161
Joseph Wagner
(1706 - 1786)
Four Seasons, after Jacopo Amigoni
Complete set of four plates. Etching, 575 × 380 mm (each sheet). Fine impressions on laid paper with lettered [..]
161
Joseph Wagner
(1706 - 1786)
Four Seasons, after Jacopo Amigoni
Complete set of four plates. Etching, 575 × 380 mm (each sheet). Fine impressions on laid paper with lettered [..]
162
Johann Baptist Klauber
(1712 - 1787)
Santa Izabel Rahina de Portugal | San Francisco de Paula | Santa Petronilla virgo
Set of three prints. Engraving and etching, 605 × 465 mm approx. (each sheet). Each printed from two plates [..]
162
Johann Baptist Klauber
(1712 - 1787)
Santa Izabel Rahina de Portugal | San Francisco de Paula | Santa Petronilla virgo
Set of three prints. Engraving and etching, 605 × 465 mm approx. (each sheet). Each printed from two plates [..]
163
John Browne
(1790)
The Waggoner, after Rubens
1776
Etching, 480 × 603 mm (plate), 510 × 680 mm (sheet). Plate from A Set of Prints engraved after the most capital [..]
163
John Browne
(1790)
The Waggoner, after Rubens
1776
Etching, 480 × 603 mm (plate), 510 × 680 mm (sheet). Plate from A Set of Prints engraved after the most capital [..]
164
James Watson
(1740 - 1790)
Lady sitting in a Chair, after Rubens
1778
Mezzotint, 475 × 322 mm. Third state of 3. Printed and published in London by John Boydell in 1779 and in 1778 [..]
164
James Watson
(1740 - 1790)
Lady sitting in a Chair, after Rubens
1778
Mezzotint, 475 × 322 mm. Third state of 3. Printed and published in London by John Boydell in 1779 and in 1778 [..]
165
Louis Sailliar
(1748)
Helena Forman, Ruben's second wife, after Antonio Van Dyck
Etching and stipple engraving, 580 × 392 mm (plate), 670 × 505 mm (sheet). Very fine impression with refined [..]
165
Louis Sailliar
(1748)
Helena Forman, Ruben's second wife, after Antonio Van Dyck
Etching and stipple engraving, 580 × 392 mm (plate), 670 × 505 mm (sheet). Very fine impression with refined [..]
166
James Watson
(1740 - 1790)
Archbishop Laud | Lord Chief Baron Wandesford, after Antony van Dyck
Mezzotint, 425 × 312 mm and 430 × 322 mm. Third state of 3. Set of two engravings, printed and published in London [..]
166
James Watson
(1740 - 1790)
Archbishop Laud | Lord Chief Baron Wandesford, after Antony van Dyck
Mezzotint, 425 × 312 mm and 430 × 322 mm. Third state of 3. Set of two engravings, printed and published in London [..]
167
Josiah Boydell
(1752 - 1817)
Charles Townley
(1746)
Jane daughter of Lord Wenman | Mrs Jenny Deering
Set of two prints published in London by John Boydell in 1779 and in 1778 in the series A Set of Prints engraved [..]
167
Josiah Boydell
(1752 - 1817)
Charles Townley
(1746)
Jane daughter of Lord Wenman | Mrs Jenny Deering
Set of two prints published in London by John Boydell in 1779 and in 1778 in the series A Set of Prints engraved [..]
168
Richard Earlom
(London, 1743 - 1822)
Robert Dunkarton
(1744)
Marchioness of Wharton | Lady Philadelphia Warton
Set of two mezzotints: Richard Earlom (London 1743–1822) Marchioness of Wharton, after Peter Lely Mezzotint, [..]
168
Richard Earlom
(London, 1743 - 1822)
Robert Dunkarton
(1744)
Marchioness of Wharton | Lady Philadelphia Warton
Set of two mezzotints: Richard Earlom (London 1743–1822) Marchioness of Wharton, after Peter Lely Mezzotint, [..]
169
Charles Nicolas Cochin II
(1715 - 1790)
Le thrionfé de David
Etching and engraving, 237 × 302 mm. Frame after a design by Callot. IFF 1. Fine, sharp impression. Sheet trimmed [..]
169
Charles Nicolas Cochin II
(1715 - 1790)
Le thrionfé de David
Etching and engraving, 237 × 302 mm. Frame after a design by Callot. IFF 1. Fine, sharp impression. Sheet trimmed [..]
170
Giovanni David
(Cabella Ligure, 1749 - Genova, 1790)
La cuisinière
1775
Etching, 238 × 165 mm (plate), 350 × 243 mm (sheet). Schleier & Grasso 9. Very fine, sharp impression on [..]
170
Giovanni David
(Cabella Ligure, 1749 - Genova, 1790)
La cuisinière
1775
Etching, 238 × 165 mm (plate), 350 × 243 mm (sheet). Schleier & Grasso 9. Very fine, sharp impression on [..]
171
Benigno Bossi
(1727 - 1792)
Raccolta di disegni originali di Fra. Mazzola detto il Parmigianino
1772
Set of two prints from R accolta di disegni originali di Fra’ Mazzola detto il Parmigianino. Etching in [..]
171
Benigno Bossi
(1727 - 1792)
Raccolta di disegni originali di Fra. Mazzola detto il Parmigianino
1772
Set of two prints from R accolta di disegni originali di Fra’ Mazzola detto il Parmigianino. Etching in [..]
172
Pietro Fabris
(Napoli, 1740 - 1792)
Campi Phlegrei
1775
Set of six prints from Sir William Hamilton’s Campi Phlegræi. Observations on the Volcanoes of the Two Sicilies: [..]
172
Pietro Fabris
(Napoli, 1740 - 1792)
Campi Phlegrei
1775
Set of six prints from Sir William Hamilton’s Campi Phlegræi. Observations on the Volcanoes of the Two Sicilies: [..]
173
Georg Balthasar Probst
(1732 - 1801)
The prodigal son
Engraving and etching, 340 × 470 mm (sheet). Very fine, fresh impression on laid paper, with period colouring. [..]
173
Georg Balthasar Probst
(1732 - 1801)
The prodigal son
Engraving and etching, 340 × 470 mm (sheet). Very fine, fresh impression on laid paper, with period colouring. [..]
174
Michel Angelo Pergolesi
(1801)
Portrait of the Duke of Northumberland
1792
Etching, 460 × 293 mm (plate), 520 × 340 mm (sheet). E. Harris, British Architectural Books and Writers 1556–1785, [..]
174
Michel Angelo Pergolesi
(1801)
Portrait of the Duke of Northumberland
1792
Etching, 460 × 293 mm (plate), 520 × 340 mm (sheet). E. Harris, British Architectural Books and Writers 1556–1785, [..]
175
Gaetano Gandolfi
(Bologna, 1734 - 1802)
Rape of Proserpina
Etching, 72 × 114 mm (plate), 100 × 143 mm (sheet). De Vesme 12. Very fine impression on laid paper. Sheet [..]
175
Gaetano Gandolfi
(Bologna, 1734 - 1802)
Rape of Proserpina
Etching, 72 × 114 mm (plate), 100 × 143 mm (sheet). De Vesme 12. Very fine impression on laid paper. Sheet [..]
176
Gaetano Gandolfi
(Bologna, 1734 - 1802)
Head of a woman in profile
Etching, 147 × 103 mm. De Vesme 19. Superb impression on laid paper with fragment of watermark (letter P within [..]
176
Gaetano Gandolfi
(Bologna, 1734 - 1802)
Head of a woman in profile
Etching, 147 × 103 mm. De Vesme 19. Superb impression on laid paper with fragment of watermark (letter P within [..]
177
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Loggie of Raphael in the Vatican, after a drawing by Piero Camporesi
Etching, 633 × 440 mm (sheet). Frontispiece to the series titled Loggie di Raffaele nel Vaticano , printed and [..]
177
Giovanni Volpato
(Angarano, 1735 - Roma, 1803)
Loggie of Raphael in the Vatican, after a drawing by Piero Camporesi
Etching, 633 × 440 mm (sheet). Frontispiece to the series titled Loggie di Raffaele nel Vaticano , printed and [..]
178
Louis Jean Desprez
(1743 - 1804)
Architecture, Sallon (Internal view of Palazzo Spinola in Genoa), after Charles de Wailly,
Etching, 315 × 413 mm (plate), 385 × 498 mm (sheet). Very fine, crisp impression on laid paper with watermark. [..]
178
Louis Jean Desprez
(1743 - 1804)
Architecture, Sallon (Internal view of Palazzo Spinola in Genoa), after Charles de Wailly,
Etching, 315 × 413 mm (plate), 385 × 498 mm (sheet). Very fine, crisp impression on laid paper with watermark. [..]
179
Gaetano Canali
(Vicenza)
Presso al gran fianco de l'augusta Reggia sorge il castello..., after Francesco Gioli
Etching, 555 × 720 mm (sheet). Fine impression on wove paper. Sheet with wide margins beyond the platemark. [..]
179
Gaetano Canali
(Vicenza)
Presso al gran fianco de l'augusta Reggia sorge il castello..., after Francesco Gioli
Etching, 555 × 720 mm (sheet). Fine impression on wove paper. Sheet with wide margins beyond the platemark. [..]
180
Pellegrino De Colle
(Belluno, 1737 - Venezia , 1812)
L'Etude des Graveurs en taille douce, after Francesco Maggiotto
Etching and engraving, 375 × 452 mm (plate), 452 × 562 mm (sheet). Very fine impression printed on laid paper [..]
180
Pellegrino De Colle
(Belluno, 1737 - Venezia , 1812)
L'Etude des Graveurs en taille douce, after Francesco Maggiotto
Etching and engraving, 375 × 452 mm (plate), 452 × 562 mm (sheet). Very fine impression printed on laid paper [..]
182
Charles Wilkin
(1750 - 1814)
Epponina, afters Benjamin West
1794
Etching and stipple engraving, 515 × 400 mm. Very fine impression on laid paper, swith small margins. Various [..]
182
Charles Wilkin
(1750 - 1814)
Epponina, afters Benjamin West
1794
Etching and stipple engraving, 515 × 400 mm. Very fine impression on laid paper, swith small margins. Various [..]
183
Bartholomaus Ignaz Weiss
(1814)
Saint Jerome
Etching, 107 × 78 mm. Sharp impression on laid paper. Sheet trimmed to the platemark. In very good condition [..]
183
Bartholomaus Ignaz Weiss
(1814)
Saint Jerome
Etching, 107 × 78 mm. Sharp impression on laid paper. Sheet trimmed to the platemark. In very good condition [..]
184
Francesco Bartolozzi
(1728 - 1815)
The boy who writes
Engraving and pointillé, approx. 260 × 310 mm (image). With frame, glass and mount (44 × 50 × 4 cm). The print [..]
184
Francesco Bartolozzi
(1728 - 1815)
The boy who writes
Engraving and pointillé, approx. 260 × 310 mm (image). With frame, glass and mount (44 × 50 × 4 cm). The print [..]
185
Francesco Bartolozzi
(1728 - 1815)
Adelaide or the Shepherdess of the Alps
Etching and stipple engraving, 395 × 309 mm. Second state of 3, with only the artists’ names and publication details. [..]
185
Francesco Bartolozzi
(1728 - 1815)
Adelaide or the Shepherdess of the Alps
Etching and stipple engraving, 395 × 309 mm. Second state of 3, with only the artists’ names and publication details. [..]
186
Francesco Bartolozzi
(1728 - 1815)
July, after Giuseppe Zocchi
Etching, 370 × 468 mm (sheet). Third state of 6, with the signature AC. From a series of twelve allegories of [..]
186
Francesco Bartolozzi
(1728 - 1815)
July, after Giuseppe Zocchi
Etching, 370 × 468 mm (sheet). Third state of 6, with the signature AC. From a series of twelve allegories of [..]
187
Francesco Bartolozzi
(1728 - 1815)
The Holy Family, after Guercino
Etching and engraving, 408 × 292 mm. Plate from Raccolta di alcuni disegni del Barbieri da Cento detto il Guercino... [..]
187
Francesco Bartolozzi
(1728 - 1815)
The Holy Family, after Guercino
Etching and engraving, 408 × 292 mm. Plate from Raccolta di alcuni disegni del Barbieri da Cento detto il Guercino... [..]
188
Paul Reymund
(1764 - 1815)
Endpapers (Buntpapier)
Set of six endpapers. Woodcut, approx. 355 × 415 mm (each sheet). Gilded and embossed paper. Impression in [..]
188
Paul Reymund
(1764 - 1815)
Endpapers (Buntpapier)
Set of six endpapers. Woodcut, approx. 355 × 415 mm (each sheet). Gilded and embossed paper. Impression in [..]
189
Giuseppe Piattoli
(Firenze, 1743 - Firenze, 1823)
Proverbi toscani espressi in figura da Giuseppe Piattoli pittore fiorentino
1788
Set of five plates from Proverbi toscani espressi in figura da Giuseppe Piattoli pittore fiorentino , published [..]
189
Giuseppe Piattoli
(Firenze, 1743 - Firenze, 1823)
Proverbi toscani espressi in figura da Giuseppe Piattoli pittore fiorentino
1788
Set of five plates from Proverbi toscani espressi in figura da Giuseppe Piattoli pittore fiorentino , published [..]
190
Francisco Goya
(1746 - 1828)
Disparate volante
Plate no. 5 from the Proverbios series. Etching and aquatint, 327 × 468 mm (sheet). First edition of 1864. [..]
190
Francisco Goya
(1746 - 1828)
Disparate volante
Plate no. 5 from the Proverbios series. Etching and aquatint, 327 × 468 mm (sheet). First edition of 1864. [..]
191
Francisco Goya
(1746 - 1828)
Disparate desordenado
Plate no. 7 from the Proverbios series. Etching, aquatint and drypoint, 327 × 468 mm (sheet). First edition of [..]
191
Francisco Goya
(1746 - 1828)
Disparate desordenado
Plate no. 7 from the Proverbios series. Etching, aquatint and drypoint, 327 × 468 mm (sheet). First edition of [..]
192
Francisco Goya
(1746 - 1828)
Bobalicón
Plate no. 4 from the Proverbios series. Etching and aquatint, 327 × 468 mm (sheet). First edition of 1864. [..]
192
Francisco Goya
(1746 - 1828)
Bobalicón
Plate no. 4 from the Proverbios series. Etching and aquatint, 327 × 468 mm (sheet). First edition of 1864. [..]
193
Francisco Goya
(1746 - 1828)
Disparate claro
Plate no. 15 from the Proverbios series. Etching and aquatint, 327 × 468 mm (sheet). First edition of 1864. [..]
193
Francisco Goya
(1746 - 1828)
Disparate claro
Plate no. 15 from the Proverbios series. Etching and aquatint, 327 × 468 mm (sheet). First edition of 1864. [..]
194
Francisco Goya
(1746 - 1828)
Disparate de miedo
Plate no. 2 from the Proverbios series. Etching and aquatint, 327 × 468 mm (sheet). First edition of 1864. [..]
194
Francisco Goya
(1746 - 1828)
Disparate de miedo
Plate no. 2 from the Proverbios series. Etching and aquatint, 327 × 468 mm (sheet). First edition of 1864. [..]
195
Francisco Goya
(1746 - 1828)
¿Por qué esconderlos?
1799
Plate no. 30 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
195
Francisco Goya
(1746 - 1828)
¿Por qué esconderlos?
1799
Plate no. 30 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
196
Francisco Goya
(1746 - 1828)
Hasta la muerte
1799
Plate no. 55 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
196
Francisco Goya
(1746 - 1828)
Hasta la muerte
1799
Plate no. 55 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
197
Francisco Goya
(1746 - 1828)
Obsequio al maestro
1799
Plate no. 47 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
197
Francisco Goya
(1746 - 1828)
Obsequio al maestro
1799
Plate no. 47 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
198
Francisco Goya
(1746 - 1828)
Chitón
1799
Plate no. 28 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
198
Francisco Goya
(1746 - 1828)
Chitón
1799
Plate no. 28 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
199
Francisco Goya
(1746 - 1828)
Si amanece, nos vamos
1799
Plate no. 71 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
199
Francisco Goya
(1746 - 1828)
Si amanece, nos vamos
1799
Plate no. 71 from the Los Caprichos series. Etching and aquatint, 290 × 190 mm (sheet). First edition of 1799. [..]
200
Francisco Goya
(1746 - 1828)
Buen viaje
1799 (1855)
Plate no. 64 from the Los Caprichos series. Etching and aquatint, 312 × 214 mm (sheet). Second edition of 1855. [..]
200
Francisco Goya
(1746 - 1828)
Buen viaje
1799 (1855)
Plate no. 64 from the Los Caprichos series. Etching and aquatint, 312 × 214 mm (sheet). Second edition of 1855. [..]