1
Sketch for an emblem with a mountain
17th century
Pen, brown ink, and watercolor on unwatermarked laid paper, 212 × 154 mm. On the verso, a contemporary inscription [..]
1
Sketch for an emblem with a mountain
17th century
Pen, brown ink, and watercolor on unwatermarked laid paper, 212 × 154 mm. On the verso, a contemporary inscription [..]
2
Study with a young man at the fountain
18th-century Emilian school
Pen, brown ink, and traces of pencil on laid paper, 146 x 185 mm. Contemporary mount.
2
Study with a young man at the fountain
18th-century Emilian school
Pen, brown ink, and traces of pencil on laid paper, 146 x 185 mm. Contemporary mount.
3
Two Women from Back, by Jacques Callot
17th-century Central Italian artist
Brown ink and pen on laid paper, 100 x 130 mm Included: Studies for the vases Black ink and pen on laid paper [..]
3
Two Women from Back, by Jacques Callot
17th-century Central Italian artist
Brown ink and pen on laid paper, 100 x 130 mm Included: Studies for the vases Black ink and pen on laid paper [..]
4
Figure with a hunched back, after Jacques Callot
anonymous artist of the late 17th century
Black ink, pen and watercolor on paper, 72 x 81 mm
4
Figure with a hunched back, after Jacques Callot
anonymous artist of the late 17th century
Black ink, pen and watercolor on paper, 72 x 81 mm
5
View of the Roman Forum | Glimpse of Rome
anonymous artist of the late 18th century
Red ink, pen and watercolour on laid paper (front and back), 187 x 139 mm
5
View of the Roman Forum | Glimpse of Rome
anonymous artist of the late 18th century
Red ink, pen and watercolour on laid paper (front and back), 187 x 139 mm
6
Study for the Holy Family with putto
Bolognese artist from the early 18th century
Sanguine on laid paper, approx. 230 x 160 mm. With passe-partout and frame (49 x 41 x 3 cm).
6
Study for the Holy Family with putto
Bolognese artist from the early 18th century
Sanguine on laid paper, approx. 230 x 160 mm. With passe-partout and frame (49 x 41 x 3 cm).
7
Figurative studies
18th-century Emilian school
Set of four sheets. Pencil and white chalk on brown prepared laid paper, 280 × 200 mm (each sheet). One sheet [..]
7
Figurative studies
18th-century Emilian school
Set of four sheets. Pencil and white chalk on brown prepared laid paper, 280 × 200 mm (each sheet). One sheet [..]
8
Study for a Seated Male Figure
18th-century Ligurian school
Red chalk on laid paper, 175 × 265 mm. Backed onto a sheet of blue paper.
8
Study for a Seated Male Figure
18th-century Ligurian school
Red chalk on laid paper, 175 × 265 mm. Backed onto a sheet of blue paper.
9
Study for a seated woman and a child
18th-century Venetian school
Pencil and white chalk on thick laid paper, 202 × 185 mm. Signed “Lorenzi?” in ink at lower right.
9
Study for a seated woman and a child
18th-century Venetian school
Pencil and white chalk on thick laid paper, 202 × 185 mm. Signed “Lorenzi?” in ink at lower right.
10
Saint Mark | Saint Matthew, after Nicolas Dorigny da Domenichino
Red chalk and pencil on laid paper with watermark (lily on three mountains within a double circle surmounted by [..]
10
Saint Mark | Saint Matthew, after Nicolas Dorigny da Domenichino
Red chalk and pencil on laid paper with watermark (lily on three mountains within a double circle surmounted by [..]
11
Holy Family with Saint Anne and the Young Saint John
Roman school of the 17th-18th century
Red chalk on a fragment of laid paper without watermark, 267 × 190 mm
11
Holy Family with Saint Anne and the Young Saint John
Roman school of the 17th-18th century
Red chalk on a fragment of laid paper without watermark, 267 × 190 mm
12
Artista emiliano, XVII - XVIII secolo
Study of a bearded male head with turban
Emilian artist, 17th century
Sanguine on paper, 256 x 204 mm. Backed. Indecipherable signature in red ink at bottom left. Angelo Prada collection [..]
12
Artista emiliano, XVII - XVIII secolo
Study of a bearded male head with turban
Emilian artist, 17th century
Sanguine on paper, 256 x 204 mm. Backed. Indecipherable signature in red ink at bottom left. Angelo Prada collection [..]
paper
13
Scuola emiliana, prima metà XVIII secolo
Adlocutio of Constantine before the battle
Central Italy, 17th century
Brown ink, pen and wash on laid paper with watermark, 472 x 575 mm The drawing bears an inscription on the base [..]
13
Scuola emiliana, prima metà XVIII secolo
Adlocutio of Constantine before the battle
Central Italy, 17th century
Brown ink, pen and wash on laid paper with watermark, 472 x 575 mm The drawing bears an inscription on the base [..]
paper
14
Artista fiorentino, XVII secolo
Flight into Egypt
17th-century Central Italian artist
Red chalk on laid paper with watermark (fleur-de-lis within a circle with the letters DG and S), 440 x 306 mm
14
Artista fiorentino, XVII secolo
Flight into Egypt
17th-century Central Italian artist
Red chalk on laid paper with watermark (fleur-de-lis within a circle with the letters DG and S), 440 x 306 mm
15
Guido Reni
(Bologna , 1575 - 1642)
After
Saint Roch distributing alms to the poor, after Annibale Caracci
Brown ink, pen and wash on laid paper with watermark (fleur-de-lis within a circle surmounted by the letter V), [..]
15
Guido Reni
(Bologna , 1575 - 1642)
After
Saint Roch distributing alms to the poor, after Annibale Caracci
Brown ink, pen and wash on laid paper with watermark (fleur-de-lis within a circle surmounted by the letter V), [..]
16
Various head studies
Lot of five drawings: Studies of four heads Pen, brown ink and watercolour on laid paper, approx. 105 × 135 [..]
16
Various head studies
Lot of five drawings: Studies of four heads Pen, brown ink and watercolour on laid paper, approx. 105 × 135 [..]
17
Pastoral scene
18th-century French school
Brown ink, pen and traces of pencil on laid paper with watermark, 175 x 167 mm
17
Pastoral scene
18th-century French school
Brown ink, pen and traces of pencil on laid paper with watermark, 175 x 167 mm
18
Rodolfo Fantuzzi
(Bologna, 1781 - 1832)
Attributed to
Landscape with trees
Brown ink, pen and wash on wove paper, 325 x 470 mm.
18
Rodolfo Fantuzzi
(Bologna, 1781 - 1832)
Attributed to
Landscape with trees
Brown ink, pen and wash on wove paper, 325 x 470 mm.
19
Louis Pierre Deseine
(1749 - 1822)
Attributed to
Tête d'Écorché (The Flayed Man)
Red chalk on laid paper with watermark (“grape cluster” and countermarked with the letters CM alternated with [..]
19
Louis Pierre Deseine
(1749 - 1822)
Attributed to
Tête d'Écorché (The Flayed Man)
Red chalk on laid paper with watermark (“grape cluster” and countermarked with the letters CM alternated with [..]
20
Study for Testudo Coriacea
18th century
Brown ink and pen on thin laid paper with watermark, 252 x 366 mm.
20
Study for Testudo Coriacea
18th century
Brown ink and pen on thin laid paper with watermark, 252 x 366 mm.
21
Macabre Scene | Apollo and Daphne
second half of the 19th century
Front: Black pencil and watercolor | Back: Brown and black ink, pen on laid paper, 210 x 308 mm
21
Macabre Scene | Apollo and Daphne
second half of the 19th century
Front: Black pencil and watercolor | Back: Brown and black ink, pen on laid paper, 210 x 308 mm
22
Detailed elevation of the mechanism of the steam distribution slide of the machine
1870
Black ink, pen, and watercolor on laid paper, 260 x 425 mm (sheet) Framed and mounted (44 x 60 x 2 cm)
22
Detailed elevation of the mechanism of the steam distribution slide of the machine
1870
Black ink, pen, and watercolor on laid paper, 260 x 425 mm (sheet) Framed and mounted (44 x 60 x 2 cm)
23
Luigi Sabatelli
(1772 - 1850)
Attributed to
Study for two male heads
Brown ink, pen, pencil and red pencil on heavy laid paper, 110 x 146 mm
23
Luigi Sabatelli
(1772 - 1850)
Attributed to
Study for two male heads
Brown ink, pen, pencil and red pencil on heavy laid paper, 110 x 146 mm
24
FRANCESCO GRANDI (Roma, 1831 - 1891)
Study for two figures
Brown ink, pen and traces of pencil on paper, 117 x 91 mm. Signed "F. Grandi" lower left
24
FRANCESCO GRANDI (Roma, 1831 - 1891)
Study for two figures
Brown ink, pen and traces of pencil on paper, 117 x 91 mm. Signed "F. Grandi" lower left
25
Study of a praying woman
Northern Italian artist, 17th century
Pencil on laid paper, 208 x 143 mm
25
Study of a praying woman
Northern Italian artist, 17th century
Pencil on laid paper, 208 x 143 mm
26
André Giroux
(1801 - 1879)
Attributed to
The Virgin Mary
Pencil and wash on thick wove paper, 540 × 447 mm. On the verso two collector blind stamps: “A. GIROUX à PARIS” [..]
26
André Giroux
(1801 - 1879)
Attributed to
The Virgin Mary
Pencil and wash on thick wove paper, 540 × 447 mm. On the verso two collector blind stamps: “A. GIROUX à PARIS” [..]
27
Alessandro Capalti
(Roma, 1817 - 1868)
Presentation at the Temple
Pencil, brown ink, wash and white lead on wove paper, 370 x 203 mm With frame, glass and passe-partout (56 x [..]
27
Alessandro Capalti
(Roma, 1817 - 1868)
Presentation at the Temple
Pencil, brown ink, wash and white lead on wove paper, 370 x 203 mm With frame, glass and passe-partout (56 x [..]
28
View of Tiber Island in Rome
anonymous 17th century artist
Brown ink, pen, black ink, and wash on laid paper, approx. 245 x 33 mm With frame, glass and passe-partout (45 [..]
28
View of Tiber Island in Rome
anonymous 17th century artist
Brown ink, pen, black ink, and wash on laid paper, approx. 245 x 33 mm With frame, glass and passe-partout (45 [..]
29
Glimpse with ancient ruins
anonymous artist of the late 19th century
Pencil on wove paper, approx. 405 x 262 mm With frame, glass and passe-partout (56 x 40 x 3 cm)
29
Glimpse with ancient ruins
anonymous artist of the late 19th century
Pencil on wove paper, approx. 405 x 262 mm With frame, glass and passe-partout (56 x 40 x 3 cm)
30
Glimpse of Venice
anonymous artist of the late 18th century
Black ink, wash and and highlight in white lead on prepared brown paper, 170 x 242 mm
30
Glimpse of Venice
anonymous artist of the late 18th century
Black ink, wash and and highlight in white lead on prepared brown paper, 170 x 242 mm
32
Antonio Senape
(Roma, 1788 - Napoli, 1842)
Chiaja porta sulla strada nuova di Posillipo
Pen, brown and black ink on laid paper, 215 x 325 mm Framed and mounted (42 x 52 x 2 cm)
32
Antonio Senape
(Roma, 1788 - Napoli, 1842)
Chiaja porta sulla strada nuova di Posillipo
Pen, brown and black ink on laid paper, 215 x 325 mm Framed and mounted (42 x 52 x 2 cm)
33
Giuseppe Moricci
(Firenze, 1806 - Firenze, 1879)
Scene with lunch in the countryside
1872
Watercolor on wove paper, 223 x 360 mm. Signed and dated lower right With frame (27x 40 x 2 cm)
33
Giuseppe Moricci
(Firenze, 1806 - Firenze, 1879)
Scene with lunch in the countryside
1872
Watercolor on wove paper, 223 x 360 mm. Signed and dated lower right With frame (27x 40 x 2 cm)
34
Glimpse of a cloister
anonymous Italian artist of the late 18th century
Black ink and watercolor on laid paper, 327 x 264 mm Framed (50 x 41 x 3 cm)
34
Glimpse of a cloister
anonymous Italian artist of the late 18th century
Black ink and watercolor on laid paper, 327 x 264 mm Framed (50 x 41 x 3 cm)
35
NINO COSTA NINO COSTA (Roma, 1826 - Marina di Pisa, 1903)
(Roma, 1826 - Marina di Pisa, 1903)
Attributed to
Male figure in oriental dress
Pencil on wove paper, approx. 220 x 110 mm With passe-partout and frame (34 x 22.5 x 3 cm)
35
NINO COSTA NINO COSTA (Roma, 1826 - Marina di Pisa, 1903)
(Roma, 1826 - Marina di Pisa, 1903)
Attributed to
Male figure in oriental dress
Pencil on wove paper, approx. 220 x 110 mm With passe-partout and frame (34 x 22.5 x 3 cm)
36
Hans Burgkmair il Vecchio
(1473 - 1531)
Knights with feathered hats
Woodcut, approx. 310 × 420 mm. One of 139 blocks forming a frieze of approximately 54 metres, depicting a triumphal [..]
36
Hans Burgkmair il Vecchio
(1473 - 1531)
Knights with feathered hats
Woodcut, approx. 310 × 420 mm. One of 139 blocks forming a frieze of approximately 54 metres, depicting a triumphal [..]
37
Marcantonio Raimondi
(1534)
School of
Vegetal grotesque in the shape of an inverted S, after Giovanni da Udine?
Engraving, 150 × 112 mm. With the excudit of Antonio Salamanca (state not recorded in Bartsch). Bartsch XV.56.2; [..]
37
Marcantonio Raimondi
(1534)
School of
Vegetal grotesque in the shape of an inverted S, after Giovanni da Udine?
Engraving, 150 × 112 mm. With the excudit of Antonio Salamanca (state not recorded in Bartsch). Bartsch XV.56.2; [..]
38
Marcantonio Raimondi
(1534)
School of
The Healing of the Blind Man
Etching and engraving, 283 × 453 mm. Bartsch V.22.15. Very fine impression, crisp and with strong contrasts, [..]
38
Marcantonio Raimondi
(1534)
School of
The Healing of the Blind Man
Etching and engraving, 283 × 453 mm. Bartsch V.22.15. Very fine impression, crisp and with strong contrasts, [..]
39
Marcantonio Raimondi
(1534)
Based on
The Triumph
Engraving, 340 × 492 mm. Bartsch XIV.173.213; Delaborde 171. This is a copy of Raimondi’s print, recorded by [..]
39
Marcantonio Raimondi
(1534)
Based on
The Triumph
Engraving, 340 × 492 mm. Bartsch XIV.173.213; Delaborde 171. This is a copy of Raimondi’s print, recorded by [..]
40
Marcantonio Raimondi
(1534)
Based on
Two Sibyls and the Zodiac
Engraving, 285 × 205 mm. Copy in the same direction after Marcantonio. Bartsch XIV.299.397; Delaborde 177. [..]
40
Marcantonio Raimondi
(1534)
Based on
Two Sibyls and the Zodiac
Engraving, 285 × 205 mm. Copy in the same direction after Marcantonio. Bartsch XIV.299.397; Delaborde 177. [..]
41
Maestro della Testa di Cavallo
Ornament with two putti riding dolphins
Engraving, 93 × 49 mm. Bartsch X.158.312. Fine impression on laid paper with small margins. In very good con [..]
41
Maestro della Testa di Cavallo
Ornament with two putti riding dolphins
Engraving, 93 × 49 mm. Bartsch X.158.312. Fine impression on laid paper with small margins. In very good con [..]