151
Lodovico Mattioli
(1662 - 1747)
Isaiah
Etching, 280 x 172 mm (plate), 450 x 310 mm (sheet). After a subject by Ludovico Carracci, drawn by Giuseppe Maria [..]
151
Lodovico Mattioli
(1662 - 1747)
Isaiah
Etching, 280 x 172 mm (plate), 450 x 310 mm (sheet). After a subject by Ludovico Carracci, drawn by Giuseppe Maria [..]
152
Francesco de Grado
(Napoli, 1663 - 1733)
Portrait of Federico Barocci
Engraving and etching, 240 x 146 mm. Fine impression on a portion of laid paper, watermark trial. Sheet with [..]
152
Francesco de Grado
(Napoli, 1663 - 1733)
Portrait of Federico Barocci
Engraving and etching, 240 x 146 mm. Fine impression on a portion of laid paper, watermark trial. Sheet with [..]
153
Giuseppe Maria Crespi Lo Spagnoletto
(Bologna, 1665 - Bologna, 1747)
Judgment of Solomon
Etching, 101 x 140 mm. Impression on laid paper, trimmed to the platemark. With a tiny restoration at the lower [..]
153
Giuseppe Maria Crespi Lo Spagnoletto
(Bologna, 1665 - Bologna, 1747)
Judgment of Solomon
Etching, 101 x 140 mm. Impression on laid paper, trimmed to the platemark. With a tiny restoration at the lower [..]
154
Albrecht Schmidt
(1744)
Luporum venationes (Fox hunting)
anonymous German engraver of the 17th/18th century
Engraving, 185 x 283 mm. Published by Albrecht Schmidt in Augsburg. Fine impression on laid paper. Sheet trimmed [..]
154
Albrecht Schmidt
(1744)
Luporum venationes (Fox hunting)
anonymous German engraver of the 17th/18th century
Engraving, 185 x 283 mm. Published by Albrecht Schmidt in Augsburg. Fine impression on laid paper. Sheet trimmed [..]
155
Gaetano Piccini
Great Fireworks Machine ... in Piazza Navona with a design by the very erudite Cavalier Pietro Leone Ghezzi
Etching and engraving, 395 x 720 mm. Impression on laid paper with watermark. Backed, with various losses and [..]
155
Gaetano Piccini
Great Fireworks Machine ... in Piazza Navona with a design by the very erudite Cavalier Pietro Leone [..]
Etching and engraving, 395 x 720 mm. Impression on laid paper with watermark. Backed, with various losses and [..]
156
Pierre Picault
(1680 - 1711)
The Triumphal Entry of Alexander the Great into Babylon, by Charles Le Brun
Engraving and etching, 600 x 940 mm (sheet). Fine impression on thick laid paper. Trace of the usual central [..]
156
Pierre Picault
(1680 - 1711)
The Triumphal Entry of Alexander the Great into Babylon, by Charles Le Brun
Engraving and etching, 600 x 940 mm (sheet). Fine impression on thick laid paper. Trace of the usual central [..]
157
Louis Desplaces
(1682 - 1739)
Marcus Curtius, after Gian Lorenzo Bernini
Aquaforte, 452 x 323 mm (plate), 550 x 400 mm (sheet). Plate from "Recueil d'Estampes d'apres les plus beaux tableaux [..]
157
Louis Desplaces
(1682 - 1739)
Marcus Curtius, after Gian Lorenzo Bernini
Aquaforte, 452 x 323 mm (plate), 550 x 400 mm (sheet). Plate from "Recueil d'Estampes d'apres les plus beaux tableaux [..]
158
Johann August Corvinus
(1683 - 1738)
The Conquest of Pizzighettone, after Paul Decker
Etching and engraving, 464 x 368 mm. Fine impression on laid paper with watermark. Trimmed, in very good overall [..]
158
Johann August Corvinus
(1683 - 1738)
The Conquest of Pizzighettone, after Paul Decker
Etching and engraving, 464 x 368 mm. Fine impression on laid paper with watermark. Trimmed, in very good overall [..]
159
Johann August Corvinus
(1683 - 1738)
The Conquest of Tortona, after Paul Decker
Etching and engraving, 492 x 385 mm. Fine impression on laid paper with watermark. Trimmed, in very good overall [..]
159
Johann August Corvinus
(1683 - 1738)
The Conquest of Tortona, after Paul Decker
Etching and engraving, 492 x 385 mm. Fine impression on laid paper with watermark. Trimmed, in very good overall [..]
160
Nicolas de Larmessin III
(1684 - 1755)
Adolphe de Vignacourt Grand Maitre de Malthe, after Caravaggio
Etching, 410 x 266 mm (plate), 550 x 403 mm (sheet). From the collection “Recueil d'Estampes d'apres les plus [..]
160
Nicolas de Larmessin III
(1684 - 1755)
Adolphe de Vignacourt Grand Maitre de Malthe, after Caravaggio
Etching, 410 x 266 mm (plate), 550 x 403 mm (sheet). From the collection “Recueil d'Estampes d'apres les plus [..]
161
Nicolas de Larmessin III
(1684 - 1755)
Portrait of a Comedian
Etching, 322 x 240 mm (plate), 535 x 397 mm (sheet). Portrait of the actor Tristano Martinelli, inventor of Harlequin, [..]
161
Nicolas de Larmessin III
(1684 - 1755)
Portrait of a Comedian
Etching, 322 x 240 mm (plate), 535 x 397 mm (sheet). Portrait of the actor Tristano Martinelli, inventor of Harlequin, [..]
162
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, da Antonio Canal
From the series "Urbis Venetiarum Prospectus celebriores". Etching, 425 x 584 mm (plate). Fine impression on [..]
162
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, da Antonio Canal
From the series "Urbis Venetiarum Prospectus celebriores". Etching, 425 x 584 mm (plate). Fine impression on [..]
163
Johann Daniel Herz
(1693 - 1754)
Putto with a Basket of Fruit
Engraving, 340 x 226 mm. Backed impression, but overall in good condition.
163
Johann Daniel Herz
(1693 - 1754)
Putto with a Basket of Fruit
Engraving, 340 x 226 mm. Backed impression, but overall in good condition.
164
Cyclamen | Vitis Virginiana
Engraving, approx. 380 x 245 mm (each sheet). Lot of two engravings from "Naauwkeurige Beschryving der Aardgewassen..." [..]
164
Cyclamen | Vitis Virginiana
Engraving, approx. 380 x 245 mm (each sheet). Lot of two engravings from "Naauwkeurige Beschryving der Aardgewassen..." [..]
165
Pineapple | Vitis Canadensis
1696
Burin, approx. 380 x 245 mm (each sheet). Lot of two engravings from "Naauwkeurige Beschryving der Aardgewassen..." [..]
165
Pineapple | Vitis Canadensis
1696
Burin, approx. 380 x 245 mm (each sheet). Lot of two engravings from "Naauwkeurige Beschryving der Aardgewassen..." [..]
166
Ruined Castrense Amphitheater
Etching, approx. 410 x 570 mm (sheet). Impression on laid paper, with fine contemporary colouring. Trace of the [..]
166
Ruined Castrense Amphitheater
Etching, approx. 410 x 570 mm (sheet). Impression on laid paper, with fine contemporary colouring. Trace of the [..]
167
Giovanni Domenico Picchianti
The Vision of St. Francis, after Rubens
Etching and engraving, 606 x 455 mm (sheet). Plate from "Collection of Paintings Painted by the Most Famous Painters [..]
167
Giovanni Domenico Picchianti
The Vision of St. Francis, after Rubens
Etching and engraving, 606 x 455 mm (sheet). Plate from "Collection of Paintings Painted by the Most Famous Painters [..]
168
William Hogarth
(1697 - 1764)
The Enraged Musician
Etching and engraving, 365 x 410 mm (plate), approx. 400 x 585 mm (sheet). Very fine impression. Sheet with wide [..]
168
William Hogarth
(1697 - 1764)
The Enraged Musician
Etching and engraving, 365 x 410 mm (plate), approx. 400 x 585 mm (sheet). Very fine impression. Sheet with wide [..]
169
Hamlet Winstanley
(1698 - 1756)
Amor Scientiarum, after Anthony van Dyck and Frans Snyders
1728 ca.
Etching, 365 x 410 mm. From the Knowsley Gallery series. Fine impression on laid paper. Trimmed impression, but [..]
169
Hamlet Winstanley
(1698 - 1756)
Amor Scientiarum, after Anthony van Dyck and Frans Snyders
1728 ca.
Etching, 365 x 410 mm. From the Knowsley Gallery series. Fine impression on laid paper. Trimmed impression, but [..]
170
Hamlet Winstanley
(1698 - 1756)
A bacchanal, after Pietro da Cortona
1728 ca.
Etching, 510 x 638 mm. From the Knowsley Gallery series. Fine impression on laid paper. Trimmed impression, but [..]
170
Hamlet Winstanley
(1698 - 1756)
A bacchanal, after Pietro da Cortona
1728 ca.
Etching, 510 x 638 mm. From the Knowsley Gallery series. Fine impression on laid paper. Trimmed impression, but [..]
171
Giovanni Agostino Ratti
(Savona, 1699 - Genova, 1775)
Pulcinella felice
Etching, 306 x 300 mm. De Vesme 20. Fine impression on a portion of laid paper without watermark. A small loss [..]
171
Giovanni Agostino Ratti
(Savona, 1699 - Genova, 1775)
Pulcinella felice
Etching, 306 x 300 mm. De Vesme 20. Fine impression on a portion of laid paper without watermark. A small loss [..]
172
Marco Pitteri
(Venezia, 1702 - 1786)
Twelve Apostles, after Giovanni Battista Piazzetta
Complete set of twelve engravings depicting the Apostles, after the paintings by Piazzetta. Engraving, approx. [..]
172
Marco Pitteri
(Venezia, 1702 - 1786)
Twelve Apostles, after Giovanni Battista Piazzetta
Complete set of twelve engravings depicting the Apostles, after the paintings by Piazzetta. Engraving, approx. [..]
173
Pieter Tanjé
(1706 - 1761)
Portrait of a Man with a Beard, after Rembrandt
1757
Plate taken from Recueil d'estampes d'après les most célèbres tableaux de la Galerie Royale de Dresde. Etching [..]
173
Pieter Tanjé
(1706 - 1761)
Portrait of a Man with a Beard, after Rembrandt
1757
Plate taken from Recueil d'estampes d'après les most célèbres tableaux de la Galerie Royale de Dresde. Etching [..]
174
Pieter Tanjé
(1706 - 1761)
Virtue Triumphant, by Peter Paul Rubens
Plate taken from Recueil d'estampes d'après les most célèbres tableaux de la Galerie Royale de Dresde. Etching [..]
174
Pieter Tanjé
(1706 - 1761)
Virtue Triumphant, by Peter Paul Rubens
Plate taken from Recueil d'estampes d'après les most célèbres tableaux de la Galerie Royale de Dresde. Etching [..]
175
Theodore Verkruys
(1739)
Sleeping Cupid, after Caravaggio
Etching, 435 x 490 mm (sheet). Plate from "Collection of Paintings Painted by the Most Famous Painters Owned by [..]
175
Theodore Verkruys
(1739)
Sleeping Cupid, after Caravaggio
Etching, 435 x 490 mm (sheet). Plate from "Collection of Paintings Painted by the Most Famous Painters Owned by [..]
176
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
The view of the Leonine City, seen with the Vatican Basilica, the Bridge, and Castel Sant'Angelo | The view of the Basilica of St. Paul Outside the Walls | The ruins of Rome's ancient magnificence | The view of the Basilica of St. Mary Major
Lot of four engravings: The Prospect of the Leonine City, seen with the Vatican Basilica, the Bridge, and Castel [..]
176
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
The view of the Leonine City, seen with the Vatican Basilica, the Bridge, and Castel Sant'Angelo [..]
Lot of four engravings: The Prospect of the Leonine City, seen with the Vatican Basilica, the Bridge, and Castel [..]
177
Philipp Andreas Kilian
(1714 - 1759)
The Madonna of the Cuccina Family, after Paolo Veronese
Burin and etching, 278 x 578 mm (plate), approx. 760 x 1000 mm (sheet). Plate from the collection "Recueil d'estampes [..]
177
Philipp Andreas Kilian
(1714 - 1759)
The Madonna of the Cuccina Family, after Paolo Veronese
Burin and etching, 278 x 578 mm (plate), approx. 760 x 1000 mm (sheet). Plate from the collection "Recueil d'estampes [..]
178
Charles Nicolas Cochin
(1715 - 1790)
Jacques Philippe Le Bas (1707-1783)
The entrance to the port of Marseille | Le port de Rochefort | Vue de la Ville et du Port de Bordeaux | Le Port de Cette en Languedoc
Lot of four large engravings from the series of six Les Ports de mer de la France, after the paintings by Joseph [..]
178
Charles Nicolas Cochin
(1715 - 1790)
Jacques Philippe Le Bas (1707-1783)
The entrance to the port of Marseille | Le port de Rochefort | Vue de la Ville et du Port de Bordeaux [..]
Lot of four large engravings from the series of six Les Ports de mer de la France, after the paintings by Joseph [..]
179
Giambattista Brustolon
(1718 - 1796)
The Doge leaving for the Lido on the Bucintoro on Ascension Day, after Antonio Canal
From the series "Le Feste Ducali". Etching, 320 x 465 mm (plate), 360 x 505 mm (sheet). Published by Lodovico [..]
179
Giambattista Brustolon
(1718 - 1796)
The Doge leaving for the Lido on the Bucintoro on Ascension Day, after Antonio Canal
From the series "Le Feste Ducali". Etching, 320 x 465 mm (plate), 360 x 505 mm (sheet). Published by Lodovico [..]
180
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carceri, plate VII: A vast interior with a drawbridge
Etching, 550 × 411 mm (plate), 807 × 556 mm (sheet). 2nd state of 3, with Roman numeral at upper left and reworking [..]
180
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carceri, plate VII: A vast interior with a drawbridge
Etching, 550 × 411 mm (plate), 807 × 556 mm (sheet). 2nd state of 3, with Roman numeral at upper left and reworking [..]