42
Giulio de Musi
Port of Ostia, after Pirro Ligorio
1554
Engraving, 400 × 690 mm (plate), 495 × 760 mm (sheet). Sheet from the Speculum Romanae Magnificentiae. First state [..]
42
Giulio de Musi
Port of Ostia, after Pirro Ligorio
1554
Engraving, 400 × 690 mm (plate), 495 × 760 mm (sheet). Sheet from the Speculum Romanae Magnificentiae. First state [..]
43
Pieter Perret
(1555 - 1555)
Sibyl, after Federico Zuccaro
Engraving, 189 × 155 mm. Fine impression on laid paper with watermark. Sheet trimmed along the platemark. Mounted [..]
43
Pieter Perret
(1555 - 1555)
Sibyl, after Federico Zuccaro
Engraving, 189 × 155 mm. Fine impression on laid paper with watermark. Sheet trimmed along the platemark. Mounted [..]
44
Jacob Bos
(1580)
Pyrrhus, from Speculum Romanae Magnificentiae
1562
Engraving, 456 × 302 mm (plate), 495 × 355 mm (sheet). Second state of 4, with the address of Antonio Salamanca. [..]
44
Jacob Bos
(1580)
Pyrrhus, from Speculum Romanae Magnificentiae
1562
Engraving, 456 × 302 mm (plate), 495 × 355 mm (sheet). Second state of 4, with the address of Antonio Salamanca. [..]
45
Etienne Dupérac
(1604)
Antiquorum Sacrificandi ritus...
Etching, 341 × 454 mm (sheet). Plate from De Ludis Circensibus by Onofrio Panvinio. H. Zerner, “Observations [..]
45
Etienne Dupérac
(1604)
Antiquorum Sacrificandi ritus...
Etching, 341 × 454 mm (sheet). Plate from De Ludis Circensibus by Onofrio Panvinio. H. Zerner, “Observations [..]
46
Maestro del Dado
(1530)
Cupid flies to Psyche’s aid | The Parnassus of the Gods
Set of two engravings from the series depicting the story of Cupid and Psyche. Engraving, approx. 195 × 230 mm [..]
46
Maestro del Dado
(1530)
Cupid flies to Psyche’s aid | The Parnassus of the Gods
Set of two engravings from the series depicting the story of Cupid and Psyche. Engraving, approx. 195 × 230 mm [..]
47
Enea Vico
(1523 - 1567)
The Birth of Adonis, after Francesco Salviati
1544
Engraving, 316 × 433 mm. First state of 2, before the Lafreri address. Rare. Bartsch XV.42.12 (school of Marcantonio). [..]
47
Enea Vico
(1523 - 1567)
The Birth of Adonis, after Francesco Salviati
1544
Engraving, 316 × 433 mm. First state of 2, before the Lafreri address. Rare. Bartsch XV.42.12 (school of Marcantonio). [..]
48
Nicolas Beatrizet
(1573)
Attributed to
Death of Meleager, after Francesco Salviati
Engraving, 320 × 425 mm (sheet). State with the address of Orazio Pacifico at lower right (Horatius Pacificus [..]
48
Nicolas Beatrizet
(1573)
Attributed to
Death of Meleager, after Francesco Salviati
Engraving, 320 × 425 mm (sheet). State with the address of Orazio Pacifico at lower right (Horatius Pacificus [..]
49
Andrea Meldolla, detto Schiavone
(1563)
The Christ Child in the cradle, surrounded by saints
Etching, 342 × 220 mm. Third of 3 (see British Museum 1874,0808.357). Bartsch XVI.62.62. Impression backed [..]
49
Andrea Meldolla, detto Schiavone
(1563)
The Christ Child in the cradle, surrounded by saints
Etching, 342 × 220 mm. Third of 3 (see British Museum 1874,0808.357). Bartsch XVI.62.62. Impression backed [..]
50
Maarten van Heemskerck
(1498 - 1574)
Flight into Egypt
Etching, 205 × 335 mm. Fine, fresh impression on laid paper. Sheet trimmed, mounted along the upper edge on [..]
50
Maarten van Heemskerck
(1498 - 1574)
Flight into Egypt
Etching, 205 × 335 mm. Fine, fresh impression on laid paper. Sheet trimmed, mounted along the upper edge on [..]
51
Jan Collaert I
(1580)
Pendants with deities in niches and floral arabesques
Complete series of 10 engravings. Engraving, approx. 135 × 90 mm. First state of 2, with the address of Hans Liefrinck [..]
51
Jan Collaert I
(1580)
Pendants with deities in niches and floral arabesques
Complete series of 10 engravings. Engraving, approx. 135 × 90 mm. First state of 2, with the address of Hans Liefrinck [..]
52
René Boyvin
(1525)
Story of Jason
Set of two engravings from the series depicting the story of Jason. Engraving, 160 × 232 mm. Robert-Dumesnil VIII.32 [..]
52
René Boyvin
(1525)
Story of Jason
Set of two engravings from the series depicting the story of Jason. Engraving, 160 × 232 mm. Robert-Dumesnil VIII.32 [..]
53
Giorgio Ghisi
(1520 - 1582)
Venus and the Rose, after Luca Penni
Engraving, 310 × 220 mm. State with the address of Pietro de’ Nobili and Paolo Graziani with the date 1582. State [..]
53
Giorgio Ghisi
(1520 - 1582)
Venus and the Rose, after Luca Penni
Engraving, 310 × 220 mm. State with the address of Pietro de’ Nobili and Paolo Graziani with the date 1582. State [..]
54
Frontispiece of Ricettario fiorentino di nuovo illustrato
1597
Engraving, 335 × 225 mm (sheet). State before the addition of inscriptions. Very fine impression on laid paper. [..]
54
Frontispiece of Ricettario fiorentino di nuovo illustrato
1597
Engraving, 335 × 225 mm (sheet). State before the addition of inscriptions. Very fine impression on laid paper. [..]
55
Jan (Johannes) Sadeler
(1550 - 1600)
Pauperibus mors grata venit..., after Johannes Stradanus
Engraving, 217 × 284 mm. Hollstein XXI.174.553. Very fine, well-inked impression on laid paper with watermark. [..]
55
Jan (Johannes) Sadeler
(1550 - 1600)
Pauperibus mors grata venit..., after Johannes Stradanus
Engraving, 217 × 284 mm. Hollstein XXI.174.553. Very fine, well-inked impression on laid paper with watermark. [..]
56
Robert Boissard
Masquerades
Engraving, 182 × 122 mm (sheet) Impression printed on laid paper with watermark. Sheet trimmed, with various [..]
56
Robert Boissard
Masquerades
Engraving, 182 × 122 mm (sheet) Impression printed on laid paper with watermark. Sheet trimmed, with various [..]
57
Agostino Carracci
(1557 - 1602)
The Harmony of the Spheres, after Bernardo Buontalenti
Etching and engraving, 250 × 267 mm. First state of 3. Bartsch XVIII.106.121; Bohlin 153. Very fine impression [..]
57
Agostino Carracci
(1557 - 1602)
The Harmony of the Spheres, after Bernardo Buontalenti
Etching and engraving, 250 × 267 mm. First state of 3. Bartsch XVIII.106.121; Bohlin 153. Very fine impression [..]
58
Agostino Carracci
(1557 - 1602)
Mercury and the Three Graces, after Jacopo Tintoretto
1589
Engraving, 205 × 259 mm. Bartsch XVIII.104.117; Bohlin 149. Very fine, crisp impression with strong tonal effects, [..]
58
Agostino Carracci
(1557 - 1602)
Mercury and the Three Graces, after Jacopo Tintoretto
1589
Engraving, 205 × 259 mm. Bartsch XVIII.104.117; Bohlin 149. Very fine, crisp impression with strong tonal effects, [..]
59
Paulus Pontius
(1603 - 1603)
Portrait of Thomas Francis of Savoy, Prince of Carignano, after Anthony van Dyck
Etching, 390 × 292 mm. Second state of 3 (or 4), with the address of Gillis Hendricx. The New Hollstein (Anthony [..]
59
Paulus Pontius
(1603 - 1603)
Portrait of Thomas Francis of Savoy, Prince of Carignano, after Anthony van Dyck
Etching, 390 × 292 mm. Second state of 3 (or 4), with the address of Gillis Hendricx. The New Hollstein (Anthony [..]
60
Johannes van Doetecum I
(1605)
View of the ruins with the base of an arch and a column on the right, after Hieronymus Cock?
Engraving and etching, 154 × 212 mm (plate), 167 × 228 mm (sheet). First state of 2, before the addition of the [..]
60
Johannes van Doetecum I
(1605)
View of the ruins with the base of an arch and a column on the right, after Hieronymus Cock?
Engraving and etching, 154 × 212 mm (plate), 167 × 228 mm (sheet). First state of 2, before the addition of the [..]
61
Johannes van Doetecum I
(1605)
Una sala con colonne ioniche, da Hans Vredeman de Vries
Acquaforte, 208 x 262 mm. I stato su 2, prima della cancellazione dell'indirizzo di Hieronymus Cock. New Hollstein [..]
61
Johannes van Doetecum I
(1605)
Una sala con colonne ioniche, da Hans Vredeman de Vries
Acquaforte, 208 x 262 mm. I stato su 2, prima della cancellazione dell'indirizzo di Hieronymus Cock. New Hollstein [..]
62
Jan Saenredam
(1607)
The Feast in the House of Levi, after Paolo Veronese's
Engraving, 870 × 422 mm. Bartsch III.232.34. Print made from three plates on three joined sheets. Impression [..]
62
Jan Saenredam
(1607)
The Feast in the House of Levi, after Paolo Veronese's
Engraving, 870 × 422 mm. Bartsch III.232.34. Print made from three plates on three joined sheets. Impression [..]
63
Philip Galle
(1537 - 1612)
The Last Judgement, after Maarten van Heemskerck
Engraving, diam. approx. 230 mm. The New Hollstein (Maarten van Heemskerck) 450. Fine impression, printed with [..]
63
Philip Galle
(1537 - 1612)
The Last Judgement, after Maarten van Heemskerck
Engraving, diam. approx. 230 mm. The New Hollstein (Maarten van Heemskerck) 450. Fine impression, printed with [..]
64
Bartolomeo Schedoni
(Modena, 1578 - Parma 1615)
Holy Family
Etching, 156 × 134 mm. Bartsch XVIII.206.1. Printed on thin laid paper. Trimmed, mounted along the left edge [..]
64
Bartolomeo Schedoni
(Modena, 1578 - Parma 1615)
Holy Family
Etching, 156 × 134 mm. Bartsch XVIII.206.1. Printed on thin laid paper. Trimmed, mounted along the left edge [..]
65
Hendrik Goltzius
(1558 - 1617)
Wealth-based marriage
Engraving, 250 × 197 mm. One of a series of three depicting different matrimonial circumstances. The original [..]
65
Hendrik Goltzius
(1558 - 1617)
Wealth-based marriage
Engraving, 250 × 197 mm. One of a series of three depicting different matrimonial circumstances. The original [..]
66
Adriaen Collaert
(1560 - 1618)
Based on
Autumnus Baccho, after Marteen de Vos
Anonymous contemporary copy after the work by Adrien Collaert. Etching, 226 × 275 mm (sheet). New Hollstein (The [..]
66
Adriaen Collaert
(1560 - 1618)
Based on
Autumnus Baccho, after Marteen de Vos
Anonymous contemporary copy after the work by Adrien Collaert. Etching, 226 × 275 mm (sheet). New Hollstein (The [..]
67
Jan Collaert II
Venus and Adonis, after Titian
Engraving, 262 × 178 mm (plate), 285 × 202 mm (sheet). Fine impression on laid paper, with margins of approx. [..]
67
Jan Collaert II
Venus and Adonis, after Titian
Engraving, 262 × 178 mm (plate), 285 × 202 mm (sheet). Fine impression on laid paper, with margins of approx. [..]
68
Marco San Martino
(Napoli)
The Journey of the Israelites in the Desert
Etching, 246 × 344 mm. Bartsch XXI.215.6. Very fine, crisp impression with a plate-tone, printed on thin laid [..]
68
Marco San Martino
(Napoli)
The Journey of the Israelites in the Desert
Etching, 246 × 344 mm. Bartsch XXI.215.6. Very fine, crisp impression with a plate-tone, printed on thin laid [..]
69
Paul V Vicedeo
anonymous engraver from the early 17th century
Engraving, typography, 345 × 442 mm. Rare impression, printed from two plates, one with a portrait of Pope [..]
69
Paul V Vicedeo
anonymous engraver from the early 17th century
Engraving, typography, 345 × 442 mm. Rare impression, printed from two plates, one with a portrait of Pope [..]
70
Raffaele Schiaminossi
(1572 - 1622)
Vitruvian Man
Set of two prints. Etching, approx. 470 × 395 mm each sheet. Bartsch XVII.241.128–129. Very fine impressions [..]
70
Raffaele Schiaminossi
(1572 - 1622)
Vitruvian Man
Set of two prints. Etching, approx. 470 × 395 mm each sheet. Bartsch XVII.241.128–129. Very fine impressions [..]
71
Johann Theodor de Bry
(1561 - 1623)
The Golden Age, after Abraham Bloemaert
Engraving, 164 × 161 mm. Hollstein 14. Fine impression printed on a fragment of thin laid paper. Sheet trimmed [..]
71
Johann Theodor de Bry
(1561 - 1623)
The Golden Age, after Abraham Bloemaert
Engraving, 164 × 161 mm. Hollstein 14. Fine impression printed on a fragment of thin laid paper. Sheet trimmed [..]
72
Johann Theodor de Bry
(1561 - 1623)
QUID NON MUNERIBUS FACIT INSATIATA LIBIDOS
Engraving, 67 × 82 mm. Print from the book Emblemata nobilitati, published by De Bry for the first time in Frankfurt [..]
72
Johann Theodor de Bry
(1561 - 1623)
QUID NON MUNERIBUS FACIT INSATIATA LIBIDOS
Engraving, 67 × 82 mm. Print from the book Emblemata nobilitati, published by De Bry for the first time in Frankfurt [..]
73
Francesco Villamena
(1566 - 1626)
Moses and the Bronze Serpent, by Ferrau Fenzoni
Engraving, 495 × 380 mm. Kühn-Hattenhauer, p. 194. Very fine impression on laid paper with watermark. Sheet [..]
73
Francesco Villamena
(1566 - 1626)
Moses and the Bronze Serpent, by Ferrau Fenzoni
Engraving, 495 × 380 mm. Kühn-Hattenhauer, p. 194. Very fine impression on laid paper with watermark. Sheet [..]
74
Aegidius Sadeler II
(1568, 1629)
Madonna and Child with the Infant Saint John, after Parmigianino
Engraving, 105 × 130 mm. First state, before the publisher’s address. Hollstein 75; Bartsch XII.56.12. Very [..]
74
Aegidius Sadeler II
(1568, 1629)
Madonna and Child with the Infant Saint John, after Parmigianino
Engraving, 105 × 130 mm. First state, before the publisher’s address. Hollstein 75; Bartsch XII.56.12. Very [..]
75
Antonio Tempesta
(1555 - 1630)
Alexandri Magni praecipuae res gestae
Complete series of 11 prints (10 plates plus title page). Etching, approx. 225 × 286 mm (plate), 315 × 400 mm [..]
75
Antonio Tempesta
(1555 - 1630)
Alexandri Magni praecipuae res gestae
Complete series of 11 prints (10 plates plus title page). Etching, approx. 225 × 286 mm (plate), 315 × 400 mm [..]
76
Jacques Callot
(1592 - 1635)
Capricci di varie figure di Iacopo Callot
Set of three engravings from the series. Etching, 55 × 80 mm, 58 × 83 mm, 65 × 92 mm. Lieure 467, 470, 471. [..]
76
Jacques Callot
(1592 - 1635)
Capricci di varie figure di Iacopo Callot
Set of three engravings from the series. Etching, 55 × 80 mm, 58 × 83 mm, 65 × 92 mm. Lieure 467, 470, 471. [..]
77
Jacques Callot
(1592 - 1635)
Heaven
Engraving, 110 × 83 mm. Second state of 2, signed in the plate “I. Callot fecit” at lower left and numbered 15. [..]
77
Jacques Callot
(1592 - 1635)
Heaven
Engraving, 110 × 83 mm. Second state of 2, signed in the plate “I. Callot fecit” at lower left and numbered 15. [..]
78
Crispijn de Passe I
(1637)
and workshop
Athena transforms Arachne into a spider
Engraving and etching, 172 × 240 mm (sheet). From the series of the Metamorphoses of Ovid by Crispijn de Passe [..]
78
Crispijn de Passe I
(1637)
and workshop
Athena transforms Arachne into a spider
Engraving and etching, 172 × 240 mm (sheet). From the series of the Metamorphoses of Ovid by Crispijn de Passe [..]
79
Devotional print: Silver ex-voto of Lucrezia Tomacelli and Filippo I Colonna
17th century
Etching, 285 × 317 mm (plate), 332 × 447 mm (sheet). Impression printed from a irregularly shaped plate on [..]
79
Devotional print: Silver ex-voto of Lucrezia Tomacelli and Filippo I Colonna
17th century
Etching, 285 × 317 mm (plate), 332 × 447 mm (sheet). Impression printed from a irregularly shaped plate on [..]
80
Fireships | Bridge built over the Scheldt River
1640 ca.
Set of two engravings from De bello Belgico by Famiano Strada, published in Rome by Hermann Scheus, Vitalis [..]
80
Fireships | Bridge built over the Scheldt River
1640 ca.
Set of two engravings from De bello Belgico by Famiano Strada, published in Rome by Hermann Scheus, Vitalis [..]
81
Tower of Babel
1639
Title page of A nnalium ecclesiasticorum Veteris Testamenti by Jacques Salian, published in Cologne in 1639. [..]
81
Tower of Babel
1639
Title page of A nnalium ecclesiasticorum Veteris Testamenti by Jacques Salian, published in Cologne in 1639. [..]