161
Nicolas de Larmessin III
(1684 - 1755)
Portrait of a Comedian
Etching, 322 x 240 mm (plate), 535 x 397 mm (sheet). Portrait of the actor Tristano Martinelli, inventor of Harlequin, [..]
161
Nicolas de Larmessin III
(1684 - 1755)
Portrait of a Comedian
Etching, 322 x 240 mm (plate), 535 x 397 mm (sheet). Portrait of the actor Tristano Martinelli, inventor of Harlequin, [..]
162
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, da Antonio Canal
From the series "Urbis Venetiarum Prospectus celebriores". Etching, 425 x 584 mm (plate). Fine impression on [..]
162
Antonio Visentini
(1688 - 1782)
Plateae D. Marci Prospectus inter Publicam Bibliothecam et Ducalem Aulam, da Antonio Canal
From the series "Urbis Venetiarum Prospectus celebriores". Etching, 425 x 584 mm (plate). Fine impression on [..]
163
Johann Daniel Herz
(1693 - 1754)
Putto with a Basket of Fruit
Engraving, 340 x 226 mm. Backed impression, but overall in good condition.
163
Johann Daniel Herz
(1693 - 1754)
Putto with a Basket of Fruit
Engraving, 340 x 226 mm. Backed impression, but overall in good condition.
164
Cyclamen | Vitis Virginiana
Engraving, approx. 380 x 245 mm (each sheet). Lot of two engravings from "Naauwkeurige Beschryving der Aardgewassen..." [..]
164
Cyclamen | Vitis Virginiana
Engraving, approx. 380 x 245 mm (each sheet). Lot of two engravings from "Naauwkeurige Beschryving der Aardgewassen..." [..]
165
Pineapple | Vitis Canadensis
1696
Burin, approx. 380 x 245 mm (each sheet). Lot of two engravings from "Naauwkeurige Beschryving der Aardgewassen..." [..]
165
Pineapple | Vitis Canadensis
1696
Burin, approx. 380 x 245 mm (each sheet). Lot of two engravings from "Naauwkeurige Beschryving der Aardgewassen..." [..]
166
Ruined Castrense Amphitheater
Etching, approx. 410 x 570 mm (sheet). Impression on laid paper, with fine contemporary colouring. Trace of the [..]
166
Ruined Castrense Amphitheater
Etching, approx. 410 x 570 mm (sheet). Impression on laid paper, with fine contemporary colouring. Trace of the [..]
167
Giovanni Domenico Picchianti
The Vision of St. Francis, after Rubens
Etching and engraving, 606 x 455 mm (sheet). Plate from "Collection of Paintings Painted by the Most Famous Painters [..]
167
Giovanni Domenico Picchianti
The Vision of St. Francis, after Rubens
Etching and engraving, 606 x 455 mm (sheet). Plate from "Collection of Paintings Painted by the Most Famous Painters [..]
168
William Hogarth
(1697 - 1764)
The Enraged Musician
Etching and engraving, 365 x 410 mm (plate), approx. 400 x 585 mm (sheet). Very fine impression. Sheet with wide [..]
168
William Hogarth
(1697 - 1764)
The Enraged Musician
Etching and engraving, 365 x 410 mm (plate), approx. 400 x 585 mm (sheet). Very fine impression. Sheet with wide [..]
169
Hamlet Winstanley
(1698 - 1756)
Amor Scientiarum, after Anthony van Dyck and Frans Snyders
1728 ca.
Etching, 365 x 410 mm. From the Knowsley Gallery series. Fine impression on laid paper. Trimmed impression, but [..]
169
Hamlet Winstanley
(1698 - 1756)
Amor Scientiarum, after Anthony van Dyck and Frans Snyders
1728 ca.
Etching, 365 x 410 mm. From the Knowsley Gallery series. Fine impression on laid paper. Trimmed impression, but [..]
170
Hamlet Winstanley
(1698 - 1756)
A bacchanal, after Pietro da Cortona
1728 ca.
Etching, 510 x 638 mm. From the Knowsley Gallery series. Fine impression on laid paper. Trimmed impression, but [..]
170
Hamlet Winstanley
(1698 - 1756)
A bacchanal, after Pietro da Cortona
1728 ca.
Etching, 510 x 638 mm. From the Knowsley Gallery series. Fine impression on laid paper. Trimmed impression, but [..]
171
Giovanni Agostino Ratti
(Savona, 1699 - Genova, 1775)
Pulcinella felice
Etching, 306 x 300 mm. De Vesme 20. Fine impression on a portion of laid paper without watermark. A small loss [..]
171
Giovanni Agostino Ratti
(Savona, 1699 - Genova, 1775)
Pulcinella felice
Etching, 306 x 300 mm. De Vesme 20. Fine impression on a portion of laid paper without watermark. A small loss [..]
172
Marco Pitteri
(Venezia, 1702 - 1786)
Twelve Apostles, after Giovanni Battista Piazzetta
Complete set of twelve engravings depicting the Apostles, after the paintings by Piazzetta. Engraving, approx. [..]
172
Marco Pitteri
(Venezia, 1702 - 1786)
Twelve Apostles, after Giovanni Battista Piazzetta
Complete set of twelve engravings depicting the Apostles, after the paintings by Piazzetta. Engraving, approx. [..]
173
Pieter Tanjé
(1706 - 1761)
Portrait of a Man with a Beard, after Rembrandt
1757
Plate taken from Recueil d'estampes d'après les most célèbres tableaux de la Galerie Royale de Dresde. Etching [..]
173
Pieter Tanjé
(1706 - 1761)
Portrait of a Man with a Beard, after Rembrandt
1757
Plate taken from Recueil d'estampes d'après les most célèbres tableaux de la Galerie Royale de Dresde. Etching [..]
174
Pieter Tanjé
(1706 - 1761)
Virtue Triumphant, by Peter Paul Rubens
Plate taken from Recueil d'estampes d'après les most célèbres tableaux de la Galerie Royale de Dresde. Etching [..]
174
Pieter Tanjé
(1706 - 1761)
Virtue Triumphant, by Peter Paul Rubens
Plate taken from Recueil d'estampes d'après les most célèbres tableaux de la Galerie Royale de Dresde. Etching [..]
175
Theodore Verkruys
(1739)
Sleeping Cupid, after Caravaggio
Etching, 435 x 490 mm (sheet). Plate from "Collection of Paintings Painted by the Most Famous Painters Owned by [..]
175
Theodore Verkruys
(1739)
Sleeping Cupid, after Caravaggio
Etching, 435 x 490 mm (sheet). Plate from "Collection of Paintings Painted by the Most Famous Painters Owned by [..]
176
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
The view of the Leonine City, seen with the Vatican Basilica, the Bridge, and Castel Sant'Angelo | The view of the Basilica of St. Paul Outside the Walls | The ruins of Rome's ancient magnificence | The view of the Basilica of St. Mary Major
Lot of four engravings: The Prospect of the Leonine City, seen with the Vatican Basilica, the Bridge, and Castel [..]
176
Giuseppe Vasi
(Corleone, 1710 - Roma, 1782)
The view of the Leonine City, seen with the Vatican Basilica, the Bridge, and Castel Sant'Angelo [..]
Lot of four engravings: The Prospect of the Leonine City, seen with the Vatican Basilica, the Bridge, and Castel [..]
177
Philipp Andreas Kilian
(1714 - 1759)
The Madonna of the Cuccina Family, after Paolo Veronese
Burin and etching, 278 x 578 mm (plate), approx. 760 x 1000 mm (sheet). Plate from the collection "Recueil d'estampes [..]
177
Philipp Andreas Kilian
(1714 - 1759)
The Madonna of the Cuccina Family, after Paolo Veronese
Burin and etching, 278 x 578 mm (plate), approx. 760 x 1000 mm (sheet). Plate from the collection "Recueil d'estampes [..]
178
Charles Nicolas Cochin
(1715 - 1790)
Jacques Philippe Le Bas (1707-1783)
The entrance to the port of Marseille | Le port de Rochefort | Vue de la Ville et du Port de Bordeaux | Le Port de Cette en Languedoc
Lot of four large engravings from the series of six Les Ports de mer de la France, after the paintings by Joseph [..]
178
Charles Nicolas Cochin
(1715 - 1790)
Jacques Philippe Le Bas (1707-1783)
The entrance to the port of Marseille | Le port de Rochefort | Vue de la Ville et du Port de Bordeaux [..]
Lot of four large engravings from the series of six Les Ports de mer de la France, after the paintings by Joseph [..]
179
Giambattista Brustolon
(1718 - 1796)
The Doge leaving for the Lido on the Bucintoro on Ascension Day, after Antonio Canal
From the series "Le Feste Ducali". Etching, 320 x 465 mm (plate), 360 x 505 mm (sheet). Published by Lodovico [..]
179
Giambattista Brustolon
(1718 - 1796)
The Doge leaving for the Lido on the Bucintoro on Ascension Day, after Antonio Canal
From the series "Le Feste Ducali". Etching, 320 x 465 mm (plate), 360 x 505 mm (sheet). Published by Lodovico [..]
180
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carceri, plate VII: A vast interior with a drawbridge
Etching, 550 × 411 mm (plate), 807 × 556 mm (sheet). 2nd state of 3, with Roman numeral at upper left and reworking [..]
180
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carceri, plate VII: A vast interior with a drawbridge
Etching, 550 × 411 mm (plate), 807 × 556 mm (sheet). 2nd state of 3, with Roman numeral at upper left and reworking [..]
181
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carceri, plate VIII: A vast interior with trophies.
Etching, 550 × 411 mm (plate), 795 × 556 mm (sheet). 2nd state of 3, with Roman numeral at upper left and reworking [..]
181
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carceri, plate VIII: A vast interior with trophies.
Etching, 550 × 411 mm (plate), 795 × 556 mm (sheet). 2nd state of 3, with Roman numeral at upper left and reworking [..]
182
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna dell'Atrio del Portico di Ottavia
1823
Etching, 525 x 755 mm (sheet). 3rd state of 6, Roman edition. Hind 59. Fine impression on laid paper. Sheet with [..]
182
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna dell'Atrio del Portico di Ottavia
1823
Etching, 525 x 755 mm (sheet). 3rd state of 6, Roman edition. Hind 59. Fine impression on laid paper. Sheet with [..]
183
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Facciata di dietro della Basilica di S. Maria Maggiore
Etching, 550 x 760 mm (sheet). 2nd state of 5, Roman edition. Hind 10. Very fine impression on heavy laid paper. [..]
183
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta della Facciata di dietro della Basilica di S. Maria Maggiore
Etching, 550 x 760 mm (sheet). 2nd state of 5, Roman edition. Hind 10. Very fine impression on heavy laid paper. [..]
184
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Anfiteatro di Pola in Istria vicino al mare
Etching, 130 x 267 mm (plate), 305 x 465 mm (sheet). From the series “Alcune vedute di Archi Trionfali ed altri [..]
184
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Anfiteatro di Pola in Istria vicino al mare
Etching, 130 x 267 mm (plate), 305 x 465 mm (sheet). From the series “Alcune vedute di Archi Trionfali ed altri [..]
185
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Pontis Triumphalis seu Vaticani
Etching, 357 x 243 mm (plate); 473 x 320 mm (sheet). From Tl Campo Marzio dell'antica Roma. Focillon 475. Very [..]
185
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Reliquiae Pontis Triumphalis seu Vaticani
Etching, 357 x 243 mm (plate); 473 x 320 mm (sheet). From Tl Campo Marzio dell'antica Roma. Focillon 475. Very [..]
186
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Avanzo del Mausoleo d'Elio Adriano Imp.re oggi ... Castel Sant'Angelo
Etching, 520 x 1430 mm (sheet). Focillon 344. Printed from two plates on two joined sheets of heavy laid paper. [..]
186
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Avanzo del Mausoleo d'Elio Adriano Imp.re oggi ... Castel Sant'Angelo
Etching, 520 x 1430 mm (sheet). Focillon 344. Printed from two plates on two joined sheets of heavy laid paper. [..]
187
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carlo Nolli
(1724 - 1770)
Andamento del corso del Tevere, e sue adiacenze
1744
Complete work of six sheets, unjoined. Etching and engraving, approx. 780 x 555 mm (5 sheets) and 395 x 550 mm. [..]
187
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Carlo Nolli
(1724 - 1770)
Andamento del corso del Tevere, e sue adiacenze
1744
Complete work of six sheets, unjoined. Etching and engraving, approx. 780 x 555 mm (5 sheets) and 395 x 550 mm. [..]
188
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Fireplace
Etching, 240 x 380 mm (plate); 280 x 425 mm (sheet). Plate from "Diverse maniere d'adornare i cammini ed ogni [..]
188
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Fireplace
Etching, 240 x 380 mm (plate); 280 x 425 mm (sheet). Plate from "Diverse maniere d'adornare i cammini ed ogni [..]
189
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta d'uno de' circhi antichi con altri monumenti al dintorno
Engraving and etching, 145 x 205 mm. A fine impression on thick laid paper. Small margins preserved, a small [..]
189
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta d'uno de' circhi antichi con altri monumenti al dintorno
Engraving and etching, 145 x 205 mm. A fine impression on thick laid paper. Small margins preserved, a small [..]
190
Bernardo Bellotto
(1722 - 1780)
Vue de la ville de Pirne devant la porte nommée Dohnaiszh-Thor, avec la forteresse Sonnenstein
Etching, 415 x 530 mm (plate). Kozakiewicz 204. Fine impression on laid paper. Vertical mark at the top centre. [..]
190
Bernardo Bellotto
(1722 - 1780)
Vue de la ville de Pirne devant la porte nommée Dohnaiszh-Thor, avec la forteresse Sonnenstein
Etching, 415 x 530 mm (plate). Kozakiewicz 204. Fine impression on laid paper. Vertical mark at the top centre. [..]
191
Gilles Demarteau
(1722 - 1776)
Portrait of a girl in profile, after Boucher
Crayon-manner, 300 x 212 mm. Very fine impression on laid paper with fragment of watermark. Trimmed impression, [..]
191
Gilles Demarteau
(1722 - 1776)
Portrait of a girl in profile, after Boucher
Crayon-manner, 300 x 212 mm. Very fine impression on laid paper with fragment of watermark. Trimmed impression, [..]
192
Pio Panfili
(1723 - 1812)
Ten Views of Bologna
Lot of ten engravings with views of churches and squares in Bologna. Etching, approx. 190 x 230 mm (each sheet). [..]
192
Pio Panfili
(1723 - 1812)
Ten Views of Bologna
Lot of ten engravings with views of churches and squares in Bologna. Etching, approx. 190 x 230 mm (each sheet). [..]
193
James McArdell
(1729 - 1765)
Rubens with his Wife and Child
Mezzotint, 535 x 386 mm (sheet). Superb impression on laid paper with watermark (coat of arms of Strasbourg). [..]
193
James McArdell
(1729 - 1765)
Rubens with his Wife and Child
Mezzotint, 535 x 386 mm (sheet). Superb impression on laid paper with watermark (coat of arms of Strasbourg). [..]
194
Franz Edmund Weirotter
(1733 - 1771)
Landscape with houses on the riverbank | Landscape with chalets
Lot of two prints. Etching, approx. 180 x 245 mm (each sheet). Fine impressions on laid paper. Overall in good [..]
194
Franz Edmund Weirotter
(1733 - 1771)
Landscape with houses on the riverbank | Landscape with chalets
Lot of two prints. Etching, approx. 180 x 245 mm (each sheet). Fine impressions on laid paper. Overall in good [..]
195
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Opus Misericordiae corporalis
Complete series of seven prints. Etching, approx. 435 x 573 mm (each sheet): Impressions on laid paper. Some [..]
195
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Opus Misericordiae corporalis
Complete series of seven prints. Etching, approx. 435 x 573 mm (each sheet): Impressions on laid paper. Some [..]
196
Pellegrino De Colle
(Belluno, 1737 - Venezia , 1812)
Les plaisirs des buveurs, after David Teniers
Etching, 358 x 268 mm (plate), 450 x 357 mm (sheet). Succi, From Carlevarijs to Tiepolo..., 1983, p. 158. [..]
196
Pellegrino De Colle
(Belluno, 1737 - Venezia , 1812)
Les plaisirs des buveurs, after David Teniers
Etching, 358 x 268 mm (plate), 450 x 357 mm (sheet). Succi, From Carlevarijs to Tiepolo..., 1983, p. 158. [..]
197
Pellegrino De Colle
(Belluno, 1737 - Venezia , 1812)
O rus, when I am waiting for you... | Fraxinus in silurs pulcherrima...
Lot of two etchings. Etching, 337 x 428 and 332 x 423 mm (plates), 368 x 450 and 362 x 456 mm (sheets). Very [..]
197
Pellegrino De Colle
(Belluno, 1737 - Venezia , 1812)
O rus, when I am waiting for you... | Fraxinus in silurs pulcherrima...
Lot of two etchings. Etching, 337 x 428 and 332 x 423 mm (plates), 368 x 450 and 362 x 456 mm (sheets). Very [..]
198
Pellegrino De Colle
(Belluno, 1737 - Venezia , 1812)
Il grand'affetto che natura ispira...
Etching, 332 x 425 mm (plate), 450 x 570 mm (sheet). Fine impression on laid paper with watermark (coat of arms [..]
198
Pellegrino De Colle
(Belluno, 1737 - Venezia , 1812)
Il grand'affetto che natura ispira...
Etching, 332 x 425 mm (plate), 450 x 570 mm (sheet). Fine impression on laid paper with watermark (coat of arms [..]
199
Philipp Jakob Hackert
(Prenzlau, 1737 - San Pietro di Careggi, 1807)
Peuplier
Etching, 485 x 372 mm (sheet). Taken from "Principes pour Apprendre à Dessiner le Paysage d'après Nature, gravés [..]
199
Philipp Jakob Hackert
(Prenzlau, 1737 - San Pietro di Careggi, 1807)
Peuplier
Etching, 485 x 372 mm (sheet). Taken from "Principes pour Apprendre à Dessiner le Paysage d'après Nature, gravés [..]
200
William Pether
(1739 ca. - 1821)
Democritus and Protagoras, after Salvator Rosa
Mezzotint, 505 x 355 mm (sheet). Fine impression with deep, velvety tones. Impression trimmed to the platemark, [..]
200
William Pether
(1739 ca. - 1821)
Democritus and Protagoras, after Salvator Rosa
Mezzotint, 505 x 355 mm (sheet). Fine impression with deep, velvety tones. Impression trimmed to the platemark, [..]