo Scarsello
Saturn
after Giovanni Andrea Sirani. Etching, 187 x 138 mm (plate), 202 x 151 mm (sheet). Printed on laid paper. [..]
166
Girolamo Scarsello
Bacchanal with three putti
after Giovanni Andrea Sirani. Etching, 200 x 147 mm. Bartsch XIX.3. Fine impression on laid paper. Proof with [..]
166
Girolamo Scarsello
Bacchanal with three putti
after Giovanni Andrea Sirani. Etching, 200 x 147 mm. Bartsch XIX.3. Fine impression on laid paper. Proof with [..]
167
Girolamo Scarsello
Cupid standing on dolphin's back
after Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Printed on [..]
167
Girolamo Scarsello
Cupid standing on dolphin's back
after Giovanni Andrea Sirani. Etching, 190 x 140 mm (plate), 227 x 182 mm (sheet). Bartsch XIX.4. Printed on [..]
168
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and a goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very fine, well inked and sharp impression on laid [..]
168
Pierre Parrocel
(1670 - 1739)
Bacchanal with satyr and a goat
Etching, 127 x 169 mm (plate), 171 x 204 mm (sheet). Very fine, well inked and sharp impression on laid [..]
169
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Fine, crisp impression on laid paper. Sheet in very good [..]
169
Pierre Parrocel
(1670 - 1739)
Bacchanal
Etching, 75 x 95 mm (plate), 98 x 116 mm (sheet). Fine, crisp impression on laid paper. Sheet in very good [..]
170
Putti
17th century
4 etchings printed on a single sheet, 61 x 27; 59 x 31; 51 x 31; 61 x 26 mm (plates), 160 x 107 mm (sheet). Interesting [..]
170
Putti
17th century
4 etchings printed on a single sheet, 61 x 27; 59 x 31; 51 x 31; 61 x 26 mm (plates), 160 x 107 mm (sheet). Interesting [..]
171
Marcantonio Bellavia
Holy Family with Saint Anne
Etching, 140 x 105 mm (plate), 160 x 115 mm. Bartsch XX.11 Fine, fresh and well-inked impression on thick laid [..]
171
Marcantonio Bellavia
Holy Family with Saint Anne
Etching, 140 x 105 mm (plate), 160 x 115 mm. Bartsch XX.11 Fine, fresh and well-inked impression on thick laid [..]
172
Giovanni Battista Catenaro
Apollo surrounded by putti
Etching, 227 x 171 mm. De Vesme 2. Splendid impression on laid paper. Trimmed and glued along the edges [..]
172
Giovanni Battista Catenaro
Apollo surrounded by putti
Etching, 227 x 171 mm. De Vesme 2. Splendid impression on laid paper. Trimmed and glued along the edges [..]
173
Grue Francesco Antonio Saverio
(1686 - 1746)
Attributed to
View of a noble palace
Etching, 80 x 123 mm (plate), 88 x 136 mm (sheet). Rare impression. Inscription: D.r Franc.s ant.s Grue del. [..]
173
Grue Francesco Antonio Saverio
(1686 - 1746)
Attributed to
View of a noble palace
Etching, 80 x 123 mm (plate), 88 x 136 mm (sheet). Rare impression. Inscription: D.r Franc.s ant.s Grue del. [..]
174
Johann Georg Bergmüller
(1688 - 1762)
Allegory of Summer
Etching, 108 x 155 mm (plate), 163 x 208 mm (sheet). Very fine, fresh and sharp impression on laid paper. [..]
174
Johann Georg Bergmüller
(1688 - 1762)
Allegory of Summer
Etching, 108 x 155 mm (plate), 163 x 208 mm (sheet). Very fine, fresh and sharp impression on laid paper. [..]
175
John Faber the Younger
(1684 - 1756)
Mary, Countess of Dorset
Mezzotint, 470 x 315 mm. C. Smith, British Mezzotinto portraits from the introduction of the art to the [..]
175
John Faber the Younger
(1684 - 1756)
Mary, Countess of Dorset
Mezzotint, 470 x 315 mm. C. Smith, British Mezzotinto portraits from the introduction of the art to the [..]
176
Miguel de Sorello
Prospettiva della prima macchina, rappresentante un Porto Franco...
after Pierre Parrocel's drawing. Etching, 440 x 375 mm. Printed on thick paper, with sheet trimmed at the [..]
176
Miguel de Sorello
Prospettiva della prima macchina, rappresentante un Porto Franco...
after Pierre Parrocel's drawing. Etching, 440 x 375 mm. Printed on thick paper, with sheet trimmed at the [..]
177
John Baptist Jackson
The Holy Family with four Saints
1739
after Paolo Veronese. Multi-color woodcut, 565 x 350 mm. Kainen, John Baptist Jackson, 18thc. master of the color [..]
177
John Baptist Jackson
The Holy Family with four Saints
1739
after Paolo Veronese. Multi-color woodcut, 565 x 350 mm. Kainen, John Baptist Jackson, 18thc. master of the color [..]
178
Francesco Fontebasso
(1707 - 1769)
Sacrifice of Iphigenia
Etching, 286 x 391 mm (plate), 298 x 402 mm (sheet). De Vesme 9 Very fine, fresh and sharp impression on [..]
178
Francesco Fontebasso
(1707 - 1769)
Sacrifice of Iphigenia
Etching, 286 x 391 mm (plate), 298 x 402 mm (sheet). De Vesme 9 Very fine, fresh and sharp impression on [..]
179
Francesco Fontebasso
(1707 - 1769)
Sofonisba
Etching, 267 x 380 mm. De Vesme 10. Very fine, fresh impression on laid paper. Trimmed. In very good condition [..]
179
Francesco Fontebasso
(1707 - 1769)
Sofonisba
Etching, 267 x 380 mm. De Vesme 10. Very fine, fresh impression on laid paper. Trimmed. In very good condition [..]
180
Philothée François Duflos
(1748)
Tempio della Concordia in Campo vaccino
Etching, 141 x 191 mm. Fine impression on thick laid paper. In very good condition except for a thinning of the [..]
180
Philothée François Duflos
(1748)
Tempio della Concordia in Campo vaccino
Etching, 141 x 191 mm. Fine impression on thick laid paper. In very good condition except for a thinning of the [..]