121
Jan Dirksz Both
(Utrecht, 1618 - Utrecht , 1652)
The Two Mules. Rocca Aquatica near Ancona
Etching, 270 x 212 mm (sheet). 3rd state of 6, with Matham's address. Bartsch V.207.4, Hollstein 4. Fine impression [..]
121
Jan Dirksz Both
(Utrecht, 1618 - Utrecht , 1652)
The Two Mules. Rocca Aquatica near Ancona
Etching, 270 x 212 mm (sheet). 3rd state of 6, with Matham's address. Bartsch V.207.4, Hollstein 4. Fine impression [..]
122
Carlo Cesio
(1622 - 1682)
Aedium Farnesiarum Tabulae, after Annibale Carracci
Four plates (XIV-XVII) from the collection "Aedium Farnesiarum Tabulae". Engraving, approx. 260 x 539 mm each [..]
122
Carlo Cesio
(1622 - 1682)
Aedium Farnesiarum Tabulae, after Annibale Carracci
Four plates (XIV-XVII) from the collection "Aedium Farnesiarum Tabulae". Engraving, approx. 260 x 539 mm each [..]
123
Karel Dujardin
(Amsterdam, 1622 - Venezia, 1678)
Landscape with a flock and a shepherd behind a tree | Sleeping hunting dogs
Lot of two prints: Landscape with flock and a shepherd behind a tree Etching, 163 x 187 mm (sheet). 2nd state, [..]
123
Karel Dujardin
(Amsterdam, 1622 - Venezia, 1678)
Landscape with a flock and a shepherd behind a tree | Sleeping hunting dogs
Lot of two prints: Landscape with flock and a shepherd behind a tree Etching, 163 x 187 mm (sheet). 2nd state, [..]
124
Jan Ruijscher
A small village seen from a hill | Moonlit landscape with a small house
Lot of two engravings A small village seen from a hill Etching, 120 x 207 mm (plate), 208 x 287 mm (sheet). [..]
124
Jan Ruijscher
A small village seen from a hill | Moonlit landscape with a small house
Lot of two engravings A small village seen from a hill Etching, 120 x 207 mm (plate), 208 x 287 mm (sheet). [..]
125
Giovanni Tisidio Guidi
(1635)
Tobias and the Angel
1628
Etching, 168 x 122 mm. Bartsch XXI.4.1 Very fine, sharp impression with plate-tone, printed on laid paper with [..]
125
Giovanni Tisidio Guidi
(1635)
Tobias and the Angel
1628
Etching, 168 x 122 mm. Bartsch XXI.4.1 Very fine, sharp impression with plate-tone, printed on laid paper with [..]
126
Bartolomeo Biscaino
(Genova, 1629 - 1657)
The Nativity with Angels
Etching, 385 x 274 mm. Bartsch XXI.185.7. Very fine, sharp impression on laid paper with watermark. Trimmed, [..]
126
Bartolomeo Biscaino
(Genova, 1629 - 1657)
The Nativity with Angels
Etching, 385 x 274 mm. Bartsch XXI.185.7. Very fine, sharp impression on laid paper with watermark. Trimmed, [..]
127
Pietro Aquila
(1630 - 1692)
Galeriae Farnesianae icones, plate I, after Annibale Carracci
Etching and engraving, 622 x 353 mm (plate). Published by Giovanni Giacomo de' Rossi. Fine impression on laid [..]
127
Pietro Aquila
(1630 - 1692)
Galeriae Farnesianae icones, plate I, after Annibale Carracci
Etching and engraving, 622 x 353 mm (plate). Published by Giovanni Giacomo de' Rossi. Fine impression on laid [..]
128
Pietro Aquila
(1630 - 1692)
Frontispiece of the series Galeriae Farnesianae Icones
Etching and engraving, 510 x 785 mm (sheet). Allegorical subject with a dedication to Cardinal Francesco Maria [..]
128
Pietro Aquila
(1630 - 1692)
Frontispiece of the series Galeriae Farnesianae Icones
Etching and engraving, 510 x 785 mm (sheet). Allegorical subject with a dedication to Cardinal Francesco Maria [..]
129
Pietro Aquila
(1630 - 1692)
B. Virgo in gloria cum quinque sanctis a Clemente X canonizatis anno MDCLXXI, after Carlo Maratti
Etching, 710 x 480 mm (sheet). Late edition, printed on wove paper. Restorations and creases.
129
Pietro Aquila
(1630 - 1692)
B. Virgo in gloria cum quinque sanctis a Clemente X canonizatis anno MDCLXXI, after Carlo Maratti
Etching, 710 x 480 mm (sheet). Late edition, printed on wove paper. Restorations and creases.
130
Giuseppe Maria Mitelli
(1634 - 1718)
Chi l'intende; chi non l'intende; chi non la vuole intendere
Etching, 269 x 415 mm (plate), 420 x 547 mm (sheet). Bartsch XIX.287.41; Bertarelli 582. Sharp impression on [..]
130
Giuseppe Maria Mitelli
(1634 - 1718)
Chi l'intende; chi non l'intende; chi non la vuole intendere
Etching, 269 x 415 mm (plate), 420 x 547 mm (sheet). Bartsch XIX.287.41; Bertarelli 582. Sharp impression on [..]
131
Giuseppe Maria Mitelli
(1634 - 1718)
Macchina Trionfale della Venerabile Confraternità di S. Carlo di Reggio per la Coronazione di N. Signora della Ghiara, Solennizzata li 13 Maggio 1674
Etching, 320 x 217 mm (plate), 344 x 234 mm (sheet). Bertarelli 643. Superb, fresh impression on a portion of [..]
131
Giuseppe Maria Mitelli
(1634 - 1718)
Macchina Trionfale della Venerabile Confraternità di S. Carlo di Reggio per la Coronazione di N. Signora [..]
Etching, 320 x 217 mm (plate), 344 x 234 mm (sheet). Bertarelli 643. Superb, fresh impression on a portion of [..]
132
Giuseppe Maria Mitelli
(1634 - 1718)
The Investiture of Saint William, after Guercino
Etching, 465 x 295 mm. From the painting by Guercino, originally in the Church of San Gregorio, now in the Pinacoteca [..]
132
Giuseppe Maria Mitelli
(1634 - 1718)
The Investiture of Saint William, after Guercino
Etching, 465 x 295 mm. From the painting by Guercino, originally in the Church of San Gregorio, now in the Pinacoteca [..]
133
Giuseppe Maria Mitelli
(1634 - 1718)
L'onorata vita del poltrone, agli studiosi del ozio dedicata...
1683
Etching, 305 x 235 mm. Bertarelli 475. Fine impression on laid paper with watermark (letter P in a circle surmounted [..]
133
Giuseppe Maria Mitelli
(1634 - 1718)
L'onorata vita del poltrone, agli studiosi del ozio dedicata...
1683
Etching, 305 x 235 mm. Bertarelli 475. Fine impression on laid paper with watermark (letter P in a circle surmounted [..]
134
Lorenzo Tinti
(Bologna, 1634 - 1672)
Madonna and Child, after Guido Reni
Etching, 165 x 150 mm. Bartsch XVIII.314.2 (School of Guido Reni), Bartsch XIX.146.1 (Lorenzo Tinti). Impressed [..]
134
Lorenzo Tinti
(Bologna, 1634 - 1672)
Madonna and Child, after Guido Reni
Etching, 165 x 150 mm. Bartsch XVIII.314.2 (School of Guido Reni), Bartsch XIX.146.1 (Lorenzo Tinti). Impressed [..]
135
Gerolamo Imperiale
(Genova? Napoli?)
Madonna and Child
Etching, 200 x 163 mm. Bartsch XX.120.1. Impressed on laid paper without watermark. Trimmed to the platemark. [..]
135
Gerolamo Imperiale
(Genova? Napoli?)
Madonna and Child
Etching, 200 x 163 mm. Bartsch XX.120.1. Impressed on laid paper without watermark. Trimmed to the platemark. [..]
136
Alessandro Scarselli
(Bologna, 1684 - 1773)
The Pentecost
1707
Etching, 392 x 280 mm. Bertelà 852. Impressed on laid paper with watermark. Trimmed, with very narrow margins [..]
136
Alessandro Scarselli
(Bologna, 1684 - 1773)
The Pentecost
1707
Etching, 392 x 280 mm. Bertelà 852. Impressed on laid paper with watermark. Trimmed, with very narrow margins [..]
137
Francesco Curti
(Bologna, 1610 - Bologna, 1690)
The Apparition of Christ with the Cross to St. Ignatius of Loyola
Etching, 565 x 410 mm. Very fine impression with plate-tone, printed on laid paper. Hand-colored. Trace of a [..]
137
Francesco Curti
(Bologna, 1610 - Bologna, 1690)
The Apparition of Christ with the Cross to St. Ignatius of Loyola
Etching, 565 x 410 mm. Very fine impression with plate-tone, printed on laid paper. Hand-colored. Trace of a [..]
138
Giovanni Battista Falda
(1643 - 1678)
Piazza Colonna on the Via del Corso
Etching, 175 x 295 mm (plate), approx. 240 x 320 mm (sheet). Fine impression on laid paper. Some small stains [..]
138
Giovanni Battista Falda
(1643 - 1678)
Piazza Colonna on the Via del Corso
Etching, 175 x 295 mm (plate), approx. 240 x 320 mm (sheet). Fine impression on laid paper. Some small stains [..]
139
Noël Robert Cochin
The Deposition, after Jacopo Bassano
Etching, 315 x 205 mm (plate). IFF 10. Fine impression on laid paper. Sheet with small losses at the top, scattered [..]
139
Noël Robert Cochin
The Deposition, after Jacopo Bassano
Etching, 315 x 205 mm (plate). IFF 10. Fine impression on laid paper. Sheet with small losses at the top, scattered [..]
140
Raymond La Fage
(1656 - 1684)
Diana and Endymion
Etching, 183 x 240 mm. 1st state of 2. Dumensil XI.154.10 Fine impression on laid paper without watermark. Trimmed [..]
140
Raymond La Fage
(1656 - 1684)
Diana and Endymion
Etching, 183 x 240 mm. 1st state of 2. Dumensil XI.154.10 Fine impression on laid paper without watermark. Trimmed [..]
141
Francesco Maria Francia
(Bologna, 1657 - 1735)
Moses Defends the Daughters of Jethro
Etching and engraving, 480 x 660 mm (sheet). Impression with light plate-tone, printed from two plates on two [..]
141
Francesco Maria Francia
(Bologna, 1657 - 1735)
Moses Defends the Daughters of Jethro
Etching and engraving, 480 x 660 mm (sheet). Impression with light plate-tone, printed from two plates on two [..]
142
Pieter van Gunst
Charles the First King of Great Britain | Henrietta Maria Queen of Great Britain
Lot of two prints after Anthony van Dyck. Engravinf and etching, approx. 520 x 325 mm (each plate), approx. 670 [..]
142
Pieter van Gunst
Charles the First King of Great Britain | Henrietta Maria Queen of Great Britain
Lot of two prints after Anthony van Dyck. Engravinf and etching, approx. 520 x 325 mm (each plate), approx. 670 [..]
143
Alphabet
anonymous French engraver of the 18th century
engraving and etching, 175 x 212 mm (sheet). Fine impression on handmade wove paper. Two irregular edges. In [..]
143
Alphabet
anonymous French engraver of the 18th century
engraving and etching, 175 x 212 mm (sheet). Fine impression on handmade wove paper. Two irregular edges. In [..]
144
Giacomo Piccini
(1660)
David with the Head of Goliath, AFTER Guido Reni
Etching, 312 x 212 mm (sheet). Fine impression on laid paper (three moons). Sheet with wide margins, in very [..]
144
Giacomo Piccini
(1660)
David with the Head of Goliath, AFTER Guido Reni
Etching, 312 x 212 mm (sheet). Fine impression on laid paper (three moons). Sheet with wide margins, in very [..]
145
Jerzy (Giorgio) Szymonowicz Siemiginowski
(Leopoli)
Cartouche with coat of arms
Etching, 445 x 312 mm. Cartouche with dedication to Livio Odescalchi, signed by Szymonowicz. Fine, sharp impression [..]
145
Jerzy (Giorgio) Szymonowicz Siemiginowski
(Leopoli)
Cartouche with coat of arms
Etching, 445 x 312 mm. Cartouche with dedication to Livio Odescalchi, signed by Szymonowicz. Fine, sharp impression [..]
146
Portrait of a Queen (Ludovica Maria Gonzaga?)
anonymous 17th century engraver
Etching, 165 x 113 mm (plate), 215 x 175 mm (sheet). Fine impression on laid paper with a large watermark. Margins [..]
146
Portrait of a Queen (Ludovica Maria Gonzaga?)
anonymous 17th century engraver
Etching, 165 x 113 mm (plate), 215 x 175 mm (sheet). Fine impression on laid paper with a large watermark. Margins [..]
147
Flyer for a memorial mass at the Basilica of Saint Ambrose in Milan
anonymous 17th century engraver
Etching, 187 x 250 mm (sheet). Impressed on laid paper. Inscriptions in brown ink. Some folds, but overall in [..]
147
Flyer for a memorial mass at the Basilica of Saint Ambrose in Milan
anonymous 17th century engraver
Etching, 187 x 250 mm (sheet). Impressed on laid paper. Inscriptions in brown ink. Some folds, but overall in [..]
148
Landscape with hills, river and three figures
anonymous engraver of the 17th century
Etching, 187 x 251 mm (sheet). Published by Nicolas Langlois in Paris, rue St. Jacques ala Victoire. Fine impression [..]
148
Landscape with hills, river and three figures
anonymous engraver of the 17th century
Etching, 187 x 251 mm (sheet). Published by Nicolas Langlois in Paris, rue St. Jacques ala Victoire. Fine impression [..]
149
The fire
anonymous 17th century engraver
Etching, 250 x 320 mm (sheet). A fine impression on laid paper. Preserved margins. Some defects along the fold [..]
149
The fire
anonymous 17th century engraver
Etching, 250 x 320 mm (sheet). A fine impression on laid paper. Preserved margins. Some defects along the fold [..]
150
Lodovico Mattioli
(1662 - 1747)
Fine Landscapes
1685 ca.
Lot of five prints from the series of round landscapes. Etching, approx. 175 x 170 mm (three sheets), 210 x 213 [..]
150
Lodovico Mattioli
(1662 - 1747)
Fine Landscapes
1685 ca.
Lot of five prints from the series of round landscapes. Etching, approx. 175 x 170 mm (three sheets), 210 x 213 [..]