294
Live auction
Drawings, Prints and Geographical Maps from the 16th to the 19th Century
Palazzo Caetani Lovatelli - Piazza Lovatelli, 1 Rome 00186, fri 19 April 2024
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For information: n.bukowska@bertolamifineart.com |
181
Philothée François Duflos
(1748)
Attributed to
Tempio di Casstore, e Polucce in Campo Vaccino
Etching, 169 x 185 mm. Fine impression on laid paper, backed on a support.
181
Philothée François Duflos
(1748)
Attributed to
Tempio di Casstore, e Polucce in Campo Vaccino
Etching, 169 x 185 mm. Fine impression on laid paper, backed on a support.
182
Johann Georg Hertel
(1719 - 1768)
Landscape with cottage along the river | Landscape with cottage and figures
Lot of two prints. Engraving and etching, approx. 190 x 255 mm. (each) Fine, very fresh impressions, trimmed [..]
182
Johann Georg Hertel
(1719 - 1768)
Landscape with cottage along the river | Landscape with cottage and figures
Lot of two prints. Engraving and etching, approx. 190 x 255 mm. (each) Fine, very fresh impressions, trimmed [..]
183
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Camera sepolcrale dirimpetto alla Chiesa di S. Sebastiano fuori delle mura
Etching, 370 x 510 mm (plate), 520 x 620 mm (sheet). Focillon 266. Fine, well inked, fresh impression on [..]
183
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta interna della Camera sepolcrale dirimpetto alla Chiesa di S. Sebastiano fuori delle mura
Etching, 370 x 510 mm (plate), 520 x 620 mm (sheet). Focillon 266. Fine, well inked, fresh impression on [..]
184
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta esterna delle Tre Sale sepolcrali, credute della Famiglia di Aug.to
Etching, 375 x 505 mm (plate), 520 x 620 mm (sheet). Focillon 2663 Fine, well inked, fresh impression on [..]
184
Giovanni Battista Piranesi
(Mogliano Veneto, 1720 - Venezia, 1778)
Veduta esterna delle Tre Sale sepolcrali, credute della Famiglia di Aug.to
Etching, 375 x 505 mm (plate), 520 x 620 mm (sheet). Focillon 2663 Fine, well inked, fresh impression on [..]
185
Pietro Gaspari
(1785)
Multiplex Portus varas Navigiis aptus
Etching, 300 x 408 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
185
Pietro Gaspari
(1785)
Multiplex Portus varas Navigiis aptus
Etching, 300 x 408 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
186
Pietro Gaspari
(1785)
Multiplices adscensus usque ad editores Plateam
Etching, 311 x 418 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
186
Pietro Gaspari
(1785)
Multiplices adscensus usque ad editores Plateam
Etching, 311 x 418 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
187
Pietro Gaspari
(1785)
Urbis Pomaerium, et Porta
Etching, 301 x 410 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
187
Pietro Gaspari
(1785)
Urbis Pomaerium, et Porta
Etching, 301 x 410 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
188
Pietro Gaspari
(1785)
Moles sepulcralis semiruta, alias Sarcophagis et Aedificiis instructa
Etching, 310 x 422 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
188
Pietro Gaspari
(1785)
Moles sepulcralis semiruta, alias Sarcophagis et Aedificiis instructa
Etching, 310 x 422 mm (plate), 350 x 507 mm (sheet). Fine, fresh impression on laid paper with double watermark. [..]
189
Christian Bernhard Rode
(1725 - 1797)
The wounded Dario receives water
1774
Etching, 130 x 212 mm (plate), 253 x 330 mm (sheet). Le Blanc 125. Very fine, fresh and clear impression [..]
189
Christian Bernhard Rode
(1725 - 1797)
The wounded Dario receives water
1774
Etching, 130 x 212 mm (plate), 253 x 330 mm (sheet). Le Blanc 125. Very fine, fresh and clear impression [..]
190
Daniel Chodowiecki
(1726 - 1801)
12 scenes from Lessing's "Minna von Barnhelm".
1769
Published in "Genealogischer CALENDER auf das Jahr 1770; mit Kupfern gezieret und mit Genehmhaltung der Königl. [..]
190
Daniel Chodowiecki
(1726 - 1801)
12 scenes from Lessing's "Minna von Barnhelm".
1769
Published in "Genealogischer CALENDER auf das Jahr 1770; mit Kupfern gezieret und mit Genehmhaltung der Königl. [..]
191
Giandomenico Tiepolo
(1727 - 1804)
Man with high collar looking up to the right
after Giovanni Battista Tiepolo. Etching, 157 x 116 mm (plate), 310 x 228 mm (sheet). I state of 2, before [..]
191
Giandomenico Tiepolo
(1727 - 1804)
Man with high collar looking up to the right
after Giovanni Battista Tiepolo. Etching, 157 x 116 mm (plate), 310 x 228 mm (sheet). I state of 2, before [..]
192
Giandomenico Tiepolo
(1727 - 1804)
Head and shoulders of a man facing right, his eyes are covered by a hat
after Giovanni Battista Tiepolo. Etching, 151 x 115 mm (plate), 310 x 225 mm (sheet). I state of 2, before plate's [..]
192
Giandomenico Tiepolo
(1727 - 1804)
Head and shoulders of a man facing right, his eyes are covered by a hat
after Giovanni Battista Tiepolo. Etching, 151 x 115 mm (plate), 310 x 225 mm (sheet). I state of 2, before plate's [..]
193
Mauro Tesi
(1730 - 1766)
Head of a Roman emperor in cartouche
Etching, 71 x 71 mm. Fine impression on laid paper. Trimmed.
193
Mauro Tesi
(1730 - 1766)
Head of a Roman emperor in cartouche
Etching, 71 x 71 mm. Fine impression on laid paper. Trimmed.
194
Jean Jacques de Boissieu
(1736 - 1810)
Children with dog on a leash
Etching, finished with drypoint and roulette, 140 x 178 mm Fine impression and beautiful inking. Intact and complete [..]
194
Jean Jacques de Boissieu
(1736 - 1810)
Children with dog on a leash
Etching, finished with drypoint and roulette, 140 x 178 mm Fine impression and beautiful inking. Intact and complete [..]
195
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a cottage and stream
after Jacob van Ruisdael'ìs painting. Etching and drypoint, 273 x 395 mm. Fine impression. Trimmed sheet, backed [..]
195
Jean Jacques de Boissieu
(1736 - 1810)
Landscape with a cottage and stream
after Jacob van Ruisdael'ìs painting. Etching and drypoint, 273 x 395 mm. Fine impression. Trimmed sheet, backed [..]
196
Jean Jacques de Boissieu
(1736 - 1810)
The elderly beggar
Etching, finished with drypoint and roulette, 355 x 256 mm. Fine impression and beautiful inking. Intact and [..]
196
Jean Jacques de Boissieu
(1736 - 1810)
The elderly beggar
Etching, finished with drypoint and roulette, 355 x 256 mm. Fine impression and beautiful inking. Intact and [..]
197
A choeur d'épouses t'environne...
Etching, 201 x 300 mm. Published by Daumont in Paris (Jean François Daumont 1740-1775 (fl.) in Rue St Martin [..]
197
A choeur d'épouses t'environne...
Etching, 201 x 300 mm. Published by Daumont in Paris (Jean François Daumont 1740-1775 (fl.) in Rue St Martin [..]
198
David Deuchar
(1743 - 1808)
A woman with child in the landscape
Etching, 80 x 85 mm (plate), 330 x 222 mm (sheet). Fine, fresh impression on wove paper. Sheet in very [..]
198
David Deuchar
(1743 - 1808)
A woman with child in the landscape
Etching, 80 x 85 mm (plate), 330 x 222 mm (sheet). Fine, fresh impression on wove paper. Sheet in very [..]
199
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
Etching, 93 x 222 mm (plate), 391 x 295 mm (sheet). IFF 96. Sharp impression on wove paper. Sheet in very good [..]
199
Dominique Vivant Denon
(1747 - 1825)
Oeuvre Priapique
Etching, 93 x 222 mm (plate), 391 x 295 mm (sheet). IFF 96. Sharp impression on wove paper. Sheet in very good [..]
200
James Gillray
(1756 - 1815)
To Phantasmagoria; -scene- Conjuring-up an Armed Skeleton
Etching, 260 x 215 mm. Example with nice period colouring, missing parts on the left side and traces of editorial [..]
200
James Gillray
(1756 - 1815)
To Phantasmagoria; -scene- Conjuring-up an Armed Skeleton
Etching, 260 x 215 mm. Example with nice period colouring, missing parts on the left side and traces of editorial [..]
201
James Gillray
(1756 - 1815)
THE NEW AND ELEGANT ST GILES'S CAGE. Erected on Purpose for the Dillitanti Theatrical Society.etching 26.0x 20.5 cm
Etching, 260 x 205 mm. Example in very good condition, with lively period colouring, missing parts the left edge [..]
201
James Gillray
(1756 - 1815)
THE NEW AND ELEGANT ST GILES'S CAGE. Erected on Purpose for the Dillitanti Theatrical Society.etching [..]
Etching, 260 x 205 mm. Example in very good condition, with lively period colouring, missing parts the left edge [..]
202
James Gillray
(1756 - 1815)
Sketch of the interior of St Stephens, as it now stands
Etching, 207 x 252 mm. Example in very good condition, with period colouring, missing parts on the left [..]
202
James Gillray
(1756 - 1815)
Sketch of the interior of St Stephens, as it now stands
Etching, 207 x 252 mm. Example in very good condition, with period colouring, missing parts on the left [..]
203
James Gillray
(1756 - 1815)
La Couronne Théatrale disputed by the Demoiselles Duchesnois & Georges Weimer
Etching, 278 x 200 mm. Example in very good condition, with fine period colouring, and traces of publication [..]
203
James Gillray
(1756 - 1815)
La Couronne Théatrale disputed by the Demoiselles Duchesnois & Georges Weimer
Etching, 278 x 200 mm. Example in very good condition, with fine period colouring, and traces of publication [..]
204
Francesco Novelli
(1764 - 1836)
Jan Cornelis Sylvius
copy in reverse after Rembrandt. Etching, 233 x 191 mm (plate), 318 x 231 mm (sheet). Fine impression on [..]
204
Francesco Novelli
(1764 - 1836)
Jan Cornelis Sylvius
copy in reverse after Rembrandt. Etching, 233 x 191 mm (plate), 318 x 231 mm (sheet). Fine impression on [..]
205
Francesco Novelli
(1764 - 1836)
4 etchings after Rembrandt
Lot of 4 etchings after Rembrandt. Etching, approx. 160 x 190 mm (each sheet). Fine impressions on wove paper. [..]
205
Francesco Novelli
(1764 - 1836)
4 etchings after Rembrandt
Lot of 4 etchings after Rembrandt. Etching, approx. 160 x 190 mm (each sheet). Fine impressions on wove paper. [..]
206
Giovanni Battista Frulli
(1762 - 1837)
Young couple by a tree
after Parmigianino. Etching and aquatint in two-tone sepia ink, 32 x 240. Fine impression with excellent chiaroscuro [..]
206
Giovanni Battista Frulli
(1762 - 1837)
Young couple by a tree
after Parmigianino. Etching and aquatint in two-tone sepia ink, 32 x 240. Fine impression with excellent chiaroscuro [..]
207
Jean Baptiste Isabey
(Nancy, 1767 - Parigi, 1855)
Le Port de Salerne
1822
Lithograph, 271 x 412 mm. In very good condition except for paper residues on the reverse.
207
Jean Baptiste Isabey
(Nancy, 1767 - Parigi, 1855)
Le Port de Salerne
1822
Lithograph, 271 x 412 mm. In very good condition except for paper residues on the reverse.
208
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Via Crucis
1833
14 plates bound together. 235 x 300 mm approx. (each plate), 340 x 460 mm (each sheet). Splendid, very [..]
208
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
Via Crucis
1833
14 plates bound together. 235 x 300 mm approx. (each plate), 340 x 460 mm (each sheet). Splendid, very [..]
209
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
"E uno dei due specialmente..."
1831
Plate n. 15 from the "Promessi Sposi". Lithograph, 445 x 595 mm (sheet). Very fine impression on unlaid paper. [..]
209
Bartolomeo Pinelli
(Roma, 1781 - Roma, 1835)
"E uno dei due specialmente..."
1831
Plate n. 15 from the "Promessi Sposi". Lithograph, 445 x 595 mm (sheet). Very fine impression on unlaid paper. [..]
210
Wilhelm Jacob Hüber
(1787 - 1871)
La partie droite de la rue des Tombeaux à Pompei en sortant de la ville
1818
Lithograph, 360 x 482 mm. Watercolored by Antonalli (signed lower left). Impression with very fine hand [..]
210
Wilhelm Jacob Hüber
(1787 - 1871)
La partie droite de la rue des Tombeaux à Pompei en sortant de la ville
1818
Lithograph, 360 x 482 mm. Watercolored by Antonalli (signed lower left). Impression with very fine hand [..]