81
Ludovico Carracci
(Bologna, 1555 - Bologna , 1619)
Madonna and Child with Angels
Etching, 164 x 116 mm. State I of 3. Bartsch V.44.2, De Grazia 3. Splendid impression on laid paper without [..]
81
Ludovico Carracci
(Bologna, 1555 - Bologna , 1619)
Madonna and Child with Angels
Etching, 164 x 116 mm. State I of 3. Bartsch V.44.2, De Grazia 3. Splendid impression on laid paper without [..]
82
Agostino Carracci
(1557 - 1602)
Adoration of the Magi, after Baldassare Peruzzi
One of seven plates that make up a large print of the Adoration of the Magi by Peruzzi. Third state, with the [..]
82
Agostino Carracci
(1557 - 1602)
Adoration of the Magi, after Baldassare Peruzzi
One of seven plates that make up a large print of the Adoration of the Magi by Peruzzi. Third state, with the [..]
83
Hendrik Goltzius
(1558 - 1617)
Crucifixion
From the series of twelve plates of "The Passion of Christ". Engraving, 196 x 130 mm. Hollstein 30. Fine impression [..]
83
Hendrik Goltzius
(1558 - 1617)
Crucifixion
From the series of twelve plates of "The Passion of Christ". Engraving, 196 x 130 mm. Hollstein 30. Fine impression [..]
84
Giacomo Lauro
(1560 - 1645)
Deposition, after Federico Barocci
1598
Etching, 212 x 147 mm (plate), 274 x 208 mm (sheet). Very fine impression on laid paper with watermark. Wide [..]
84
Giacomo Lauro
(1560 - 1645)
Deposition, after Federico Barocci
1598
Etching, 212 x 147 mm (plate), 274 x 208 mm (sheet). Very fine impression on laid paper with watermark. Wide [..]
85
Giacomo Lauro
(1560 - 1645)
Momigliano
Etching and engraving, 265 x 385 mm (sheet). Very fine impression with light platemark tone, on laid paper with [..]
85
Giacomo Lauro
(1560 - 1645)
Momigliano
Etching and engraving, 265 x 385 mm (sheet). Very fine impression with light platemark tone, on laid paper with [..]
86
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
Pietà (Christ of Caprarola)
Etching, engraving, and drypoint, 122 x 160 mm. Third state. Bartsch XVIII.182.4. Very fine, strong impression. [..]
86
Annibale Carracci
(Bologna, 1560 - Roma , 1609)
Pietà (Christ of Caprarola)
Etching, engraving, and drypoint, 122 x 160 mm. Third state. Bartsch XVIII.182.4. Very fine, strong impression. [..]
87
Francesco Villamena
(1566 - 1626)
Moses and the Bronze Serpent, after Ferrau Fenzoni
Engraving, 495 x 380 mm. Kühn-Hattenhauer, p. 194. Very fine impression on laid paper with watermark. Proof trimmed, [..]
87
Francesco Villamena
(1566 - 1626)
Moses and the Bronze Serpent, after Ferrau Fenzoni
Engraving, 495 x 380 mm. Kühn-Hattenhauer, p. 194. Very fine impression on laid paper with watermark. Proof trimmed, [..]
88
Raffaele Schiaminossi
(1572 - 1622)
The Temptation of Christ
Etching, 273 x 240 mm. Bartsch XVII.220.3. Fine impression on laid paper with watermark (fleur-de-lis within [..]
88
Raffaele Schiaminossi
(1572 - 1622)
The Temptation of Christ
Etching, 273 x 240 mm. Bartsch XVII.220.3. Fine impression on laid paper with watermark (fleur-de-lis within [..]
89
Francesco Brizio
(Bologna - 1623)
Saint Roch Imploring Divine Protection for a Donor, after Parmigianino.
1603 ca.
Engraving and etching, 374 x 267 mm. Bartsch XVIII.258.9. Impression on laid paper with watermark (pilgrim [..]
89
Francesco Brizio
(Bologna - 1623)
Saint Roch Imploring Divine Protection for a Donor, after Parmigianino.
1603 ca.
Engraving and etching, 374 x 267 mm. Bartsch XVIII.258.9. Impression on laid paper with watermark (pilgrim [..]
90
Ottavio Leoni
(1578 - 1630)
Portrait of Tommaso Salini
1625
Etching, 144 x 110 mm (plate), 280 x 197 mm and 232 x 170 mm (sheet). Set of two prints: first state, avant la [..]
90
Ottavio Leoni
(1578 - 1630)
Portrait of Tommaso Salini
1625
Etching, 144 x 110 mm (plate), 280 x 197 mm and 232 x 170 mm (sheet). Set of two prints: first state, avant la [..]
91
Giovanni Battista Coriolano
(1579 - 1649)
Allegory of the Law, with a view of Bologna in the background, after Alessandro Tiarini
Engraving, 334 x 453 mm (sheet). Bartsch XIX.44.23. Fine impression on thin laid paper with watermark (fleur-de-lis [..]
91
Giovanni Battista Coriolano
(1579 - 1649)
Allegory of the Law, with a view of Bologna in the background, after Alessandro Tiarini
Engraving, 334 x 453 mm (sheet). Bartsch XIX.44.23. Fine impression on thin laid paper with watermark (fleur-de-lis [..]
92
Stephan Colbenschlag
(1591)
Pietà, after Annibale Carracci
Etching, 324 x 250 mm (sheet). Borea, Annibale Carracci and his engravers, p.206. Very fine impression on laid [..]
92
Stephan Colbenschlag
(1591)
Pietà, after Annibale Carracci
Etching, 324 x 250 mm (sheet). Borea, Annibale Carracci and his engravers, p.206. Very fine impression on laid [..]
93
Jacques Callot
(1592 - 1635)
The Beggar with Staves
Etching. 138 x 89 mm. From the series "Les Mendiants." 1st state of 2. Lieure 488. Splendid impression on laid [..]
93
Jacques Callot
(1592 - 1635)
The Beggar with Staves
Etching. 138 x 89 mm. From the series "Les Mendiants." 1st state of 2. Lieure 488. Splendid impression on laid [..]
94
Jacques Callot
(1592 - 1635)
The Female Beggar with Staves
Etching. 140 x 91 mm. From the series "Les Mendiants". I was on 2. Lieure 494. Splendid impression on [..]
94
Jacques Callot
(1592 - 1635)
The Female Beggar with Staves
Etching. 140 x 91 mm. From the series "Les Mendiants". I was on 2. Lieure 494. Splendid impression on [..]
95
Pierre Scalberge
(1640)
Depositon
1638
Etching, 262 x 324 mm. Dumesnil III.5.8. Very fine impression with rich black tones, printed on thin laid paper. [..]
95
Pierre Scalberge
(1640)
Depositon
1638
Etching, 262 x 324 mm. Dumesnil III.5.8. Very fine impression with rich black tones, printed on thin laid paper. [..]
96
Salomon Savery
(Amsterdam, 1594 - 1678)
Peasants and Beggars, after Pieter Jansz. Quast
Lot of 5 plates from a series of 10 (1, 3, 5, 6, and 9). Etching, approx. 210 x 127 mm (each sheet). Hollstein [..]
96
Salomon Savery
(Amsterdam, 1594 - 1678)
Peasants and Beggars, after Pieter Jansz. Quast
Lot of 5 plates from a series of 10 (1, 3, 5, 6, and 9). Etching, approx. 210 x 127 mm (each sheet). Hollstein [..]
97
Giovanni Battista Pasqualini
(1595 - 1631)
Saint Francis of Assisi, after Guercino
1630
Etching 350 x 240 mm (plate), 505 x 375 mm (sheet). Bagni, Guercino and his engravers, no. 110. Very fine impression [..]
97
Giovanni Battista Pasqualini
(1595 - 1631)
Saint Francis of Assisi, after Guercino
1630
Etching 350 x 240 mm (plate), 505 x 375 mm (sheet). Bagni, Guercino and his engravers, no. 110. Very fine impression [..]
98
Lucas Vorsterman
(1595 - 1675)
Portrait of Anthony van Dyck
Engraving, 251 x 156 mm (plate), 300 x 204 mm (sheet). After a self-portrait by Anton van Dyck, from the [..]
98
Lucas Vorsterman
(1595 - 1675)
Portrait of Anthony van Dyck
Engraving, 251 x 156 mm (plate), 300 x 204 mm (sheet). After a self-portrait by Anton van Dyck, from the [..]
99
Paulus Pontius
(1603 - 1603)
Adrianus Stalbent | Henricus van Baelen
Lot of two etchings by Anton van Dyck. Burin, 300 x 248 and 323 x 225 mm (sheet). Tracts "Iconographie ou Vies [..]
99
Paulus Pontius
(1603 - 1603)
Adrianus Stalbent | Henricus van Baelen
Lot of two etchings by Anton van Dyck. Burin, 300 x 248 and 323 x 225 mm (sheet). Tracts "Iconographie ou Vies [..]
100
Pieter van Laer Il Bamboccio
(Haarlem, 1599 - Haarlem, 1642)
Horses
Complete series of six engravings. Etching, approx. 83 x 97 mm (each sheet). Bartsch I.11.9-14 Very fine impressions [..]
100
Pieter van Laer Il Bamboccio
(Haarlem, 1599 - Haarlem, 1642)
Horses
Complete series of six engravings. Etching, approx. 83 x 97 mm (each sheet). Bartsch I.11.9-14 Very fine impressions [..]
101
Magdalena van de Passe
(1600 - 1638)
Orpheus in the Underworld
Burin, 166 x 232 mm. Hollstein 236-ad. Very fine impression with strong chiaroscuro tones, printed on laid paper [..]
101
Magdalena van de Passe
(1600 - 1638)
Orpheus in the Underworld
Burin, 166 x 232 mm. Hollstein 236-ad. Very fine impression with strong chiaroscuro tones, printed on laid paper [..]
102
Crestano Menarola
(1605 - 1687)
The Pentecost, after Jacopo Bassano
After the altarpiece in the Church of San Francesco in Bassano. Etching, 458 x 310 mm. E. Pan, 'Jacopo Bassano [..]
102
Crestano Menarola
(1605 - 1687)
The Pentecost, after Jacopo Bassano
After the altarpiece in the Church of San Francesco in Bassano. Etching, 458 x 310 mm. E. Pan, 'Jacopo Bassano [..]
103
Franciscus de Neve
(1606 - 1687)
Landscape with Narcissus gazing at his reflection in the water.
Etching, 315 x 392 mm. Bartsch IV.124.14. Fine impression on laid paper. Very thin margins beyond the platemark. [..]
103
Franciscus de Neve
(1606 - 1687)
Landscape with Narcissus gazing at his reflection in the water.
Etching, 315 x 392 mm. Bartsch IV.124.14. Fine impression on laid paper. Very thin margins beyond the platemark. [..]
104
Grégoire Huret
(1606 - 1670)
Putti gathering apples
Burin, 178 x 135 mm. Fine impression. Backed, with minor defects at the corners, but overall in good condition [..]
104
Grégoire Huret
(1606 - 1670)
Putti gathering apples
Burin, 178 x 135 mm. Fine impression. Backed, with minor defects at the corners, but overall in good condition [..]
105
Theodoor van Thulden
(Hertogenbosch, 1606 - 1669)
Arcus Ad. D. Michaelis, after Peter Paul Rubens
Etching, 498 x 312 mm (plate), 550 x 372 mm (sheet). From the series of 43 illustrative plates for Pompa Introitus [..]
105
Theodoor van Thulden
(Hertogenbosch, 1606 - 1669)
Arcus Ad. D. Michaelis, after Peter Paul Rubens
Etching, 498 x 312 mm (plate), 550 x 372 mm (sheet). From the series of 43 illustrative plates for Pompa Introitus [..]
106
Jan Saenredam
(1607)
The Supper at Casa Levi, after Paolo Veronese
Burin, 870 x 422 mm. Bartsch III.232.34. Engraving printed from three plates on three joined sheets. Backed, [..]
106
Jan Saenredam
(1607)
The Supper at Casa Levi, after Paolo Veronese
Burin, 870 x 422 mm. Bartsch III.232.34. Engraving printed from three plates on three joined sheets. Backed, [..]
107
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
The pancake seller
(1810)
Etching, 108 x 77 mm (plate), 116 x 87 mm (sheet). 7th state, posthumous, with some parts redrawn by Henri Louis [..]
107
Rembrandt van Rijn
(Leiden, 1606 - Amsterdam, 1669)
The pancake seller
(1810)
Etching, 108 x 77 mm (plate), 116 x 87 mm (sheet). 7th state, posthumous, with some parts redrawn by Henri Louis [..]
108
Giovanni Benedetto Castiglione Il Grechetto
(Genova, 1609 - Mantova, 1664)
Tobias burying the dead
Etching, 204 x 297 mm. Bartsch XXI.12.5, Bellini 58. Fine, sharp impression on laid paper with watermark (grape [..]
108
Giovanni Benedetto Castiglione Il Grechetto
(Genova, 1609 - Mantova, 1664)
Tobias burying the dead
Etching, 204 x 297 mm. Bartsch XXI.12.5, Bellini 58. Fine, sharp impression on laid paper with watermark (grape [..]
109
Giovanni Benedetto Castiglione Il Grechetto
(Genova, 1609 - Mantova, 1664)
The Nativity
Etching, 300 x 205 mm (plate), 317 x 220 mm (sheet). 19th-century impression. Impressed on 19th-century wove [..]
109
Giovanni Benedetto Castiglione Il Grechetto
(Genova, 1609 - Mantova, 1664)
The Nativity
Etching, 300 x 205 mm (plate), 317 x 220 mm (sheet). 19th-century impression. Impressed on 19th-century wove [..]
110
Salvatore Castiglione
(1620 - 1676)
Giovanni Benedetto Castiglione Il Grechetto
(Genova, 1609 - Mantova, 1664)
Bearded old man seen in profile
Etching, 110 x 82 mm. Bartsch XXI.29.36; Bellini 27. The engraving has been attributed by Jaco Rutgers to Salvatore [..]
110
Salvatore Castiglione
(1620 - 1676)
Giovanni Benedetto Castiglione Il Grechetto
(Genova, 1609 - Mantova, 1664)
Bearded old man seen in profile
Etching, 110 x 82 mm. Bartsch XXI.29.36; Bellini 27. The engraving has been attributed by Jaco Rutgers to Salvatore [..]
111
Stefano della Bella
(Firenze, 1610 - 1664)
Vari capricci militari
Complete series of six engravings. Etching, approx. 90 x 143 mm (each sheet). 1st of 4. De Vesme 2 58-263. [..]
111
Stefano della Bella
(Firenze, 1610 - 1664)
Vari capricci militari
Complete series of six engravings. Etching, approx. 90 x 143 mm (each sheet). 1st of 4. De Vesme 2 58-263. [..]
112
Stefano della Bella
(Firenze, 1610 - 1664)
Castel Sant'Angelo with the Bridge
Etching, 109 x 158 mm. 1st state of 4, with the excudit of Ciartres. DeVesme 174. Very fine impression on thin [..]
112
Stefano della Bella
(Firenze, 1610 - 1664)
Castel Sant'Angelo with the Bridge
Etching, 109 x 158 mm. 1st state of 4, with the excudit of Ciartres. DeVesme 174. Very fine impression on thin [..]
113
Stefano della Bella
(Firenze, 1610 - 1664)
The Battle of the Amalekites
Etching, 129 x 275 mm. 2nd state of 2, with the title and four lines of text. De Vesme 3. Fine impression on [..]
113
Stefano della Bella
(Firenze, 1610 - 1664)
The Battle of the Amalekites
Etching, 129 x 275 mm. 2nd state of 2, with the title and four lines of text. De Vesme 3. Fine impression on [..]
114
Stefano della Bella
(Firenze, 1610 - 1664)
Disegno dell'attacco del forte posto di Longone...
Etching, 475 x 592 mm (sheet). De Vesme 881. 18th-century impression. Impressed on laid paper with watermark [..]
114
Stefano della Bella
(Firenze, 1610 - 1664)
Disegno dell'attacco del forte posto di Longone...
Etching, 475 x 592 mm (sheet). De Vesme 881. 18th-century impression. Impressed on laid paper with watermark [..]
115
Giulio Carpioni
(Venezia, 1613 - Vicenza, 1679)
Saint Jerome in the Desert
Etching, 222 x 163 mm (plate), 420 x 315 mm (sheet). With the address of Matteo Cadorin. Bartsch XX.185.12, [..]
115
Giulio Carpioni
(Venezia, 1613 - Vicenza, 1679)
Saint Jerome in the Desert
Etching, 222 x 163 mm (plate), 420 x 315 mm (sheet). With the address of Matteo Cadorin. Bartsch XX.185.12, [..]
116
Giulio Carpioni
(Venezia, 1613 - Vicenza, 1679)
Saint Anthony of Padua
Etching, 214 x 140 mm. With the address of the Paduan publisher Matteo Cadorin. Bartsch XX.185.11. Very fine [..]
116
Giulio Carpioni
(Venezia, 1613 - Vicenza, 1679)
Saint Anthony of Padua
Etching, 214 x 140 mm. With the address of the Paduan publisher Matteo Cadorin. Bartsch XX.185.11. Very fine [..]
117
Daniel van den Dyck
(Anversa, 1614 - Mantova, 1662)
The Deification of Aeneas by Nymphs and Cupids
Etching, 314 x 421 mm. Hollstein 10, Robert-Dumesnil III.18.4. Superb impression with strong plate-tone, printed [..]
117
Daniel van den Dyck
(Anversa, 1614 - Mantova, 1662)
The Deification of Aeneas by Nymphs and Cupids
Etching, 314 x 421 mm. Hollstein 10, Robert-Dumesnil III.18.4. Superb impression with strong plate-tone, printed [..]
118
Salvator Rosa
(Napoli, 1615 - 1673)
The Rest of Aeneas
Etching, 345 x 235 mm (plate), 470 x 346 mm (sheet). Bartsch XX.277.23, Wallace 117. Superb impression with [..]
118
Salvator Rosa
(Napoli, 1615 - 1673)
The Rest of Aeneas
Etching, 345 x 235 mm (plate), 470 x 346 mm (sheet). Bartsch XX.277.23, Wallace 117. Superb impression with [..]
119
Salvator Rosa
(Napoli, 1615 - 1673)
Apollo and the Cumaean Sibyl
Etching, 337 x 217 mm (plate), 463 x 350 mm (sheet). 1st state. Bartsch XX.274.17, Wallace 102. Fine impression [..]
119
Salvator Rosa
(Napoli, 1615 - 1673)
Apollo and the Cumaean Sibyl
Etching, 337 x 217 mm (plate), 463 x 350 mm (sheet). 1st state. Bartsch XX.274.17, Wallace 102. Fine impression [..]
120
Thomas Wijck
(Beverwijk, 1616 - Haarlem, 1677)
The Seamstress
Etching, 94 x 82 mm. Bartsch IV.142.3. Very fine, sharp impression with plate-tone, printed on laid paper. Sheet [..]
120
Thomas Wijck
(Beverwijk, 1616 - Haarlem, 1677)
The Seamstress
Etching, 94 x 82 mm. Bartsch IV.142.3. Very fine, sharp impression with plate-tone, printed on laid paper. Sheet [..]