1
				
   
				
	
    
    Study for a nude from behind
Florentine school of the 16th-17th century
        
    
					Red chalk on blue paper, 280 x 210 mm. On the verso, three studies of hands. An unidentified collector's stamp  [..]
				
			
				1
                   
			
			
            
	
    
    Study for a nude from behind
Florentine school of the 16th-17th century
        
    
				Red chalk on blue paper, 280 x 210 mm. On the verso, three studies of hands. An unidentified collector's stamp  [..]
			
		
					2
				
   
				
	
    
    Scene with a Kneeling Cardinal and the Pope in Adoration
Venetian school of the early 17th century
        
    
					Brown ink, pen, and watercolor on laid paper, 217 x 115 mm. Mounted on a passe-partout.
				
			
				2
                   
			
			
            
	
    
    Scene with a Kneeling Cardinal and the Pope in Adoration
Venetian school of the early 17th century
        
    
				Brown ink, pen, and watercolor on laid paper, 217 x 115 mm. Mounted on a passe-partout.
			
		
					3
				
   
				
	
    
    Study for an Archangel
anonymous 17th-century Italian artist
        
    
					Black ink, brown ink, watercolour and traces of pencil on laid paper, approx. 372 x 220 mm.   With passe-partout  [..]
				
			
				3
                   
			
			
            
	
    
    Study for an Archangel
anonymous 17th-century Italian artist
        
    
				Black ink, brown ink, watercolour and traces of pencil on laid paper, approx. 372 x 220 mm.   With passe-partout  [..]
			
		
					4
				
   
				
	
    
    Madonna and Child | Judgement of Solomon
					Brown ink on laid paper, approx. 205 x 134 mm. With carved wooden frame (42 x 34 x 6 cm).
				
			
				4
                   
			
			
            
	
    
    Madonna and Child | Judgement of Solomon
				Brown ink on laid paper, approx. 205 x 134 mm. With carved wooden frame (42 x 34 x 6 cm).
			
		
					5
				
   
				
	
    
    Design for a Courtyard with Obelisks and Sculptures
Italy, 17th century
        
    
					Black ink, watercolor, and brown ink on laid paper, 290 x 465 mm. Collector's stamp of Felice Pasquè (Lugt  [..]
				
			
				5
                   
			
			
            
	
    
    Design for a Courtyard with Obelisks and Sculptures
Italy, 17th century
        
    
				Black ink, watercolor, and brown ink on laid paper, 290 x 465 mm. Collector's stamp of Felice Pasquè (Lugt  [..]
			
		
					6
				
   
				
	
    
    Landscape with Waterfalls
17th-century Flemish school
        
    
					Black ink and watercolor on laid paper, 310 x 260 mm. Mounted on backing.
				
			
				6
                   
			
			
            
	
    
    Landscape with Waterfalls
17th-century Flemish school
        
    
				Black ink and watercolor on laid paper, 310 x 260 mm. Mounted on backing.
			
		
					7
				
   
				
	
        Ippolito Leoni
(Roma, 1616 - 1694)
Attributed to
Portrait of a Cardinal
					Brown ink and pen on parchment, 105 x 88 mm. Mounted on backing.
				
			
				7
                   
			
			
            
	
        Ippolito Leoni
(Roma, 1616 - 1694)
Attributed to
Portrait of a Cardinal
				Brown ink and pen on parchment, 105 x 88 mm. Mounted on backing.
			
		
					8
				
   
				
	
        Paolo Anesi
(1697 - 1773)
Attributed to
Landscape with a River
					Pencil, ink and watercolor on laid paper, 147 x 240 mm.   With frame (34 x 43 x 2 cm).
				
			
				8
                   
			
			
            
	
        Paolo Anesi
(1697 - 1773)
Attributed to
Landscape with a River
				Pencil, ink and watercolor on laid paper, 147 x 240 mm.   With frame (34 x 43 x 2 cm).
			
		
					9
				
   
				
	
        Giovanni Pietro Ligari
(Ardenno, 1686 - Sondrio, 1752)
The Assumption
					Pencil, brown ink and watercolor on laid paper, pencil grid, 400 x 275 mm.  Study for the Fresco in the Church  [..]
				
			
				9
                   
			
			
            
	
        Giovanni Pietro Ligari
(Ardenno, 1686 - Sondrio, 1752)
The Assumption
				Pencil, brown ink and watercolor on laid paper, pencil grid, 400 x 275 mm.  Study for the Fresco in the Church  [..]
			
		
					10
				
   
				
	
        Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
in the manner of
The Risen Christ
					Pencil on two portions of laid paper, 294 x 245 mm. On the back, another sketch.
				
			
				10
                   
			
			
            
	
        Giovanni Lanfranco
(Parma, 1582 - Roma, 1647)
in the manner of
The Risen Christ
				Pencil on two portions of laid paper, 294 x 245 mm. On the back, another sketch.
			
		
					11
				
   
				
	
        Giovanni Paolo Panini
(Piacenza, 1691 - Roma, 1756)
Attributed to
Study for a Seated Male Figure
					Pencil on laid paper with a fragment of watermark, 135 x 135 mm. With passe-partout and frame (31 x 37 x 2 cm). [..]
				
			
				11
                   
			
			
            
	
        Giovanni Paolo Panini
(Piacenza, 1691 - Roma, 1756)
Attributed to
Study for a Seated Male Figure
				Pencil on laid paper with a fragment of watermark, 135 x 135 mm. With passe-partout and frame (31 x 37 x 2 cm). [..]
			
		
					12
				
   
				
	
    
    St. Paul, after Raphael
18th-century Roman artist
        
    
					Red chalk on laid paper, 550 x 360 mm. Mounted on backing.
				
			
				12
                   
			
			
            
	
    
    St. Paul, after Raphael
18th-century Roman artist
        
    
				Red chalk on laid paper, 550 x 360 mm. Mounted on backing.
			
		
					13
				
   
				
	
    
    Study for Figures of Soldiers
18th-century Bolognese school
        
    
					Brown and black ink, watercolour and pencil on laid paper, approx. 310 x 245 mm.   With passe-partout and frame  [..]
				
			
				13
                   
			
			
            
	
    
    Study for Figures of Soldiers
18th-century Bolognese school
        
    
				Brown and black ink, watercolour and pencil on laid paper, approx. 310 x 245 mm.   With passe-partout and frame  [..]
			
		
					14
				
   
				
	
    
    Study for Architectural Perspective
Bolognese school of the 17th-18th century
        
    
					Brown ink on laid paper, 195 x 260 mm. An unidentified collector's mark on the recto and another on the verso.  [..]
				
			
				14
                   
			
			
            
	
    
    Study for Architectural Perspective
Bolognese school of the 17th-18th century
        
    
				Brown ink on laid paper, 195 x 260 mm. An unidentified collector's mark on the recto and another on the verso.  [..]
			
		
					15
				
   
				
	
    
    Study for a Beggar
anonymous artist of the 17th-18th century
        
    
					Tempera on parchment, diameter approx. 47 mm. With an original wooden frame.
				
			
				15
                   
			
			
            
	
    
    Study for a Beggar
anonymous artist of the 17th-18th century
        
    
				Tempera on parchment, diameter approx. 47 mm. With an original wooden frame.
			
		
					16
				
   
				
	
    
    Study for the Holy Family with Putto
Bolognese artist of the 17th–18th century
        
    
					Red chalk on laid paper, approx. 230 x 160 mm.   With passe-partout and frame (49 x 41 x 3 cm).
				
			
				16
                   
			
			
            
	
    
    Study for the Holy Family with Putto
Bolognese artist of the 17th–18th century
        
    
				Red chalk on laid paper, approx. 230 x 160 mm.   With passe-partout and frame (49 x 41 x 3 cm).
			
		
					17
				
   
				
	
    
    Study for the Three Theological Virtues
18th-century Piedmontese artist
        
    
					Black ink and watercolor on brown laid paper, 354 x 300 mm. Mounted on backing.
				
			
				17
                   
			
			
            
	
    
    Study for the Three Theological Virtues
18th-century Piedmontese artist
        
    
				Black ink and watercolor on brown laid paper, 354 x 300 mm. Mounted on backing.
			
		
					18
				
   
				
	
        Luigi Basoli
(Castel Guelfo di Bologna, 1776 - Bologna, 1848)
Attributed to
Design for a Ceiling Decoration
					Pencil on laid paper with watermark (anchor within a circle), 250 x 380 mm.
				
			
				18
                   
			
			
            
	
        Luigi Basoli
(Castel Guelfo di Bologna, 1776 - Bologna, 1848)
Attributed to
Design for a Ceiling Decoration
				Pencil on laid paper with watermark (anchor within a circle), 250 x 380 mm.
			
		
					19
				
   
				
	
        Johan Georg Wille
(1715 - 1808)
Attributed to
Studies of Grotesque Heads
1808
        
    
					Brown ink and black ink on heavy laid paper, 210 x 290 mm. Signed and dated lower right.
				
			
				19
                   
			
			
            
	
        Johan Georg Wille
(1715 - 1808)
Attributed to
Studies of Grotesque Heads
1808
        
    
				Brown ink and black ink on heavy laid paper, 210 x 290 mm. Signed and dated lower right.
			
		
					20
				
   
				
	
    
    View of a Cloister
anonymous Italian artist of the late 18th century
        
    
					Black ink and watercolor on laid paper, 327 x 264 mm. Framed (50 x 41 x 3 cm)
				
			
				20
                   
			
			
            
	
    
    View of a Cloister
anonymous Italian artist of the late 18th century
        
    
				Black ink and watercolor on laid paper, 327 x 264 mm. Framed (50 x 41 x 3 cm)
			
		
					21
				
   
				
	
        Charles-Louis Clérisseau
(1721 - 1820)
Attributed to
View with Ancient Ruins
					Watercolor and tempera on wove paper, 332 x 210 mm. Mounted on backing.
				
			
				21
                   
			
			
            
	
        Charles-Louis Clérisseau
(1721 - 1820)
Attributed to
View with Ancient Ruins
				Watercolor and tempera on wove paper, 332 x 210 mm. Mounted on backing.
			
		
					22
				
   
				
	
        Filippo Bigioli
(San Severino Marche, 1798 - Roma, 1878)
Attributed to
Homer guided by Poetry
					Black ink, watercolor, and white gouache on blue paper, 260 x 208 mm. Signed lower left in brown ink. Mounted  [..]
				
			
				22
                   
			
			
            
	
        Filippo Bigioli
(San Severino Marche, 1798 - Roma, 1878)
Attributed to
Homer guided by Poetry
				Black ink, watercolor, and white gouache on blue paper, 260 x 208 mm. Signed lower left in brown ink. Mounted  [..]
			
		
					23
				
   
				
	
        Giovanni Battista Gigola
(1769 - 1841)
Grotesque Heads
					Black ink and watercolor on wove paper, 207 x 148 mm. Signed "Gigola f." lower right.   Included:  Studies for  [..]
				
			
				23
                   
			
			
            
	
        Giovanni Battista Gigola
(1769 - 1841)
Grotesque Heads
				Black ink and watercolor on wove paper, 207 x 148 mm. Signed "Gigola f." lower right.   Included:  Studies for  [..]
			
		
					24
				
   
				
	
        Antonio Senape
(Roma, 1788 - Napoli, 1842)
Chiaja porta sulla strada nuova di Posillipo
					Pen, brown and black ink on laid paper, 215 x 325 mm. Framed (42 x 52 x 2 cm).
				
			
				24
                   
			
			
            
	
        Antonio Senape
(Roma, 1788 - Napoli, 1842)
Chiaja porta sulla strada nuova di Posillipo
				Pen, brown and black ink on laid paper, 215 x 325 mm. Framed (42 x 52 x 2 cm).
			
		
					25
				
   
				
	
    
    Mystical Marriage of Saint Catherine
Roman School, 18th - 19th century 
        
    
					Pencil and watercolor on brown laid paper, 426 x 273 mm. Framed.
				
			
				25
                   
			
			
            
	
    
    Mystical Marriage of Saint Catherine
Roman School, 18th - 19th century 
        
    
				Pencil and watercolor on brown laid paper, 426 x 273 mm. Framed.
			
		
					26
				
   
				
	
        Filippo Giuntotardi
(1768 - 1831)
Dance Scene with Violin Players
					Watercolor on laid paper, approx. 330 x 245 mm. Signed: Filippo Giunto - tardi fece in - Roma      With frame  [..]
				
			
				26
                   
			
			
            
	
        Filippo Giuntotardi
(1768 - 1831)
Dance Scene with Violin Players
				Watercolor on laid paper, approx. 330 x 245 mm. Signed: Filippo Giunto - tardi fece in - Roma      With frame  [..]
			
		
					27
				
   
				
	
        Adeodato Malatesta
(Modena, 1806 - 1891)
Attributed to
Study with Napoleon and Other Figures
					Black ink on wove paper, 200 x 287 mm. Signed.
				
			
				27
                   
			
			
            
	
        Adeodato Malatesta
(Modena, 1806 - 1891)
Attributed to
Study with Napoleon and Other Figures
				Black ink on wove paper, 200 x 287 mm. Signed.
			
		
					28
				
   
				
	
        Achille Vianelli
(Porto Maurizio, 1803 - Benevento, 1894)
La Basilica della Verità (Santa Maria in Cosmedin, Rome)
1836
        
    
					Brown ink and watercolor with traces of pencil on wove paper, 246 x 400 mm. Signed lower left, titled and dated  [..]
				
			
				28
                   
			
			
            
	
        Achille Vianelli
(Porto Maurizio, 1803 - Benevento, 1894)
La Basilica della Verità (Santa Maria in Cosmedin, Rome)
1836
        
    
				Brown ink and watercolor with traces of pencil on wove paper, 246 x 400 mm. Signed lower left, titled and dated  [..]
			
		
					29
				
   
				
	
        Achille Vianelli
(Porto Maurizio, 1803 - Benevento, 1894)
Arco Felice a Cuma
1852
        
    
					Brown ink and watercolor with traces of pencil on wove paper, 142 x 180 mm. Signed, titled, and dated lower right.  [..]
				
			
				29
                   
			
			
            
	
        Achille Vianelli
(Porto Maurizio, 1803 - Benevento, 1894)
Arco Felice a Cuma
1852
        
    
				Brown ink and watercolor with traces of pencil on wove paper, 142 x 180 mm. Signed, titled, and dated lower right.  [..]
			
		
					30
				
   
				
	
        Giuseppe Moricci
(Firenze, 1806 - Firenze, 1879)
Scene with a Country Meal
1872
        
    
					Watercolor on wove paper, 223 x 360 mm. Signed and dated lower right.    With frame (27x 40 x 2 cm) 
				
			
				30
                   
			
			
            
	
        Giuseppe Moricci
(Firenze, 1806 - Firenze, 1879)
Scene with a Country Meal
1872
        
    
				Watercolor on wove paper, 223 x 360 mm. Signed and dated lower right.    With frame (27x 40 x 2 cm)