201
Francisco Goya
(1746 - 1828)
Duendecitos
1799 (1855)
Plate no. 49 from the Los Caprichos series. Etching and aquatint, 312 × 214 mm (sheet). Second edition of 1855. [..]
201
Francisco Goya
(1746 - 1828)
Duendecitos
1799 (1855)
Plate no. 49 from the Los Caprichos series. Etching and aquatint, 312 × 214 mm (sheet). Second edition of 1855. [..]
202
Francisco Goya
(1746 - 1828)
Se repulen
1799 (1855)
Plate no. 51 from the Los Caprichos series. Etching and aquatint, 312 × 214 mm (sheet). Second edition of 1855. [..]
202
Francisco Goya
(1746 - 1828)
Se repulen
1799 (1855)
Plate no. 51 from the Los Caprichos series. Etching and aquatint, 312 × 214 mm (sheet). Second edition of 1855. [..]
203
Francisco Goya
(1746 - 1828)
Subir y bajar
1799 (1855)
Plate no. 58 from the Los Caprichos series. Etching and aquatint, 312 × 214 mm (sheet). Second edition of 1855. [..]
203
Francisco Goya
(1746 - 1828)
Subir y bajar
1799 (1855)
Plate no. 58 from the Los Caprichos series. Etching and aquatint, 312 × 214 mm (sheet). Second edition of 1855. [..]
204
Francisco Goya
(1746 - 1828)
¿No hay quién nos desate?
1799 (1868)
Plate no. 75 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). Third edition of 1868. [..]
204
Francisco Goya
(1746 - 1828)
¿No hay quién nos desate?
1799 (1868)
Plate no. 75 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). Third edition of 1868. [..]
205
Giuseppe Longhi
(Monza, 1766 - Milano, 1831)
Eugène de Beauharnais vice-roi d'Italie, after Francois Gérard
1813
Etching, 670 × 490 mm (plate), 700 × 545 mm (sheet). First state of 2, before the addition of the title. LeBlanc [..]
205
Giuseppe Longhi
(Monza, 1766 - Milano, 1831)
Eugène de Beauharnais vice-roi d'Italie, after Francois Gérard
1813
Etching, 670 × 490 mm (plate), 700 × 545 mm (sheet). First state of 2, before the addition of the title. LeBlanc [..]
206
Raffaello Morghen
(Firenze, 1758 - 1833)
Equestrian portrait of Francesco de Moncada
Etching and engraving, 653 × 460 mm (plate), 680 × 492 mm (sheet). Fine example printed on laid paper. Margins [..]
206
Raffaello Morghen
(Firenze, 1758 - 1833)
Equestrian portrait of Francesco de Moncada
Etching and engraving, 653 × 460 mm (plate), 680 × 492 mm (sheet). Fine example printed on laid paper. Margins [..]
207
Mauro Gandolfi
(Bologna, 1764 - 1834)
La Magicienne Circé
Etching on chine-collé, 302 × 420 mm (plate), 590 × 460 mm (sheet). Gozzi 24. Fine example printed on Japanese [..]
207
Mauro Gandolfi
(Bologna, 1764 - 1834)
La Magicienne Circé
Etching on chine-collé, 302 × 420 mm (plate), 590 × 460 mm (sheet). Gozzi 24. Fine example printed on Japanese [..]
208
Aloys Senefelder
(1771 - 1834)
L'Art de la Lithographie: Drawings after Albrecht Durer
1808
Plate V from Collection de Plusieurs essais en Dessins et Gravures... de la lithographie . Lithograph, 257 × [..]
208
Aloys Senefelder
(1771 - 1834)
L'Art de la Lithographie: Drawings after Albrecht Durer
1808
Plate V from Collection de Plusieurs essais en Dessins et Gravures... de la lithographie . Lithograph, 257 × [..]
209
Hendrik Voogd
(1768 - 1839)
Cappuccini d'Albano
Lithograph, 395 × 510 mm (sheet). Fine impression on wove paper. Sheet with uneven margins and slight creasing, [..]
209
Hendrik Voogd
(1768 - 1839)
Cappuccini d'Albano
Lithograph, 395 × 510 mm (sheet). Fine impression on wove paper. Sheet with uneven margins and slight creasing, [..]
210
Constant Bourgeois
(1767 - 1841)
View of the banks of the Tiber in Rome
1817
Lithograph, 282 × 35 mm. Plate from the series of Vues d’Italie . Fine impression on wove paper. Sheet with [..]
210
Constant Bourgeois
(1767 - 1841)
View of the banks of the Tiber in Rome
1817
Lithograph, 282 × 35 mm. Plate from the series of Vues d’Italie . Fine impression on wove paper. Sheet with [..]
211
Antonio Conte
(1783 - 1867)
Emira
Stipple engraving, 438 × 340 mm (plate), 555 × 440 mm (sheet). Printed in Milan by the publishing house Batelli [..]
211
Antonio Conte
(1783 - 1867)
Emira
Stipple engraving, 438 × 340 mm (plate), 555 × 440 mm (sheet). Printed in Milan by the publishing house Batelli [..]
212
Domenico Gandini
(1864)
Death of the Egyptians Firstborns, after Pietro Paoletti
Lithograph, 500 × 865 mm (sheet). State before the addition of the inscription. Fine impression on wove paper. [..]
212
Domenico Gandini
(1864)
Death of the Egyptians Firstborns, after Pietro Paoletti
Lithograph, 500 × 865 mm (sheet). State before the addition of the inscription. Fine impression on wove paper. [..]
213
Salvatore Fergola
(Napoli, 1799 - 1874)
Ash eruption of Vesuvius occurred on August 22, 1822
Lithograph, 325 × 240 mm. Fine impression on wove paper. Sheet with light foxing, browning along the edges [..]
213
Salvatore Fergola
(Napoli, 1799 - 1874)
Ash eruption of Vesuvius occurred on August 22, 1822
Lithograph, 325 × 240 mm. Fine impression on wove paper. Sheet with light foxing, browning along the edges [..]
214
Francesco Rosaspina
(1762 - 1841)
St. John the Evangelist, after Correggio
Engraving, 348 × 447 mm; 540 × 765 mm (support). Bertelà 745. Fine example printed on laid paper, trimmed to [..]
214
Francesco Rosaspina
(1762 - 1841)
St. John the Evangelist, after Correggio
Engraving, 348 × 447 mm; 540 × 765 mm (support). Bertelà 745. Fine example printed on laid paper, trimmed to [..]
215
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Frieze with deities
Etching and aquatint in brown ink, 370 × 550 mm (sheet). Impression with fine inking, printed on laid paper. [..]
215
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Frieze with deities
Etching and aquatint in brown ink, 370 × 550 mm (sheet). Impression with fine inking, printed on laid paper. [..]
216
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Scene with Roman soldiers and quadriga
Etching and aquatint in brown ink, 400 × 550 mm (sheet). Impression with fine inking, printed on laid paper. [..]
216
Luigi Ademollo
(Milano, 1764 - Firenze, 1849)
Scene with Roman soldiers and quadriga
Etching and aquatint in brown ink, 400 × 550 mm (sheet). Impression with fine inking, printed on laid paper. [..]
217
Carlo Lasinio
(1759 - 1855)
Sacrifice of Isaac, after Benozzo Gozzoli
Etching, 480 × 875 mm (sheet). Fine impression on wove paper. Sheet with margins of approx. 2 cm on each side. [..]
217
Carlo Lasinio
(1759 - 1855)
Sacrifice of Isaac, after Benozzo Gozzoli
Etching, 480 × 875 mm (sheet). Fine impression on wove paper. Sheet with margins of approx. 2 cm on each side. [..]
218
Luigi Rossini
(1790 - 1857)
View of the Temple of Remus
Etching, 475 × 375 mm (plate), 650 × 495 mm (sheet). Fine impression on wove paper. Wide margins preserved. [..]
218
Luigi Rossini
(1790 - 1857)
View of the Temple of Remus
Etching, 475 × 375 mm (plate), 650 × 495 mm (sheet). Fine impression on wove paper. Wide margins preserved. [..]
219
Franz Johann Heinrich Nadorp
(1794 - 1876)
Tor Chasse 1844
Lithograph, 245 × 385 mm. Fine impression on wove paper. Light brown stains at the corners, remains of tape [..]
219
Franz Johann Heinrich Nadorp
(1794 - 1876)
Tor Chasse 1844
Lithograph, 245 × 385 mm. Fine impression on wove paper. Light brown stains at the corners, remains of tape [..]
220
Giovanardi Lampridio
(Fabbrico di Reggio Emilia, 1811 - Modena, 1878)
Illustrated alphabet with comic characters
Etching, 198 × 285 mm (plate), 230 × 308 mm (sheet). Fine impression on wove paper with a fragment of a lettered [..]
220
Giovanardi Lampridio
(Fabbrico di Reggio Emilia, 1811 - Modena, 1878)
Illustrated alphabet with comic characters
Etching, 198 × 285 mm (plate), 230 × 308 mm (sheet). Fine impression on wove paper with a fragment of a lettered [..]
221
Mariano Fortuny y Marsal
(Reus, 1838 - Roma, 1874)
Potrait de Zamacois
Etching on chine-collé, 184 × 139 mm (plate), 352 × 257 mm (sheet). State with printed inscription: “Druck der [..]
221
Mariano Fortuny y Marsal
(Reus, 1838 - Roma, 1874)
Potrait de Zamacois
Etching on chine-collé, 184 × 139 mm (plate), 352 × 257 mm (sheet). State with printed inscription: “Druck der [..]
222
Mariano Fortuny y Marsal
(Reus, 1838 - Roma, 1874)
Eglise de St. Joseph a Madrid
Etching and aquatint, 150 × 250 mm (plate); 250 × 328 mm (sheet). Fortuny collector’s stamp (Lugt 942) lower right. [..]
222
Mariano Fortuny y Marsal
(Reus, 1838 - Roma, 1874)
Eglise de St. Joseph a Madrid
Etching and aquatint, 150 × 250 mm (plate); 250 × 328 mm (sheet). Fortuny collector’s stamp (Lugt 942) lower right. [..]
223
Jean-Baptiste Camille Corot (1796-1875)
Souvenir d'Ostie
Cliché-verre, 294 × 365 mm. Second state, with Corot’s name engraved on the plate in reverse. Delteil 57. Fine [..]
223
Jean-Baptiste Camille Corot (1796-1875)
Souvenir d'Ostie
Cliché-verre, 294 × 365 mm. Second state, with Corot’s name engraved on the plate in reverse. Delteil 57. Fine [..]
224
Jean-Baptiste Camille Corot (1796-1875)
Les Jardins d'Horace
Cliché-verre, 390 × 310 mm. Second state, with Corot’s name engraved on the plate in reverse. Delteil 58. Fine [..]
224
Jean-Baptiste Camille Corot (1796-1875)
Les Jardins d'Horace
Cliché-verre, 390 × 310 mm. Second state, with Corot’s name engraved on the plate in reverse. Delteil 58. Fine [..]
225
Achille Vianelli
(Porto Maurizio, 1803 - Benevento, 1894)
Calessino
Etching and aquatint, 103 × 126 mm (plate), approx. 140 × 178 mm (sheet). Fine impression. Sheet in very good [..]
225
Achille Vianelli
(Porto Maurizio, 1803 - Benevento, 1894)
Calessino
Etching and aquatint, 103 × 126 mm (plate), approx. 140 × 178 mm (sheet). Fine impression. Sheet in very good [..]
226
Arthur Loraine Nevison
(1908)
Ambush II | Diamond Jubilee
Set of two prints. Colour woodcut, approx. 545 × 770 mm (each sheet). Fine impressions with strong and vivid [..]
226
Arthur Loraine Nevison
(1908)
Ambush II | Diamond Jubilee
Set of two prints. Colour woodcut, approx. 545 × 770 mm (each sheet). Fine impressions with strong and vivid [..]
227
Félicien Rops
(Namur, 1833 - Essonnes, 1898)
Le Pendu à la cloche
Etching, 500 × 325 mm (sheet). Signed in red pencil at lower right. Fine impression with deep black tones, [..]
227
Félicien Rops
(Namur, 1833 - Essonnes, 1898)
Le Pendu à la cloche
Etching, 500 × 325 mm (sheet). Signed in red pencil at lower right. Fine impression with deep black tones, [..]
228
Adolphe Lalauze
(1838 - 1906)
Witchcraft scene
Etching, 170 × 122 mm. Fine impression on laid paper. Sheet evenly browned. Remains of paper and adhesive on [..]
228
Adolphe Lalauze
(1838 - 1906)
Witchcraft scene
Etching, 170 × 122 mm. Fine impression on laid paper. Sheet evenly browned. Remains of paper and adhesive on [..]
229
Alphonse Legros
(1837 - 1911)
Le Typhon (Tornado)
Drypoint, 335 × 370 mm (plate), 400 × 425 mm (sheet). One of 35 copies. Bliss 615. Superb, sharp and well-inked [..]
229
Alphonse Legros
(1837 - 1911)
Le Typhon (Tornado)
Drypoint, 335 × 370 mm (plate), 400 × 425 mm (sheet). One of 35 copies. Bliss 615. Superb, sharp and well-inked [..]
230
Otto Greiner
(1869 - 1916)
Der Teufel zeigt das Weib dem Volke
1898
Lithograph, 530 × 455 mm (plate). Vogel 72. Very fine, fresh and sharp impression. With frame, mount and glass [..]
230
Otto Greiner
(1869 - 1916)
Der Teufel zeigt das Weib dem Volke
1898
Lithograph, 530 × 455 mm (plate). Vogel 72. Very fine, fresh and sharp impression. With frame, mount and glass [..]
231
UMBERTO BOCCIONI
(Reggio Calabria, 1882 - Verona, 1916)
Maria Sacchi reading
1907
Etching and drypoint, 287 × 180 mm (plate), 390 × 300 mm (sheet). Only state. Bellini 13. Impression probably [..]
231
UMBERTO BOCCIONI
(Reggio Calabria, 1882 - Verona, 1916)
Maria Sacchi reading
1907
Etching and drypoint, 287 × 180 mm (plate), 390 × 300 mm (sheet). Only state. Bellini 13. Impression probably [..]
232
Armand Berton
(1854 - 1917)
Olympia
1907
Etching, drypoint and aquatint, 168 × 196 mm (plate), 220 × 308 mm (sheet). Second state. Signed in pencil. IFF [..]
232
Armand Berton
(1854 - 1917)
Olympia
1907
Etching, drypoint and aquatint, 168 × 196 mm (plate), 220 × 308 mm (sheet). Second state. Signed in pencil. IFF [..]
233
Auguste Lepère
(1849 - 1918)
La rafle
1910
Chiaroscuro woodcut, 255 × 172 mm, 350 × 270 mm (sheet). IFF 171. Signed by the artist in pencil at lower right. [..]
233
Auguste Lepère
(1849 - 1918)
La rafle
1910
Chiaroscuro woodcut, 255 × 172 mm, 350 × 270 mm (sheet). IFF 171. Signed by the artist in pencil at lower right. [..]
234
Ferdinand Hodler
(Berna, 1853 - Ginevra, 1918)
Blick in die Unendlichkeit | Stehender weiblicher Akt
Set of two prints: Blick in die Unendlichkeit Lithograph, 610 × 408 mm. Signed in pencil at lower right. [..]
234
Ferdinand Hodler
(Berna, 1853 - Ginevra, 1918)
Blick in die Unendlichkeit | Stehender weiblicher Akt
Set of two prints: Blick in die Unendlichkeit Lithograph, 610 × 408 mm. Signed in pencil at lower right. [..]
235
Auguste Renoir
(1841 - 1919)
Femme au cep de vigne
1904 (1919)
Lithograph, 330 × 250 mm. From the album Douze lithographies originales de Pierre-Auguste Renoir , published [..]
235
Auguste Renoir
(1841 - 1919)
Femme au cep de vigne
1904 (1919)
Lithograph, 330 × 250 mm. From the album Douze lithographies originales de Pierre-Auguste Renoir , published [..]
236
Lovis Corinth
(Tapiau, 1858 - Zandvoort, 1925)
Standing female nude
1896
Drypoint, 154 × 66 mm (plate). Signed in pencil at lower right. Very fine impression on wove paper. In very [..]
236
Lovis Corinth
(Tapiau, 1858 - Zandvoort, 1925)
Standing female nude
1896
Drypoint, 154 × 66 mm (plate). Signed in pencil at lower right. Very fine impression on wove paper. In very [..]
237
Felix Vallotton
(1865 - 1925)
La paresse
1896
Woodcut, 176 × 222 mm (plate), 250 × 330 mm (sheet). Unsigned impression. Impression with some defects, particularly [..]
237
Felix Vallotton
(1865 - 1925)
La paresse
1896
Woodcut, 176 × 222 mm (plate), 250 × 330 mm (sheet). Unsigned impression. Impression with some defects, particularly [..]
238
Théodore Casimir Roussel
(1847 - 1926)
Penelope, a doorway, Chelsea
1888
Etching, 110 × 70 mm. Hauberg 23. Fine impression with surface tone, printed on laid paper. Very narrow margins [..]
238
Théodore Casimir Roussel
(1847 - 1926)
Penelope, a doorway, Chelsea
1888
Etching, 110 × 70 mm. Hauberg 23. Fine impression with surface tone, printed on laid paper. Very narrow margins [..]
239
Théodore Casimir Roussel
(1847 - 1926)
Window cleaner, Chelsea
1888
Etching, 203 × 133 mm. Hauberg 24. Fine impression with surface tone, printed on laid paper with a fragment [..]
239
Théodore Casimir Roussel
(1847 - 1926)
Window cleaner, Chelsea
1888
Etching, 203 × 133 mm. Hauberg 24. Fine impression with surface tone, printed on laid paper with a fragment [..]
240
Robert Anning Bell
(1863 - 1933)
Ex libris of Frederic Leighton
1894
Woodcut, 203 × 135 mm (sheet). Fine impression on laid paper. Sheet slightly browned, but overall in very good [..]
240
Robert Anning Bell
(1863 - 1933)
Ex libris of Frederic Leighton
1894
Woodcut, 203 × 135 mm (sheet). Fine impression on laid paper. Sheet slightly browned, but overall in very good [..]