121
Jan Dirksz Both
(Utrecht, 1618 - Utrecht , 1652)
Landscape of Rocca Aquatico near Ancona)
Etching, 270 x 212 mm (sheet). 3 of 6 states, with Matham's address. Bartsch V.207.4, Hollstein 4. A fine [..]
121
Jan Dirksz Both
(Utrecht, 1618 - Utrecht , 1652)
Landscape of Rocca Aquatico near Ancona)
Etching, 270 x 212 mm (sheet). 3 of 6 states, with Matham's address. Bartsch V.207.4, Hollstein 4. A fine [..]
122
Carlo Cesio
(1622 - 1682)
Aedium Farnesiarum Tabulae, by Annibale Carracci
Four plates (XIV-XVII) taken from the collection "Aedium Farnesiarum Tabulae". Burin, approx. 260 x [..]
122
Carlo Cesio
(1622 - 1682)
Aedium Farnesiarum Tabulae, by Annibale Carracci
Four plates (XIV-XVII) taken from the collection "Aedium Farnesiarum Tabulae". Burin, approx. 260 x [..]
123
Karel Dujardin
(Amsterdam, 1622 - Venezia, 1678)
Landscape with a flock and a shepherd behind a tree | Sleeping hunting dogs
Lot of two engravings Landscape with flock and a shepherd behind a tree Etching, 163 x 187 mm (sheet). 2nd [..]
123
Karel Dujardin
(Amsterdam, 1622 - Venezia, 1678)
Landscape with a flock and a shepherd behind a tree | Sleeping hunting dogs
Lot of two engravings Landscape with flock and a shepherd behind a tree Etching, 163 x 187 mm (sheet). 2nd [..]
124
Jan Ruijscher
A small village seen from a hill
Etching, 120 x 207 mm (plate), 208 x 287 mm (sheet). Reworked by Anthonie Waterloo. Hollstein 93. Very nice [..]
124
Jan Ruijscher
A small village seen from a hill
Etching, 120 x 207 mm (plate), 208 x 287 mm (sheet). Reworked by Anthonie Waterloo. Hollstein 93. Very nice [..]
125
Giovanni Tisidio Guidi
(1635)
Tobias and the Angel
1628
Etching, 168 x 122 mm. Bartsch XXI.4.1 Very fine, clear plate-tone impression, printed on laid paper with a [..]
125
Giovanni Tisidio Guidi
(1635)
Tobias and the Angel
1628
Etching, 168 x 122 mm. Bartsch XXI.4.1 Very fine, clear plate-tone impression, printed on laid paper with a [..]
126
Bartolomeo Biscaino
(Genova, 1629 - 1657)
The Nativity with Angels
Etching, 385 x 274 mm. Bartsch XXI.185.7. Very fine, clear impression on laid paper with watermark. This copy [..]
126
Bartolomeo Biscaino
(Genova, 1629 - 1657)
The Nativity with Angels
Etching, 385 x 274 mm. Bartsch XXI.185.7. Very fine, clear impression on laid paper with watermark. This copy [..]
127
Pietro Aquila
(1630 - 1692)
Galeriaefarnesianae icons ... tab. I, by Annibale Carracci
Etching and engraving, 622 x 353 mm (plate). Published by Giovanni Giacomo de' Rossi. A beautiful print [..]
127
Pietro Aquila
(1630 - 1692)
Galeriaefarnesianae icons ... tab. I, by Annibale Carracci
Etching and engraving, 622 x 353 mm (plate). Published by Giovanni Giacomo de' Rossi. A beautiful print [..]
128
Pietro Aquila
(1630 - 1692)
Frontispiece of the Galeriae Farnesianae Icones series
Etching and engraving, 510 x 785 mm (sheet). Allegorical subject with a dedication to Cardinal Francesco Maria [..]
128
Pietro Aquila
(1630 - 1692)
Frontispiece of the Galeriae Farnesianae Icones series
Etching and engraving, 510 x 785 mm (sheet). Allegorical subject with a dedication to Cardinal Francesco Maria [..]
129
Pietro Aquila
(1630 - 1692)
B. Virgo in glory cum quinque sanctis to Clement X canonizatis year MDCLXXI, from Maratti decline
Etching, 710 x 480 mm (sheet). Late edition printed on unlaid paper. Restorations and creases.
129
Pietro Aquila
(1630 - 1692)
B. Virgo in glory cum quinque sanctis to Clement X canonizatis year MDCLXXI, from Maratti decline
Etching, 710 x 480 mm (sheet). Late edition printed on unlaid paper. Restorations and creases.
130
Giuseppe Maria Mitelli
(1634 - 1718)
Those who understand it; those who don't understand it; those who don't want to understand it
Etching, 269 x 415 mm (plate), 420 x 547 mm (sheet). Bartsch XIX.287.41; Bertarelli 582. Clear impression on [..]
130
Giuseppe Maria Mitelli
(1634 - 1718)
Those who understand it; those who don't understand it; those who don't want to understand it [..]
Etching, 269 x 415 mm (plate), 420 x 547 mm (sheet). Bartsch XIX.287.41; Bertarelli 582. Clear impression on [..]
131
Giuseppe Maria Mitelli
(1634 - 1718)
Triumphal Machine of the Venerable Confraternity of St. Charles of Reggio for the Coronation of Our Lady of Ghiara, Solemnized on May 13, 1674
Etching, 320 x 217 mm (plate), 344 x 234 mm (sheet). Bertarelli 643. A stunning, fresh impression on a portion [..]
131
Giuseppe Maria Mitelli
(1634 - 1718)
Triumphal Machine of the Venerable Confraternity of St. Charles of Reggio for the Coronation of Our [..]
Etching, 320 x 217 mm (plate), 344 x 234 mm (sheet). Bertarelli 643. A stunning, fresh impression on a portion [..]
132
Giuseppe Maria Mitelli
(1634 - 1718)
The Dressing of Saint William, by Guercino
Etching, 465 x 295 mm. From the painting by Guercino, originally in the Church of San Gregorio, now in the Pinacoteca [..]
132
Giuseppe Maria Mitelli
(1634 - 1718)
The Dressing of Saint William, by Guercino
Etching, 465 x 295 mm. From the painting by Guercino, originally in the Church of San Gregorio, now in the Pinacoteca [..]
133
Giuseppe Maria Mitelli
(1634 - 1718)
The honored life of the idler, dedicated to the scholars of idleness...
1683
Etching, 305 x 235 mm. Bertarelli 475. A fine impression on laid paper with a watermark (letter P in a circle [..]
133
Giuseppe Maria Mitelli
(1634 - 1718)
The honored life of the idler, dedicated to the scholars of idleness...
1683
Etching, 305 x 235 mm. Bertarelli 475. A fine impression on laid paper with a watermark (letter P in a circle [..]
134
Lorenzo Tinti
(Bologna, 1634 - 1672)
Madonna and Child, by Guido Reni
Etching, 165 x 150 mm. Bartsch XVIII.314.2 (School of Guido Reni), Bartsch XIX.146.1 (Lorenzo Tinti). Printed [..]
134
Lorenzo Tinti
(Bologna, 1634 - 1672)
Madonna and Child, by Guido Reni
Etching, 165 x 150 mm. Bartsch XVIII.314.2 (School of Guido Reni), Bartsch XIX.146.1 (Lorenzo Tinti). Printed [..]
135
Gerolamo Imperiale
(Genova? Napoli?)
Madonna and Child
Etching, 200 x 163 mm. Bartsch XX.120.1. Printed on laid paper without watermark. Trimmed along the edge of [..]
135
Gerolamo Imperiale
(Genova? Napoli?)
Madonna and Child
Etching, 200 x 163 mm. Bartsch XX.120.1. Printed on laid paper without watermark. Trimmed along the edge of [..]
136
Alessandro Scarselli
(Bologna, 1684 - 1773)
Pentecoste
1707
Acquaforte, 392 x 280 mm. Incisa in lastra: Alex. Scarsellus sculp. 1707. Bertelà 852. Molto rara. Impressa [..]
136
Alessandro Scarselli
(Bologna, 1684 - 1773)
Pentecoste
1707
Acquaforte, 392 x 280 mm. Incisa in lastra: Alex. Scarsellus sculp. 1707. Bertelà 852. Molto rara. Impressa [..]
137
Francesco Curti
(Bologna, 1610 - Bologna, 1690)
The Apparition of Christ with the Cross to St. Ignatius of Loyola
Etching, 565 x 410 mm. A very fine plate-tone impression, printed on laid paper. Hand-colored copy. Traces of [..]
137
Francesco Curti
(Bologna, 1610 - Bologna, 1690)
The Apparition of Christ with the Cross to St. Ignatius of Loyola
Etching, 565 x 410 mm. A very fine plate-tone impression, printed on laid paper. Hand-colored copy. Traces of [..]
138
Giovanni Battista Falda
(1643 - 1678)
Piazza Colonna on the Via del Corso leveled and widened
Etching, 175 x 295 mm (plate), approx. 240 x 320 mm (sheet). A very fine impression on laid paper. Some small [..]
138
Giovanni Battista Falda
(1643 - 1678)
Piazza Colonna on the Via del Corso leveled and widened
Etching, 175 x 295 mm (plate), approx. 240 x 320 mm (sheet). A very fine impression on laid paper. Some small [..]
139
Noël Robert Cochin
The Deposition in the Tomb, by Jacopo Bassano
Etching, 315 x 205 mm (plate). IFF 10. A fine impression on laid paper. The sheet has small tears at the top, [..]
139
Noël Robert Cochin
The Deposition in the Tomb, by Jacopo Bassano
Etching, 315 x 205 mm (plate). IFF 10. A fine impression on laid paper. The sheet has small tears at the top, [..]
140
Raymond La Fage
(1656 - 1684)
Diana and Endymion
Etching, 183 x 240 mm. 1st state of 2. Dumensil XI.154.10 A fine impression on laid paper without a watermark. [..]
140
Raymond La Fage
(1656 - 1684)
Diana and Endymion
Etching, 183 x 240 mm. 1st state of 2. Dumensil XI.154.10 A fine impression on laid paper without a watermark. [..]
141
Francesco Maria Francia
(Bologna, 1657 - 1735)
Moses defends Jethro's daughters
Etching and burin, 480 x 660 mm (sheet). Light plate-tone impression printed from two plates on two sheets of [..]
141
Francesco Maria Francia
(Bologna, 1657 - 1735)
Moses defends Jethro's daughters
Etching and burin, 480 x 660 mm (sheet). Light plate-tone impression printed from two plates on two sheets of [..]
142
Pieter van Gunst
Charles the First King of Great Britain | Henrietta Maria Queen of Great Britain
Lot of two engravings, after Anthony van Dyck. Good and etching, approx. 520 x 325 mm (each plate), approx. 670 [..]
142
Pieter van Gunst
Charles the First King of Great Britain | Henrietta Maria Queen of Great Britain
Lot of two engravings, after Anthony van Dyck. Good and etching, approx. 520 x 325 mm (each plate), approx. 670 [..]
143
Alfabeto
anonimo incisore francese del XVIII secolo
Bulino e acquaforte, 175 x 212 mm (foglio). Bella impressione su carta non vergata fatta a mano. Due bordi [..]
143
Alfabeto
anonimo incisore francese del XVIII secolo
Bulino e acquaforte, 175 x 212 mm (foglio). Bella impressione su carta non vergata fatta a mano. Due bordi [..]
144
Giacomo Piccini
(1660)
David with the Head of Goliath, by Guido Reni
Etching, 312 x 212 mm (sheet). Beautiful impression on laid paper (three moons), sheet with large margins in [..]
144
Giacomo Piccini
(1660)
David with the Head of Goliath, by Guido Reni
Etching, 312 x 212 mm (sheet). Beautiful impression on laid paper (three moons), sheet with large margins in [..]
145
Jerzy (Giorgio) Szymonowicz Siemiginowski
(Leopoli)
Cartouche with coat of arms
Etching, 445 x 312 mm. Cartouche with dedication to Livio Odescalchi, signed by Szymonowicz. Beautiful, clear [..]
145
Jerzy (Giorgio) Szymonowicz Siemiginowski
(Leopoli)
Cartouche with coat of arms
Etching, 445 x 312 mm. Cartouche with dedication to Livio Odescalchi, signed by Szymonowicz. Beautiful, clear [..]
146
Ritratto di una regina (Ludovica Maria Gonzaga?)
anonimo incisore del XVII secolo
Acquaforte, 165 x 113 mm (lastra), 215 x 175 mm (foglio). Bella impressione su carta vergata con grande [..]
146
Ritratto di una regina (Ludovica Maria Gonzaga?)
anonimo incisore del XVII secolo
Acquaforte, 165 x 113 mm (lastra), 215 x 175 mm (foglio). Bella impressione su carta vergata con grande [..]
147
Foglio volante per una messa in suffragio nella basilica di ant’Ambrogio a Milano
anonimo incisore del XVII secolo
Acquaforte, 187 x 250 mm (foglio). Impressa su carta vergata. Iscrizioni ad inchiostro bruno. Alcune pieghe [..]
147
Foglio volante per una messa in suffragio nella basilica di ant’Ambrogio a Milano
anonimo incisore del XVII secolo
Acquaforte, 187 x 250 mm (foglio). Impressa su carta vergata. Iscrizioni ad inchiostro bruno. Alcune pieghe [..]
148
Paesaggio con colline, fiume e tre figure
anonimo incisore del XVII
Acquaforte, 187 x 251 mm (foglio). Pubblicata da Nicolas Langlois a Parigi, rue St Jacques ala Victoire Molto [..]
148
Paesaggio con colline, fiume e tre figure
anonimo incisore del XVII
Acquaforte, 187 x 251 mm (foglio). Pubblicata da Nicolas Langlois a Parigi, rue St Jacques ala Victoire Molto [..]
149
L'incendio
anonimo incisore del XVII secolo
Acquaforte, 250 x 320 mm (foglio). Bella impressione su carta vergata. Margini preservati. Difetti lungo [..]
149
L'incendio
anonimo incisore del XVII secolo
Acquaforte, 250 x 320 mm (foglio). Bella impressione su carta vergata. Margini preservati. Difetti lungo [..]
150
Lodovico Mattioli
(1662 - 1747)
Landscapes
1685 ca.
Lot of five etchings from the Passati Tondi series. Etching, approx. 175 x 170 mm (three sheets), 210 x 213 mm [..]
150
Lodovico Mattioli
(1662 - 1747)
Landscapes
1685 ca.
Lot of five etchings from the Passati Tondi series. Etching, approx. 175 x 170 mm (three sheets), 210 x 213 mm [..]