31
Female Portrait
anonymous 19th-century artist
Watercolor over traces of pencil on wove paper, approx. 375 x 290 mm. With passe-partout and frame (55 x 41 [..]
31
Female Portrait
anonymous 19th-century artist
Watercolor over traces of pencil on wove paper, approx. 375 x 290 mm. With passe-partout and frame (55 x 41 [..]
32
Views of Rome and Its Surroundings
anonymous English artist, 1816-1817
Suite of ten drawings. Pencil on heavy wove paper, maximum dimensions 260 x 365 mm. Each titled and dated.
32
Views of Rome and Its Surroundings
anonymous English artist, 1816-1817
Suite of ten drawings. Pencil on heavy wove paper, maximum dimensions 260 x 365 mm. Each titled and dated.
33
NINO COSTA (Roma, 1826 - Marina di Pisa, 1903)
Attributed to
Study for a Male Figure
Pencil on WOVE paper, approx. 220 x 110 mm. With passe-partout and frame (34 x 22.5 x 3 cm)
33
NINO COSTA (Roma, 1826 - Marina di Pisa, 1903)
Attributed to
Study for a Male Figure
Pencil on WOVE paper, approx. 220 x 110 mm. With passe-partout and frame (34 x 22.5 x 3 cm)
35
Restoration Project of the Cathedral of Ferrara
1876
Watercolor and black ink on wove paper, backed sheet, 810 x 542 mm. Unidentified signature lower left. Mounted [..]
35
Restoration Project of the Cathedral of Ferrara
1876
Watercolor and black ink on wove paper, backed sheet, 810 x 542 mm. Unidentified signature lower left. Mounted [..]
36
ndscape with Waterfalls | Sketches of a Gendarme and Villagers | Family in the Mountains
19th century
Lot of three drawings: Landscape with waterfalls, 19th century Bolognese school Black ink and watercolor on [..]
36
ndscape with Waterfalls | Sketches of a Gendarme and Villagers | Family in the Mountains
19th century
Lot of three drawings: Landscape with waterfalls, 19th century Bolognese school Black ink and watercolor on [..]
37
Study of the Animals Entering Noah’s Ark
19th-century Venetian artist
Pencil on wove paper, approx. 200 x 285 mm. Mounted in three places on a modern backing.
37
Study of the Animals Entering Noah’s Ark
19th-century Venetian artist
Pencil on wove paper, approx. 200 x 285 mm. Mounted in three places on a modern backing.
38
Horseman
19th-century French artist
Pencil on thick wove paper, 165 x 220 mm. Unidentified signature lower right, mounted on the passe-partout
38
Horseman
19th-century French artist
Pencil on thick wove paper, 165 x 220 mm. Unidentified signature lower right, mounted on the passe-partout
39
Alberto Pasquinelli
(Bologna, 1872 - 1928)
Menu
Bologna, 1896
Black ink, red ink, watercolor, and gilding on wove paper, 152 × 98 mm. Signed lower left: Alberto Pasquinelli. [..]
39
Alberto Pasquinelli
(Bologna, 1872 - 1928)
Menu
Bologna, 1896
Black ink, red ink, watercolor, and gilding on wove paper, 152 × 98 mm. Signed lower left: Alberto Pasquinelli. [..]
40
AMERIGO BARTOLI NATINGUERRA©
(Terni, 1890 - Roma, 1971)
Non vorrei ti scoppiasse davvero! (I don't want it to actually explode on you!)
Charcoal and wash wove on paper, approx. 230 x 310 mm. Titled upper left, signed lower right. With passe-partout [..]
40
AMERIGO BARTOLI NATINGUERRA©
(Terni, 1890 - Roma, 1971)
Non vorrei ti scoppiasse davvero! (I don't want it to actually explode on you!)
Charcoal and wash wove on paper, approx. 230 x 310 mm. Titled upper left, signed lower right. With passe-partout [..]
41
Theseus
anonymous Florentine engraver of the 15th century
Engraving, 208 x 110 mm (plate), 250 x 195 mm (sheet). Passavant V 29; Hind (Lucantonio degli Uberti) 11. Splendid [..]
41
Theseus
anonymous Florentine engraver of the 15th century
Engraving, 208 x 110 mm (plate), 250 x 195 mm (sheet). Passavant V 29; Hind (Lucantonio degli Uberti) 11. Splendid [..]
42
Achilles
anonymous Florentine engraver of the 15th century
Engraving, 208 x 104 mm (plate), 250 x 195 mm (sheet). Passavant V 29 ; Hind (Lucantonio degli Uberti) 11. Splendid [..]
42
Achilles
anonymous Florentine engraver of the 15th century
Engraving, 208 x 104 mm (plate), 250 x 195 mm (sheet). Passavant V 29 ; Hind (Lucantonio degli Uberti) 11. Splendid [..]
43
Pyrrhus
anonymous Florentine engraver of the 15th century
Engraving, 206 x 108 mm (plate), 250 x 195 mm (sheet). Passavant V 29 ; Hind (Lucantonio degli Uberti) 11. Splendid [..]
43
Pyrrhus
anonymous Florentine engraver of the 15th century
Engraving, 206 x 108 mm (plate), 250 x 195 mm (sheet). Passavant V 29 ; Hind (Lucantonio degli Uberti) 11. Splendid [..]
44
Albrecht Durer
(1471 - 1528)
Vision of Saint John
Woodcut, 394 x 284 mm. Meder 164. Proof printed on laid paper, backed. Sheet evenly browned, with some stains [..]
44
Albrecht Durer
(1471 - 1528)
Vision of Saint John
Woodcut, 394 x 284 mm. Meder 164. Proof printed on laid paper, backed. Sheet evenly browned, with some stains [..]
45
Albrecht Durer
(1471 - 1528)
Crucifixion with the Three Crosses (Small Crucifixion)
Woodcut, 218 x 152 mm. Meder 180. 17th-century proof. Printed on laid paper without watermark. In good condition. [..]
45
Albrecht Durer
(1471 - 1528)
Crucifixion with the Three Crosses (Small Crucifixion)
Woodcut, 218 x 152 mm. Meder 180. 17th-century proof. Printed on laid paper without watermark. In good condition. [..]
46
Albrecht Durer
(1471 - 1528)
Saint Simon the Apostle
Engraving, 117 x 75 mm. Edition from the second half of the 18th century, with the address of the Bolognese publisher [..]
46
Albrecht Durer
(1471 - 1528)
Saint Simon the Apostle
Engraving, 117 x 75 mm. Edition from the second half of the 18th century, with the address of the Bolognese publisher [..]
47
Albrecht Durer
(1471 - 1528)
Three putti with trumpets, shield and helmet
Engraving, 111 x 690 mm. Meder 99. Late edition, with foul biting, printed on laid paper with a literary watermark [..]
47
Albrecht Durer
(1471 - 1528)
Three putti with trumpets, shield and helmet
Engraving, 111 x 690 mm. Meder 99. Late edition, with foul biting, printed on laid paper with a literary watermark [..]
48
Joannes Mommart
Last Judgement, after Albrecht Durer
Woodcut, 128 x 98 mm. Meder 161. Printed on thin laid paper, without watermark. In very good condition.
48
Joannes Mommart
Last Judgement, after Albrecht Durer
Woodcut, 128 x 98 mm. Meder 161. Printed on thin laid paper, without watermark. In very good condition.
49
Marcantonio Raimondi
(1534)
The Five Saints
Anonymous 16th century engraver
Engraving, 410 x 273 mm. State II on 3, with the address "Antonius Carenzanus formis Romae. 1610. Superm. permissus. [..]
49
Marcantonio Raimondi
(1534)
The Five Saints
Anonymous 16th century engraver
Engraving, 410 x 273 mm. State II on 3, with the address "Antonius Carenzanus formis Romae. 1610. Superm. permissus. [..]
50
Marco Dente detto Marco da Ravenna
(1493 - 1527)
The Birth of Venus, after Raphael
Engraving, 265 x 171 mm (sheet). Proof with the execudit of Antonio Salamanca. Bartsch XIV.243.323 Fine impression [..]
50
Marco Dente detto Marco da Ravenna
(1493 - 1527)
The Birth of Venus, after Raphael
Engraving, 265 x 171 mm (sheet). Proof with the execudit of Antonio Salamanca. Bartsch XIV.243.323 Fine impression [..]
51
Lucas van Leyden
(1533)
The Expulsion from Paradise
From the series "The Story of Adam and Eve". Engraving, 164 x 116 mm. Third state of 3. New Hollstein 4, Bartsch [..]
51
Lucas van Leyden
(1533)
The Expulsion from Paradise
From the series "The Story of Adam and Eve". Engraving, 164 x 116 mm. Third state of 3. New Hollstein 4, Bartsch [..]
52
Lucas van Leyden
(1533)
Two cherubs holding a shield
Engraving, 80 x 105 mm. Bartsch VII.429.166 Proof printed on laid paper. Some abrasions visible in the upper [..]
52
Lucas van Leyden
(1533)
Two cherubs holding a shield
Engraving, 80 x 105 mm. Bartsch VII.429.166 Proof printed on laid paper. Some abrasions visible in the upper [..]
53
Lucas van Leyden
(1533)
The Virgin and Child with Saint Anne
Engraving, 110 x 85 mm. Bartsch VII.384.79. Proof printed on laid paper. The print has not been examined outside [..]
53
Lucas van Leyden
(1533)
The Virgin and Child with Saint Anne
Engraving, 110 x 85 mm. Bartsch VII.384.79. Proof printed on laid paper. The print has not been examined outside [..]
54
Heinrich Aldegrever
(1502 - 1561)
Tre musicisti che suonano il trombone
Bulino, 115 x 76 mm. Dalla serie di dodici. Bartsch VIII.410.171 Impressione stampa su carta vergata. Una mancanza [..]
54
Heinrich Aldegrever
(1502 - 1561)
Tre musicisti che suonano il trombone
Bulino, 115 x 76 mm. Dalla serie di dodici. Bartsch VIII.410.171 Impressione stampa su carta vergata. Una mancanza [..]
55
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
After
Saint with Pilgrim’s Staff
Etching and aquatint in brown ink, 137 x 75 mm. Fine chiaroscuro impression, printed on laid paper. Proof trimmed, [..]
55
Girolamo Francesco Maria Mazzola detto il Parmigianino
(Parma, 1503 - Casalmaggiore , 1640)
After
Saint with Pilgrim’s Staff
Etching and aquatint in brown ink, 137 x 75 mm. Fine chiaroscuro impression, printed on laid paper. Proof trimmed, [..]
56
Bartolomeo da Brescia
(Brescia, 1506)
Deposition
1565
Engraving, 255 x 180 mm. Bartsch XV.535.2. Very fine, sharp impression, slightly trimmed in the upper right. [..]
56
Bartolomeo da Brescia
(Brescia, 1506)
Deposition
1565
Engraving, 255 x 180 mm. Bartsch XV.535.2. Very fine, sharp impression, slightly trimmed in the upper right. [..]
57
Giorgio Ghisi
(1520 - 1582)
The Mystical Marriage of Saint Catherine, after Correggio
Engraving, 274 x 218 mm. 1st or 2nd state . Bartsch XV.389.11, Lewis 51. Very fine, sharp impression with [..]
57
Giorgio Ghisi
(1520 - 1582)
The Mystical Marriage of Saint Catherine, after Correggio
Engraving, 274 x 218 mm. 1st or 2nd state . Bartsch XV.389.11, Lewis 51. Very fine, sharp impression with [..]
58
Adamo Scultori
(1530 - 1585)
Head of Silenus, after Giulio Romano
Engraving, diameter 135 mm (plate), 202 x 154 mm (sheet). Unique state. Bartsch XV.429.128, Bellini 98. [..]
58
Adamo Scultori
(1530 - 1585)
Head of Silenus, after Giulio Romano
Engraving, diameter 135 mm (plate), 202 x 154 mm (sheet). Unique state. Bartsch XV.429.128, Bellini 98. [..]
59
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Saint Peter Meets Christ on the Road to Rome (Domine Quo Vadis), after Raphael
1578
Engraving, 254 x 350 mm. Bartsch XVI.250.6. Fine impression with deep black tones, printed on laid paper without [..]
59
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Saint Peter Meets Christ on the Road to Rome (Domine Quo Vadis), after Raphael
1578
Engraving, 254 x 350 mm. Bartsch XVI.250.6. Fine impression with deep black tones, printed on laid paper without [..]
60
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Last Judgement, after Michelangelo
Engraving, 322 x 235 mm. Late state, the address replaced by a blank tablet. Bartsch XVI.260.28. Proof [..]
60
Martin Rota
(Sebenico, 1520 - Vienna, 1583)
Last Judgement, after Michelangelo
Engraving, 322 x 235 mm. Late state, the address replaced by a blank tablet. Bartsch XVI.260.28. Proof [..]